like to a title-leaf

reblog to piss off ayn rands ghost

taking notes

for another pretty silly one off feat. one of my ABSOLUTE FAVORITE quentin designs and character moments, thanks david & alvaro lopez, Nation X (2010) #2 has a b-story called "7 1/2" where quentin appoints himself a supervillain and martha johanssen his nemesis. i love this story so so so much

10. i cant believe i forgot to mention diaz before he draws such a fucking cuties quentin with his best hero costume so far. this panel is genuinely lethal levels of cute quentin i cant even look at it. also im fanwanking that he looks sooo babyfaced in alaska era bc his physical age is behind his chronological age because of being goop (a couple times) and dying and getting clone-revived (lots of times) (x-men 2024 #10)

tbh i dont know enough about different ssris to pick one BUT i am giving him erectile dysfunction and brain zaps and dizzy spells and headaches because they are thematically appropriate. yay <3

Elizabeth Bishop, Figura Durmiendo, 5 5/8" x 8 5/8". Un retrato de la amiga y amante de Bishop, Louise Crane. Bishop viajó con Crane por Europa y vivieron juntas en Key West.

#イラスト　#山口はるみ　#松本はるみ　#art　#japan　#design

Released on this day (18 July 1988): “Peek-A-Boo” by Siouxsie and the Banshees, the first single from their ninth studio album Peepshow. If – like me! - you are Gen X and were going to goth clubs and alternative nights in your youth, you definitely danced to this one at some point! As Piers Martin recalls in Uncut magazine, the jarring-but-catchy experimental song came about my accident: “producer Mike Hedges accidentally played their version of John Cale’s “Gun” [from their previous album Through the Looking Glass] backwards, creating a low-end stutter with a fluttering bass riff – the track’s backbone – over which Siouxsie wrote about women being exploited in softcore porn, dehumanised and stereotyped, establishing the voyeuristic theme of the album. [Martin] McGarrick’s sprightly accordion and Budgie’s parade-ground drumming, as well as the Banshees’ increasingly piratical get-up, lend the whole thing a proto-steampunk vibe – it’s futuristic and corny and remains utterly compelling.” Similarly, Ned Raggett of the AllMusic website praises “Peek-A-Boo” for “interpolating what sounded like the Charleston into hip-hop rhythms with a brilliant, choppy arrangement.” “Peek-A-Boo” is widely acclaimed and is one of the Banshees’ all-time highest charting singles on both sides of the Atlantic but was never a personal favourite: I admire how inventive it is but find it gimmicky and shrill! However, I love its art-y German Expressionist-style accompanying video. And I remember the ripple of excitement when Siouxsie dramatically emerged with her signature wild crimped mane cropped into a sleek Louise Brooks-inspired flapper bob. Now sing along with me! “Reeking like a pigsty / Peeling back and gagging free / Flaccid ego in your hand / Chokes on dry tears, can you understand?”

one of the tweets of all time to me

mustard snob canon

Encounter: the twin Imps of Sour Stomach and Headache

there's no fucking way

Internet Archive

Fig. 127. “A part of the constellation of the Twins, as seen through a telescope.” The heavens, an illustrated handbook of popular astronomy. 1867.

Don't worry I have not forgotten my original short king.