FAQ + COD series masterpost (MONSTER AU + SOAPBOX UNDER THE CUT)
CONTENT WARNING: This blog contains explicit 18+ content! If you are a minor, please do not follow or interact!
(This counts for people who are 17 as well, 18 is truly the minimum age Iâd be alright with.)
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Frequently Asked Questions:
(read through the #askbox tag before asking to see if Iâve already answered! repeat questions and spam will be deleted.)
1. What program and brush do you use?
Clip Studio Paint, and I alternate between two brushes: fat sketcher 2 from stealthnachoâs brushset, and short vertical bar (dual brush) from sparthâs art pack 1
2. What tablet do you use?
I use a Surface Pro 8, which is a laptop where you can draw directly onto the screen. However, this is a really pricey purchase and before I had it, I used an Intuous Tablet for 6 years and loved it.
3.Can I repost your art on other platforms?
You can, but please credit me every time!
4.Can I write a fic/make fanart/ make an OC based on your AU?
Yeah sure!
5.Have you thought of what monster [insert character] would be? / Will you be adding [insert character] to the monster AU?
If I havenât talked about certain characters already, I probably wonât at all. And I donât have anything against these characters, but itâs more like Iâm largely indifferent and have 0 thoughts. Do what you will, I made my AU as a sandbox for others to play in too, so you decide what to do with these characters!
6.Will you ever draw Konig/Soapbox again?
If I feel like it, probably! But the brainrot where it was the main focus has definitely passed <3
7. Can I use your art for c.ai/ character bots?
Iâd really prefer it if you didnât, sorry! I take a largely anti-AI stance on most things now.
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Iâve got a lot of questions about this during my Art Center time, so I drew it ! This system came from when I had to manage my time during art high school (8am-5pm everyday) with 2 waitress jobs. Everybody has different working method, but I will be more than happy if anyone gets new idea from it !Â
AAA ok so a lot of people have been asking for the pattern to this, tho Iâve been using just these two little papers to do the cut outs lol
i tried my best to translate it into digital so that people get a bit more accurate look at them. Tho bear with me Iâve never done an actual pattern design sheet before!
so basically my hope is that anyone could print these out to any size of their choosing and get the same result, but ive never tried anything larger than approx. 3 inches with these sooo idk if you try it tag me!
the goal is to sew the backs together to the lines at the tip of the head to the middle of the butt. then leaving a space along the belly piece near the butt end and sewing from one side of the butt including all the legs and the âmouthâ to the other side with its legs to get back to the butt. if that makes sense
i usually pause sewing up the body once the head is fully sewn together,, usually after ive sewn both arms and ill yank it inside out where ill start sewing on the little poofball eyes so i know theyre in a good place, then resuming the body, and then pulling the whole thing inside out and pushing out the tips of the limbs with a skinny blunt object like a dull pencil until i can see the stitches. if you attempt this piece definitely make sure you stitch up the arm and leg crevices very well!!!!
then just stuff the lad and sew up his back end and its done :)
one suggestion for fabric is always try to use a stretchy soft fleecy fabric with these because its much easier if mistakes are made during sewing and to hold the ROUND shape better
Overall its a very good use of scraps if youâve accumulated a lot and donât know what to do with them đđ
Thought Iâd add a little update about Frog (Huge)âwe still have him, obviously, and he watches over our home from His Perchâąïž
But something⊠else, has started happening to him. When @atomicelixir originally made him for me, she used so much stuffing. Like, SO MUCH STUFFING. And thatâs how he got his Perfect Shape, and I love it.
But.
He also now has a gaping butthole. From being so full of stuffing that his stitches just CANNOT hold together there. Weâve patched it a few times and it JUST keeps busting back open. Itâs so funny.
So now if we ever need a bit of stuffing for another project, we reach in there and harvest from his 20lbs of it. Weâre hoping to get him to a point where we can seal the hole and it wonât pop open, but⊠itâs been a few years, and we havenât gotten there yet.
Anyways, hereâs Frog(Huge) with our doggy Piper for size reference
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch âą No registration required âą HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ahhh I was gonna ask if you have any other resident evil auth0rs on tumblr you recommend? smut authors or the sort? =p
!! Absolutely!! (prefacing this by saying: Most (not all though) of these accs are strictly adult/18+ I beg of ya'll to not disrespect their boundaries and minors to not bother or interact with them.)
Chris content (also write for other characters, I just rlly like their Chris content): @yourgentlegirlfriend - @miss-oranje-disco-dancer - @chloca-cola - @ovaryacted - @the-resident-vampire - @neondogs - @dmitriene
Wesker content (also write for other characters, I just rlly like their Wesker content): @noowayybroo - @mrswint3rs - @bunnystalker - @ivy-loves-chocolate
also I'm sorry I took so long to respond anon đ hope this is what you were looking for!
As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.
Here is the first one ART TEACHERS! There are plenty online and in places like youtube.
đșHere is my list:
Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)
Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)
Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)
BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)
Jesse J. Jones (free, talks about animating)
Jesus Conde (free, teaches digital painting and has classes in Spanish)
Mohammed Agbadi (free, he gives some advice in some videos and talks about art)
Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)
SamDoesArts (free, gives good advice and critiques)
Drawfee Show (free, they do give some good advice and great inspiration)
The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)
Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)
Sinix Design (has some tips on drawing people)
Winged canvas (art school for free on a verity of mediums)
Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)
Scott Christian Sava (Inspiration and provides tips and advice)
Pikat (art advice and critiques)
Drawbox (a suggested cheap online art school, made of a community of artist)
Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)
Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)
Second part BOOKS, I have collected some books that have helped me and might help others.
đHere is my list:
The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.
"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.
"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.
"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.
"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.
"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.
"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.
"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.
"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.
Etherington Brothers, they make books and have a free blog with art tips.
đAs for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.
For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.
đ»As for art programs here is a list of Free to pay.
Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )
Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)
Blender (for 3D modules/sculpting, animation and more. Free)
PaintTool SAI (pay but has a 31 day free trail)
Krita (Free)
mypaint (free)
FireAlpaca (free)
Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)
Drawpile (free and for if you want to draw with others)
IbisPaint (free, phone app ONLY)
Medibang (free, IPAD, Android and PC)
NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.
So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.
I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.
Hope this was helpful and have a great day.
"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"
Once this song made me sad... Saw images of Chris and Wesker in it, so I drew this. I recommend play the song before reading, because the atmosphere depends on it. Hopelessness and grief.
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Free to watch âą No registration required âą HD streaming
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
Chris Redfield x Fem!Reader (he'll be in the next part)
Part 1 | Part 2 | Part 3 | Part 4 (You are here)
Summary: Your past comes back to haunt you in more ways than you thought possible.
Contents: Major spoilers for RE6, canon typical violence/swearing, mentions of blood being drawn, improper use of a syringe as an improvised weapon, angsty Jake content, angsty plot content, descriptions of blood and violence, dialogue heavy chapter. Reader is referred to as 'Doc' and is the wife of (dead) Albert Wesker and is a former Umbrella scientist.
a/n: Hey peeps. It's me ya boi. I regret nothing for the events that are about to unfold. Thanks for reading :)
w/c: 10.8k+
There is no feasible way out of the cell that youâre confined in. After an indiscernible amount of time being unconscious from the gas released in the specimen room, you woke up here. As far as prisons go, itâs not half bad; a spacious white chamber with a basic cot with white sheets in the middle of the room. In the corner across from it is a security camera with a red light. What makes this room different from your handful of previous kidnapping quarters, are the metal shutters to the right of the entrance to the room that takes up the entirety of the wall. Given the room you were in reminded you of chambers for infected test subjects, there was a likely chance you were being observed through the camera on the other side of the wall.
Thereâs a second difference as well. You woke up with the crook of your arm wrapped in gauze and a cotton swab. These people had drawn blood from you while you were knocked out. Probably to test if you were compatible for the new virus youâre sure theyâre making.
All you can do is wait and see if youâre right.
You arenât too worried about your involuntary confinement. Not yet anyway. These people evidently want you alive and in one piece. Youâre not too sure if Jake would be given the same courtesy though. If he was as skilled as he said he was, you would be willing to bet he was already long gone. If that boy had any sense, he would be trying to find a radio right now to signal for help.
You donât have to wait too long with your thoughts. A short time after, you hear white noise hum from the speaker and the familiar higher pitched male voice echoes around the chamber.
âGood day, Dr. Wesker.â The voice is the same one you heard from the thin silhouetted man when you first arrived. He speaks in a slow, deliberate tone.
âHello.â You answer back looking directly into the camera, keeping your tone neutral.
âI understand you had a little -detour- on the way to your room.â
âI did.â
âI would encourage you not to indulge in your wanderlust again, but you strike me as the type to take that as a challenge.â
You narrow your eyes at the camera and purse your lips. You donât want to give anything away that would confirm the manâs assumption is correct. When you continue to be silent, the man speaks again.
âForgive me, we havenât made a proper introduction. I am Youju, one of the head researchers for Neo Umbrella. Welcome to my facility.â
You canât find it in you to even care who he is. It doesnât matter in the grand scope of things. As far as youâre concerned, Umbrella (or Neo Umbrella) was still just a terrorist organization that made bioorganic weapons. You donât care about the specifics of what that means unless itâs relevant to preventing an outbreak.
âWill you just cut to the chase?â
Thereâs a pause from the speaker. âPardon?â
You sigh and cross your arms, still looking into the camera. âIâve done this song and dance multiple times and I have no patience for the dramatics anymore. What do you want?â
Silence from the speaker. You let out an annoyed huff.
âDo you have a new virus you want to test out on me? An old one you revamped? Iâve been proposed with job offers before but Iâm letting you know right now-â
âNo, no miss. Your purpose here today is much more⊠personal.â
That canât be good.
âSo Iâm here for revenge? Youâre going to have to specify. Albert had a lot of enemies, and I couldnât be bothered to keep up with them.â
âYou misunderstand what I mean when I say personal.â You can hear an underlying tone of deviousness in that statement. Youju continues.
âTell me doctor, how have I gone all these years without knowing Albert Wesker had a son?â
You stand in stunned silence. Wesker? A father? The thought makes you want to laugh in disbelief. The only thing that stops you from doing so is the confidence in Youjuâs voice.
What kind of ploy is this?
Is he trying to get you to admit a secret you donât even have? You spend the next few moments thinking over what the man had just said, when you hear him tap the mic, which results in your ears being assaulted with high pitched feedback and you reflexively covering your ears.
âIâm not a patient man, doctor. Answer me.â Youjuâs words are drawn out with a mocking, sing-song voice.
You lower your hands and stare directly into the camera, making a conscious effort to keep your tone even. âWe never had any kids.â
Silence falls over the chamber again. Long enough that you think Youju must have left. However, you hear his voice again, but this time you hear a smile in his words.
â⊠well this is quite an interesting development. I have someone I want to introduce you to. Mrs. Wesker.â
The tone in his voice clearly indicates he doesnât believe you.
A deep metallic click sounds through the chamber before the metal shutters next to you begin to raise themselves up, groaning their whole journey to the ceiling. As they ascend, the shutters reveal a window to another room. Although surprisingly, there arenât any Neo Umbrella personnel behind the glass. Instead, the panels reveal an identical chamber to yours, except itâs Jake on the other side of the glass sitting on the bed and leaning on his knees. The bottoms of his pants are covered in dark mud, a part of his sleeve looks scorched, and thereâs a sizeable gash on his temple that had scabbed over next to his buzzed ginger hair. Blood that has long since dried had trickled down next to the large diagonal scar on the left side of his face. In other words, heâs much worse for wear than the last time you saw him. Whoever came into the room to investigate the alarm really did a number on him.
You see a discarded bundle of gauze with a slightly bloody cotton ball in Jakeâs room. These people took blood from him too.
That grating voice over the loudspeaker interrupts your thoughts.
âMr. Muller! I hope youâre finding your accommodations acceptable.â
Acceptable was a stretch, but at least your rooms had the bare necessities. You canât say the same for your past accommodations with other organizations.
Jake shrugs and leans back, taking a look around the room. You hear his voice come from a hidden speaker near the window.
âNot bad, asshole. Feels like Iâm shacking up at the Shitz Carlton.â
You would have smiled at that if that nagging sense of familiarity from earlier wasnât still wracking your brain.
Where have I seen him before?
Youju quips back with that knowing tone over the speaker. âEven when corned in the lionâs den, you still have something witty to bite back with. Just like your father so Iâm told.â
Jakeâs carefree demeanor grows more rigid; shoulders squared, clenched jaw and sharpened expression. The manâs family is a sensitive subject.
âWhere are my manners? Dr. Wesker have you had the pleasure of meeting Mr. Muller?â
It was hard to tell, but you could have sworn you saw Jake perk up at hearing your dreaded last name. You stare at him a moment longer.
âCanât say I have before today.â
âReally? Are you certain?â The way Youju says that makes it seems like heâs trying to make you doubt an obvious answer to a trivia question. You stare at Jake, and he stares back, unblinking.
You turn back towards the camera.
âI would remember the scar. I havenât met this man.â
âInteresting. Why donât you look closer?â
The man from the speaker obviously wants to get some sort of point across to you, so you humor him. Sighing and shifting your weight, you turn to Jake. You look past the grime, the evidence of fights lost, and modern clothes.
You look at his face, his eyesâŠ
You stop breathing.
You thought about what Youju had said before. Albert Wesker had a son.
Your mind races with a cacophony of scrambled thoughts over the next few seconds.
How did these people figure out Wesker had a son before you did? He looks like him. How did he go this long without being discovered? Itâs likely Jakeâs blood is special like Albertâs, so theyâd want a promising candidate for virus injections. Who is his mother?
You donât know where it comes from in the moment, but all you can picture is a displeased Albert holding a ginger headed baby, with his nice work shirt covered in spit up while another woman takes a picture and laughs.
It starts as a giggle, but the longer you think about this scenario, the more ridiculous the thought becomes and the harder it becomes to keep your shoulders still.
âSo tell me doctor, what are your thoughts?â Youju replies smugly, waiting for your response.
You canât help it. You start laughing like an insane woman. Jakeâs existence was the cherry on top of an already stressful situation. Your body is exhausted from the journey here, youâre still processing the emotional whiplash from seeing and destroying the Uroboros sample, youâre mentally and emotionally done with everything that could possibly relate to Wesker and now you find out he has a son that isnât yours? You just find the whole situation so absurd that you canât help but laugh at the ridiculousness of it.
It's clear that Youju doesnât find your reaction amusing. His tone is cold and controlled when he speaks next. âEnlighten me Wesker, what could possibly be so funny?â
When you finally catch your breath, you look at the camera again with tears in your eyes from laughing so hard.
âThis⊠establishment is really scraping the bottom of the barrel for bright and promising imbeciles, arenât they?â
Silence, then the sound of a throat being cleared.
âOh really? And why is that?â
Youjuâs voice is flat. Controlled. You had struck something sensitive, and you intend to use it to your advantage to get a moment alone with Jake.
âBecause this is ridiculous! Albert Wesker? A father- his father? Are we talking about the same Wesker?â
âHis blood sample suggests otherwise-â
âAnd how do you know that exactly?â
Silence.
You let out a deranged cackle.
âI think I understand now. You found this stranger helping me in the middle of your ocean getaway, you thought he looked like Wesker, and your only plausible conclusion was that he has to be my son. So youâre comparing his DNA to mine because Weskerâs genome is impossible to find. Is that it?â
Youju struggles to stay composed under a guise of false confidence.
âWell we⊠any reputable institution would confirm hypotheses by⊠conducting their own independent tests and gathering their samples directly from the source.â
You hum and step a little closer to the camera.
âYou know, Umbrella used to check their homework before going through the trouble of kidnapping persons of interest. Just goes to show that the copy is always going to be a letdown from the original.â You made sure to look straight into the camera when you say that, and it has the desired effect.
âYouâŠI-Iâll know youâre lying one way or another soon Wesker!â Unlike before, there was no trace of confident humor. Instead, the voice spits out the words with prideful fury.
âThen by all means, do it. Waste everyoneâs time. Hell, Iâll even volunteer for another blood sample when it comes back negative.â
Itâs silent for a long time until the white noise from the speaker cuts out and all you can hear is the fluorescent lights above you.
You hear a muffled voice on the other side of the glass. âHey Wesker!â Youju must have switched off the window speaker.
You let out a sharp breath through your nose. You turn to the window. Jake stands there, forearm resting on the glass above his head and observing you like a slide under a microscope. âLike I told you before, just Doc is fine.â You respond, annoyed.
You look up at the camera and see its beady red light still trained on you. You look between the camera and Jake. No use being stealthy. You walk over to the window with a determined look on your face, already in problem solving mode.
âWe both know that test is going to come back negative.â
âUh huh⊠and?â Jake responds, unimpressed.
âPersonnel are going to come back eventually for another sample. Make it count and make it hurt although based on your current state-â You gesture to Jakes muddy and burnt clothes. â-your technique needs some work.â
Jake scowls. âMy âtechniqueâ is just fine.â
âThen prove me wrong.â
It doesnât take too long for your assumption to come true. After a long stretch of time that you try to fill by pacing your room, you hear several sets of footsteps outside the room. A moment later, you see two men in lab coats accompanied by one guard armed with an electric baton and one armed with a pistol enter Jakeâs room on the other side of the glass.Â
Jake deals with them in a similar quick and efficient fashion to what you saw before when you first met him, except his moves are much more violent and incensed. Nothing like the cool and confident rescuer you first thought him to be.
The men in lab coats gesture for Jake to roll up his sleeve. Jake complies and one of the men puts a band on his upper arm to cut off blood flow. When the other man goes to do the blood draw, Jake grabs the syringe and plunges it into the manâs eye, causing to scream in pain and stumble back. The other scientist is frozen in fear as the two guards spring into action.
The guard with the baton reaches Jake first, but heâs prepared to duck under the guardâs wide swing and he easily kicks the guardâs feet out from under him in one graceful move. As soon as the guardâs body hits the floor, Jake wastes no time grabbing the back of his head and chin and forcing his neck to an unnatural angle, immediately making the guard go limp.
The other guard is yelling something in that unfamiliar language while pointing his gun at Jake, but Jake doesnât even acknowledge it as he charges at him with full speed. The guard is only able to shoot once, barely missing his shot, before Jake unleashes a flurry of blows, his skill in hand-to-hand combat evident in the way he dodges all the guardâs attempts at defense with ease.
While Jake is busy with the other guard, the remaining scientist finally comes to his senses and begins to run out of the room. But by the time he makes it to the door of Jakeâs chamber, Jake has already disarmed and shot the other guard in the head. By the time the scientist opens the door, Jake has already lined his shot up perfectly and shoots the scientist dead in his tracks, blood leaking from the bullet wound on the back of his head.
The sight in the other room is grisly, but nothing youâre not already used to from the lifestyle youâve lived. Once the last scientist is taken care of, you knock on the window to get Jakeâs attention. He turns to you, breathing heavily and ripping off the rubber armband from earlier.
âGrab all their keycards! Canât hurt to have them just in case.â
Jake nods and grabs the keycards from all the bodies, then exits the room. Shortly after, thereâs a ping from your door and it opens to reveal Jake on the other side of it.
âLet me see?â You request, briskly walking outside the room and holding out your hand for the keycards. Jake plops them in your hand, looking at you closely. You ignore it and flip through the keycards, trying to discern security level but failing because the only difference between the two are the colors; red for the scientists and black for the guards. You halve them and give one of each back to Jake, which he pockets. Heâs still holding the pistol he got from the guard at his side.
âGuess weâll find out which have higher clearance when the time comes.â
Jake is still looking at you with that analyzing expression. âSo you-â Jake is interrupted by an ear piercing alarm and the room is bathed in a foreboding red light.
âTime to move!â Jake grabs your upper arm before you can protest and runs out a door and down the hallway, half dragging you behind him while you struggle to keep up with his pace. You donât know where youâre running to and Jake doesnât appear to know either. You both keep running until you reach a four-way hallway where the alarm isnât as loud and the lights are normal. Jake pauses, taking a moment before deciding where to run. You take the opportunity to yank your arm back, rubbing away the sting of Jakeâs harsh grip.
âWait, why arenât there any guards? Or people?â You say, not quite sure where to go. Maybe itâs residual memories from working at Umbrella, but seeing the nearly identical hallways so empty is setting off alarm bells in your head.
âThatâs what youâre worried about right now?â Jake replies, irritated, taking a few steps to look down one of the hallways trying to decide where to go while he holds his pistol defensively, ready to fire at a momentâs notice.
âThereâs no people! You donât find that weird?â
âWeâve got bigger problems right now!â Jake snaps, looking at you with a cold stare. Not a second later, the ear-piercing alarm cries overhead and the lights flick to red.
âWeâre going left.â Jake says, running down the left hallway with you tailing right behind him. As youâre running, you notice the grating on the floor.
You realize itâs like the flooring in the specimen room, and suddenly more details about this place make sense.
Thereâre no people around because they use the knockout gas as a security measure.
The guards wear gas masks so they donât lose consciousness during breaches.
The alarms and lights warn employees to get to a safe place or avoid the area.
Unfortunately, you put all of this together in the middle of the hallway when the security doors at both ends light up red, rise up from the floor, and close with loud metallic clicks. You hear loud hissing from below you, and you realize with dreaded clarity that the hallway is starting to fill up with gas.
You quickly scan the hallway and see a door with a red marking on it like the one on the scientist keycard.
âRed door on your right! Move it!â You command, already running to the door, keycard in hand.
You donât need to tell Jake twice. Jake wastes no time dashing into the suggested room once you scan the card. You follow Jake into the room right on his heels. The second youâre through the threshold of the door, you scan the keycard to close the door and engage the emergency lock, emergency protocols drilled into your head from your time at Umbrella taking over. The door beeps and hisses shut just in time to cut off the gas from invading the room you and Jake just entered. The room appears to be some kind of office with several desks around the room. The alarm on the other side of the door is barely heard in this room. Youâre safe. For now.
You take a shaky and labored breath while leaning against the door, trying to get your bearings.
Too close.
Your break is quickly interrupted by an accusatory comment from Jake. âYou knew him well, huh?â
You stay silent and finally look at Jake. His expression is a cocktail of anger and frustration, even as heâs trying to catch his breath. You glance at Jakeâs hand by his side; heâs gripping his pistol tightly and his face is grim and cold. It doesnât help that youâre looking at Jake with an exasperated and annoyed look.
âYou of all people should know why I donât freely give out my last name.â
You give Jake a âwhat the fuck are you doingâ look and Jake tightens his grip on his pistol as he lifts it a few inches like heâs thinking about aiming it. A few seconds pass and Jake takes a deep breath as he sheathes the pistol.
âFair enough. But I have questions.â
You let out a crazed laugh and start to feverishly pace the room, still in disbelief at the sudden appearance of your husbandâs bastard child. âIâm sure you do! Iâve sure as hell got some!â Your tone comes off as angry, but in reality youâre frustrated.
âIâm not too happy heâs my dad either lady!â
âThatâs not- ugh. Iâm sorry. Iâm not mad at you. Youâve done nothing wrong. Itâs just-â You take a breath and try to relax your shoulders, so you donât snap at Jake again. âThe B.S.A.A. and I have a deal. I tell them everything I know, and I help their scientists deal with bioterrorism. In exchange, Iâm supposed to get protection and they keep me in the loop. Simple right? But then-â You stop pacing and gesture to Jake. â-I get kidnapped, again, and I find out my dead husband has a whole ass⊠grown⊠child! In their organization! Thatâs a pretty major development if you ask me!â
You stop pacing the room and plop down in a chair and put your head in your hands, then run your hands through your hair. What else arenât the B.S.A.A telling you? What isnât Chris telling you? Did he know about this? He has to. You havenât done anything to your knowledge to warrant them keeping something this big from you. Did they think youâd not take the news well? Take it out on Jake? Leak the information out of misplaced anger for Albert being with another woman?
âI donât care what kind of bullshit deal youâve got with the Bioterrorism Boy Scouts. Iâve got questions and I think considering everything, I deserve some fucking answers.â Jakeâs steely look from the chamber is trained directly on you.
âYou-â You stop. Youâre about to tell him now isnât the time and that you both need to prioritize finding a radio to call for help and come up with an exit plan, but you donât. You canât deny that you want to know more about Jake. Heâs rightfully demanding answers about a father he presumably never knew. You know the B.S.A.A hasnât been forthcoming about new information to you, so they probably havenât disclosed much to Jake. You also know they wonât be too pleased about you spilling top secret intel about Albert to his son.
âYouâre right. Heâs your dad, you deserve to know. You didnât hear this from me, okay? I donât need more reasons for B.S.A.A.âs finest to dislike me.â
Jake silently looks at you, then nods his head. âDeal.â
You nod back. âAlright. You first.â
Jake leans against the wall, looking at you with a serious expression. âWhat kind of man was Albert Wesker?â
You look at him, confused. âIâm assuming you already know what kind of man he was.â
âI do. Iâve heard a hell of a lot about my old man, but not from the woman who knew him best. What kind of man was he?â
âAn intelligent psychopath with a god complex.â You pause. âWell... the god complex came later. But still.â
âIntelligent? Thatâs not what I heard.â
âWhat did you hear then?â
âThat he was crazy and he tried to destroy the world.â Jakes voice drips with disdain.
âCrazy and intelligent arenât mutually exclusive traits. Are you positive that these people didnât know who you were before they tested your blood?â
Even with everything that had just happened, you still couldnât wrap your head around why you were brought here. To your knowledge, Neo Umbrella didnât know Jake existed before an hour ago, let alone know that he was Albertâs son. How they knew he was Albertâs son is still unclear to you since his genome is highly classified information. The man on the speaker said your purpose here was personal but didnât give any indication that it was related to revenge. What did he mean by that? How does this all connect?
âHundred percent. If he was like that, whyâd you marry him then?â Jakeâs tone is accusatory, and a scowl that eerily reminds you of Albert adorns his face.
Youâre annoyed with the one-word answer and his tone, but you keep your feelings to yourself. You know Jake has complicated feelings when it comes to his father, and heâs dead. Youâre the next best thing when it comes to closure. After a moment you calmly and neutrally respond to Jakes question.
âWhen I first met him, I thought he was a very different man. Sure, he was stoic, cold and all business at the Umbrella Labs, but with me he was romantic, charismatic, and thoughtful." You feel like Jakeâs gaze is piercing into your soul, so you look away and stare at the ground instead. âThree years I thought that. Then the mansion incident happened, and everything changed for the worse.â
âRomantic? Hmph. Yeah sureâŠâ
You frown and let out a resigned sigh, shoulders slumping in the process, and you respond in a tired tone. âHas there ever been anyone in your life that you trusted with your whole being and they ended up being someone you didnât even recognize?â
Out of the corner of your eye, you see Jake cross his arms and scowl become more prominent. Another sensitive subject. You move on.
âHe was unfathomably good at making you believe he was someone else. He did it with me. He did it with his S.T.A.R.S. squad at R.P.D. He even did it to Umbrella. In the end, he was just a power-starved monster.â
âR.P.D? He was a cop too?â
You turn your head back towards Jake in surprise. You would have thought that Albertâs previous jobs were easy pieces of information to get ahold of, but then again, Jake may have not cared enough to know. Jakeâs expression is still unreadable apart from his voice dripping with contempt as he asked that question. You keep your answer clinical and to the point. âYeah. He was a scientific prodigy and worked at Umbrella as a researcher really young. Then one of his projects stalled and he became an Umbrella spy and worked in the U.S. Army and then became the captain of the Rescue Service at the police station. After that: bioterrorist.â
You stop and wait for any follow up questions. When Jake only continues to stare you down, you ask your next question.
âWho knows that heâs your father?â
âCouple of guys in the B.S.A.A. and a handful of government agents. Everyone else who knew is dead. What happened after the Mansion Incident? Between you two? There has to be more to that story.â Jakes expression grows darker and more serious.
The thought crosses your mind that you should lie about how you felt, but you have a feeling that you needed to be open with Jake. He deserves the truth, no matter how unpleasant the answer will be.
âI was devastated. When what was left of his team returned from that mansion, I simply didn't want to believe it. I didn't even know he worked for the R.P.D. before that day, and theyâre telling me he led his team to die at a mansion in the mountains with a secret Umbrella lab I didnât know existed? The whole thing sounded crazy." You stop and choose your next words delicately before continuing.
"You have to understand that I loved him at the time. I was in denial. I was mourning. I didn't know he survived the mansion until the Racoon City incident. He could have let me die in Racoon when everything when to shit but he didn't. Instead, he sent a mercenary after me to rescue me and kept me with him until he was killed."
Jake gives you a long look when you finish, his eyes fixed and unblinking. You can tell heâs digesting your every word, as his jaw tenses and his knuckles whiten from the force of his fists clenching with his arms are still crossed.
â⊠so he saved you?â
His voice is icy, and thereâs a dangerous edge to his tone that youâve never heard before. Each word sounds like itâs taking great effort to force out. âWhy?â
A pang of fear goes through you at his change of tone. You hit something sensitive, and you donât even know what it is, which only makes you more nervous. âI donât have a good answer for that.â Your voice comes out softer than you intend, but you do a good job of masking how intimidated you are by Jake in the moment. Logically, you know heâs probably not going to fly off the handle and do anything to you, but his eyes and expressions are so similar to Albertâs that itâs instinctively putting you on edge.
Unless Albert told you directly, knowing the inner workings of his mind was a challenging task even for you. Youâd asked yourself that question and reflected on a possible answer countless times over the years, and each time you came to a slightly different conclusion. On the occasional day where you really missed your marriage before the Mansion Incident, you thought he may have been fond of you in some way. On days like this, your theories were a bit more realistic. You were a means to an end.
Either way, Jakeâs eyes are boring into your soul as heâs waiting for you to answer his question.
âAt the time, I thought it was because he loved me. But now-â You pause for a moment, desperately trying to gather your thoughts to present them in a way that wonât upset Jake further. â-I have two theories. Either he saw me as an asset with my virology knowledge and kept me close just in case, or he just saw me as something that was his. He almost always used possessives when he addressed me. My darling, my dear, my love. That kind of thing.â
Jake remains silent and his body language still has that edge to it like a cord dangerously close to snapping. You opt to ask a more neutral question.
âHow long have you known about Wesker?â
âA year. So he saw you as an asset? You helped him with his plans?â
âNo! Fuck no. He definitely wanted me to, but I refused every single time. I still looked at all the lab results and things the he left laying out to stay up to date on what he was planning, but I never gave him feedback.â
âIf you refused, why the hell did he keep you around?â Another accusatory, but valid question. Albert wasnât exactly the forgiving type if he didnât get what he wanted.
âI think he thought he could wear me down or change my mind eventually. I work fast. Iâm good at seeing patterns and remembering small details. My guess is that he didnât want to get rid of me if there was the possibility of me being useful.â You catch yourself becoming slightly defensive, so you make a conscious effort to reel your emotions in before you ask Jake your question. âWhereâd you grow up?â
âEdonia. If you were so against helping him, then why did you stay, huh?â
Youâre starting to feel anger boil up in you.
âI was just happy to have my husband back at first! I tried leaving when I realized what he wanted to do. I really did. But by the time I took off the rose colored glasses, Iâd seen too much and I was either locked up or he had someone babysitting me so I couldnât run off. And Edonia? Really? Thatâs a long way from the U.S. Is that where your momâs from?â
âWhy do you care, huh?â Jake snaps at you, fire in his eyes and nostrils flaring.
Youâre slightly taken aback with Jakeâs combative response. âBecause if anyone finds out sheâs associated with Wesker in any way, sheâs going to be in danger and needs protection.â
âDonât need it. Sheâs dead.â Jakeâs face holds no traces of relaxed cockiness like earlier. His expression has morphed into an explosive combination of wrath and pain. âAnd you know why? Because daddy dearest wasnât there to pay for her medical bills. He walked out and didnât fucking look back, yet she still acted like he was this exceptional man who could do no wrong.â
The atmosphere of the room is thick with tension. Even through Jake is a few feet away still leaning on the desk, you feel small and defenseless sitting in your office chair. You feel like the energy in the room could snap at any moment, so you keep your tone sympathetic, but firm.
âIâm sorry about your mom. But you need to believe me when I tell you that you are lucky he was never in your lives-â
âLucky? That psychopath sent someone to a city that was tearing itself apart to save you but couldnât send a damn check to save my mom?â
Youâve been patient throughout this whole exchange, and you were resigned to be Jakeâs verbal punching bag. But suggesting Albert would have helped Jakeâs mother without consequences? Thatâs the final straw that inevitably makes you lose your composure.
âDid you grow up feeling loved?â The question is sudden. Blurted without thinking of what could come after.
Jakeâs angered expression morphs into confusion. âWhat?â
You know youâre playing with fire with this line of questioning, but you donât see any other option that will be as effective. âDid your mother⊠tell you she loved you, make sure you had your coat before leaving the house? Hug you goodbye? Tell you bedtime stories?â
âWhat kind of question is that?â
âDid she?â You donât back down. You need to make him understand.
âYeah! She did!â
You nodded. âGood! You wouldnât have gotten that with Albert. Far from it!â
âOh yeah? And why do you think that Doc?â
âIs that your question?â
âAnswer it.â Jake spits, anger boiling to the surface.
âDo you know anything about Project W?â
You take the silence as a no and continue.
âAlbert was a product of one of Oswald Spencerâs projects, founder of Umbrella, headed by Dr. William Wesker. It was a eugenics-based plan to create a race of more intelligent, more fit more whatever superhumans. Your father was essentially raised in a lab.â
You pause to make sure Jake is following your words and keep going.
âThere were hundreds of kids in this program. When they were adults, Spencer weeded out a group of thirteen including your father. All of them were given the progenitor virus whether willingly or unknowingly, and only Albert and another woman Iâve never met survived. Albert was the only one who gained superhuman abilities.â
Jake is silent for a moment, then responds, âWhen you say willingly or unknowingly-â
âSome of these kids didnât know they were in the program.â
Silence.
âThat is where your father came from. You want to know what kind of man he was? He was opportunistic and manipulative. I have no doubt that he would have used you as a guinea pig just like he was. He would have framed it in a way that made it look like he was doing what was best for you too. If he had stayed in your life, you would have been living in a lab waiting for him to shove a needle in your vein as a bonding activity.â
More silence. Jakeâs expression is unreadable, but he doesnât appear angry like before. His eyebrows are scrunched together and he looks at the floor, deep in thought.Â
âJake?â You say, gently. He doesnât respond.
âJake. Please look at me.â You try again a little louder, and he turns his head to look at you, Albertâs - Jakeâs - pale blue eyes look more understanding.
âDo you understand everything I just told you?â
âYeah. I just-â Jake pauses. âI donât know what I was expecting to hear, but it wasnât that.â
You nod and give him a sympathetic look. âI know it doesnât make it better, but I donât think he knew you existed. He would have seen you as an asset and tried to find you otherwise.â
Jake doesnât say anything, but he nods his head to let you know he heard you.
âLoving him came at a price. Be thankful for the anonymity you have.â
âWhat was your price?â
Everything.
âMy future.â Jake looks at you with an eyebrow raised, so you continue. âBecause of the relationship I had with him, itâs impossible to live a normal life. Iâve tried, but there will always be people trying to find me to recruit me or kill me because of that.â You say this off-handedly. Youâve become used to this kind of life to the point where happenings like this feel routine.
You and Jake sit in silence. Jakeâs presence doesnât emit that aura of anger anymore.
âThatâs not fair to you.â
You give Jake a wry smile.
âItâs not fair that heâs your father. We canât change the past. But we can try to make the future a bit less shitty.â You quip with a wry smile.
Jake chuckles a little at that comment, and his smirk finally returns.
âYouâre not-â Jake stops, and you wait for him to finish, â-how I expected you to be.â
ââŠthanks?â You reply, not sure if thatâs a good thing or not.
Jake snorts at your comment. âAnd uh⊠sorry I got heated for a minute there.â
You give Jake a dismissive wave. âHey, itâs not the first time Iâve gotten my ass chewed out because of Wesker, and itâs not going to be the last. At least yours was warranted. You love your mom. I canât fault you for that.â
âAppreciate it.â Jake replies, his smirk disappearing after a moment.
âIâve got one more⊠personal question.â Jake looks at you, a dark intensity to his gaze.
You nod. âGo for it. You deserve to know.â
âDo you have any children?â After a long, silent pause, Jakeâs eyes lose their intensity and he gives you a small, sympathetic look.
You give Jake a sad smile. âNo. No we⊠everything I said before about bonding activities? Thatâs not anecdotal. Just conjecture. Just-â You gesture to Jake. âYou.â
That I know of.
You clear your throat. âHow old are you, by the way? Iâm just curious-â
âYou donât need to finish that, I get it. Twenty.â
âYou look older.â
âMercenary work and a civil war will do that to ya.â
âSorry I didnât mean to-â
âItâs okay.â
You shift in your seat from the awkward turn of events and say your thoughts out loud. âLetâs seeâŠâ You do the math in your head. âThat wouldâve been â92. I met him in â95. We got married in â97...â
âAnd everything with Umbrella went to shit in â98.â Jake finishes.
You feel the side of your mouth curl into a half smile. âYouâve done your homework.â
The alarm outside the room suddenly stops, and you hear a hissing noise from the hallway outside. You look to the door, then back at Jake. âIâll tell you more later. We gotta get moving.â
You stand up from your chair and check the panel on the door. Still red. Itâs going to take a minute or two for the gas to filter out of the hallway. You look over your shoulder at Jake.
âDid you end up finding that sample by the way? Or a way to contact the Tokyo base?â
Jake frowns and checks his pistol. âNo, but I have a better idea of where those things could be.â
 You sigh and shake your head. âBetter than nothing, I guess. Any theories?â
Jake shrugs. âHalf this place used to be a military base and the other half an Umbrella lab thatâs had some renovations. The old lab holds the old samples-â
âSo the newer part of the lab should have the new samples and the military part should have a radio?â
Jake smirks and points at you. âIf everything goes right, weâll be outta here by sunset.â
The office door panel beeps and lights up green. You smile and slide the red card and the door swooshes open. You look back to Jake. âI like the sound of that. Letâs go.â
As you both walk back out into the hallway, you notice itâs still eerily empty. However, the security doors are still engaged at both ends of the hallway. You and Jake walk over to the door you were heading through before the lockdown. You scan the red keycard and it declines. You huff and scan the black keycard, and you hear the lock disengage and the security doors split open and return their respectful halves to the floor and ceiling. You look at the black keycard with a stern look as Jake walks though.
âOnly guards can open security doors? That sounds like a shitshow waiting to happen.â
âYou an expert on security now too? Câmon weâve got a schedule to-â
Jake is cut off by a loud buzzer, followed by the security doors slamming shut so you and Jake are on opposite sides. Jake hurries up to the doors and looks at you through one of the small windows in the middle.
âWhat the hell? Try the card again maybe itâs a timer thing.â
You scan the black card again, but it returns an error message. You shake your head in annoyance, but then it turns into concern when you hear shouting and footsteps from the direction of the observation rooms you were held in.
âItâs giving me an error message. Try yours on that side!â You shout at Jake through the door.
You see Jakeâs face as he scans the panel on his side but based on how Jake grits his teeth in frustration heâs probably not having any better luck than you. You hear shouting and footsteps growing louder. Jake notices and tries to pry open the security doors with his hands. You scan the red card again, but it also returns an error message.
âShit! Jake, they know which cards we took and deactivated them. Theyâre no good!â
You throw down the cards and take a few steps back to get a better look at the hallway to find an alternate route or some structural weakness in the door arch, but you notice nothing. The sounds of guards shouting and running are getting even closer. Your only chance of getting out of here is Jake. He canât be here when youâre ultimately discovered.
You hurry back up to one of the windows on the security door to shout at Jake. âYou need to go, now!â
Jake ignores you and keeps looking for purchase on the door, but itâs too smooth to get a decent grip to pull it open.
âJake!â You scold.
Jake pauses to look at you, scowling.
âThey obviously want me alive Iâll be fine. You find that sample and radio for help. Iâll stall for as long as I can.â
Jakeâs scowl on his face deepens as he tries to open the mechanical door again, but his efforts are fruitless. He finally slams a hand on the door and lets out an annoyed huff and looks back at you through the window.
âYouâre sure youâll be fine on your own?â
More yelling and bangs echo down the hall.
âMore than likely, yes. Just be quick about it. Iâd rather not be a lab rat if I can help it.â
Jake takes one more analyzing look at the door and gives you a curt nod, clearly not happy with the new set of circumstances.
âDonât say anything thatâll piss emâ off more.â
âNo promises, now go!â
You turn around at the sound of the opposite security door opening, and you hear Jakeâs footsteps grow further and further before they disappear and are replaced with the stomping of a battalion of gas masked soldiers. A group of eight quickly block off your only exit and train their semi-automatic TMPâs on you. Seeing as youâre heavily outnumbered, you put your hands up in surrender.
As you do, a wiry man a little taller than you walks leisurely through the intimidating crowd of masked faces. He wears a suit under a pristine white lab coat and looks at you with cold eyes through a pair of square glasses.
âWhere is Muller, Doctor?â
You recognize the lilting voice immediately. This is Youju. Your immediate impression is that heâs much too young to be the director of this facility. But then again, Umbrella is chock full of young prodigies. Time to buy Jake some time.
âI could care less about where he went. As I told you before, heâs not my son.â
âI see.â Youju walks a few steps past the line of guards towards you and looks at the mechanical door behind you, skeptical.
âWhy stop here Dr. Wesker? Why this door?â
âBecause your security system needs some work. It closed and it canât be opened.â You reply, curtly.
âThen why didnât you run?â
âIâve been in enough scrapes to know when Iâve been backed into a corner.â Itâs not a lie. Even though your main goal is to distract these people, you know when youâre beat. Especially when you have an overwhelming handful of guns trained on you.
Youju frowns. âYou still havenât answered my question. Where. Is. Muller?â
âI. Donât. Know. We went our separate ways when it became convenient.â You reply condescendingly, already tired of answering Youjuâs questions.
Youju narrows his eyes at you, calculating his response. âVery well then. Since youâre so keen on seeing what amenities this facility has to offer, allow me to give you a guided tour.â
âIâd rather go back to my room. Iâve had enough cardio for today.â
Youju waves his hand and the guards put their guns down, save for one who quickly positions himself behind you with his gun still aimed at your back. Youju gives you a chilling smile. âI must insist, Doctor.â
As Youju walks back through the crowd of guards, he announces one more command to the crowd of guards.
âFind the other one. Alive. Maim him if you must, but ensure he is brought to me in one piece.â
Not ten minutes later, Youju and his guard lead you deeper into the facility, seemingly with one destination in mind for your guided tour. Youju leads the way in front of you, while the soldier trails behind never once lowering his weapon. He seems to be leading you into the newly renovated parts of the lab. There are no windows into the many rooms you pass so you have no inkling of what could be going on behind closed doors, but Youju ignores all of them in favor of the main lab at the center of the facility.
He scans a white key card and a large lock disengages from the mechanism in the middle of the door, spinning until itâs completely free before the doors finally open to reveal another set of sliding doors. Youju scans the card again and enters with you and the soldier right behind him.
It's a room with several scientists checking over miscellaneous machines and monitors, as well as fridges with multiple different colored chemical substances. All of them periodically glance over their respective stations and into the observation chamber below through the window that takes up the entire expanse of the wall opposite the door. A handful of soldiers line the wall in the back of the room. Youju saunters in and stands by a monitor that flickers to show a different part of the facility every fifteen seconds or so. A microphone stands idly next to it. Youju trains his dark eyes on you, a barely noticeable sly smile on his face.
âWelcome to the inner sanctum, Doctor. I would like your thoughts on my latest and greatest project.â
You cross your arms defiantly and shift your weight with a bored expression on your face. âAs I said before, I have no interest in any job you have to offer me.â
âI didnât offer you employment. I only ask that you take a cursory look. I assure you, he will be of great interest to you.â Youju speaks in that same, know-it-all tone from when you were stuck in your quarters. Like he wants you to figure out his point.
Better yet, whoâs âhe?â
You roll your eyes and humor him.
You look over the consoles and into the chamber below. There are illuminated chambers filled with substances you donât recognize and over a dozen machines tracking something you canât discern from this distance. The cylindrical tank in the middle of the room is the focal point of the observation chamber. It glows with a foreboding orange light, illuminating the space in between itself and you. At first, you canât tell what the tank holds with the light emanating from it shining in your eyes. When your eyes adjust to the light, one by one you notice features of the creature inside; you see the outline of a man. Then notice one of its arms is much longer and darker than the other. The scar tissue across its chest. Then, most devastatingly, disheveled, slicked back blonde hair.
Your heart drops and your annoyed expression shifts into something much more terrified.
âWhere⊠thatâs notâŠâ
But it was. Behind the glass in the chamber below was the body of a mutated Albert Wesker floating in a liquid filled chamber. His chest and legs are overtaken by burnt scar tissue, but otherwise look about the same as the last time you saw him; although you donât like to think about that series of events.
The bomber. The volcano. The helicopter that he almost pulled down into the lava with him. Any one of those scenarios could have easily ended with your death, the world ending or Uroboros in your arm. Not that the three were that different regarding the death part.
 The last time you saw Wesker, he had mutated into the monster he had become on the inside. His snake eyes glowed red, black Uroboros burst from beneath his skin around his eyes, worms of Uroboros completely overtook his chest and arms, which he could stretch to great lengths, and he was altogether consumed by rage. Rage against Chris for besting him once again, rage against himself for underestimating him, and you were certain rage against you for betraying him.
You stare blankly into the chamber as the reality of the situation sets in: Youju went to great lengths to find Albert. You didnât know how he could have found him after so long, but you knew this man had to mine through volcanic rock at best and perform an underwater excavation of a volcano at worst to exhume him. Whatever he has planned, it can only spell doom for whatever unfortunate soul falls in Albertâs wake. Your body canât bring itself to move, so you stand frozen by the console of the observation room overlooking the chamber Albert is in.
âThe union of Wesker and Uroboros is truly a remarkable miracle of nature,â Youju says smugly, relishing in your shock.
All you can do in the moment is gape at your husband in horror.
âThereâs nothing natural about this.â Your voice comes out small. Rattled. Nothing like how you planned when you stepped into this room.
âNatural? Thatâs a matter of perspective, Doctor. We are seeing evolution in real time.â Youju is enjoying your torment, but there is a pit forming in your stomach that is screaming for you to talk sense into him. You know in your bones that this is a bad idea, but you canât articulate it into words that will break through to the Director. You knew men like him. He wonât listen until itâs too late, but you try anyway.
âWhatever youâre planning is not worth the consequences youâre going to reap from playing God.â You still stare at Weskerâs peaceful, mutated face.
âI assure you it will be. Your husband is an incredible case study. He was medically dead when we found him, but you know as well as I do that the dead donât tend to stay that way for long in our profession. Uroboros preserved his brain and nervous system better than any modern medical instrument you or I could have hoped to have at our disposal.â Youju explains with pride.
âWeapon, DNA, or emotional blackmail?â You reply cooly, still staring at Wesker in the chamber below.
âWhichever has the highest bidder. Although I think the value of a subject like him transcends material wealth, so Iâll hold off on an auction for now. I have more pressing plans first.â
You break your gaze from Weskerâs body in the chamber and look at Youju with a cautious expression, curious as to what he means.
âWe know his brain is showing activity, but he hasnât woken up you see. All the regular avenues for breaking comatose states have been exhausted.â
Youju turns to the chamber and puts his hand on the window thoughtfully as he speaks.
âSure, we could harvest his DNA and easily make our investment in excavating him a drop in the bucket. As youâve said, his DNA is one in a trillion. But itâs not just his DNA that makes him unique, itâs his mind as well. He was- is- the greatest mind manufactured by man. By Oswald Spencer himself. What I would give to speak with him! To know his thoughts on my research. To continue where Spencer was forced to stop.â
The Director looks away from Wesker and back to you, with a giddy look you know all too well. Itâs a dissecting look of a scientist attempting to peel away the mystery of an unsolved problem.
âBut then one of my researchers had an interesting hypothesis. This is not a regular subject so normal avenues are more than likely going to prove fruitless. Perhaps Wesker needs a familiar face as an extra incentive to chat with us. Someone who knew him much more personally than anyone else. Someone like you. Weâve already tried recordings of your voice, and theyâve yielded positive results, but not the oneâs weâre looking for.â
âThe saying âyou should never meet your heroes,â definitely applies in this case. You need to quit while youâre ahead. Youâre inviting nothing but trouble by indulging this fantasy.â You warn, unable to wipe the look of barely contained terror on your face.
Youju tilts his head and gives you a mocking pout.
âAwww⊠whatâs wrong Dr. Wesker? I thought this would be a happy reunion for you. After all, you survived him. He respected your intellect. Itâs not every day that a genius offers his lover a place beside him in a new world. And donât deny it. Iâve seen the footage of him offering you Uroboros on multiple occasions. Iâm not a betting man, but Iâd say those werenât the only times he tried to convince you.â Â
âDirector, you need to stop-â
âNot until I get what I want.â Youjuâs gaze turns cold and he flips a switch on the console in front of you both. A red light above it switches to green. The guard behind you raises his gun to your head. Youju turns his face towards the microphone but keeps his eyes on you.
âAlbert Wesker, you have a visitor. A personal visitor. Go ahead and say hello my dear.â
You avoid looking into the chamber and keep your mouth shut while staring down Youju. You would rather die than awaken that monster.
âYour wife is here to see you Dr. Wesker. Mrs. Doctor Wesker, if you know whatâs good for you, please speak into the microphone.â The tone the Director uses reminds you of a car salesman; sleazy and said with a gritted smile. Attempting to get you to bend to his will no matter the cost if it gets you to sign the metaphorical dotted line.
When you keep your mouth shut, Youju motions to the guard behind you and you feel the cold steel of the muzzle of the gun on the back of your head. Your breath becomes unsteady, but you stay silent. He needs you. He wouldnât kill you so quickly when he needs you. Youâre sure of it.
âYou know Iâm not a patient man dear. Speak, or I will make you.â Youju spits out the warning, his patience already wearing thin.
You clench your jaw and stay silent. You fully intend to stay quiet, even though the urge to call Youju a dumb motherfucker is strong. You see a flicker on one of the cameras on Youjuâs monitor. A figure. You werenât going to pay it any mind, but even out of the corner of your eye you recognize the large scar on the side of Jakeâs face.
Youju lets out an annoyed huff at your continued silence, currently unaware of Jakeâs presence. âI wanted to avoid making this messy, but it seems youâve left me with no other option.â
Youju turns around and starts to bend down towards a drawer below the monitor. You panic. Jake is your only hope in getting the B.S.A.A. here. You canât let his stealth go to waste.
âAlbert!â You spit out the name without thinking. You already feel sick to your stomach at your choice of action, but it has its intended effect immediately. Youju snaps his attention away from the monitorâs direction and back to you, then back to the chamber, then to a monitor off to the side that you now realize is displaying brainwave activity. His brainwave activity. You hadnât noticed it before because the brainwaves were barely perceptible, only small mole hills on a nearly straight line. Now, like a rising tide, the red wave on the monitor grows in intensity along with your heartbeat.
Youju stares at the monitor with you in awe, then turns his attention to the chamber while speaking to you. âGo on. Tell him to wake up.â
âAlbert dear?â You pause to take a shallow breath of air. The red wave rises higher on the monitor. âI need you to wake up.â
The more the red wave rises, the more animated the other scientists in the room become. Youju most of all. Everyone buzzes with excitement over their machines and data displaying on the screens, but all you can do is stare at Wesker in the chamber with a lump in your throat.
You have an idea on how to get the upper hand. Itâs stupid, suicidal, and against everything your brain is telling you not to do, but if it works itâs an almost guaranteed way for these people to lock you in your room again until the B.S.A.A. can get here with proper reinforcements.
âAlbert help me they have a gun to my head!â
Almost immediately, beeping sounds emanate from each and every machine in the room. One by one, every piece of machinery has warning lights on their displays and nervous chattering erupts from the scientists. The red wave on the brainwave monitor devolves into jittery valleys and peaks. You see Wesker in his water chamber twitching, and his peaceful face morph into an angered scowl that you know all too well.
âWhat do you think youâre doing?â Youju scolds as he switches off the microphone. He grabs your shoulder in a tight grip and walks you back closer to the door away from the window seemingly the only one not concerned with the sudden uptick in activity on the monitors and more peeved at your little stunt.
âThatâs enough from you for now Doctor.â He turns his attention to the guard behind you. Take her back to-â
Youjuâs command is interrupted by the sound of glass cracking and metal screeching in the chamber below. Youjuâs eyes grow wide and he immediately rushes back over to the window. He turns his head to say something, but before heâs able to, a pipe breaks through the glass of the observation chamber and into Youjuâs skull with so much force that blood splatters on you from across the room and you stumble to the floor in your shock.
All hell breaks loose. Some scientists scream, others duck and cover, a handful try and fail to open the door to the hallway, the soldier leaves your side and open fires on Wesker in the chamber along with the other ones in the room.
You canât seem to escape from the bloodshed. No matter where you turn, more blood splashes across your clothes but you manage to keep your escape in mind: grab Youjuâs white keycard to get out of the room. You do your best to block out the grisly sight of Youjuâs head as you army crawl across the floor. The white keycard, now stained crimson in some places, hangs precariously from his belt. A black and blonde blur dives into the room from the chamber and the screams grow louder and more frightened. You grab the keycard and you crawl behind a large cabinet that got overturned in the chaos in the corner of the room and make yourself as small as possible by hugging your knees to your chest. You clutch the keycard for dear life.
Meanwhile, in the background, you hear Wesker spewing insults as he tears through the room.
âIgnorant cretins! Worthless, self-righteous chaff! Inferior good for nothing fools!â
Something in Weskerâs voice puts you on edge, and it has nothing to do with the fact heâs seething with rage or leaving a trail of blood and viscera and broken machinery in his wake. You canât quite describe it, other than that it sounds wrong. The voice is Weskerâs, but the tone and intonation are just⊠off. Your Wesker spoke in a much sharper and eloquent manner. This voice is direct and garbled in some places.
In the moment, you donât know which voice youâd prefer. You donât have time to think on it when you feel a presence behind you. Itâs only now that you realize the screams and cries of pain have gone silent. Your blood runs cold when you hear a familiar, yet unfamiliar voice in your ear that makes the hairs on your neck stand up.
âMy dear? Oh, how Iâve missed you my sweetâŠâ   Â
You freeze. His tone is uncannily gentle. Heâs so close, you can feel Weskerâs breath on your ear and neck. Everything in your body is screaming at you to run, but itâs like Weskerâs words have you under a paralytic spell. Â Â Â Â Â Â Â Â Â Â Â
âHow dare they touch whatâs not theirsâŠâ
A wet, slimy and black tendril slowly makes its way into the corner of your vision and gingerly tucks a flyaway hair behind your ear. You canât bring yourself to move.
You sense Wesker move his head closer to yours until you can feel the damp heat of him over your shoulder. Glass breaks on the other side of the room and he whips his head towards the sound. Thereâs one last scientist left. Sheâs trying to climb into the observation chamber, but she stepped on a piece of glass and now sheâs gaping at Wesker in fear.
Wesker attacks her with the bloodlust of a wild animal, plunging his Uroboros arm into her chest and not stopping his assault until it reveals itself again when it pokes out through her mouth. She doesnât even have a chance to scream. Only gurgle sounds of pain.
The grisly sight finally breaks the spell, and you bolt to the sliding doors and run the second the door registers Youjuâs keycard.
You donât stop when you hear Albert calling your name behind you.
You donât stop when you see other guards and scientists coming out into the hallway to observe what caused such deafening, monstrous noises. Â
You donât stop when you hear more screaming and gunfire erupting behind you.
You have no destination in mind when the hallways become unrecognizable.
The only thing consuming your thoughts is the fact that your psychopathic husband is alive, and that youâve doomed the world because you destroyed the only Uroboros sample in existence to stop him in a misguided attempt to save it.
a/n 2: How's that for angst? More juiciness in the next part :)
If you've made it this far THANK YOU and sorry for this part being long I thought it would ruin the flow to split it up into two parts.
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