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[ID: Image 1: A drawing of a red crayon and a pencil; text with an arrow pointing to the crayon reads, âIâm not sharp enough,â and text with an arrow pointing to the pencil reads, âIâm not colorful enough.â The image us captioned, âComparison destroys personality.â
Image 2: A photo of several colored pencils with text that reads, âeveryone wants me carnally,â overlayed on top of it. // End ID]
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The polar opposite of corporate accounts trying to come across as hip and super friendly are the ones for libraries, aquariums, parks systems and the like, that are basically just trying to get people excited about learning and the wonder of history/science by posting things like this:
Scottish government currently has a bunch of ads up to get screened for lung cancer, but for some reason theyâve decided to personify cancer as some sort of gothic butch milf and Iâm obsessed with her
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[ID: âThe tragedy of Hamlet, as in some degree of Othello, is that moral outrage demands action when no action can be of any use. In a sense, we can say that the ghost was at fault in appearing to Hamlet in the first place and setting him-for what might be called purely selfish reasons--a task which, even if accom-plished, could do no possible good. When Hamlet's whole nature was outraged by his mother's behavior and then by the news of his father's murder, he naturally felt that something must be done. But what? What could be done that would make any diference-any difference at all to the things that really mattered? Would a dagger through Claudius' ribs restore Hamlet's shattered universe? Would it restore his earlier idealized image of his mother or remove the "blister" that had been set on his innocent love? This is a tragedy of moral frustration. What are you going to do about past crimes which have shattered your preconceptions about the nature of life? There is nothing you can ever do about the past, except forget it. And yet, of course, Hamlet could not forget. Revenge is no real help-what sort of action, then, is of help? None that is directed toward undoing the past: only purposive action directed toward the future can ever help. And that is at least one explanation of Hamlet's long delay in carrying out the ghost's command: he wanted action that would undo the past, and no action could do that, revenge least of all, for that would only re-enact the past.
The punishment can never fit the crime, for it can never undo it.â End ID.]
jonmartin as an inversion of orpheus & eurydice. you walk into hell to bring back the man you love and you do it by looking at him and making him look at you. he wants to stay and mourn you rather than be with you; you fight for him. you make the loverâs choice, not the poetâs choice.
one time someone asked me âare you sexually open-minded?â and i immediately saw through that and said âiâm adventurous. but i know what i like and i wonât do something just because someone else wants me toâ and sure enough, he ghosted. that was not âoh, weâre both doms, looks like weâre not compatible,â that was âi want to take advantage of someone with sufficiently low standards or experience that sheâll go along with whatever i want, and you wonât let me get away with thatâ. his was such an underhanded, leading question because no one wants to say theyâre closed-minded, but having different desires from someone else is not being closed-minded. youâre allowed to be uncomfortable with or uninterested in trying a sexual act. i wonder how âopen-mindedâ he would have been to my desires. be careful. even if youâre a sub who likes pleasingâespecially thenâdonât let anyone manipulate you.
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he literally looked back because he loved her. she was already dead. she wouldve still been dead even if he hadnt looked back and they'd made it. she was a ghost. she wouldve come back wrong. it's not a happy ending (yes it is). he loved her. he looked back. HE DID NOT FAIL HER!!!!! its not about getting back what you've lost its about saying goodbye. there is no other end to this story. im done.
Ovidâs The Story of Orpheus and Eurydice (tr. Rolfe Humphries) / Spirited Away dir. Hayao Miyazaki / @mag200 / Jenny Diski, âHousewifeâ / Franz Wright, God's Silence / Adrianne Kalfopoulou, âPoem in Pieces, a Logâ / Jon Ware, I am in Eskew / Kazimierz WierzyĹski, âA Word of Orphistsâ (tr. Czeslaw Milosz) / @prisonhannibal / Aeschylus, The Oresteia / Ocean Vuong, Eurydice
image ids under cut:
image 1: a quote from Ovid that reads: "And Orpheus received her, but one term was set: he must not, till he passed Avernus, turn back his gaze, or the gift would be in vain."
image 2: excerpt from the script of the film Spirited Away that reads: "Haku: But I can't go any farther. Just go back the way you came, you'll be fine. [highlighted] But you have to promise not to look back, not until you've passed through the tunnel."
image 3: a drawing, labeled in all-caps handwriting "a venn diagram of love vs. grief:". the drawing is a single circle.
image 4: an excerpt, highlighted and italicized, from Jenny Diski that reads: "People don't understand about repetition, do they? How it is at the heart (thump, thump, thump) of obsession; at the erotic centre (drip, drip, drip) of desire. You do, of course. Repetition is insatiability spelt sideways."
image 5: a quote from Franz Wright reading, "And let me ask you this: the dead, where aren't they?"
image 6: a quote from Adrianne Kalfopoulou in red text, reading, "Grief will keep you reaching back / for what is not there"
image 7: an excerpt from Jon Ware that reads, "Here's my question. If the ghost wants nothing more than to be witnessed, why would it appear behind you, not in front of you? The only answer I can think of is this: [underlined] it appears behind you because it already knows, to an absolute certainty, that you will have no choice but to look back."
image 8: a quote from Kazimierz WierzyĹski that reads: "I understood the true fate of Orpheus, that [highlighted] love is a constant terror of loss."
image 9: a screenshot of a tumblr ask from an anonymous user who says, "What's the point?" user prisonhannibal responds, "of what? it's love though".
image 10: two lines from aeschylus reading, "Orestes: This was always going to happen. She's been dead since the beginning."
image 11: an excerpt from Ocean Vuong that reads, "Your absence has gone through me // Like thread through a needle. / Everything I do is stitched with its color."
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