So so obsessed with the ways that Xie Zheng finds to insert himself within the already established dynamics of Fan Changyu's family and her life.
It's the care and affection he shows for Changning. He saw how important her sister was to her and resolved to be her big brother, to care for her and look out for her like Changyu does, to play with her and let her drag him around as she likes. A small child dragging around the fearsome Marquis of Wu'an. It's the way that when they are attacked his first priority is to protect Changning, when he has to fight he tells her to look away and count to ten like Changyu did, and when Changyu finally arrives he tells her to grab her sister and run, knowing that he will die facing those men alone but still understanding that whatever budding relationship they have, it will never come close to the responsibility she has for her sister.
It's the interest he takes in her job, reassuring her that is doesn't scare or disgust him, asking to help so she can show him how it's done, buying her hand cream so that she can continue working without hurting herself. It's the way that he sees her powerwalking across town followed by a gang of thugs and follows her, not to stop her, not to fight her battles for her, but to quietly step in at the very last moment to make sure that the conversation ends when she wanted it to.
It's how he immediately promised her to help her against her uncle in court and then followed through on it, almost exposing his identity for the sake of protecting her.
It's the way he writes an itemized receipt of everything the Song family owes her so that he can back her up the next time she has to ask them for her due.
It's the way the narrative constantly mirrors them, making Xie Zheng take his cues from her. We see her fight off people trying to steal her house; the next time they come he does the same. We see her tell Changning not to look; when he is forced to fight in front of her he does the same. We see her standing up for herself over and over again and rather than trying to fight her battles for her he simply stands to the side and gives her whatever support she might need.
It's funny because it seems like Xie Zheng really did mean it when he said that he would do whatever she said (though I'm sure we'll see him break that promise more than once, especially now that the court seems to be getting more involved in the plot). Their marriage may be fake, but Xie Zheng is certainly behaving like a matrilocal husband.
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something i'm enjoying in the early eps of pursuit of jade is yan zheng in the upper rooms, looking like a beautiful attic wife. pushing out the window shutters, gazing down below at changyu and her life and being so So normal. he's resting up and healing and immediately marrying himself into the family the first chance he gets. he's just an ordinary (bloody, battered) guy she found in the woods. who absolutely will stab and torture anyone at the slightest inclination that they'll make trouble for the fan family. no crazy eyes here. he's just puttering around the house in long draping robes, blood splattered and gently folorn looking. an utterly normal average guy
Xie Wu, about to have a heart attack, seeing his whole life flash before his eyes, rethinking every life choice that led to him being stuck in the middle of his boss's marriage drama: YOU WHAT!!??
okay, I just finished reading Yesteryear by Caro Claire Burke and like, holy shit. it was a ride
what I really didn't expect going into it though and what has therefore really made the novel fascinating to me is the presentation of her husband, Caleb. going into it, all I really knew was that he's the husband of a tradwife (typically implies, I would think, a shitty person), and that he gotten deeper and deeper into the manosphere. so, like, obviously I'm not expecting much on likability or even... interest, tbh
but I actually found he was so much more sympathetic than anticipated and that just really provided a fascinating character that had. SO much more to say!!
SPOILERS but please read my analysis of him it'd mean the world to me I love the shifting of his dynamic with Natalie!
like, so we meet him in the first section of the book and he seems typically trad husbandy, but Natalie does mention early on that he was both coddled and neglected by his parents, and that he doesn't really wear his masculinity comfortably, so you start to kind of understand there's more to him, but whatever
to me, it's not until, maybe after their wedding that you really start to see him as a bit more dynamic. again, he is coddled, he's rich, he's the youngest of five, you start to see that he's lazy, he doesn't want to really do much. he doesn't seem overly interested in Natalie but he was raised Christian and with certain expectations and he follows them, but you continue to see how it chafes against him. he doesn't want a job and nobody has ever held him to that expectation that he would have one, so whatever. he has sex with Natalie, but you can tell he's not particularly into it. he can't even get hard. Natalie later sees the porn he looks at and is horrified, but it's not exactly like step-siblings going at it or abuse or underage or anything too harrowing. he likes watching REAL LIFE COUPLE HAVE HOT SEX or PASSIONATE LOVEMAKING (lots of pussy licking!). he seems to value the idea that a couple could get each other off, even that a woman's pleasure could be involved, but he clearly just does not feel that with Natalie
despite this, he gets her pregnant and things seem to be moving along like a facade of what you'd expect for his life but he doesn't really put himself into it too much
I don't think he's the most malicious at this point, but he's dumb and he doesn't understand the real world and he's spent all this life being rich and not needing to try and it's like. what? now he has to try? that doesn't seem right
he is somewhat willing, though. Natalie wants him to get a job and he's reluctant, but you can tell that he hasn't completely dismissed it, he just moreso doesn't see anything that interests him. why work if you're not going to be happy? this is a privilege that he absolutely has and is willing to take advantage of. when he does find a job that would make him happy, he's excited at the prospect, and Natalie also fully believes he would great at it. that he'd give it his all and show care and enjoyment for the work he's doing
the goal posts kind of shift there, though, which is interesting. it's not enough to find a job--it has to be the right type of job. Natalie's not happy with the idea of him teaching kindergarten--something she says he would no doubt excel at--because it's not manly enough. and here's where gender roles really come into the book sharply. I believe Natalie even says here that it's too bad she's not the man, while Caleb is the woman, because she's more ambitious and he wouldn't mind staying home and having smaller goals
and it's... like duh gender roles hurt everyone but it is kind of insane when you really think about it. they can't take on the roles in their relationship that feel more natural to them, in their specific circumstance, because it's not what's expected of their biology? are we all hearing this? it's an embarrassment to be a certain type of person with a certain type of job because it's not masculine enough? Natalie and Caleb are still very imperfect as a couple but I do think they could've gotten more enjoyment out of their marriage if they were at least allowed to be themselves, but god forbid that not match their penis and vagina assignment!
from here, we also get, Natalie can't just tell her husband what to do (also probably against gender roles), so she has to convince him that public school is bad. and because she says that and Caleb literally has a sack of potatoes where his brain should be, he decides to do his own research, very likely just googles "is public school bad?" and very easily falls into all sorts of reactionary content online. which he doesn't exactly have the media literacy or personal knowledge to dispute, so he ends up believing it
and I thought that this was such a fascinating look at how people can get started down these pipelines! the way you could trace Natalie poisoning her own husband's mind when she was simply trying to shit down a desire she thought was Wrong of him to have. how innocent it can all be--a thirst for knowledge, to confirm something you're not sure of, without the right research skills... it's easy to getting sucked into believing everything you read online. Caleb gets sucked IN!
and I think that it also shifted perspectives... we talk a lot about young boys being vulnerable to this pipeline, and when I kind of picture the type of guy who would care about the manosphere, I guess I never really thought "someone who's established in their life and not traditionally masculine" would still be able to stumble into it. but they are. anyone is susceptible, is the scary part
and now for a good chunk of the book we just sort of follow how he digs deeper and deeper into this. at the same time, we're still jumping in and out of the bits in the 1800s which I will get to, and we see even more that I think lends Caleb sympathy. Natalie agrees with his father to have more children, and basically has to pressure Caleb into it. she specifically describes him as looking pained when she asks to have sex, and then she tries for like 10 minutes to get him hard before sending him off to jack off in a bowl. and, like, whether or not you define that as rape, it's fucking coercive, and you can tell how little he wants it. again, the roles are reversed. in many heterosexual relationships, pressure for sex can come from the husband. in the idea of these more "trad" relationships, I would say it's probably more the husband wanting to be fruitful, or whatever. Caleb is fine with one child, he seems to like her, he plays with her, he doesn't want more, but he's forced into it
years pass, with Caleb continuing to fall into online conspiracies. I find it interesting that even in that, he's not particularly malicious. he talks about the manosphere, but he never gets too outwardly "women belong in the kitchen". he doesn't quite boss Natalie around. he does blame the feelings of inadequacy in the world on how "society is trying to feminize men", but he kind of just. talks. vaguely. and doesn't seem overly passionate. he doesn't seem to realize that the reason he's sort of a failure is less his femininity and more a combination of his parents failing to raise a competent son and his wife denying who he is
the manosphere does have a clear impact on how Caleb sees himself, though. Natalie notes at one point, maybe around their third child, that he watches the kids longingly but no longer plays with them. she says that he no longer thinks playing with his children is appropriate because of how the people online have characterized masculinity, and how he's expected to perform it. this just takes further enjoyment from Caleb's life and isolates him from his children, and it's about here that I think he starts to lose a bit of sympathy, because you see that he's not the most involved father
there's a night that Natalie is taking too long to cook dinner so she can record it to post online, and their eldest goes to get Caleb, complaining that they haven't eaten yet. it's shown to be a failing on Natalie, Caleb showing up with their child and questioning why she hasn't fed her. and it is a clear failing, the prioritization of online image vs the actual real life needs of her child. but while Caleb is annoyed, it's important to note two things:
1. Clementine had to go find her father, because though Natalie was busy cooking, he was not present to watch the kids. I believe this is before they have nannies, too, so he expects Natalie to take all of that on herself
2. Caleb could easily take on cooking or providing for the kids. he could make them snacks while Natalie works. instead, he pretty much does nothing to challenge Natalie's neglect or combat it, getting mad at her while not providing any support of his own to his children
you can also note that he seems to have no objections with selling his children on the internet for fame and money. not that he seems to concern himself too much with being involved in Natalie's work, but a good father might be concerned with how the visibility would impact his children. of course, growing up with a politician for a father, he might also be so used to it as to barely be bothered. I just think that he needs to be held accountable for basically not doing shit to keep these kids safe
again, we move forwards, and here we hit Shannon. she's fascinating in her relationship to Caleb, because she challenges him. while Natalie let her husband get brainwashed with things she also knew not to be true but pretty much left him to it, Shannon does push back. and Caleb seems to like that. she treats him like a real person, which I guess no one else ever has? he's pretty much immediately in love with her! finally someone is showing him the attention and respect he craves
but it's interesting, too, because he seems to pretty easily believe her. and it's like. usually people with strong held beliefs aren't so easy to win over. Caleb then comes across as extremely impressionable. you could mold that man into whatever you need so easily. it's interesting, though, that he decides he's in love with Shannon because she challenges him. almost like he kind of needs someone to not just let him get away with whatever. he craves more, but Natalie just needs his sperm, his father's money, and him out of the way, so she doesn't particularly care
even when the scandal comes out about them, Shannon emphasizes that Caleb is kind. it's just that he's also a dumbass without a spine
but, things really turn when the scandal comes out. first off, they finally have a conversation about their relationship. well, an argument. good news is!: Caleb doesn't like fucking Natalie cause she feels like a dead body. so, um. unfortunately the bar is in hell and some men would not have minded... it's a win for Caleb we're running out of other options for wins
but their roles really reverse, here, when they choose to live as if it's actually the 1800s. maybe the full, immersive commitment to the bit helps them to better fit their gender roles, but suddenly, Caleb is not the same stupid manipulable idiot from earlier. and we can assume it takes a while to fully settle into, but it's fascinating. he starts this transformation during their argument, where he also slaps Natalie when she speaks poorly of his mother. he seems to take enjoyment in taking mean in these moments, telling her how he should've divorced her when he had the opportunity, how his father genuinely wants to kill her
now, if he'd divorced her... really at any point before here I think he'd still come away from things looking half decent. but he doesn't. he's never going to, no matter how much he might want to. he's in it, now
so, he agrees to fit the 1800s lifestyle. he agrees to subject his children to this, because it's not just him. and he says later on that he couldn't leave Natalie and the children, but... even if in some sick twisted way he cares for Natalie, he could've come back for her if he really cared, but at least gotten the kids to a better guardian in the meantime. Clementine is the one who has to take the children. at 16, it's Clementine who takes on the role of responsible parent, dragging all but her youngest sibling with her off of the farm. to make matters worse, while Clementine tries to free her siblings, Caleb also actively brings three ADDITIONAL children into this world they've created
and both Caleb and Natalie, but I'm really going to blame Caleb for this because he seems to be more mentally sound, parentify their eldest daughters. Caleb leaves it to Clementine to save her siblings. fuck, he even has his oldest sons ensuring they don't starve out there. his children are taking care of him, trying to fix his mistakes. it's fucking insane
and you see it with Mary, too. Mary is so fucking parentified she acts like Natalie's fucking mother instead of the other way around. and, again, Natalie's unwell. but Caleb leaves that to MARY to sort out. Caleb leaves Mary to basically be the surrogate wife and run the household. to ensure her younger sister and her MOTHER are safe
Natalie says at one point that Caleb only does the farm chores he likes best and leaves the rest to the farm hands. without those farm hands, it's clear that he dumps the responsibilities he can't be fucked with to his daughter. he leaves a child to take care of the things that should be his job as the mentally sane parent, but can't be, because he's The Man. he's finally and fully embracing his masculinity, but it comes at the cost of seriously fucking over his children, even outside of the whole raising them like it's the fucking 1800s bullshit!
one of the very last things to comment on in this role reversal is sexual assault. as I established earlier, it's clear that Natalie is coercive if not outright assaulting Caleb when it comes to sex. but now, in their olden times play fantasy, he's truly and properly The Man, and, of course, he assaults her
maybe they worked out their sexual issues at some point while Natalie was still sane, but that doesn't give him carte blanche whenever he wants it. she barely knows what's going on and resists the idea she belongs here. he tries to act noble that he left her alone for a few weeks, but his needs still come first, and this is their role as a husband and wife. he expects her to just bend over and enjoy it, without any consent, while knowing she's clearly still out of her mind. he acts like it's her duty, but it's not one she can actively consent to carrying out right now, and that's fucked! (also! it's never a fucking obligation!)
he's also been drugging her, mind you, and while that's allegedly for her benefit, it's still fucked up in the context of their new sexual dynamic
now, when this initially happens, at least for me, I kind of assumed this is a Caleb of a different universe, born and raised in a different time, and so while it's upsetting that he's capable of that, still, you almost can excuse the Caleb of present day. he's got little to do with this
but then you see how those two fit into each other and... all empathy you can have for him is gone
Caleb goes from someone who was simply coddled and dumb + easily influenced, to a neglectful parent, to a full out psychopath who fucking rapes his mentally ill wife like it's nothing
while he's initially presented as the submissive one to Natalie's dominance, in time their relationship dynamic shifts, turning Natalie less into a villain and more a victim, and doing the opposite to Caleb! Natalie WANTS them to play pretend at this life, and finally their delusion is so strong that they've become exactly who she wanted, whatever the cost for the both of them
they are really such fascinating but AWFUL characters but I do LOVE their ending. they hate each other. they're all they have. they're leaving together. they will never be free of each other. they will die in separate jail cells <3 it's poetic!
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The way the Yesteryear audiobook made "Hello Ladies" a cringe worthy phrase needs to be studied in a lab somewhere.
But the book has me thinking a lot today about internalized misogyny (of course) and how much feminine energy is required to maintain a substandard quality of life for all women.
Like I have never hated a protagonist faster than I hated Natalie Heller-Mills. Yet i cant help but notice what an incredibly smart choice on Burk's part to make her as hateable as she is. You, a member of the audience, are supposed to be enjoying this woman as she gets her comeuppance throughout the novel.
And if Burke were not a feminist author, that's what the story would be about. Don't get me wrong, on one level it totally is a story of a person who built themselves a coffin.
But on another? We read about a 20 year old girl who had a complicated and (averagely) medically compromising delivery, and her mother, the person who is supposed to care most about her wellbeing, who tells her to jog around the hospital "to get the endorphins moving" against medical advice.
And we can all point at this and say "oh, there's the fundamentalist Christian love we all know and despise", but i find, having sat with this novel for a hot minute, that the book isnt necessarily throwing trapped fundy housewives under the bus as much as it's...
Calling out this weird culture we're all currently trapped in, where women aren't just competing for male attention, but other women's respect and understanding, and the result is this very callous and dismissive "well, your life your choices" message. Perhaps I'm not being arriculate...
I love my life. I physically cant get pregnant, havent chosen to adopt, I am decidedly not Christian, and I'm as far away from traditional social media as I can possibly get. Those things might be related, I dont know.
But I can't imagine I would love my life as much as I do if other women (older women) hadn't reached over to me while I was steering a sinking ship into a craggy, rock lined sea wall and said "Hey! Watch out!" Or "What are your options, sweety?"
Equally, I remember the toxic friendships of a my early twenties, the constant feeling of judgment, and the impact of our collective divestment of the harmful beliefs we grew up exposed to, and how those things didnt fall away until we all worked on ourselves (or didn't), and while we were all trying to figure out how to navigate this weird late stage capitalistic hellscape we're stuck in.
And I guess I'm really getting old now (at the ripe age of 37), because I worry about how much harder it is for young women to have the same freedoms today that I had in my youth. I see policy pushing women out of academic and profesional opportunities, and the shuttering of childcare centers, and the general lack of education all young people are getting in my country right now.
And I think...
Wow.
Natalie Heller Mills is the logical conclusion to being socialized (in a vaccum) to believe that a glass cage is the outcome to shoot for.
Yesteryear thoughts: the ending was fantastic. Natalieās still convinced that sheās better than everyone else, still so obsessed with Reena that even though sheās doing hard time for child abuse, she still thinks she can make everything good for herself again if she can get one-up over the mythical version of Reena, the final boss of Angry Women, sheās created in her head. She thinks one interview lets her wrest control of the narrative and rewrite reality.
Except Reena is plainly completely indifferent to her, beyond perhaps some mild concern over Natalieās mental competency and ability to consent to an interview. Natalieās convinced herself that Reena must be struggling in life, that Reena needs her, but both of these things are plainly not true. Natalie is still the same parasitic troll that she ever was, desperate for outrage to feed on. Sheāll be obsessed with Reena for the rest of her life, and Reena will likely never think about her again after this interview is over.
And the way the book ends on the excerpt from Maryās memoir and Maryās first time leaving the ranch? Perfect. Natalie doesnāt get to control the narrative anymore. Thatās the province of her parentified daughter-mom, now.
Why are the critiques of Yesteryear expecting Natalie to have genuine moments of faith and saying it's a flaw that wasn't explored because it would "be more realistic?" It is a satire about a white Christian nationalist who doesn't have faith. She thinks she's smarter than everyone, including other Christians. She doesn't study scripture. She doesn't go to church. She learned what it means to be a Good Christian Wife in childhood and didn't gain any other spiritual guidance. The other Christians in her family grow and have evolving relationships with faith.
You are allowed to critique a book, but it feels disingenuous to knock off star ratings because you expected a different story than what was promised. I went in expecting to read about a tradwife influencer living a hell of her own making and I had a great time with the satire. 5 stars for me.
lord somebody said they didnāt like Yesteryear because the main character was āunlikableā as if that wasnāt the entire point. like the book is a satire about a tradwife influencer. literacy is dead
I think that other authors could have written the basic yesteryear plot of tradwife gets sent back to live in the 1800s and it would have been a quick fun romp of vicarious comeuppance. But instead, Yesteryear is so much more than that. It is so much more interesting to actually examine why Natalie believes what she does and behaves as she does and interrogate her reality. I was dreading it because of all the hype but you know what. Sometimes things that seem overhyped may actually deserve hype.
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thinking about the ending of Yesteryear and it is sooo fascinating to me that the closest thing we get to true tenderness between Natalie and Caleb, true honesty and vulnerability between husband and wife, is when they finally admit they fucking hate each other.
As her dark debut about a tradwife who wakes up in the past is made into a film by Anne Hathaway, the novelist explores the sinister truth b
This is not the direction Iām meant to go in when I talk about my novel orĀ the legacy of the tradwife. Iām meant to focus instead on the rise of milkmaid fashion, the proliferation ofĀ handkerchief headbands at Target, the sociopolitical implications of the apron-heavy spring Miu Miu line. Iām meant to talk about those consequences of āthe tradwife obsessionā that we are reasonably capable of stomaching. I know this because when, in response to a question about my novel, I try to talk about Renee Good, who was shot dead by ICE agents, I am gently encouraged to pivot, or alternatively reminded that what Iām saying isĀ a bit of a stretch,Ā andĀ this makes me feel crazy.
Iām not crazy. Itās not a stretch.
The tradwife, like the 1950s housewife, is not a real person. She is not a trend, or a cultural obsession. She is an advertisement, a curated performance of womanhood with a link in bio for purchases, who has shown up, like a 1950s advertisement, to remind women of their true purpose: serve, smile, procreate and purchase.
feels like this book couldn't come at a better time
one of the main things that struck me with yesteryear was how even the āreal 1800s pioneer livingā was being supported by natalieās sons buying food from the grocery store and bringing it to them. that she was taking modern medication, which was behind her āgood daysā. that part of it was very well done
Yesteryear thoughts: It's funny how things Natalie gloatingly imagined happening to Reena in fact happened to her, at least four times.
Natalie imagines that Reena won't be able to conceive naturally and will have to resort to IVF: all but one of Natalie's original six children were conceived via turkey baster. Not quite the same thing, but the only reason Natalie isn't acknowledging that her children weren't conceived "naturally" is because she feels that the harsh set of rules she holds everyone else to don't apply to her.
Natalie imagines that Reena's husband will cheat on her with an early twenty-something employee while she's in her thirties and pregnant, and her husband will leave her for that early twenty-something employee: Natalie is pregnant in her thirties when Caleb cheats on her with Shannon, his early twenty-something employee (Legally, yes, she is Caleb's employee and not Natalie's, because Natalie signed the legal rights of everything over to Caleb). Yes, there are some differences. Shannon very plainly has no plans to be with Caleb in a proper relationship, and there are definite question marks over just how consensual that "affair" really was, but it's kinda spooky, isn't it?
Natalie imagines Reena becoming addicted to cocaine to cope with her stressful life: Natalie becomes addicted to valium to cope with her stressful life.
Natalie imagines Reena struggling later in life, with the only thing she has going for her being a plush retirement account: Reena is in fact doing great in her middle age, while Natalie is doing thirty years in prison, and given her age and implied state of health, there's a real chance she'll die in prison before ever getting out.
It's kinda like poetic justice really is a thing, or something...
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i think it's really fun when a rly specific trope is super popular in one particular medium but in other ones it's just totally unheard of. it's the time knife. visual novel players are suuuuper used to death games but many others encountered them for the first time in squid games. the other day my mom showed me all excited the summary of a super original novel she found and it was about a girl who got reincarnated as the main character in her favorite fantasy book
I think Ilya deserves to spend multiple afternoons wrapped in a blanket, curled up half on Shaneās lap, snuggled into his chest, with one of Shaneās arms wrapped around his waist and the other hand nestled in his curls, gently scratching at his head in a way that lulls him to a sweet doze, secure in the knowledge that he is beloved and safe
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