Dread cat cave

danny de vito sent good-luck flowers on their first day of shooting

in the published draft of the script, colonel brandon and willoughby fight a duel offscreen after brandon confronts him about impregnating beth, brandon’s ward

“kissing hugh [grant] was very lovely. glad i invented it. can’t rely on austen for a snog, that’s for sure. we shoot the scene on a hump-backed bridge. two swans float into shot as if on cue. everyone coos. ‘get rid of them,’ says ang [lee]. ‘too romantic.’

for a number of outdoor scenes, they would fire a shotgun in the air just before the cameras started rolling to get the local crow population to shut the fuck up for a few minutes

there was a dedicated line item in the budget for hiring flocks of sheep for exterior shots, ang lee was determined to use them as often as he could

“later found ang looking at the estuary with a mournful expression. i went and stood beside him. after a moment he said, waving towards the water, ‘tide goes in, tide goes out, tide goes in, tide goes out — and still no sex.’ ‘do you miss it?’ i enquired, after i’d stopped laughing. he nodded sadly. his family won’t be back for weeks.”

while filming the scenes at the palmers’ house with the screaming baby, it turns out that “we’ve hired the calmest babies in the world to play the hysterical thomas. one did finally start to cry but stopped every time chris yelled ‘action’. later: babies smiled all afternoon. buddhist babies. they didn’t cry once. we, however, were all in tears by 5 p.m.”

“very nice lady served us drinks in hotel and was followed in by a cat. we all crooned at it. alan [rickman] to cat (very low and meaning it): ‘fuck off’. the nice lady didn’t turn a hair. the cat looked slightly embarrassed but stayed.”

during the london ballroom scene hugh laurie kept treading on the train of imelda staunton’s gown, “which pulled it down so far it exposed her boobs. keep it in, i said, but she wouldn’t.”

“sunday, 11 june: drank far too much last night and woke at 5:30 a.m. could’ve gone on drinking all night. quite grateful for a hangover, it provides a bit of peace. walked on to my balcony completely naked last night and took the couple that have moved into the suite next door slightly by surprise. walked back in calmly affecting insouciance and then bit all my pillows, one after the other.”

while resetting a scene involving a carriage, “ang rode off on a bicycle and didn’t return. found him locked in the loo at trafalgar, having broken the key. he’s being rescued at present.”

“noon. finish scene with alan. me: ‘oh! i’ve just ovulated.’ alan (long pause): ‘thank you for that.’”

Not getting into ending spoilers but Steven Spielberg plays a character who is pivotal to the climax of the film.

Ray Charles fires a warning shot from a pistol at a shoplifter.

They did location filming in a mall that had closed the previous year in 1978. The production fucked that mall up so bad that it remained abandoned until it was finally demolished in 2012.

Commander Sir Samuel Vimes of the Ankh-Morpork City Watch:

Personality hire

For those of you who are wondering who else the original tweet is referring to, they are talking about Margaret Atwood, a very prominent feminist author (probably best known for The Handmaid’s Tale). Because she is a feminist the terfs assumed that she’d naturally side with them, and it came as a massive shock (for some reason) when she very publicly opposed and humiliated all of  terfdom.

But yeah I don’t know how terfs can possibly get through Discworld books without any kind of self-awareness but apparently they do. I’ve also seen them talking about how the Wives in the Handmaid’s Tale are all trans women (solely based on the fact that they are infertile). If you know anything about the plot or even the basic premise you’ll know how ludicrous that suggestion is.

Also there’s this