May 14, 2025
Buster Keaton, Stanley Fields, and Nelson Eddy New Moon - 1940
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Buster Keaton, Stanley Fields, and Nelson Eddy New Moon - 1940
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365 Day Movie Challenge (2017) - #345: Algiers (1938) - dir. John Cromwell
Moving at the pace of a French film from the same era and bearing a similarly moody atmosphere, Algiers is a decidedly entertaining drama about crime, intrigue and forbidden romance in the city’s famed Casbah. John Cromwell’s film, a remake of Julien Duvivier’s Pépé le Moko (1937) and independently released by Walter Wanger Productions/United Artists, was a hit that earned four Oscar nominations: Best Actor (Charles Boyer), Best Supporting Actor (Gene Lockhart), Best Cinematography (James Wong Howe) and Best Art Direction (Alexander Toluboff). I assure you that all the nods were well-earned.
Throughout the film, jewel thief Pépé le Moko (Boyer) is pursued by police, including the deceptively friendly Inspector Slimane (Joseph Calleia). Pépé is surrounded by various pals, including Ines (Sigrid Gurie), Grandpere (Alan Hale), Regis (Lockhart), Carlos (Stanley Fields), Pierrot (Johnny Downs), L’Arbi (Leonid Kinskey), Aicha (Joan Woodbury), Tania (Nina Koshetz) and Gil (Ben Hall); outside of this circle, however, Pépé finds himself drawn to Gaby (Hedy Lamarr), an alluring young Frenchwoman who is vacationing in Algiers prior to her marriage to a much older man, Andre Giraux (Robert Greig).
Sigrid Gurie’s Ines gets more screen time than Hedy Lamarr’s Gaby, and Gurie gives the better performance, but it’s Lamarr - making her American debut here - who makes the stronger impression. There is no doubt as to why Lamarr, who glows with radiant beauty in the film, shot to international superstardom immediately afterward. Charles Boyer is drawn to her like a moth to a flame, and although we can tell that this union will not have a happy ending (typical for a Boyer drama), there is immense pleasure in following the couple’s love story. Algiers may not have provided much of an acting challenge for Hedy Lamarr - whose birthday was a couple of days ago, hence my interest in watching the film - but it is a good reminder of why Hollywood fell under her spell in the first place.
Stars of the Screen, 1932