every conversation on here increasingly feeling like this tweet
NASA

PR's Tumblrdome
noise dept.
The Bowery Presents
đŞź
Lint Roller? I Barely Know Her
untitled
I'd rather be in outer space đ¸
PUT YOUR BEARD IN MY MOUTH
taylor price
Monterey Bay Aquarium

â
Mike Driver
TVSTRANGERTHINGS


Product Placement

bliss lane

titsay
trying on a metaphor

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@theblackhartguide
every conversation on here increasingly feeling like this tweet

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Something like this would be so colossally helpful. I'm sick and tired of trying to research specific clothing from any given culture and being met with either racist stereotypical costumes worn by yt people or ai generated garbage nonsense, and trying to be hyper specific with searches yields fuck all. Like I generally just cannot trust the legitimacy of most search results at this point. It's extremely frustrating. If there are good resources for this then they're buried deep under all the other bullshit, and idk where to start looking.
>:)c
May I present to you, nationalclothing.org?
It doesn't have everything, but it's still my first source when researching traditional clothing from other cultures.
There's also this resource on historical fashion: Claireâs Historical Fashion Reference & Resources
another addition as far as physical media goes there is the encyclopedia of national dress (that i still need to buy myself bc this kind of thing is super important to my sort of fantasy designing) but yes i do agree i wish there was EVEN MORE documentation on this
Reblogging to spread awareness
the goldmine folks
words we ought to say more often:
apocryphal
anatine
wherewithal
grotto
umstroke
posthaste
superlative
beastmode
fuck OFF. WHO ASKED FOR THY OPINION
crepuscular
peripatetic
apropos
effervescent
taciturn
By LabradoriteKing on Pinterest
A handy guide for your Jewellers and Gem Cutters.
I accept payment in trillion-cut black diamonds.
Chop chop.
Useful!
I have a mute character in the story Iâm writing and one of my beta readers suggested I use italics when they sign so that I donât have to keep peppering âthey signedâ or âtheir hands flashedâ throughout the piece.
But likeâŚI always read italics in a different tone like theyâre thoughts. It seems quieter than using normal quotations which makes what they say look less significant on the page than other characterâs dialogue.
I really donât think my audience needs me to use completely different punctuation around a mute character. Thereâs no need to act like theyâre speaking a different language since their muteness isnât a focal point in the story.
So really this readerâs comment has done the complete opposite of what they intended. Now Iâm actively taking out as many of my âhands flashedâ notations as possible and just writing in normal body language because, clearly, the other characters understand them and my audience doesnât need to be coddled.
As an HOH reader and writer I can affirm that once the signing has been established it can just be treated like âsaidâ.
You can add little things for emphasis though, like how fast or flippant a sign is given, also a lot of our âpunctuationâ is in facial expressions, so wild looks is kind of normal. Also messing up signs and just.. pushing them aside. Like, you mess up a fingerspell and just take both hands and shove the air in front of you to your side, people who sign eventually end up doing this for other things, like a âforget itâ motion. Itâs like a âwave it offâ gesture.
Body language for someone who signs is a lot more animated than someone who speaks, as we use our upper body a lot in our conversations, so the act of âsigningâ is more than just hand signals.
YesâŚ.yes GOOD this is the good stuff right here. Iâm going to incorporate some of these ASAP ESPECIALLY the pushing the air but to clear it of your mistakes

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An ultra extended flowchart for identifying dynasties! Even identifying sub-periods of each dynasty. As always, this is a general guide ther
does the makeup look sad or happy? >>> goth & sad >>> middle tang dynasty [lmao]
A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.Â
i feel like we donât talk about things like this enough
Moroccan architecture (specifically, amazigh from Chefchaouen)
Post-colonial Algerian architecture (Algiers and Constantine):
Mozabite architecture (from Ghardaia, Algeria):
Assrou N'Swoul counterweight veil pendants made of brass, iron and copper are received by a girl as a gift from her mother. Their size indicates the wealth of the girlâs family.
The method of laminating used on these pendants is known as the âsandwichâ technique, which involves very time consuming and delicate work by the Mauritanian smiths. From: Africa Online Museum; Niger; Tuareg Wedding and Bianou Celebration.
this is not to say you shouldn't make characters with strabismus- you should! i want to see people with my disabilities! but i think a little research can go a long way. i'd love to see it given more depth in writing than just being an indicator of intelligence (which it isn't and never has been!)

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LabradoriteKING's Gemstone Charts, updated and expanded edition
By LabradoriteKING on Instagram
On the year and half anniversary of my previous gemstone post I bring you brand new gemstone charts from LabradoriteKing.
I never expected the original post to take off. I found these gemstone charts to help me design crowns for the royal family in my Harry Potter au and posted them so I could quickly find them again. Apparently everyone else thought they were useful, too. I hope you find these new charts as useful in your creative endeavors as I will in mine. Which reminds me, I need to work more on my Harry Potter au.
To everyone who reblogs, likes, or comments on this: thank you, and God bless you.
Terms You Might Want To Know For Your Wuxia/Xianxia Fic
MXTX's danmei are getting increasingly popular, and the fandoms are getting more fic-happy. I've noticed that some writers seem interested in writing their own fics but are concerned of making mistakes with niche honorifics and titles. I've noticed some that have jumped right in, but have made innocent errors that I'd like to correct but fear coming off as rude or presumptuous. And so I've made this list of terms that covers the basics and also some that are a little more niche since they're usually directly translated in cnovels.
DISCLAIMER: This is by no means a comprehensive list of everything one needs to know or would want to know concerning ancient Chinese honorifics and titles, merely what I myself consider useful to keep in mind.
Titles
Shifu: 'Martial father'; gender-neutral
Shizun: 'Martial father'; more formal than 'shifu'; gender-neutral
Shimu: âMartial motherâ; wife of your martial teacher
Shiniang: âMartial motherâ; wife of your martial teacher who is also a martial teacher
Shibo: elder apprentice-brother of your shifu; gender-neutral
Shishu: younger apprentice-brother of your shifu; gender-neutral
Shigu: apprentice-sister of your shifu
Shizhi: your martial nephew/niece
Shimei: younger female apprentice of the same generation as you
Shijie: elder female apprentice of the same generation as you
Shidi: younger male apprentice of the same generation as you
Shixiong: elder male apprentice of the same generation as you
Shige: elder male apprentice of the same generation as you, specifically one who has the same shifu as you or is the son of your shifu
Zhanglao: an elder of your sect
Zhangbei: a senior of your sect
Qianbei: a senior not of your sect
Wanbei: a junior not of your sect
on âthe blond,â âthe older man,â and other crimes against third-person limited
You know that thing where a story is written in tight third person limited â weâre meant to be inside someoneâs head, seeing the world through their thoughts â and then suddenly the narration says âthe blond frownedâ or âthe shorter woman sighedâ about a person the POV character knows really well?
Thatâs called antonomasia â using a descriptive label instead of a name. And itâs fine when weâre talking about strangers: âthe cashier handed her the receipt,â âthe tall guy blocked the door.â The POV character doesnât know their names, and we just need a quick way to tell people apart.
But the moment itâs used for someone the POV character already knows, it breaks immersion. Because thatâs not how our minds work. We donât think âthe older man smiled at me.â We think âMark smiled.â Or maybe âmy bossâ if that relationship matters in the moment.
Third person limited means the narration sits inside someoneâs perception. Their inner monologue is the storyâs voice. So when you switch from âMark smiledâ to âthe blond smiled,â youâve pulled the camera away from their mind and turned it into an outside shot.
If you want to create distance or irritation, you can do it on purpose â
âThe idiot from accounting emailed again.â
Thatâs character voice. Thatâs judgment. That works.
But otherwise?
As soon as your POV character knows someoneâs name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.
If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.
Because inside someoneâs thoughts, there are no âblondsâ or âbrunettes.â
There are only people they know.
MUGLER Couture Fall/Winter 1995 if you want to support this blog consider donating to: ko-fi.com/fashionrunways
oh i'm going to misusle and straight up fuckle this knowledge so badly

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This may seem like a sort of vague question, but what exactly is that type of thin scarf/cloth you see wrapped around the arms and behind the back called? And what is the history of it?
Hi, thanks for the question - itâs not vague at all!
The thin, long scarf that you see worn with hanfu, wrapped around the arms and behind the back, is called pibo/ćŤĺ¸.
Sources state that pibo first appeared sometime around the Qin dynasty (221â 206 BC). It was originally used to protect against wind and cold air, and gradually became an important fashion accessory. There were two types of pibo: one was wider and shorter, used mostly by married women. The other type could be more than two meters in length, and was used mostly by unmarried women. Below - art of historical outfits with pibo from the Tang (1-3), Sui (4), and Song (5) dynasties:
Pibo really came into vogue during the Sui and Tang dynasties. The open, confident culture of the Tang meant that women were eager to utilize accessories to make their appearance and outfits more glamorous. Initially, it was worn by performers and those residing in the palace. After the rise of the Kaiyuan era, it became popular among the common people. Below - historical art depicting pibo from the Sui, Tang, and Five dynasties periods (581â960):
There were many ways of wearing pibo, and each time period had its own popular styles. For example, during the early Tang dynasty, women put pibo directly on their shoulders. During the middle Tang, one end was fixed to the chest, and the other end was draped around the shoulder:
After the Tang dynasty, the pibo gradually became less popular. It fell out of common use during the time of the Song dynasty. Recently, however, with the hanfu revival movement, pibo has been making a comeback as an essential accessory of hanfu. It comes in all sorts of fabrics, styles, and designs:
Pibo is generally only worn with ruqun, and wearing it with other hanfu styles such as quju or aoqun is seen as incongruous (see this post for definitions of hanfu terms). Of course, nowadays people can wear it however they want. For more references, please see my Pibo tag.
Hope this helps!
Sources: 1, 2, 3, 4, 5
Edit: Hereâs a cute illustration showing some of the different ways in which pibo was worn during the Tang dynasty (Via):
more on writing muslim characters from a hijabi muslim girl
- hijabis get really excited over pretty scarves - they also like to collect pins and brooches - we get asked a lot of questions and it can be annoying or it can be amusing, just depends on our mood and personality and how the question is phrased - common questions include: - ânot even water?â (referring to fasting) - hijabis hear a lot of âdo you sleep in that?â (we donât) and âwhere is your hair?â (in a bun or a braid, usually) - âis it mooze-slim or mozzlem?â (the answer is neither, itâs muslim, with a soft s and accent on the first syllable) - âee-slam or iz-lamb?â (itâs iss-laam, accent on the first syllable) - âhee-job?â (heh-jahb, accent on the second syllable)
- âkor-an?â (no. quran. say it like koor-annn, accent on the second syllable) - people tend to mess up our names really badly and you just get a sigh and a resigned nod or an awkward smile, maybe a nickname instead - long hair is easy to hide, short hair is harder to wrap up - hijab isnât just covering hair, itâs also showing as little skin as possible with the exception of face, hands, and feet, and not wearing tight/sheer clothing - that applies to men too, people just donât like to mention it ( i wonder why) - henna/mehendi isnât just for special occasions, youâll see people wearing it for fun - henna/mehendi isnât just for muslims, either, itâs not a religious thing - henna/mehendi is not just for women, men also wear it, especially on their weddings - there are big mehendi parties in the couple of nights before eid where people (usually just women and kids) gather and do each otherâs mehendi, usually just hands and feet - five daily prayers - most muslim kids can stutter through a couple verses of quran in the original arabic text by the age of seven or eight, it does not matter where they live or where theyâre from or what language they speak natively - muslim families tend to have multiple copies of the quran - there are no âversionsâ of the quran, there has only ever been one. all muslims follow the exact same book - muslims have no concept of taking Godâs name in vain, we call on God at every little inconvenience - donât use islamic phrases if you donât know what they mean or how to use them. we use them often, inside and outside of religious settings. in islam, it is encouraged to mention God often and we say these things very casually, but we take them very seriously - Allahu Akbar means âGod is Greatestâ (often said when something shocks or surprises us, or if weâre scared or daunted, or when something amazing happens, whether it be good or bad; itâs like saying âoh my godâ) - Subhan Allah means âGlory be to Godâ (i say subhan Allah at the sky, at babies, at trees, whatever strikes me as pleasant, especially if itâs in nature) - Bismillah means âin the name of Godâ and itâs just something you say before you start something like eating or doing your homework - In Shaa Allah means âif God willsâ (example: youâll be famous, in shaa Allah) (itâs a reminder that the future is in Godâs hands, so be humble and be hopeful)
- Astaghfirullah means âi seek forgiveness from Allahâ and itâs like âgod forgive meâ - Alhamdulillah means âall thanks and praise belong to Godâ and itâs just a little bit more serious than saying âthank godâ (example: i passed my exams, alhamdulillah; i made it home okay, alhamdulillah) - when i say we use them casually, i really mean it - teacher forgot to assign homework? Alhamdulillah - our version of âamenâ is âameenâ - muslims greet each other with âassalamu alaikumâ which just means âpeace be on youâ and itâs like saying hi - the proper response is âwalaikum assalamâ which means âand on you be peaceâ and itâs like saying âyou tooâ
As a Muslim this post is so very important and it makes me so happy that it gives the small facts and details that one might be unaware of or confused about.