Good Luck Clive - Chappell Roan Maurice Edit

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Good Luck Clive - Chappell Roan Maurice Edit

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the idea that hollander "tamed" rozanov is really funny to shane because like. ilya finds it hot and is always going along with it, yes of course my husband is so sexy why do you think i moved to this boring fucking city. for dick. meanwhile shane knows the truth which is that ilya tamed himself. he herded shane like a sheepdog until he was exactly in the right position for ilya to flop down at his feet and say i love you, i am a one man guy, sleep with other people if you want but you are it for me, so shane is always there like ??? ilya. what are you talking about. i was literally prepared to be a secret slot on your roster for the rest of time without even admitting that i was gay until you decided to have me over make me lunch and say my name while you come like a love confession and ilya goes lyubmiyy. shut up. i was untamable you tamed the untamable and so shane has to be like yes, baby, i worked so hard, i used all my tricks but he's rolling his eyes because ilya wants to be a wolf shane coaxed inside to sleep on the hearth but instead he's a cat who snuck through the window and fell in love with his prey. self domesticated. and this is just one of the many perfect games they play
new ask game send me a 🌻 and ill just tell you whatever the fuck i want
the intertextuality and metatextuality of ulysses is actually making me crazy. the use of stephen dedalus, joyce's own fictional alter-ego from the autobiographical portrait of the artist as a young man, as his telemachus figure. the constant switching and blurring of person from third to first to second and sometimes all three at once. the change and overlap of tenses. who is telling the story and who is a character in the story. joyce is both dedalus is both. something something the characters of the odyssey always listening to the odyssey within the odyssey. james joyce you move me

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i think being a girl might fix stephen dedalus. i also think it would make him worse.
feeling a strong urge to emancipate myself from the influence of Simon Dedalus and to create my own intricate life and art away from his gaze and power and i've never met the guy
just now realising with horror that stephen dedalus would definitely be a fan of the smiths
My dealer: got some straight gas 🔥😛 this strain is called “Ulysses” 😳 you’ll be zonked out of your gourd 💯
Me: yeah whatever. I don’t feel shit.
5 minutes later: dude I swear I just saw a guy in a brown macintosh
My buddy Stephen Dedalus pacing: my roommate is trying to usurp me

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santa claus after mrs claus sends him a pussy picture from the back.
As someone who discovered she was disabled as an adult, and suddenly understood why so many things that come naturally to her peers she could barely manage at all (and at personal cost usually), who haa seen herself and been seen by others as abled, all while struggling with disabilies she didn't even know she had, who has historically been a bit more willful than friends who she often needed to stick up for, who has struggled with allowing herself to be vulnerable, and frequently finds herself shouldering other's burdens, I find the idea of affini florets very compelling and comforting.
Nobody slips through the cracks, everybody gets the love and care they need, even when at first glance they seem to be very capable and held together. And there's no shame in it, just an understanding that the burdens you were expected to bear are too much for you.
There's also something very compelling about people who are meant to be your peers seeing that, despite how things seem at first glance, you actually aren't like them, you can't keep up with them, and they see past the facade of "I can do anything you can" and recognize that you can't, actually. That the things which come so naturally to them are hurting you, and even though it looks like you're keeping up, one peak behind the curtan reveals just how much you're struggling, and that's okay. You don't have to be this way if it's hurting you.
I find immense comfort in the idea of being told "hey it's okay, you don't have to be like us, you don't have to struggle to keep up just because it seems like you should be able to. You don't have to be one of us, and we won't jusge you for it."
When I create HDG I am writing a world where just like some humans aren't cut out to be human, some adults aren't cut out to be adults, some people aren't cut out to be people, so too are some affini not cut out to be affini. And they are worthy of all the love in the universe, just as every other floret is.
using violence to liberate people from sweatshops, unsafe mines, and grinding poverty isn't the same as using violence to impose those things on people. the idea that violence is morally repugnant regardless of context is a belief that every oppressor throughout history would love for the oppressed to hold
I have GOT to stop spending $30
Dare I say the thing I love most about Human Domestication Guide as a setting, beyond the magical anti-anxiety and HRT drugs, or even the Affini's unending love for humans, is the fact that it's non-consensual.
As someone with a flavor of mental illness that simultaneously makes me desperately need help, but also be absolutely terrified of it with all my heart, I would still suffer in a world where the Affini followed human conventions of consent. I would do what I've always done and hide my problems, pretend everything is fine, or frustrate medical workers until they deem me treatment resistant and give up (which has happened several times now).
In such a world, I'd refuse Class E's, only cautiously accept Class G's, and go on my merry way slowly tearing myself apart, with expectations of living to 30 at best, 25 at worst. Any time I'd be offered domestication, I'd refuse not because I don't want it, but because I'm pathologically inclined to refuse such a thing no matter what.
The fact that this isn't the case, that I'd be dragged kicking and screaming to receive help, and that help would actually fix me, is the #1 reason I enjoy the setting. The guarantee that, even if I run and hide because I can't help myself, someone will find me, and they're going to care for me until the end of time.

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On it, chief.
Ulysses by James Joyce is the most book to ever book. The most novel to ever novel. It literally has everything. Literally everything.