seen from Malaysia
seen from Malaysia
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seen from Italy
seen from Malaysia
seen from Malaysia
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a bunch of sketches from this month. Still trying to strengthen my art and find a style I like, so haven't really made any completed pieces. Also struggling to render with my new tablet =w=; Hopefully will figure it out soon and have something finished to show.
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The moon does us a great service, metaphorically and literally, and this is part of it ā occasionally she allows us to appreciate the shadow cast by our own planet. She shows us that the earth, for all the cacophony of life on its surface, is firstly an object, bigger than we are, magisterial enough to cast a shadow thousands and thousands of miles into space.
Kathleen Jamie, inĀ āMoon,ā an essay in her collection, Sightlines
There was a time - until very recently in the scheme of things - when there were no wild animals, because every animal was wild; and humans were few. Animals, and animal presence over us and around us. Over every horizon, animals. Their skins clothing our skins, their fats in our lamps, their bladders to carry water, meat when we could get it.
Kathleen Jamie, Sightlines
RAVENCLAW: "Keep looking. Keep looking, even when thereās nothing much to see. That way your eye learns whatās common, so when the uncommon appears, your eye will tell you." āKathleen Jamie (Sightlines)
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Its harder to show from still images, but its really important to note that when Riku does his disgusting dramatic reveal of Kairi, Sora canāt see her. He canāt see her from the angle. Given the height of the railing he can barely see Rikuās head from where he is standing and nominally having a conversation. This game might have the worst sightline problem I have ever seen. The blocking is downright demented - which is baffling given the skill of its director in composition in other works.
Recently published on Sightlines:Ā The Struggle for Happiness, or What Is American about Black Dada,Ā an essay by Adrienne Edwards, the Walkerās curator at large, on the Ā āoverwhelmingly American assemblageā that is the Black Dada Reader. Adam Pendletonās concept of āBlack Dadaāāwhich has guided his art making practiceāmelds references from LeRoi Jonesās 1964 poem āBlack Dada Nihilismusā and Hugo Ballās āDada Manifestoā of 1916. To give context to Pendletonās work in the exhibition I am you, you are too, we share an essay byWalker Curator at Large Adrienne Edwards from the āoverwhelmingly American assemblageā that is Pendletonās Black Dada Reader. Above:Ā Installation detail of Belgian Pavillion at the Venice Biennale (2015)
Everyone: Watching in dismay/fear/disgust/disinterest as this hecking creepy tin soldier quotes the wizard of oz as he slowly melts into nothing. Like normal people when confronted with outlandish situations. Trotter: can't get over how close he is to Magnus
