I'll come back for you

Rayla:

Runaan:

Ethari:

Most children's media I watched back then was primarily directed at young boys, and atla was no different. Aang is the main character, and the center of the main romance (although this was very much not the focus of the show), which is mostly shown from his perspective. The writers also talk about it from his POV. Katara is the cute older girl who sees Aang like a little kid she needs to take care of. She loves him "like a babysitter, like a little brother". But there's the wish fulfillment; even though you’re a goofy kid, the pretty older girl likes you back. I had seen that dynamic, that perspective, in kids media over and over and over again. It was always the girl who changed her mind. And as a girl who couldn't relate, it always felt like watching her get worn down. (disclaimer: these were my feelings, I'm aware they don't reflect the writers' intentions)

K/taang, from its inception, right from the mouths of the writers, was always about what Aang wanted, his wish fulfillment. What little boys would want to see.

The difference in zutara is that it’s not a male-centered fantasy. It’s not that the girl will come around eventually, it’s that the guy has to work and change to be her friend. It's female-centric. Even k/taang fans seem to recognize this, although they view it pejoratively. “You like Zuko cause he’s hot and you project onto Katara” Look, I’m gay so no I don’t want to date Zuko, but yeah womanhood is central to Katara's arc and so I relate to her more than I do Zuko or Aang. Of course the idea that someone would change to gain your respect is more appealing than being worn down into liking someone you just previously treated like your child. And hey! Romance is wish fulfillment! I’m sorry, is that supposed to be shameful?

K/taang fans have this constant misunderstanding that zutara is shallow and so are its fans. It's all about the aesthetic appeal of Zuko over Aang. Honestly the way they talk about it sometimes smacks of misogyny. No you can’t find this relationship deep or meaningful, you just think Zuko is hot. You don’t like their dynamic or development, you just project onto Katara because you think Zuko is hot. You dont like zutara over k/taang because they’re completely different kinds of ships that appeal to different tastes, you just think Zuko is hot and Aang isn't.

Because women can’t possibly think deeply about these things, they’re shallow and insipid, obviously. Do you hear yourselves?

Chat cocks his head with a self-satisfied smile and says: “You know, I bet I’d recognize you on sight.” Ladybug says: “Oh really?” Chat says confidently: “Of course. I mean, Paris’ prettiest lady in the world’s cutest costume?” Ladybug cocks an eyebrows challengingly and says: “Okay, kitty, tell you what: if you find me on Halloween, I’ll tell you if you were right.”

Chat scrambles to his feet and leans into Ladybug’s face, smiling with delight as he shouts: “FOR REAL???” Ladybug laughs and says: “I- psh, yeah, Chat. Okay, for real.” Chat continues to shout: “I can’t wait I’m gonna find you and you’re gonna be so cute.”

There is a banner that announces that it’s the next day, and Marinette and Alya speak to each other in class with Adrien and Nino below them. Marinette says: “Hey Alya, what if we both went as Chat Noir this year?” Alya smiles: “Haha okay.” In front of them, Adrien looks shocked. Marinette spreads her arms and continues: “ What if we got all of Paris to dress up as Chat Noir this year?” Alya turns to her phone and grins: “Omg I’ll put it on the Ladyblog.” Adrien turns around and demands: “NO don’t do that Chat Noir SUCKS.” Nino looks a little confused and annoyed.

Part two begins with Adrien’s speech bubble hovering over a crowd of people all dressed as Chat Noir. He says: “This… is…” The view turns to Adrien, who’s dressed as Naruto and looks distressed as he shouts: “Impossible!” He drops his face into his hands and moans: “I’m never gonna find her.” Plagg, smirking mischievously over his shoulder, says “Lol yeah.” Alya calls out “Hey Adrien!” from the side, and Adrien opens his jacket and hisses “Hide, Plagg.” Plagg hides inside it, closing his eyes and saying: “Into the pit.”

Adrien waves and says “Hey, guys!’ to Alya and Nino, who are holding hands and both dressed as Chat Noir. Alya says: "Hey Adrien!” Nino smiles: “Sup dude.” Adrien says: “It’s good to see you! But where’s…” Marinette comes in from the side, waving and shouting “Heyy!” She’s wearing a very accurate Chat Noir costume, and the details of her cat ears, boots, and bell are shown before the view goes to Adrien’s wide eyes.

Nino and Alya compliment her, saying “Haha nice dude” and “Girl meow omg.” Marinette laughs. Adrien looks stunned and says: “Marinette…” He approaches her, rubbing the back of his neck, and says: “You look…”

[ID: A digital comic of Miraculous Ladybug. Chat Noir and Marinette are in Marinette’s room. Chat is going through a box of yarn as Mari writes something at her desk. Chat looks at Mari and asks, “Hey, Marinette?” She turns around and replies, “Hm?”

Chat goes “mmm” and looks to the side, reluctant to ask. She asks, “What is it?” He says, “Do you think… if I gave you some hats… that you could add holes in them? For my cat ears.“  Marinette processes his question, and then goes, “oh!”, a lightbulb popping above her head.

Some time later, Chat is laying on the floor of Mari’s room. Mari stands next to him and says, “Hey, kitty.” Chat says, “Hm?” She asks, “Remember those hats you gave me?” He tries to think of what she’s talking about, only to remember and exclaim, “You finished them?” It cuts to Chat holding a hat in his hands, looking at it in wonder. Mari says, “Yeah, I hope you like them! I added buttons so you can adjust the size if you want to.” He looks at her handiwork, thumb brushing over the buttons. Sparkles surround him as his eyes go wide. He hugs her and says, “Thank you so much! You’re really amazing.” She smiles into his shoulder and asks, “Aren’t you going to try them on?”

Chat poses in a mirror, hat and scarf on. He says, “I think I look pawstively dashing!” which gets an “ugh” out of Mari. He continues his thought, “Just in time for winter too.” He grabs his hat to take it off and puts it on a surprised Mari. Both of them look in the mirror. He says, “Looking pretty meowvelous yourself, Marinette.” She replies, “Whatever you say, Chat.”

Mari and Chat start posing in hats together. In the 1st panel, they’re both wearing cowboy hats and making finger guns. Chat is holding his tail as a lasso. Mari asks, “Why do you need a cowboy hat anyways?” He says, “What if there’s a cowboy themed akuma?” “Yeah, ‘cause you’re going to have time to get your hat for that.” “Maybe I will!” In the next panel, they both have on sunhats. Mari is wearing Chat’s scarf, and Chat has on a pink sparkly boa. He’s posing as Mari says, “Wait- let me get a picture!” and reaches into her purse for her phone. The next panel, they no longer have hats on, Mari’s holding the camera and taking a picture. Chat’s giving her bunny ears as she holds up a peace sign. She says, “Say cheese!” and he replies, “Ew.”

It cuts to Mari’s corkboard with pictures of her friends. All the pictures are blurred besides the picture of her and Chat, who are smiling. At the bottom, the text reads, “The End.” /End ID]

(longest image description i’ve ever written, but alt text would NOT let me put the amount of dialogue in this in under 200 characters.)

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Beauty and the Beast features my favorite love story and my favorite Disney Princess, so it holds a very special spot in my heart. So, it’s worth looking into the film to decide when the Movie is supposed to be set.

During the opening musical number “Belle”, Belle is telling the Baker about the book she’s been reading. She’s clearly describing Jack and the Beanstalk, the earliest version being the tale of “Jack Spriggins and the Enchanted Bean” in 1734. But she also deliberately mentions an ogre, not a giant. Near as I could find, the only version with an ogre was written by Joseph Jacobs in 1890, making Belle nearly contemporary to modernity. Belle’s excitement over the book is likely a sign that this is a new story.

During the same musical number, we see a sign depicting a tobacco pipe, but unlike with the Calabash pipe from the Little Mermaid movie. I could place it to possibly be a Billiard type, but the exact era of creation escapes me. However, tobacco pipes have been around as long as Tobacco has been introduced to European trade, starting in the 16th century.

The history of colored printing goes as far back as the 16th century, and there are illustrations from the early 1700s with an impressive variety of color that help establish a stronger time period. The book also shows the words Le Prince Charmant or Prince Charming. Prince Charming started being used in 1697 in Charles Perrault’s version of Sleeping Beauty, although there, Prince Charming was not a name. Rather, Perrault stated that the Prince was charmed by her words. The first story to use Prince Charming as a name is the Tale of Pretty Goldilocks. It was written at some point in the 17th Century by Madame d’Aulnoy, but in her version the hero was named Avenant. It wasn’t until 1889 when Andrew Lang retold the story that Avenant was dubbed as Charming. One year later in 1890, Oscar Wilde used the term “Prince Charming” sarcastically in his novel “The Picture of Dorian Gray”, meaning that the term had gotten its more modern meaning by this point in time.

Gaston’s musket is a Blunderbuss, which was invented in the early 1600′s and remained popular through the 18th century before falling out of fashion in the middle of the 19th century. However, considering Belle states that this is a backwards town and Gaston is an old-fashioned, Primeval man, it’s possible he’s using a largely outdated weapon.

While there are no street lamps in the city, we can see in the background lanterns on the sides of buildings, which might allude to the movie taking place before the invention of gas lamps. However, gas lamps were invented in 1809, and if the version of Jack and the Beanstalk is from 1890, then by all accounts the town should have gas lamps. What this amounting evidence is leading me to believe is that the film is directly following the plot of the original fairy tale.

In the story, Beauty’s father is a merchant who loses his fortune due to a storm destroying his cargo. They’re forced to live on a farm until the merchant stumbles upon the Beast’s castle and kick starts the plot. In the opening song, Belle says “every morning’s just the same, since the morning that we came, to this poor, provincial town.” This could mean that she grew up in a much more modern, urban, and progressive town. Possibly even Paris. But that after Maurice suffered severe financial trouble, he was forced to move them to the small, backwards town that was practically living an entire century behind the rest of France, which is why she’s so bored and unimpressed by the little town. It helps explain why she’s so eager to want to get out of this town and see the world. She wants to be part of the modern world again.

Interestingly, I can support this theory with background information. According to some of my research, Belle’s village was based on the little town of Riquewihr, France, which still looks like it did in the 16th century to this day. So the idea that Belle’s little village lacks so many modern elements could be a nod to the architecture of this sleepy French village that has remained largely untouched by the march of time. Hence why it looks more like something out of the 1700s despite the many elements from the 1800s being present.

During the song “Be Our Guest”, Lumiere dances with a match stick. Match sticks were invented in 1805. Assuming the film still takes place in the 1890s, this would be concurrent with the other evidence we’ve seen thus far. Later in the same song, the silverware makes an Eiffel tower, which was constructed in 1889. Since Jack and the Beanstalk was written after that, it still fits within the suspected time frame.

During the climax of the battle, Cogsworth is wearing military garments reflective of Napoleonic styles. Napoleon was coronated in 1804 until 1814, had a brief return to power in 1815, and eventually died in 1821. So this is also congruent to the established time period.

In the Youtube Video “Fashion Expert Fact Checks Belle from Beauty and the Beast’s Costumes” by Glamour, April Calahan, a Fashion Historian from the Fashion Institute of Technology directly noted that Belle’s yellow gown lacks the shape of a proper 18th century dress, and more closely resembles the shape of 19th century dresses, fitting into the evidence that’s been mounting in support of a late 19th century setting.

As a part of his primary costume, Lefou wears a waistcoat and tailcoats, which came into vogue in the 1800s, namely from the 1840s through the 1850s.

But if the film is set in the 1800s, how can the Beast still be a prince after the French Revolution? Well something worth noting is that when he finds out that Belle isn’t coming to dinner, the Beast storms through the halls to her room as Cogsworth calls after him as “Your Eminence” and “Your Grace”. The address of “Your Eminence” is reserved for Cardinals of the Roman Catholic Church, and is an ecclesiastical style of address. “Your Grace” is noticeably an English style of address, but it’s being used by Cogsworth who is British, so I can chalk that up to just part of his culture. Although it was used for British monarchs, it fell out of use during the reign of King Henry VIII (1509-1547) and after that, the use of “Your Grace” became used to address archbishops and non-royal Dukes and Duchesses. Now clearly the Beast is not a cardinal or a bishop, especially if he is looking for the love of a woman to make him human, since it’s forbidden for Catholic priests to marry. So clearly that is not what is meant here. But the other answer actually does hold a bit of weight. Beast’s father was in fact, a Duke. So how is the Beast a prince? He’s not. Not entirely. See, there’s more than one kind of Prince in French nobility. There’s a Prince du Sang, or a Prince by Blood. Effectively, the Crown Prince, the sons of ruling monarchs. But the title is also given to lords in charge of a Principality, one of the smallest territorial sizes. The Beast’s principality probably only extends to having power over the little unnamed village. And with it being after the revolution, Beast might not even have the proper use of his title anymore. He’s effectively a rich kid in a fancy house with no real authority or power. He’s just old money from a by-gone era of human history. But if Beast’s address of “Your Grace” is accurate, that would mean that he’s a non-royal Duke, meaning he would not likely have been executed during the Revolution, as his family would have essentially been governors or senators than actual monarchs. They just had jurisdiction over a small piece of the Kingdom of France and reported back to and obeyed the orders of their King. Thus, he would not have been important enough to be killed or chased out of power by the townsfolk.

CONCLUSION

The movie is set between the late autumn and early-to-mid winter of 1890. Although the snow is gone when Belle returns to the village, the trees are still bare, signaling that it may just be unseasonably warm, though it could be the very early spring of 1891 between the receding of the snow and the blossoming of new spring foliage. Between the books, clothing, and references made, my conclusion is that Belle is a very modern girl living in a backwards little town stuck in the past, thus why a village in 1890 looks so completely lacking in modern technology despite the era. The Prince is nothing more than a fancy title as the son of a Duke, and he likely has very little if any actual government authority. Essentially, Belle married into wealth, not power, and will never be a proper queen, and I’m not sure if the wife of a lord ruling a principality is a princess or not, but I suspect the answer is no. Making Belle, like Mulan, a Disney Princess who did not marry royalty, was not born royalty, and thus, cannot be called a Disney Princess. She’s definitely a noblewoman, but she’s not royal by any means.

SETTING: Riquewihr, France

KINGDOM: The French Republic (France)

YEAR: Autumn, 1890 - Spring, 1891

PERIOD: The Third Republic (1870-1940)

According to the Encyclopedia Britannica (by way of Wikipedia), “costly battles on the Western Front forced France to conscript men up to the age of 45.” It’s not impossible that The Beast sees combat during WWI. Trench warfare, gas warfare, no man’s land, all the horrors of front line at the dawn of the 20th century. It’s entirely possible that Belle signs up with the Red Cross as a nurse, maybe utilizing a mechanical aptitude inherited from her father to aid in the war effort.

When Germany invades Poland, Belle and The Beast will be 56 and 60, respectively. In the spring of the following year, the Nazis invades France. They occupy castles and large estates across France, to use as both bases of operation and as strongholds to hoard stolen wealth (in the form of gold and art) and political hostages.

Would Belle and the Beast fight off Nazi invaders from their home? They’ve defended it before, but is there enough magic left in those old walls to mount a defense? Or would they flee their chateau, go underground, and use what remaining assets they have to aid La Résistance?

Do they have children, and if so what’s become of them in this time of war?

The Stormlight Archive: Secret History

A list of body language phrases.

I’ve included a very comprehensive list, organized by the type of body movement, hand and arm movements, facial expressions etc. In some cases, a phrase fits more than one heading, so it may appear twice. Possible emotions are given after each BL phrase unless the emotion is indicated within the phrase. (They are underlined for emphasis, not due to a hyperlink.)

Note: I’ve included a few body postures and body conditions as they are non-verbal testimony to the character’s physical condition.

Have fun and generate your own ideas.:-)

Eyes, Brows and Forehead

arched a sly brow:  sly, haughty

blinked owlishly:  just waking, focusing, needs glasses

brows bumped together in a scowl:  worried, disapproving, irritated

brows knitted in a frown: worried, disapproval, thoughtful

bug-eyed:  surprised, fear, horror

cocky wink and confident smile:  over confidence, arrogant, good humor, sexy humor

eyes burned with hatred: besides hatred this might suggest maniacal feelings

eyes flashed: fury, defiance, lust, promise, seduction

eyes rolled skyward: disbelief, distrust, humor

forehead puckered:  thoughtful, worried, irritation

frustration crinkled her eyes

gaze dipped to her décolletage: sexual interest, attraction, lust

gimlet-eyed/narrowed eyes: irritation, thoughtful, mean, angry

gleam of deviltry:  humor, conniving, cunning

kept eye contact but her gaze became glazed: pretending interest where there is none/bordom

narrowed to crinkled slits:  angry, distrust

nystagmic eyes missed nothing (constantly shifting eyes):  Shifty

pupils dilated:  interested, attraction to opposite sex, fear

raked her with freezing contempt

slammed his eyes shut:  stunned, furious, pain

squinted in a furtive manner:  fearful, sneaky

stared with cow eyes:  surprised, disbelief, hopeful, lovestruck

subtle wink:  sexy, humor/sharing a joke, sarcasm

unrelenting stare: distrust, demanding, high interest, unyielding

Place To Place, Stationary Or Posture

ambled away:  relaxed, lazy

barged ahead:  rude, hurried

battled his way through the melee:  desperate, anger, alarm

cruised into the diner:  easy-going, feeling dapper, confident

dawdled alongside the road:  lazy, deliberate delay for motives, unhurried, relaxed

dragged his blanket in the dirt:   sadness/depressed, weary

edged closer to him:  sneaky, seeking comfort, seeking protection, seeking an audience

he stood straighter and straightened his tie:  sudden interest, sexual attraction

held his crotch and danced a frantic jig: demonstrates physical condition – he has to pee

hips rolled and undulated:  sexy walk, exaggerating for sex appeal

hovered over them with malice/like a threatening storm: here it’s malice, but one may hover for many reasons.

hunched over to look shorter:  appear inconspicuous, ashamed of actions, ashamed of height

leaped into action feet hammering the marbled floor:  eager, fear, joyous

long-legged strides:  hurried, impatient

lumbered across:  heavy steps of a big man in a hurry

minced her way up to him: timid, sneaky, insecure, dainty or pretense at dainty

paced/prowled the halls:  worried, worried impatience, impatient, diligently seeking pivoted on his heel and took off:  mistaken and changes direction, following orders, hurried, abrupt change of mind, angry retreat

plodded down the road:  unhurried, burdened, reluctant

practiced sensual stroll:  sexy, showing off

rammed her bare foot into her jeans: angry, rushed

rocked back and forth on his heels: thoughtful, impatiently waiting

sagged against the wall:  exhausted, disappointment

sallied forth:  confident, determined

sashayed her cute little fanny:  confident, determined, angered and determined

shrank into the angry crowd:  fear, insecure, seeking to elude

sketched a brief bow and assumed a regal pose: confident, mocking, snooty, arrogant skidded to an abrupt halt: change of heart, fear, surprise, shock

skulked on the edges of the crowd: sneaky, ashamed, timid

slithered through the door:  sneaky, evil, bad intentions

stormed toward her, pulling up short when: anger with a sudden surprise

swaggered into the class room:  over confident, proud, arrogant, conceited

tall erect posture:  confidence, military bearing

toe tapped a staccato rhythm:  impatience, irritation

tottered/staggered unsteadily then keeled over:  drunk, drugged, aged, ill

waltzed across the floor:  happy, blissful, exuberant, conceited, arrogant

Head Movement

cocked his head:  curiosity, smart-alecky, wondering, thoughtful

cocked his head left and rolled his eyes to right corner of the ceiling:  introspection

droop of his head: depressed, downcast, hiding true feelings

nodded vigorously: eager

tilted her head to one side while listening:  extreme interest, possibly sexual interest

Mouth And Jaw

a lackluster smile:  feigning cheerfulness

cigarette hung immobile in mouth: shock, lazy, uncaring, relaxed casualness

clinched his jaw at the sight:  angered, worried, surprised

curled her lips with icy contempt

expelled her breath in a whose:  relief, disappointment

gagged at the smell: disgust, distaste

gapped mouth stare:  surprised, shock, disbelief

gritted his teeth:  anger, irritation, holding back opinion

inhaled a sharp breath:  surprise, shock, fear, horror

licked her lips:  nervous, sexual attraction

lips primed: affronted, upset, insulted

lips pursed for a juicy kiss

lips pursed like she’d been chewing a lemon rind: dislike, angry, irritated, sarcasm

lips screwed into: irritation, anger, grimace, scorn

lips set in a grim line: sorrow, worried, fear of the worst

pursed her lips:  perturbed, waiting for a kiss

scarfed down the last biscuit:  physical hunger, greed

slack-mouthed:  total shock, disbelief

slow and sexy smile:  attraction, seductive, coy

smacked his lips: anticipation

smile congealed then melted into horror

smile dangled on the corner of his lips: cocky, sexy

smirked and tossed her hair over her shoulder:  conceit, sarcasm, over confident

sneered and flicked lint off his suit: sarcasm, conceit

spewed water and spit: shock

stuck out her tongue: humor, sarcasm, teasing, childish

toothy smile:  eagerness, hopeful

wary smile surfaced on her lips

Nose

nose wrinkled in distaste/at the aroma

nostrils flared:  anger, sexual attraction

nose in the air:  snooty, haughty

Face in General

crimson with fury

handed it over shame-faced

jutted his chin: confident, anger, forceful

managed a deadpan expression:  expressionless

muscles in her face tightened:  unsmiling, concealing emotions, anger, worried

rested his chin in his palm and looked thoughtful

rubbed a hand over his dark stubble:  thoughtful, ashamed of his appearance

screwed up her face:  anger, smiling, ready to cry, could almost be any emotion

sneered and flicked lint off his suit: conceit, derision, scorn

Arm and Hand

a vicious yank

arm curled around her waist, tugging her next to him:  possessive, pride, protective

bit her lip and glanced away:  shy, ashamed, insecure

brandished his fist:  anger, threatening, ready to fight, confident, show of pride

clamped his fingers into tender flesh:  anger, protective, wants to inflict pain

clenched his dirty little fists: stubborn, angry

clapped her hands on her hips, arms crooked like sugar bowel handles:  anger, demanding, disbelief

constantly twirled her hair and tucked it behind her ear:  attracted to the opposite sex, shy crossed his arms over his chest: waiting, impatient, putting a barrier

crushed the paper in his fist:  anger, surrender, discard

dived into the food: hunger, eager, greedy

doffed his hat:  polite gesture, mocking, teasing

doodled on the phone pad and tapped the air with her foot:  bored, inattention, introspection

drummed her fingers on the desk:  impatient, frustrated, bored

fanned her heated face with her hands: physically hot, embarrassed, indicating attraction

fiddled with his keys: nervous, bored

firm, palm to palm hand shake:  confident, honest

flipped him the bird: sarcastic discard

forked his fingers through his hair for the third time:  disquiet/consternation, worry, thoughtful

handed it over shame-faced:  guilt, shame

held his crotch and danced a frantic jig:  physical need to relieve himself

limp hand shake:  lack of confidence, lack of enthusiasm

propped his elbow on his knee: relaxed, thoughtful

punched her pillow:  restless, can’t sleep, angry

rested his chin in his palm:  thoughful, worried

scratched his hairy belly and yawned:  indolent, bored, lazy, relaxed, just waking

shoulders lifted in a shrug:  doubtful, careless discard

slapped his face in front of God and country:  enraged, affronted/insulted

snapped a sharp salute:  respect, sarcastic gesture meaning the opposite of respect

snapped his fingers, expecting service:  arrogant, lack of respect, self-centered

sneered and flicked lint off his suit

spread her arms wide: welcoming,  joy, love

stabbed at the food: anger, hunger, determined

stood straighter and smoothed his tie:  sudden interest, possible sexual interest

stuffed his hands in his pockets: self-conscious, throwing up a barrier

sweaty handshake:  nervous, fearful

touched his arm several times while explaining:  sign of attraction, flattery, possessive

wide sweep of his arms:  welcoming, all inclusive gesture, horror

Sitting or Rising

collapsed in a stupor:  exhausted, drunk, drugged, disbelief

enthroned himself at the desk:  conceit, pronouncing or taking ownership

exploded out of the chair:  shock, eager, anger, supreme joy

roosted on the porch rail like a cock on a hen house roof:  claiming ownership, conceit, content

sat, squaring an ankle over one knee:  relaxed and open

slouched/wilted in a chair and paid languid attention to:  drowsy, lazy, depressed, disinterest, sad, totally relaxed, disrespectful

squirmed in his chair: ill at ease, nervous, needs the bathroom

Recline

flung himself into the bed: sad, depressed, exhausted, happy

prostrated himself: surrender, desperate, miserable, powerless, obsequious, fawning, flattering

punched her pillow:  can’t sleep, anger, frustrated

threw himself on the floor kicking and screaming: tantrum

Entire body and General

body stiffened at the remark:  offended, anger, alerted

body swayed to music:  dreamy, fond memories, enjoys the music

bounced in the car seat, pointing:  excitement, fear, eager

cowered behind his brother:  fear, shyness, coward, desperate

curled into a ball:  sorrow, fear, sleepy, defensive

heart galloping:  anxiety, joy, eager

held his crotch and danced a frantic jig

humped over his cane, each step shaking and careful: pain, aged

inhaled a deep breath and blew out slowly: buying time to find words/thoughtful, reconciled

quick and jerky like rusty cogs on a wheel:  unsure of actions, self-conscious, tense, edgy

rocked back and forth on his heels:  impatient, cocky, gleeful

manhandled the woman into a corner:  bully, anger

slumped shoulders: defeat, depressed, sad, surrender

stiff-backed:  priggish, haughty, affronted

stood straighter and straightened his tie:  sexual interest, wants to make an impression

stooped and bent: aged, arthritic, in pain

stretched extravagantly and yawned:  tired, bored, unconcerned

sweating uncontrollably: nervous, fear, guilt

tall erect posture:  confidence, military bearing

was panting now at:  afraid, exhausted, out of breath, sexual excitement

She’s technically a monster too. She might not look it at first glance and seems mostly human, but it isn’t deniable even despite her looks compared to the other monsters. 

But she realizes that she is still not like the rest of the monsters either and may not have entirely the same experiences as them, which is why she feels that she might not belong to or deserve to go to the support group. By sometimes passing as human, she feels she isn’t worthy of the space. 

The sad reality though is even though she’s mostly human in appearance, that tail she has undeniably would still cause her some struggle. Humans are still gonna look at that tail and think she’s a freak. There are probably still accommodations she needs because of the tail that she may still struggle to have access to. Even if it is just the tail, that tail is still enough to other her from humans and cause her problems and discrimination. 

She should get to belong in that support group even if she gets told she’s not monster “enough”. She still shares some of the same struggles as them that are caused by being a monster, and needs support. 

Panel 1: A wolf man wearing a pale blue polo shirt and dark blue pants faces the viewer. He is saying, “Uh… I’m sorry ma’am, but this is a support group for monsters only.” With his right hand, he gestures to a group of monsters sitting around a table in the background. The monsters are a giant bat, a gorilla, and a dragon. They are facing away from the viewer.

Panel 2: A white woman with blonde hair wearing a pink striped shirt and dark capri pants says with a smile, “Well, actually, I AM a monster.” The wolf man replies, looking skeptically, “… How?”

Panel 3: The woman responds, while looking at the viewer, “Well, you see, my mother was a mermaid and my father was a minotaur.” Above her head, there is a thought cloud depicting a mermaid in a tank holding hands and looking lovingly at a Minotaur who is standing outside of the tank.

Panel 4: The wolf man, still looking dismissive, says, “Riiight. And let me guess: You got the human half from both of them.” The woman responds, “Exactly!” The wolf man says, “Gotcha. Hardy har har.”

Panel 5: The wolf man points and makes a snarling face at the woman, saying, “Ya know, it’s insensitive mockery like this that makes us need these groups in the first place.” The woman holds up her hands defensively, leaning away and looking surprised. She says, “Huh?”

Panel 6: The woman says, “Listen sir, I’m just here to drop off my brother and I’ll be on my way.” She still has a worried expression and gestures to her brother behind her. Her brother has a Minotaur upper half and a fish lower half. He is riding a mobility device. He says, “This guy buggin’ you sis?” while raising an eyebrow.” The wolf man looks astonished.

Panel 7: The woman is shown walking off-panel to the left. She says over her shoulder, “I’ll be back to pick you up at seven.” Since her back is to the viewer, we can now see that she has a tail. Her brother says, “Sounds good, thanks.” The wolf man continues to look astonished.”

This is how I feel as a dynamically disabled person.

I’ve never had the words to describe this like the comic described this.