the moon in paintings. x
h

Kiana Khansmith
AnasAbdin
we're not kids anymore.
he wasn't even looking at me and he found me
d e v o n
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her

@theartofmadeline
Keni

❣ Chile in a Photography ❣
Alisa U Zemlji Chuda
wallacepolsom
ojovivo
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH
Claire Keane
RMH
seen from Canada
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@temporalhauntings
the moon in paintings. x

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helpful sites for writers
i have a little collection of websites i tend to use for coming up with ideas, naming people or places, keeping clear visuals or logistics, writing basics about places i've never been to, and so on. i tend to do a lot of research, but sometimes you just need quick references, right? so i thought i'd share some of them!
Behind the Name; good for name meanings but also just random name ideas, regardless of meanings.
Fantasy Name Generator; this link goes to the town name generator, which i use most, but there are lots of silly/fun/good inspo generators on there!
Age Calculator; for remembering how old characters are in Y month in Z year. i use this constantly.
Height Comparison; i love this for the height visuals; does character A come up to character B's shoulder? are they a head taller? what does that look like, height-wise? the chart feature is great!
Child Development Guide; what can a (neurotypical, average) 5-year-old do at that age? this is a super handy quickguide for that, with the obviously huge caveat that children develop at different paces and this is not comprehensive or accurate for every child ever. i like it as a starting point, though!
Weather Spark; good for average temperatures and weather checking!
Green's Dictionary of Slang; good for looking up "would x say this?" or "what does this phrase mean in this context?" i love the timeline because it shows when the phrase was historically in use. this is english only, though; i dig a little harder for resources like this in other languages.
Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!
Every piece of classic literature: Hi. It's me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here's the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.
Modern writing advice: Yes your protagonist should have flaws but ultimately we should root for them and like them from the beginning :)
Charles Dickens: Here is the worst ugliest rudest meanest nastiest bitch you’ve ever met in your life.
Modern writing advice: Make sure your POV character goes through a significant arc! Make sure they are changed by the narrative! Make sure they learn a lesson!
Narrators of every book of the 19th century: the lesson I learned is these people fucking suck, sayonara you freaks
Modern writing advice: It’s all about the character overcoming obstacles and learning! They learn their lesson so they can fix their mistakes and make good choices in the future! It’s a character arc! It’s called growth! Readers love it!
Everyone from ancient times through the 19th century: would you like to watch a Guy fuck up twenty times in a row
WWC’s A Beginner’s Guide to Academic Research
We are pleased to present WWC’s A Beginner’s Guide to Academic Research!
This pandemic project has been over 2 years in the making and we hope it will greatly assist any of our readers who are eager to conduct in-depth research but may be at a loss where to start.Â
Go to the Guide Here
The guide is split into 6 parts:
Introduction and Table of Contents
Part 1: Getting Started
Part 2: Searching for Sources OnlineÂ
Part 3: Evaluating Sources
Part 4: Navigating Academic SourcesÂ
Part 5: Recognizing Your Limits
Each portion of the guide has links to connect to the previous and next sections. While it is possible to view tumblr pages on phones and tablets through the app, we highly recommend viewing this guide via browser on desktop whenever possible. Tumblr page formatting is better suited for browsers and each section is very dense with information, which will make scrolling in the app or on your dashboard difficult.Â
Future FAQ/ Discussion:Â
As noted in part 5 of the guide, for the next two weeks, we will be keeping an eye on the notes for this post. If you have further questions or comments about academic research, drop them here and we will select the most pertinent to respond to in a later post.Â
If you find this guide helpful, we request that you consider tipping the moderators below for the work and time required from conception, to drafting, formatting and debugging. Their ko-fis are listed below:Â
Rina: https://ko-fi.com/arcanabean
Marika: https://ko-fi.com/5h1njuu
How to Write Envy: A Quick Guide for Writers
If someone has something, either an object or an attribute, that your character covets, they may show signs of envy. You can show envy through associated emotions and your characters' behaviours and expressions.
How do they behave?
Compare themselves to others
A dismissive attitude
Downplay the achievements of others
Frustration or disbelief at others’ success
Show signs of longing or desire
Show grudging admiration
Exhibit copycat behaviour
Show signs of low self-esteem
Be excessively competitive
How do they interact?
Mock and belittle the person they envy
Be overly critical
Be passive aggressive
Be insincerely complimentary
Use sarcasm when talking about the achievements of others
Be obsessive or hyperfocused
Use manipulation to get what they want
Forget about personal boundaries
Rude or short in conversation
Describe their body language
Closed off and arms crossed
Frequently roll their eyes
Avoid direct eye contact
Tensed muscles
Biting lips or pouting
Disapproving facial expression
Red cheeks through anger or embarrassment
Leaning closer to the object of their desire
False smiles
Genuine joy when they’re in the presence of what they desire
Positive outcomes
Envious characters can become motivated to improve themselves to make them worthy of what they desire. If their envy becomes uncontrollable, they may also find personal growth in removing themselves from the situation and finding a new direction in life. It also allows characters the chance to develop empathy toward the person whom they envy or who possesses something that they covet, letting them finally appreciate what they already have.
Negative Outcomes
Long-term envy can lead to lots of negative emotions like resentment, anger, and low self-esteem. This will affect relationships with those around them, leading them to break down or require conflict resolution in order to overcome.
Useful Synonyms
Jealous
Covetous
Resentful
Grudging
Begrudging
Green-eyed
Yearning
Desirous
Longing
Grasping
Greedy
Hungering
Thirsting
Avaricious
Craving
Malcontent
Dissatisfied
Lustful
Wistful
Discontent

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I often think I could be such a good writer if I were better at writing
Unfortunately, the only way to improve your writing is to write.
Symbolism Associated With Flowers For Writers
Acacia:Â Since ancient times, acacia has been associated with purity and innocence. It is also a symbol of resurrection and new beginnings.
Amaryllis:Â Amaryllis is a symbol of passion and desire. It is also associated with strength and courage.
Anemone:Â Anemone is a symbol of grief and sorrow. It is also associated with hope and new beginnings.
Azalea:Â Azalea is a symbol of love, passion, and desire. It is also associated with beauty and elegance.
Carnation:Â Carnation is a symbol of love, affection, and appreciation. It is also associated with motherhood and childbirth.
Chrysanthemum:Â Chrysanthemum is a symbol of longevity, happiness, and good luck. It is also associated with death and mourning.
Daisy:Â Daisy is a symbol of innocence, purity, and simplicity. It is also associated with childhood and new beginnings.
Delphinium:Â Delphinium is a symbol of wisdom, knowledge, and understanding. It is also associated with royalty and nobility
Frangipani:Â Frangipani is a symbol of love, passion, and desire. It is also associated with beauty and elegance.
Gardenia:Â Gardenia is a symbol of purity, innocence, and grace. It is also associated with love and admiration.
Gerbera Daisy:Â Gerbera daisy is a symbol of new beginnings, happiness, and joy. It is also associated with optimism and hope.
Hyacinth:Â Hyacinth is a symbol of love, passion, and desire. It is also associated with grief and sorrow.
Iris:Â Iris is a symbol of faith, hope, and wisdom. It is also associated with royalty and nobility.
Lily:Â Lily is a symbol of purity, innocence, and chastity. It is also associated with resurrection and new beginnings.
Lily of the Valley:Â Lily of the valley is a symbol of purity, innocence, and sweetness. It is also associated with new beginnings and springtime.
Magnolia:Â Magnolia is a symbol of love, beauty, and elegance. It is also associated with femininity and motherhood.
Orchid:Â Orchid is a symbol of love, passion, and desire. It is also associated with beauty, rarity, and luxury.
Rose:Â Rose is the most popular flower in the world and has a wide range of symbolism. It can symbolize love, passion, desire, beauty, romance, friendship, gratitude, and respect.
Tulip:Â Tulip is a symbol of love, passion, and desire. It is also associated with springtime and new beginnings.
Why Symbolism With Flowers Is Important For Writers
Flowers can be used to foreshadow events or themes in a story. For example, a writer might use a white rose to foreshadow a character's death, or a red rose to foreshadow a romantic encounter.
Flowers can be used to represent characters' emotions or motivations. For example, a character who is feeling sad might be described as holding a wilted flower, or a character who is feeling passionate might be described as surrounded by roses.
Flowers can be used to create symbolism that is specific to a particular culture or region. For example, in some cultures, the lotus flower is a symbol of purity and enlightenment, while in other cultures, it is a symbol of death and rebirth.
The Writer's Guide to Authentic Wounds and Fatalities
Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.
Writing Fatal Injuries
When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.
Choosing the right injuries for your story
Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.
For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.
Researching the mechanics of fatal injuries
To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.
For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.
Depicting the immediate aftermath
When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.
For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.
Emotional and dramatic impact on the narrative
The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.
For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.
Writing Minor Injuries
While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.
Types of minor injuries to consider
When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.
For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.
Conveying pain and discomfort
When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.
For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.
Balancing realism with narrative pace
While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.
For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.
Writing Bloodshed And Realistic Blood Loss
When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.
Understanding blood loss and its impact on the body
To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.
Factors influencing blood loss in different injury scenarios
The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.
Techniques for accurately portraying blood loss in writing
There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.
By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.
Bruises: Colors, Progression, and Pain
Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.
Understanding the stages and colors of bruises
Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.
For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.
Depicting the progression of bruises over time
As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.
For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.
Conveying the pain and sensitivity associated with bruises
Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.
Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.
Remember The Side Effects
Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.
Physical side effects
Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.
For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.
Emotional and psychological side effects
Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.
For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.
Social implications and changes
Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.
For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.
By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.
Conclusion
Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.
Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.
Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.
I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday. Â
Looking For More Writing Tips And Tricks?Â
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!Â
Mhuhahaha, time for some real fun. Thank you @hayatheauthor for this guide that I will definitely be taking into account. I’m already doing quite of few of these, but there are plenty of other aspects that I didn’t think of before.
A general cane guide for writers and artists (from a cane user, writer, and artist!)
Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!
This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.
This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions, but you absolutely should continue to do your own research outside of this guide!
The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!
A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.
Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height will make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)
(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)
When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane, then the good leg, and THEN the leg that needs help.
Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.
In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.
Now we come to a very common mistake I see... Using fashion canes for medical use!
(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)
The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!
Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.
The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!
This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!
However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.
Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)
Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.
Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)
(my canes, for reference)
If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!
When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!
For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.
When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)
When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)
That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!
Happy disability pride month! Go forth and make more characters use canes!!!
I’m a sucker for ships where Person A is damaged and Person B is their salvation, and when you look closer, you find that Person B is damaged, as well, just in a less obvious/volatile way, and Person A is their salvation right back.

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https://www.the-pro-creator.com/2019/01/I-hate-adobe-and-so-should-you.html
I’m posting the links here because the link keeps on a loop with adfly
IF YOU DRAW OR DESIGN Instead of PHOTOSHOP, try GIMP Instead of LIGHTROOM, try PAINT.DOT.NET Instead of ILLUSTRATOR, try INKSCAPE Instead of INDESIGN, try CANVA or SCRIBUS
IF YOU MAKE PICTURES MOVE Instead of PREMIERE, try DAVINCI RESOLVE Instead of ANIMATE/FLASH, try OPENTOONZ or BLENDER Instead of AFTER EFFECTS, try WAX, BLENDER or FUSION
IF YOU BUILD WEBSITES OR SOFTWARE Instead of DREAMWAVER, SPARK or XD, try WIX, WEEBLY, or WORDPRESS.COM or WORDPRESS.ORG
IF YOU DO STUFF THAT REQUIRES THESE OTHER PROGRAMS Instead of AUDITION, try AUDACITY Instead of ACROBAT PRO, try FOXIT READER or PDF ESCAPE Instead of INCOPY, try LOVING YOURSELF AND USING LITERALLY ANYTHING ELSE (WHO USES THIS???)
IF YOU NEED STOCK PHOTOS OR FONTS Instead of ADOBE STOCK, try PEXELS, UNSPLASH, or PIXABAY Instead of ADOBE PHONTS, try GOOGLE FONTS or DAFONT
BONUS: If you need FREE MUSIC OR SOUND EFFECTS, try YOUTUBE AUDIO LIBRARY or SOUNDBIBLE
My bonuses:
IF YOU DRAW OR DESIGN Instead of PHOTOSHOP, try FIREALPACA , SAI , SKETCHBOOK or KRITA (these latter two are great!) Instead of LIGHTROOM, try PHOTOSCAPE
IF YOU MAKE PICTURES MOVE Instead of PREMIERE, try SHOTCUT Instead of ANIMATE/FLASH, try PENCIL2D ANIMATION, LIVE2D, OR E-MOTE
IF YOU NEED STOCK PHOTOS Instead of ADOBE STOCK, try MORGUEFILE.COM
Editing Checklist
Editing Software:
StyleWriter 4 is fantastic. It’s an add-on for Microsoft word and has a 14-day trial period. It goes through your text, picks out “glue words”, misspellings, long sentences, homonyms, passive tense, shows your reading grade level, and more.
Editminion *FREE* checks for adverbs, weak words, passive voice, cliches, and homonyms among other things.
Pro Writing Aid is another online editor. It is mostly free, but offers more features if you pay.
AutoCrit offers free analysis for under 500 words, otherwise you have to pay for more text and more editing features.
Paper Rater offers a free service for editing, but it is designed for essays.
Formatting Checklist: This follows the general guide of formatting a manuscript in Microsoft word. However, some literary agents and editors have their own requirements.
Under the paragraph option, change the special indentation to first line at .5”. Change to document to double spaced.
There should be no spaces between paragraphs.
When showing a scene break, center # on a blank line.
Font should be easy to read. Courier New and Times New Roman are preferred at size 12.
All margins should be 1”.
Start chapters on a new page and put the chapter title 1/3 down the page. Write the chapter like so: CHAPTER ONE - CHAPTER TITLE. Press return 4 - 6 times before starting the text of the chapter.
For the header, put YOUR NAME/BOOK TITLE/PAGE NUMBER in the upper right-hand corner. Start this header on the first page of the first chapter.
The cover page of your manuscript should have your name, word count, and contact information in the upper left-hand corner.
The title on the cover page should be in all caps. Your name should be underneath in all caps. If you use a pen name, write YOUR REAL NAME (WRITING AS PEN NAME).
At the end of the manuscript, start a new page and write END.
Self-Editing Checklist:
Spelling:
If you are using Microsoft word for your word processor, use the spell check. After that, go through the manuscript line by line to make sure everything is spelled right. You may have used “form” instead of “from” and skipped it because Microsoft word did not see it as misspelled.
Printing out your work or viewing it in another way (such as a pdf on an ereader) helps find these mistakes.
Beta readers can find what you missed as well.
Use editing software to check homonyms or look up a list of homonyms and find them in your document using ctrl + f. Check these words to make sure you used the right spelling.
Grammar and Style:
First use Microsoft word’s grammar checker, but be aware that it is not always right. Check grammar girl if you are unsure.
For dialogue, you can always pick up a professionally published book and look at how the dialogue tags are used, where commas are placed, and when other punctuation is used.
If you’re in school and your English teacher isn’t too busy, have them take a look at it.
Look out for prepositions. Most of the time, you can omit these words and the sentence will still make sense. Beginner writers use a lot of these in their writing and it slows the flow.
Check for adverbs. You’d be surprised at how many you use in your writing, sometimes up to five a page. Using a few in narration is okay, but only a few. Delete adverbs you find, especially those that end in “-ly”, and rewrite the sentences in necessary.
Delete gerunds and forms of “to be” if writing in past tense. Instead of “were running”, write “ran”.
Check subject-verb agreement.
Use correct dialogue tags. People don’t bark their words. They shout.
Two digit numbers should be written as words (twenty-seven) while numbers with more than two digits should be written with numbers (123).
Avoid passive verbs.
Vary sentence length.
Show with the five senses rather than telling.
Most of the time, you can delete the word “that”.
Avoid using “unique” or “significant” words too often.
Consistency:
Make sure all your font is the same size and type.
Make sure you have no plot holes. Use the comment feature in Microsoft Word to track these plots.
Make sure your time line is consistent.
The tone should fit the scene.
There should be one POV per scene. Unless you’re a brilliant writer and can pull off third person omniscient.
Verb tense should be consistent.
Keep track of the details you release of people, places, and things. The reader will remember if in one chapter you say your protagonist has blue eyes and in another you say green.
Pacing:
The whole book should flow in and out of fast paced scenes to keep your reader interested and slow scenes to give them a break.
The middle should not “sag”.
Sentences should flow smoothly.
Plot:
Keep track of all your plots and sub-plots. Readers will remember them.
There should be a beginning, middle, and end.
Is the initial problem at the beginning of the manuscript?
There should be at least one antagonist. This does no have to be a person.
Is there enough conflict?
There should be a resolution.
All scenes should have something to do with plot.
The climax should be the most exciting part.
Character:
The protagonist should change by the end of the book.
Make sure all characters who come in contact with one another have some kind of relationship, whether good or bad.
Characters must have motivation for everything.
The protagonist must want something right from the start of the conflict.
The protagonist needs to be captivating. The readers wants to root for the protagonist. This does not mean the protagonist needs to be likable all the time.
The readers likes to relate to characters. Make sure your characters are diverse enough that readers can identify with one.
Know who your protagonist is. The main character is not always the same. For example, Nick in The Great Gatsby is the main character, but Jay Gatsby is the protagonist. This is important to know while writing your query letter.
If you can delete a minor character from a scene and nothing changes, then delete that character.
Sometimes you can make two minor characters one without losing any essential parts of the story. If you can, do this.
All characters react and act.
Each character has his or her own life.
Dialogue:
Dialogue should be believable. Read it out loud.
Don’t go overboard with phonetic spelling if a character has an accent.
Dialogue should be informal and natural. It does not have to be grammatically correct.
Prose:
Avoid purple prose. I’ve never met anyone with “emerald eyes” or “hair of fire” (except for the Flame Princess).
Don’t use too many adjectives.
Avoid cliches.
Other:
Don’t info dump. Pace information through dialogue and narration.
The first sentence should spark interest, or at least the first three. If it does, the first paragraph should be the same. And the first 250 words. The goal is to get the reader past the first page.
Let your story rest. When you’re ready to edit, start at the end. Writers tend to get lazy at the end of their story whether they are writing it for the first time or revising it after revising the rest of the story.
Make sure your manuscript is within range for your genre’s word count.
cosmic horror (god loves you too much and keeps resurrecting you)
Day of dread, Tye Martinez
Dialogue tips that actually work:
You are not writing a movie (ignore this if you are). The reader doesn't need to know every word the characters say for the duration of the story. Less is more.
Dialogue can happen within the prose. "And they awkwardky discussed the weather for five minutes" is way better than actually writing five pages of dialogue about the weather.
Balance your dialogues. Surprise yourself with a monosyllabic answe to a dialogue that's ten sentences long. Don't be afraid of letting your character use half a page for a reply or nothing at all!
Don't write accents phonetically, use slang and colloquialisms if needed.
Comma before "said" and no caps after "!?" unless it's an action tag. Study dialogue punctuation.
Learn the difference between action tags and dialogue tags. Then, use them interchangeably (or none at all).
Don't be afraid to use said. Use said if characters are just saying things, use another word if not. Simple. There's no need to use fancy synonyms unless absolutely necessary.
Not everyone talks the same way so it makes sense for your characters to use certain words more often than others. Think of someone who says "like" to start every sentence or someone who talks really slow. Be creative.
Use prose to slow down the pace during a conversation.
Skip prose to speed up the pace during a conversation.

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my favorite ship dynamic is betrayal. not when they betray each other but when one or both of them turn against their cause, their principles and/or loved ones for the other. bonus points if the person they're abandoning everything for didn't remotely expect it. ultimate declaration of love. "you mean more to me than everything i ever believed in. i am more loyal to you than my conscience. i love you more than the thing i would die for."
me individually reviewing the lyrics for every single song on a character playlist nobody else will ever hear for an oc approximately 3 people know about