egwene al'vere defense attorney

Oh, how quickly the past is forgotten. 

They are part of the reason A03 is a thing now. Not the whole reason, but part of it. 

The Great Purges of 2002 and 2012 are when ff.net got a wild hair up their ass about THINK OF THE CHILDREN and nuked any fic posted on there that was explicit. Thousands upon thousands of nc-17 smutfics were lost.

Is there any way to spread this info? 

THE OTW WAS CREATED BY FANS SO WE’D HAVE AN ARCHIVE THAT WASN’T SUBJECT TO CORPORATE REVIEW. 

Nonprofit, so that nobody could ever say, “this isn’t making enough money; it’s getting shut down.” (See: Geocities, Quizilla, Figment, G+.) With lawyers involved and a firm awareness of the legalities of fanfic, so nobody would decide “we’ve gotten a nasty letter from a megacorporation with lawyers, so we’re hiding because we can’t afford to face a lawsuit. (Jedi Hurtaholics, Trevizo’s Millennium site.) With teams, so that an argument between co-mods didn’t result in the destruction of a whole archive. (Gryffindor Tower, Detention.)

AO3 IS OUR SITE.

It is by fans, for fans. Fans do all the coding. All the legal paperwork. All the abuse/tos violation complaints. Fans make all the choices about policies. Fans decide how to run the fundraisers. Fans write the blog posts. All the volunteer staff are fans; all the people who train them are fans. Fans wrangle all the tags. 

(And the other OTW projects, too. Fans manage the entries at Fanlore. Fans run the Open Doors project. Fans publish Transformative Works and Cultures.)

EVERYONE WORKING FOR THE OTW LOVES FANDOM. Wants it to survive. Wants it to be awesome for everyone.

(Knows that it can’t be awesome for everyone; some approaches to fandom just clash hard. But they strive to minimize those clashes as much as possible, because they love fandom.) 

AO3 is not some company that decided, “we’ll make a site for fanfic and then…” I don’t know what people are thinking is the reason. Money? Data harvesting? Tax shelter? Amusement and pity?

Nope; AO3 was fans saying, “Livejournal sucks; we’re tired of this fucked-up ‘rebuild every three years’ garbage; WE NEED TO OWN THE DAMN SERVERS.”

pack it up boys we've made a social blunder

let's run that again

one more time normal style

I'm going to become a statistic

further proof god is out to get me

it's because I tore my acl senior year

I couldn't do it for religious reasons

my ex took my talent in the divorce

Authors set out to correct under-representation of female sounds – and found some surprising revelations

When we hear the beautiful call of a bird from a high bough, we’re told it’s likely to be a male – singing for territory, or belting out tunes to woo a female. But as the annual dawn chorus reaches a crescendo this spring, a new guidebook is urging us to think again – and turn our ears to the hidden world of female birdsong. The songs, sounds and sights of female birds have historically been overlooked in field guides and sound archives. In 2016, just 0.01% of the bird sounds in the global Xeno-Canto sound library were labelled female. Another sound archive was just 0.03% female, according to a 2018 study. But the new book – The Sound Approach to Birding 2 – aims to correct this under-representation and properly explain female birdsong. Female birds sing for territorial displays, to ward off other females and to attract extra males, according to Lucy McRobert, a writer and researcher who studied the issue for the guidebook. The book comes with its own library of 300 sounds from 200 species, accessed via web or app. The clips are drawn from the larger online archive of Sound Approach, a birdsong project founded in 2000 with confirmed recordings of females for 41% of species found in the Western Palearctic, a biogeographical region encompassing Europe, north Africa and most of the Middle East...

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