Hello, because kudos or hits count in large fandoms is not always a reliable metric, what are your favourite Thorki fics that you'd recommend? (Because I remember your writing from Bedge and Jon/Stephen fandoms ;), so I know that you'd like the type of things I'd like). Sorry if this is out of line and thank you regardless
Oh boy here we go, lemme just scour my bookmarks though I bet I miss an important one BUT I WILL TRY AND THIS MIGHT GET LONG BECAUSE SO MUCH GOOD OKAY...in no particular order:
Stormbreaker by ladylapislazuli (a WIP but it was updated last month after 2 years so there is hope!): during IW, Thor travels back in time to when he and Loki were late teens, no one recognizes him, and Loki develops a big old crush that makes Thor go oh shit how do I deal with this and let him down without revealing I'm his bro, bro?
just in it for the game by grim_lupine: Post-Ragnarok, onboard the Statesman, people think Thor and Loki are fucking and Loki is like this is hilarious and also makes me look great...hijinks ensue.
Along a Desert Highway by triedunture: Loki gets cast out along with Thor during the events of the first movie. Just a sweet fic that warms my heart.
Eight Months of a Century by stereobone: Loki and Thor shack up with the Avengers to keep Loki safe because Thor totally knocked him up and Odin, they imagine, won't react well. Mpreg, I suppose, except kinda not since we're dealing with a being who is a shapeshifter and also magic, so
Soft Shocks by stereobone: Loki and Thor pretend to be married for typical 'Loki told the Jotuns this was the case' reasons. Features one of my favourite oh-so-convincing lines from Thor, when he says 'That's me, I am a husband' to convince a dude he's married to his bro...it's a whole deal.
Safe Passage Through the Anus by Anonymous: Grandmaster makes Thor and Loki star in porn, Thor and Loki try and pretend as though this is, like, totally the first time they've done each other. I died reading this
The Price by Ark: Thor brings Loki back after Infinity War, but there's a price. Bring tissues, but read this one 100%
Reveille by Ark: Thor wants to see Loki again. Bring tissues for this one too. All of Ark's stuff is amazing, but these two are my fave.
Faceless by thefirstwhokneels: Also a sequel that you should read. Thor and Loki keep visiting a tavern where you can sleep with anonymous people who have their faces well-concealed. They each get really attached to this one person: naturally, each other.
How soft your fields so green by ravenbringslight: Aliens make them do it. Loki is put out because the sex is...fine. He thinks he deserves better.
No Common Thing by ravenbringslight: Loki follows Thor to a brothel. It gets complicated fast.
Face hell and walk backwards into the light by ravenbringslight: Post-IW, Loki is dead but did a really bad job of crossing over. Thor is the only one who can see him.
Hug Therapy by astolat: Thor is trying to save Loki through hugs and other means. His therapist probably needs therapy herself after this.
Take the Long Way Home by cavaleira: Thor and Loki strike a deal.
Inside Out series by hjbender: Loki and Thor get together on the Statesman, it ends in Loki pregnant accidentally, there's a great 'poor Bruce' moment in this one as he deals with their bullshit
The Hope Only of Empty Men by Clarice Chiara Sorcha (claricechiarasorcha): SHIELD/Avengers do some dark medical shit to convince Loki he's pregnant as it calms him down. This one is a bit cracky and dark, don't expect a happy ending
Also Built On Ruins by coyotesuspect: post-Ragnarok, the council decides the solution to the Loki Problem is Thor marrying him. I adore this fic
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
"Thorki can't get married cuz they're sibling" "Theres laws on Asgard against incest so Thor & Loki have to hide their-" ARE YOU CRAZY?! They're Gods, they're Royalty, They're Godly Royalty. What, may I ask you, are those three demographics specifically known for? Cuz id guess incest is pretty high on their 'vary much acceptable actually' list if I'm being honest with yall.
"But incest is wrong and they're actually super advanced so-" WEAK! YOU WILL NOT SURVIVE THE WINTER!
The only problem Asgard has with the incest is that Loki's adopted and therefore its only sudo incest and doesn't keep the bloodline pure. Otherwise everyone knows damn well Loki would make a fantastic queen because he was raised right alongside Thor to compete to be king so queen is the perfect compromise for him.
Odin doesn't disown them, he arranged their marriage himself. Freya gives Loki 'the talk' right before they go on their honeymoon and gushes about her first grandbabes. Asgard doesn't judge them and ridicule them, they praise the brothers for keeping the lineage strong and the throne secure from meddling successors.
Seen a panel of Johnny near a ledge saying it would be so easy to just not flame on, and God I need to actually know the context to that??? I'm sorry ur my source to turn to for really specific spideytorch knowledge, so I really would like to know more, is suicidal ideation with Johnny a thing...?
That panel is from Fantastic Four #342, the second of two "a kid emulating Johnny's powers dies as a result" issues. Due to the nature of the content, I'm going to go ahead and stick this one under a cut. Warnings for suicidal ideation and actual suicide (not Johnny), as well as discussions of sexual assault regarding both Johnny and Sharon Ventura aka She-Thing.
The panel in question. "Sure, suicide's a fantasy for everybody at some point or another" is, uh, an interesting look into his mind, for sure. So is suicidal ideation a thing for Johnny? I think we can make the case, but there's a lot going on in this issue that leads him down this road.
This is a bit of a weird one. This issue is a flashback that takes place during Simonson's run, in the middle of a larger story about the FF hopping universes, and we need some background. Before and during the trip, Johnny begins to have strange visions of a strange beautiful blue woman named Nebula. (Not the same Nebula as the GotG movies but rather a character named Ravonna Ravenslayer. I hate it here.)
(FF #337-338) Nebula kisses Johnny -- the pretty familiar "Johnny leaning away from intimate contact with women" posture is here again -- before possessing him and taking control of his body, mind, and powers.
When Nebula's possession is broken, Sharon Ventura, the She-Thing of the time (Ben is temporarily unrocky here), remarks that "to be so totally under Nebula's control... helpless," it must have felt like the time Johnny "lost control of his flame."
(FF #342) So again we have this kind of prevalent link between Johnny's loss of control over his powers and a lack of his personal autonomy over his body, as represented by physical and/or sexual assault. (They could have had Nebula possess him without kissing him, or saying she "needs him," or having her in his body comment about how attractive Gladiator is to her.
(FF #339) "He would make a worthy consort." "This should be interesting. He's a handsome brute, whoever he is." Add it to the pile of Extremely Suspect Panels, true believers.
That's gonna come up again. It's interesting to me that Sharon in particular is the character who, albeit clumsily, brings this up, because of that link between Johnny's control of his powers and Johnny's history of assault.
Sharon Ventura, who originally went by Ms. Marvel, was a wrestler Ben knew from the Unlimited Class Wrestling Federation. She underwent a process to have her physical strength augmented, but in the process she was gang raped. (Some sources will say that this is only "implied," but I think, though it's not graphically shown on panel, it's very evident what happened.) Due to that trauma, she developed an intense hatred and physical repulsion for the touch of men -- Ben being the exception for her because, in her view, his rocky body made him "not a man." (Ben takes that about as well as you'd expect.) For the record, I don't think any of the handling of Sharon's character basically anywhere in Fantastic Four is good or well done (can any writer ever be normal about her), but it is canon, and we're working with it and not against it for the sake of this analysis.
Anyway, Sharon's comments launch us into a flashback that "wasn't even all that long ago." Johnny's working on his little red Jaguar (the pink pearl Thunderbird is my favorite of his canonically mentioned cars) when a story comes on the radio about a 16yo dropout student named Theodore Bannion who has committed suicide by self-immolation, and left a note behind detailing his admiration for the Human Torch.
(There's an urban legend that Johnny wasn't present in the 1978 animated Fantastic Four series because producers were concerned children would emulate him and set themselves on fire. This is false -- Johnny wasn't present because of a rights issue -- but this is a thing that happened in 616 canon more than once.)
Johnny, in the moment, hearing the radio report, totally loses control of his powers and flames on, blowing up the Jaguar and setting fire to the shop, endangering the people around him. This is something Johnny doesn't just do, by the way -- Johnny is extremely conscious of his control all of the time, to such a degree that even his own sister doesn't realize how much effort it takes him, and how much his emotions feed into his powers, until she personally experiences it herself.
(FF #520)
(Human Torch #6) "Because there's only one rule for people like us -- do no harm! You can never hurt anybody -- EVER!" He's speaking to another pyrokinetic here.
So that control is a huge thing for Johnny. For him to lose it takes a massive, massive loss of emotional control, like when he goes Nova to save himself from Lyja's attack in FF #371. He manages to get a hold of himself and absorb his flames before they can threaten the entire block, and no one is ultimately hurt, but it's a close call.
(FF #342) Now there's a reason Johnny might be so shaken by this act of self-immolation, beyond just the disturbing aspect of a sixteen-year-old taking their own life in emulation and admiration of him. I keep saying this isn't the only time a kid has died trying to emulate Johnny, and sorry for jumping around issues so much, but I think it's relevant to this story.
In Fantastic Four #285, a lonely little boy named Tommy sets himself on fire to emulate Johnny, although I do not believe, in Tommy's case, the intent was to commit suicide. Neglected by his parents at home and bullied at school, Tommy's only source of comfort is his admiration and idolization of Johnny.
His love for Johnny is weaponized against him, with other students offering him magazine interviews and other Johnny paraphernalia in exchange for money or him doing their homework. Pushed to the edge, when Tommy's older nerdy neighbor accidentally points out some experimental rocket fuel, Tommy douses himself in it and sets himself alight. Johnny is present for Tommy's final words in the hospital a month later, at which point Tommy tells him he did it because he wanted to be like him.
This utterly devastates Johnny, who contemplates quitting the team and giving up his identity as the Human Torch to prevent future tragedy, although he decides against it after the Beyonder shows him how he was the only source of happiness for Tommy.
Going back to #342, Johnny attempts to flame on and carry "Alicia" back to their home, but flinches at the last second. Even though "Alicia" assures him she trusts him and that he won't burn her, Johnny, shaken, decides it's safer to walk. There's a brief flashback to the Tommy incident, with "Alicia" telling Johnny he can't blame himself and Johnny saying it's not the first time a kid has killed themselves, accidentally or otherwise, emulating him.
Johnny decides that the only way he's going to be able to come to peace with this incident is if he investigates it himself by going to Theodore's suburban hometown. Which, uh, in typical Johnny fashion, he maybe didn't think through entirely.
After he's confronted by Theodore's sister, Johnny's taken to meet his friends, who are a group of roughly high school aged punks. Unlike Tommy, who idolized Johnny and looked up to him, this gang seems to view Johnny more as an object on which they pin their personal belief system.
One of them also forces a kiss on Johnny despite him repeatedly telling her to stop, because of course that happens.
If I start thinking about this ongoing pattern of assault against him and the violation of his space and boundaries I am going to end up like that Always Sunny conspiracy wall.
The group takes Johnny back to their secret hideout where they tell him that they have, essentially, formed a suicide cult, each of them determined to go out young and in a literal blaze. They claim they're "inspired" by Johnny, even as they laugh that they're never going to be like him, "famous, livin' the highlife." He begs them to reconsider, even swearing he'll never use his powers again so they'll have nothing to emulate, but the group isn't swayed. Johnny eventually drives off in tears, which are of course mocked as well.
"Whoo! Some act! Didja catch the fake tears?" I am once again thinking about how Johnny is a very genuinely emotional and sincere person and how, because of his appearance and his celebrity and his flashy powers, everyone, including him, believes he's fake.
This is what leads us up to that initial panel you saw, where he's standing on the edge of the Baxter Building, saying that it would be so easy to step off and not flame off. He doesn't -- he goes back inside -- but it's still a striking sentiment from him.
The rest of this issue features Johnny teaming up with another pyrokinetic and being attacked by the fathers of that whole little gang up there before coming to terms with the fact that him not using his powers is not a solution to people harming themselves in his image. Peter even makes a cameo appearance at the end and encourages Johnny to talk about this issue publicly, citing how inspired he was by Johnny when Johnny gave a speech at his school in Amazing Spider-Man #3, telling people to never give up. It's very sweet, but let's return to the original question.
Is suicidal ideation a Johnny thing?
Obviously, I can't say this is a "no." His "everyone fantasizes about suicide" in this comic alone rules that out, because we can then infer that him standing at the top of the Baxter Building like that is not the first time he's had these thoughts. Which doesn't surprise me: Johnny has a long, long history of depression and extremely low self-esteem, and he is prone to self-destructive behavior at his lowest points, although this behavior doesn't always manifest the same way.
Here's a really early example, from when Johnny and Crystal were originally separated.
(Fantastic Four #54) Wyatt Wingfoot saves him before the Convenient Plot Device he was using would have exploded, killing him, to which Johnny responds, "Maybe it would have been better if you hadn't saved me!!"
Which, okay, he's nineteen and dramatic over his first Real Love here, and if this was the only example of this kind of response to situations, I'd write it off as that, but it's not.
(FF #193) "He broods constantly -- and he's like a volcano, ready to erupt at any time. I-I'm afraid he'll hurt himself!" That Rebecca Rainbow, professional racecar driver and friend of Wyatt. She's known Johnny for about five minutes and she can already see the writing on that wall.
As a note, I think Wyatt is the most intentionally aware of Johnny's self-destructive streak, and not just because he was witness to Johnny's willingness to die if it meant he had a chance at freeing Crystal. Wyatt has a tendency to show up for Johnny when he's at his lowest, like in the above scene where Johnny's spiraling because the team has temporarily split up, or in Robinson's run when Johnny's power loss and fallout with Ben have led to him engaging with his Party Boy personality in a way that's definitely not healthy for him. When I say intentionally aware, it's because I think Ben and Sue are also very aware of this tendency, but that they handle it in different ways. I think Sue loves Johnny deeply, but she feels guilty about a lot of things concerning him, and that the way she deals with this is to act like Johnny's moments of deep self-hatred are some kind of phase he'll grow out of eventually. Ben can be very supportive of Johnny in these moments, but Ben has his own issues, and a separation from Ben (whether they're fighting or the team has split up) often exacerbates Johnny's tendency to engage in self-destructive behavior.
(FF v5 #7) For example, Johnny's extreme Party Boy spiral I mentioned above doesn't start when he loses his powers, or when his singing career tanks as a result or when Reed and Sue lose custody of the kids -- it starts when Ben tells him he never wants him to speak to him again. Ben is, in a lot of ways, Johnny's emotional rock, and when he's missing his presence, that's when things tend to go off the rails.
(That he started his relationship with "Alicia" aka Lyja the Skrull spy while Ben was in space is very interesting in this regard.)
With regards to Peter, in case anyone asks -- I think Peter is generally unaware of this tendency or, when he is aware, he thinks it's less common than it is. Peter has a tendency to fall for what people show him, and Johnny shows him glitzy, dazzling Human Torch more often than not. I think in the context of a relationship Peter would start digging, and be extremely concerned about what he finds, but that it would take that romantic relationship in order for him to fully realize. But he does sometimes notice things are off, like in Robinson's run when he contacts Wyatt so they can both kidnap talk to Johnny, or when he tips Ben off that he's worried about Johnny in Marvel Two-in-One, which is one of the more recent examples of Johnny's self-destructive and potentially suicidal behavior.
Marvel Two-in-One (2018) opened with Johnny pulling stunts like intentionally crashing during a professional race and flying up as high as he could into the atmosphere before his flames gave out. He tells Ben he was testing his powers, because he thinks they're failing, but if that's true he's testing them in ways that could very much have killed him.
(Marvel Two-in-One #1) When Ben confronts Johnny, Johnny even says, "I wasn't doing that for..." before ominously trailing off. So I think it's pretty obvious to us, the audience, and to Ben, and to Johnny himself what this looks like. This is why Ben lies to Johnny -- or thinks he lies, anyway -- and tells him Reed and Sue are alive and that they'll go reality hopping looking for them, because Ben is trying to buy time and this is the best way he can think of to distract Johnny. Which is a terrible plan, by the way, and even Dr. Doom thinks so.
(Marvel Two-in-One #7) "You are both spoiled, privieleged children, wasting your dwindling abilities on a fool's errand. And you will get Jonathan killed." "I'm... I'm helpin' Johnny. He ain't gonna die." This was such a fun trio and I'm so sad Two-in-One got derailed the way it did.
So is suicidal ideation a thing for Johnny? I'd say yes, although perhaps not very frequently. I don't have enough evidence to make a call there one way or another, although I will say he's frequently willing to make the sacrifice play, such as in Hickman and Robinson's runs, but also dating back to his very early days in Strange Tales, when he was willing to absorb the explosion of a dirty bomb in order to keep his neighborhood safe. Regardless, I think his tendency for self-hatred and self-harm runs very deep, and it's something that Marvel continually almost addresses and then pulls back from, which is more or a less a theme with Johnny -- touch on his history as the victim of assault, then pull back. Touch on his sexuality, then pull back. Address his depression and then act like everything is fine after all.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
I’ve always kinda assumed that Loki never intended this to be permanent, it was just a temporary solution to his current problem. Thor would eventually get his powers back and Loki just hoped by then he’d have proven himself to Odin.
As is typical with Loki, there are several reasons all at once, ranging between pragmatic and emotional, but a big part of it is that he knows Thor. Really well.
Remember, this takes place right after Thor puts all his strength into a determined, dramatic, forceful attempt to regain the hammer. The music and visuals of that scene show it to us through Thor’s eyes: this is the sort of heroic gesture that he feels ought to work. It would just not be fair to give it his all and make it that far and have it not be enough. That’s the sort of universe he has lived in for all his centuries of life, and despite his failure, screaming at the pouring sky from the middle of a mud puddle, there’s no way he’s going to just give up, or even change his tactics particularly. He’s damn sure going to try again, probably in much the same way. He’s going to beat himself against it until the problem gives up instead. I mean, it’s always worked before!
Loki arriving just then to tell him this painful lie is probably the only thing that would have gotten him to stop, even for a while, and rethink things. Like really rethink them, the way he apparently has already started doing by the time he gets to the bar with Selvig mere hours later. Smacking Thor in the face with actual consequences, rather than just punishments—see, Odin banishing him and stripping away his powers and taking away his hammer, yeah that shocked him, but ultimately Thor just sees it as a challenge: make his way alone in a weak mortal body, prove himself worthy, then bam everything will go back to the way it was, Thor wins the day, everybody cheers. It’s externally imposed, and it’s something that can be rescinded just as easily. Finding out that his own stupid, careless actions indirectly killed his father and led his mother to turn away from him completely? That’s a consequence of a sort he has never before faced, and it’s not something he can so easily shrug off.
So why does Loki care about Thor experiencing actual consequences for once? Well, partly because who knows what the hell would have happened if Thor had been left to beat himself against SHIELD for however long? Loki would probably have pretty quickly figured out that that could get ugly. Having Thor wander off to lick his wounds for a while with his nice new harmless mortal friends will at least keep him out of worse trouble, and it will give Loki more time for what he needs to do back in Asgard.
And also because he wasn’t lying when he said Thor isn’t ready to be king. Loki genuinely wants Thor to be better, and he believes that he can be, and he knows that the news he’s delivering here is going to hit Thor hard and might even finally do the trick of getting Thor to think things through more. He believes in Thor’s heart enough to trust that this will wound him, and he believes in Thor’s goodness enough to trust that he will heal as a better, more mature version of himself.
And also because it’s pleasing, after “know your place” and countless other little slights, to have the upper hand over Thor at least for a moment. It’s thrilling for the trickster to get to take vengeance against him without him even being aware of it. It’s just plain sadistically satisfying, to the angriest secret part of Loki’s being, to make him cry. (It doesn’t show on his face in that masterfully done instant when Loki turns away and a lesser film would have him smirking like a mustache-twirling villain the moment Thor couldn’t see his face. It doesn’t show because there are all these conflicting and overlapping motives. It’s practical and it’s benevolent and it’s a manipulation and it’s a retaliation all at once, and probably even Loki wouldn’t be able to tell you which of those was at the top of the pile.)
And yes, Thor will find out the truth eventually (I mean, Loki’s plan involves Odin at some point waking up to be able to appreciate what Loki has done, and Odin will surely eventually check on Thor even if Thor hasn’t recovered the hammer on his own, obviously this situation is not going to be permanent!) and will be furious about it when he does, and that might actually make it more important to Loki to make this moment hurt. If Thor’s going to hate him anyway—which Loki has no way of knowing he won’t once he finds out the truth about Loki’s origins, even if none of the rest of it comes out—he may as well make this one chance really count in every way possible.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
Can we please talk about the narrative implications of Loki&Gamora preventing Thanos from getting the space/soul stone and him having to kill them in order to obtain said stones? No? Ok.
Oh, also, the narrative implications of the only people proven to be capable of single-handedly preventing Thanos from getting stones being the first major characters to die in IW, foreshadowing his success? Like, them literally not being able to live in the world in which he won???
Thanos makes a point that the majority of death in IW is nothing personal. He is absolutely detached from it.
Loki and Gamora are the only deaths that Thanos is emotionally invested in, for opposite reasons — hate and love — a perfect balance.
He kills Loki, the younger brother, after getting the stone in revenge, as a punishment. He kills Gamora, the older sister, before getting the stone in sacrifice, as a reward (in his ideology there is no greater honour than to die for the sake of his purpose).
Gamora and Loki are narratively opposite and the same, two sides of the same coin, both turned against him. So he forced them to surrender. And in doing so he won, because those deaths and the suffering they brought to their loved ones sabotaged the two closest attempts to stop him, forcing both Quill and Thor to act irrationally to avenge them.
This is the downfall of The Avengers not as a team (like in Civil War), but as a concept.
Loki and Gamora’s deaths are quite literally the omen of Thanos’ success, the symbol of his victory over the heroes and himself.
An Archive of Our Own, a project of the
Organization for Transformative Works
Summary:
Death was inexorable indeed, and came for all living creatures, even those that did not deserve release. That cold night on the Bifrost, as he let go of Gungnir, Loki had felt its grip. Icy fingers dug at his throat, and his breath faltered.
That day, Loki died.
OR: Loki suffers from Cotard's Delusion.
Fic written by @cailjei for the Thor Gotcha for Gaza. The prompt: something with sibling angst (any combination of Thor Loki Hela)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming