The Moth Magistrate

no one knew how to pronounce eridani (air-id-ah-ni or air-re-deni) so they just literally never said it in the film

the “good luck” at the beginning is supposed to have been written by the astronauts on the ISS who delivered ryland to the hail mary

the mop ryland was dancing with was called moppy ringwald

when ryland calls stratt after successfully breeding astrophage and he says “carl and I made a baby,” that was ryan gosling calling sandra hüller on her day off and she had no idea that’s what he was going to say. that “what” was her genuine first reaction

the scientist whom ryland called a stagnating waste of carbon was the bearded guy sitting next to him and stratt in the initial phm meeting

the idea of the soundtrack being so hopeful was supposed to be like there were two different planets cheering him on

when ryland is sitting on the beach in that don’t-go-crazy room and sees a figure walking towards him, that’s him on erid at the end. he’s seeing himself 

among the markings on rocky were the petrova line mission patch, his rank, family crest, and wedding band

rocky always stamped his claw on the ground twice for a question

they wanted to make it so that eridani could have different tones. so it could be a given series of keys for one word and then you could change the frequencies for happy, sad, scared, etc.

after rocky wakes up and asks ryland if they caught the taumeoba and ryland shakes his head no and then yes, the directors went “what an odd thing to do”

ryan gosling wrapped all the gifts that ryland gave to rocky himself

the entire reason that exchange panel was put on rocky’s ball was so that ryland could pass him the little beanie earth

the movie starts with an upside down shot of ryland waking up. the epilogue starts with a right-side up shot of ryland waking up. he also makes his bed and brushes his teeth to show how time has passed LOL

their headcanon for explaining the rocky nature of the beach is that the eridians tried to emulate sand but got the scale of the grains wrong

more self aware

and human shaped

and a little less prone do sneezing yourself to death

I appreciate that, but also

Conversely, if you understand TADC as a story to take every single aspect, moment, outcome, and detail totally literally rather than in tandem with the thematic signficance it communicates. Or were looking for a more lore-driven story. Or were hoping for a more rounded exploration of its world and characters, a hollistic dive into the premise it sets up rather than a story barreling towards a specific end goal/a very pointed thematic stance. You're gonna end up disappointed with what you got.

And this is not a moral judgement, I don't think any expectation is at all more correct than another. I actually think my last point is probably even the most fair stance to have. Especially if you don't engage with any secondary material and just look at the show itself, since it doesn't totally establish Jax as a core focus until later in its run. Some storylines do feel very sidelined.

Someone who refuses to see that his children are suffering, refuses to accept that his methods of treating them aren't working, refuses to let anyone else help him deal with the situation because he's afraid of losing control, resorts to taking out his frustration on them because he knows they are powerless against him, and to top it all off, still sees himself as the bigger victm of the situation when things don't work out.

On top of being a lesson about the dangers of AI, he also works as a lesson about how some people just aren't made to be parents and shouldn't approach the idea of becoming one so casually.

I'm pretty sure there are people out there who know kids with parents like Caine or were kids with a parent like Caine.

Adolin: Sure! What's up there?

Shallan: Did you bring protection?