#danteann

* Ongoing list

♡ Professional workout

♡ My own routine

♡ Ballet Misfit Classes

♡ Practice Ballet at Home by Nationale Opera & Ballet Classes Playlist

♡ Ballet Secret Code (YT Documentary)

It's how I named my own signature, persona and part of my brand (DanteAnn), after a long time studying myself just for aesthetics, in the pursuit of my fashion studies.

Took me about three to four years of studying and even now I'm still refining. So even if it looks put all together, it's not, it's a process. Initially I thought I was aligned with Winter. I even thought to be a Dark Winter.

I was dubious of this post, but I hope it can help you all in your own search. Whatever I can help with at least.

So as long as I have memory, I have always loved fairytales (My first three were Swan Lake, The Little Mermaid and Wild Swans, but I never thought I'd be dressing like one!) and I even write about them and study them.

I saw many people trying to make their wished aesthetic or taste fit in their lines, and it was fighting them. So I wondered if I was doing the same thing and I tried my best not to, and that's how I initially ended up with a Dark Winter. Being honest, this was also... cathartic. Because I never thought this would be me. I used to be very goth and a fan of dark clothes since I was young. But mostly it was a way of feeling myself... safe.

I blame it on Yumi from Code Lyoko, Yuuko Ichihara from XxXHolic, and Ciel Phantomhive from Kuroshitsuji for my obsession with black. I didn't graduate but I shifted.

Most of the time I thought I was the villain (I used to get that role, or something similar whenever playing with my friends, and even at school I was a villain or a secondary character 😅) so I grew up thinking I didn't have a single bone of heroine in me. That's how I ended up being a fan of Cillian Murphy, Gary Oldman, Glenn Close, Tatiana Maslany and Janell Parrish: Their acting became something else for me, something I truly admire for the way they shift between personas and different intensity. But we're deviating from the topic. Kind of? I think finding your personal style, it's a mix of fighting against your perception, and the things that society imposes on us.

Anyway, doing each test, and especially finding my contrast, it started to become more obvious this was the correct answer: Soft Summer. But this answer came almost last, not first. Here's what I did:

1✨ Know your measurements.

I'm petite. About 5'0 or 4'11 depending on how different websites put it, officially? I'm 152 cms, on a good day I might be 153 lol

My wrists are around 13 to 14cms, and my legs are around 88 to 84 cms, depending where you count. My torso? 50 cms more or less. I'm usually not too far from the classic 90-60-90 (depending on my weight, or if I get bloated, or whatever else because humans are not static. But as of now I'm around 87-67-97 give or take.) Plus, seeing my pictures and videos, it helped me a lot.

At some point (I was confused, overwhelmed and very much lost in the beginning because it's a lot and you need to train your gaze to spot things. Even now I can't fully do it except with my own type, though I want to practice it more and more.) I realized that I definitely had the same body type of Reese, even when I gained weight or lost it. And that's how I found I was Soft Gamine.

Was it obvious? Not for me.

How do I know then? Because my bones don't lie, and they also can't be changed (or at least that kind of operation costs a lot more than my bank account and I'm not that brave to end up in a table anytime soon 💀). Which takes me to the second point. This was the way I confirmed I was on the right path.

2✨ Search for some celebs with my height and some with my features or close to them.

In my case it was Reese Witherspoon (whom I adore), and Jenna Coleman for height.

And Amanda Seyfried, Rachel McAdams for facial features. Because throughout my life I have always received comments on my eyes, looking like a living doll. Especially when I was blonde (for three or four years, I think) which made people say stuff about me looking like Amanda, Elsa in Frozen or Tinkerbell. Some also mentioned Rapunzel. That provided me with some base to start my research.

So I tried searching for a celebrity who looks similar, the list as it is wasn't long. I'm not really into searching celebrities just for the pleasure of doing it. I have been way too long into K-dramas, C-Dramas, J-dramas and manhwas, because for a long time I didn't feel myself represented in other media. But I did my homework and here's what I came up with.

Jenna's gorgeous, but she looks good while being polished. She looks elegant. I look... bossy.

Same thing for Lily Collins, Audrey Tatou, Ginnifer Goodwin and Audrey Hepburn, who were also on my list, so... hard lines? Not for me. It doesn't look "bad" on me but it definitely doesn't work to make me look... harmonic.

3✨ Expect differences. Cross reference. Double check. Doubt.

Try seeing these celebs in a different outfit, find the small details that makes us different. I found myself enthralled with these differences by the way. I went back, checking up the things they all had in common. And all the things that make us different. All the things that makes me.

Gamine ✅

Some were/are soft gamine, and others are flamboyant... Me? Soft gamine. Locked.

Contrast? At first I didn't know how to find it. Then I was trying between what Reese Witherspoon usually wore, and what Jenna Coleman or Lily Collins did. But none felt quite right. I tried wearing things like Reese Witherspoon, but none all of these stick. Some do. Some don't. So I'm not a Spring.

Her colors are too "yellow" and "bouncy" for me. And while I love her style, it is also very preppy-classic which as we have established, it fights me.

I tried wearing what Lily Collins would, or Jenna Coleman too, but unless it's pink, their wines are too strong for me. Not bad, but definitely making me heavy. Apparently they're Winter/Autumn type and that's how I found:

Essence often prevails over body type. And textures are energy. They either drag you down or elevate your style.

I tried being autumn but orange it's not my color, although funnily enough I can wear it quite well as a redhead... (I'm a natural brunette with red and blonde streaks. Not pronounced. But definitely very much there, people do get surprised by that because most of the time they either think I have black hair or very dark brown, the same thing goes for my eyes, when I found once my mom and dad were fighting over if she had bought me some eye lenses, only to find that I have gold and tiny specks of green moss in my eyes. Not noticeable at first, unless the right light hits. I'm rolling my eyes writing this but it's the way it is.) Eventually I went: If I'm not Winter, not Spring, and not Autumn... 💀

Please keep in mind several of these pics have either virtual makeup or filter, but none alters my features.

Then how I found the "formula" for myself? How I realized or decided to be... Ethereal Romantic Ingenue?

Because I kept receiving compliments on me being pretty like "doll", "angel" type. So I decided to test it. I went back to the celebrities I found, and crossed checked. Because I definitely wasn't a Barbie. Or a french doll. Took me a while to find it 💀

Gamine ✅ (Reese, Jenna, Audrey Hepburn and Tatou, Lily, etc)

Ethereal ✅(Amanda Seyfried)

Romantic ✅(Sarah Hyland, Rachel McAdams)

Ingenue ✅ (Amanda, Jenna, Reese, Sarah Hyland, etc)

Although while I was in my research I found out Reese to be more a Classic/Natural type of Ingenue, paired with her Soft Gamine and Spring season. Sarah Hyland? Ingenue/ Romantic, paired with her Soft Gamine. Her Gamine is far more spicy than mine.

Audrey Hepburn to be more Classic/Ingenue paired with FG (Flamboyant Gamine), and Lily Collins to be Flamboyant Gamine like Audrey Hepburn but~ Classic/Dramatic, which fights the Ingenue Audrey had. Low-key it might be the reason why Jenna Coleman (Classic/Ingenue) would be better suited for Audrey Hepburn biopics than Lily despite being Soft Gamine. Let's say it like it is: Lily is gorgeous. She has been my favorite fashion icon for longer than I remember. But she's not Audrey Hepburn. Remember what I said before? Essence often prevails over body type. And textures are energy. They either drag you down or elevate your style... and Lily being Classic/Dramatic, lacks of the softness (AKA ingenue) Audrey had... that, that was what made Audrey be Audrey. Because that made her look slightly more warm than Lily.

But let's go back to the dolls. Clearly I was/am more a "child-like" type of doll, than a Barbie, then, I'm not Dramatic like Lily. That means, Ingenue. Like a BJD Doll. The ethereal and romantic part took me a while, and then I only found out because of Daytime Star manhwa (Yura Hwang, brunette). And the pattern repeated with I have become the Hero's Rival (Irene Amber, brunette), The reason why Raeliana ended up at the Duke's mansion (Raeliana who in the webtoon honestly looks more brunette than redhead), etc.

It's hard to explain, but that's how I found out I was Romantic. The ethereal part came later and it was a surprise for me, because... when thinking about it, I imagined Anya Taylor Joy, or Tilda Swinton types. Never even crossed my mind, until manhwa came back to rescue me, again. Yes, I was rather sad because... I was unable to find references between celebs, or any other kind of public figure.

The title that changed everything? Made of Stardust.

I have always been attracted to the stars. And the sea, which is a bit ironic, since I'm afraid of the ocean since I almost drowned in it, and the stars are... dead. Well, most of them anyway. But later on, I kind of confirmed it with Luna, from Sailor Moon. And again with Ursula from The Little Mermaid. Seeing the same thing over and over: Stars, skies, angels, dolls, fairies.

I was not a doll, I was not an angel. Not a star, not a fairy. At least not like Tinkerbell. The closest thing would be something that had fallen from the sky, like in Stardust (the movie) or Made of Stardust (the manhwa).

And between Ursula and Luna, they changed my perception. I have to admit I wasn't exactly fond of becoming a big fat purple squid with too much makeup on. But seeing some of the fan drawings of people who do like Ursula, made me change my mind at least a tiny bit. And that's how my persona and brand changed to Celestial Muse by the Sea.

So thanks, because once again, I confirm that, seeing things through the eyes of someone who loves something or someone, changes how you see the world too.

(Or: How Not to Accidentally Write a Thriller)

I think I might have figured it out, how to save rom-coms... but it's up to you to tell me if I'm right or wrong. Let's dive because the rom-com of today can't survive on postcards, fluff or heavy-handed dramedy. It has to live in the sweet spot: Real enough to sting, light enough to laugh, hot enough to swoon. Here are what I think the golden rules of rom-com. Modern rom-com.

Rule 1: Kill the phone

Unless it’s being used for romance...

Phones are chaos-killers. They kill the mystery, leave you no place to wonder or explore, because you have everything on your hand. Kill the phone and you suddenly have to survive. Suddenly you won't have UberEats, GPS, Google Translate, Uber, instant calls to friends. Instant solvers. Phones are great for real life, tragic for romance. They erase the very misunderstandings and detours rom-coms thrive on. If a phone can solve the problem in seconds, the tension is dead before it breathes.

No battery, no Wi-Fi, expired plan...

And the world suddenly is bigger, scarier. Strangers matter again. Getting lost becomes destiny.

Exception to the rule: I call it the K-Drama Clause. Why? See how k-dramas manage to make it romantic by integrating it into small details.

The K-Drama Clause

Phones kill chaos, but they can ignite romance if used deliberately. The difference is between logistics vs intimacy.

Logistics (bad for romcom): GPS, Google Translate, Uber → solves problems → no tension. (Chaos dies instantly.)

Intimacy (good for romcom): Texts, calls, reminders, missed calls, emoji misfires → don’t solve the problem, they deepen connection. (Chaos → tenderness.)

No easy outs: no GPS saves, no instant translations, no Uber escape.

Yes to intimacy: reminders to eat, the 2 a.m. “are you okay?”, the voicemail never deleted.

How Phones (or tech overall) work romantically

Missed calls → longing, tension.

Overprotective reminders → “eat, wear a scarf, don’t skip breakfast” = care delivered in tiny bites.

Text misunderstandings → autocorrect disasters, wrong group chat, too many heart emojis.

Late-night confessions → a message that lands when it shouldn’t, or a call answered in silence.

Screens as mirrors → watching her laugh at a text, or his thumb hovering over “send.”

Why It Works in K-dramas

Because they use tech as emotional amplifiers, not plot erasers.

In Crash Landing on You, to put an example, the constant worry/care texts aren’t about solving problems. They’re about showing love across borders.

Phones let characters be present even when absent. That’s romance fuel, not tension-killer. So as you can see, phones can kill chaos or build intimacy. Modern rom-coms just need to know which button they’re pressing. In other words: kill the phone unless it’s being used as a love letter.

Rule 2: High Stakes, yes. But safe.

High enough to thrill (lost, stranded, mistaken for someone else, multilingual spirals, cultural clash, different slang...)

The thrill is "How will she get out of this?" not "will she survive?"

Think of, Emily in Paris but with actual linguistic stakes, but make it safe enough to not live Taken plot, and maybe fill it with hot, tall, dark, rich and mysterious strangers popping out like daisies who get the heroine in a mistaken identity case like Monte Carlo movie.

Danger can tease, but never tip into trauma. Lost luggage, chaotic misteps? Yes. Trafficking, assault, grim-dark misery? Never.

Rule 3: Tone is E-V-E-R-Y-T-H-I-N-G

Conflict, not cruelty.

The tone? Keep it light, even in pain. Tears → laughter → a ridiculous solution.

A bathroom cry works, because it's real. But it must pivot: Tears → absurd laugh → "Ohh wait I could take a cab"

That flip keeps it rom-com. Hold it too long and you're in rom-dramedy. That’s the romcom promise: we can hit low points, but the world will always bend toward love, not tragedy.

The couple? They must misunderstand each other, clash, embarrass themselves but never degrade, humiliate, or abuse.

“Enemies-to-lovers” works if it’s banter (Mr. Darcy), not if it’s cruelty (Christian Grey).

If she cries, it’s from awkwardness or feelings, not trauma.

Rule 4: Vulnerability is magnetism

The heroine can panic. Blush, spiral, make mistakes. Mutter in seven languages (anime, kdrama, duolingo...), it is NOT weakness. It's cinema. The camera loves her in chaos. Strangers notice because she is real, not polished. There is no need to make her quirky or hyper-competent. In fact, her humanity is what makes her relatable.

The magic is in the glances, pauses, accidental touches. It’s not what he says, it’s how long he hesitates before saying it.

Silence + eye contact = rom-com dynamite

Rule 5: Comedy comes from truth, not clowning

It's not pratfalls and "oops quirky", it's mispronouncing a word, mixing Spanish with French, running to the police kiosk when a hot stranger leans in. It's funny because it's real. The audience laughs with her. Never at her.

Comedy lives in suffering without stakes of death.

Flat tire? Phone dead? Lost in translation? These create the delicious panic that drives a romcom.

The key: The chaos feels big in the moment but harmless in hindsight.

Rule 6: Romance grows from circumstances

It's not about the perfect line or forced chemistry. It's the last taxi on the street. The wrong suitcase in your hands. The awkward side-glances in silence. The tension born from "Of course this would happen to me" not from scripted quirks.

Let the world interfere: Friends, family, strangers, even the city itself should complicate things. Grandma’s advice, the chatty cab driver, the café barista who keeps messing up the order. Side characters feed the comedy and push the romance.

The kiss (or sex) doesn’t matter unless it’s delayed by ridiculous circumstances: Wrong train, missed signal, sudden rainstorm, grandma walking in, his dog stealing the moment.

Tension = the real seduction. Learn from Hitchcock. Timing Is foreplay.

Rule 7: The City is a character too

Paris, Mexico, New York, Seoul...

Not postcards. It can be aesthetic or chaotic. Street buses, lights, strangers, trains. Everything creates obstacles and moments. A city can test the heroine, tease her, and secretly, set her up.

Rule 8: The Jared Padalecki Rule

The what? Yup. Men can be tall, rich, magnetic, mysterious, sexy, a litte bit dangerous and even intimidating at first glance. They can definitely be broad-shouldered, imposing, have that "ohh nooo he is hot" aura. But they must stay real and behave like actual men in real-life circumstances, not like predators from an erotic thriller coffcoff 365 days coffcoff

Realistic safety comes first.

They don't chase when she bolts. They don't trap, don't control, don't force, don't gaslight, no predatory swagger, etc.

They respect boundaries, consent is a first and must not skip rule. Be safe through contrast (the bigger he is, the softer his gestures should be. Things like scratching his neck, looking sheepish, apologizing, etc)

Signal harmlessness. He laughs at the absurdity, lowers his voice to not dominate but ease tension. He lets you breathe. He’s more golden retriever than wolf. Fate or coincidences bring them back together (same taxi, same coffee shop line), not forced control.

Presence over pressure. Puppy awkwardness and confusion over predatory swagger. That's how you keep romance hot but safe, thrilling but believable. The point is not to make him toothless. The point is to show that he could be threatening in another genre, but here he chooses not to be. That gap is what makes him intriguing and alluring.

He earns presence, not possession. His silence reads as bashful, not sinister. His charm comes from care, not domination.

He is a safe stranger first, a romantic lead second. A modern romcom lives or dies by whether the audience feels, “I would actually not mind bumping into him.”

Why it matters?

✨ 365 Days Rule (what not to do): "Are you lost, baby girl?" said as control = creepy. Audience feels fear, not heat.

✨ Jared Padalecki Rule: "Are you lost?" delivered softly, with surprise when she bolts, then later showing puppy confusion = rom-com. Audience laughs, swoons, feels safe.

This keeps the genre from tipping into Taken, or 365 Days. Protects heroine's agency while keeping the romantic tension alive.

Rule 9: End the Male Gaze

No gratuitous slow pans of her body, no “oops I tripped and fell into your cleavage.”

If there’s a “lingering” shot, it should be emotional (her smile in the window reflection, his hand trembling before he knocks on her door).

Her hotness exists, yes, BUT! The camera respects it, doesn’t devour it. No lingering shots reducing her to body parts. No "looook how sexy she is when she is helpless or partially naked" (Honestly it's my big peeve with About Time movie. I hate it gets called rom-com. It is not.) The camera should share her chaos, not objectify it.

Kill macho jokes, even implied.

No “haha women can’t drive” lines, no frat-boy humor disguised as banter. Comedy must punch up or sideways, not down.

Rule 10: Stop the fake “damsel in trouble”

Rescue only works if it’s grounded in reality (stranded in the wrong neighborhood, last taxi scenario). She can need help without being infantilized. The “oops, I fainted into your arms” trope is dead unless justified. Rescue moments must come from realistic vulnerability (she’s sick, he shows up with soup. She got lost, he helps with directions).

The fun is in mutual rescue: she saves him emotionally, or maybe he does the emotional work too (Cinderella, 2015). He saves her logistically, they both save each other by being idiots in love.

Rule 11: Equality AND equity

Romance is not an “asshole contest.”

Men online love to sneer, “but you wanted to be equal!!” → equality ≠ denial of vulnerability. 🙄

True equity means both can lean, both can save, both can fail, both can laugh. He pays sometimes, she pays sometimes, sometimes the date is ramen on the couch. If he protects her, it’s not “because she’s weak,” it’s because love makes you want to shield someone, period.

If she protects him, same logic applies. Like Puuung would say, "Love is in the small details~"

Rule 12: End with a Leap, Not a Lecture

Rom-coms need a final, emotional leap of faith:

Airport chase. Wedding interruption. Running through Paris in the rain.

Or even just texting “I’m outside” after all the chaos. It’s not about the logic. It’s about the gesture.

Modern romcoms survive when they’re safe, funny, chaotic-but-cozy, and driven by chemistry, not by threat, cruelty, or objectification. The audience should finish thinking: I want to fall in love like that… and I’d actually be safe doing it.

They must believe it is possible again to fall in love. Safely.

* Ongoing list

♡ EHow ~ Ballet Basics

♡ Ballet Vocabulary ~ YT Playlist

* This is very different from the Ballet Master List because it focuses on what you need or must know as a ballet dancer. As always, is an ongoing list. I'm actually working hard to bring some of these sections on my own so please wait for it~

♡ Ballet Workout

♡ Ballet Channels on YT

♡ Ballet accounts on IG

♡ Ballet accounts on Tumblr

♡ Books you should read (ballet related ofc)

♡ Diets

♡ Learn your french (Ballet Vocabulary)

♡ Learn the different techniques & schools

♡ Ballet History

♡ It's about students, who actually are studying.

♡ It's about struggle. Wether it's for your grades or for addiction. Or to prove something.

♡ It's about justice. There's a famous quote I don't think I'll ever get over it but the quote starts at the beginning of the story, with an answer.

It's the beginning of judgment by the law with scales and a sword. Is the law truly righteous?

And the quote is meant to keep you watching. For you as a viewer to decide for yourself. By the end of the series, it ends up finishing the quote solved. Pay attention.

♡ Gorgeous Intro~~ I don't think I have ever skipped it.

♡ It's about self development. And self achievement. Nothing in life is easy. That doesn't mean you should give up.

♡ it's about bullying

♡ About sexual harassment

♡ The acting is insanely good

♡ Well rounded characters. Every single one of them. Their arcs, the way the change. The exposition and the time they have to show it to you. To win your heart. They suffer and win or lose. It's just gorgeous. Simply touching.

♡ The plot keeps you on your toes. You have to look at the dates to understand how the events happened. Devil is in the details~~ pay attention!!

♡ It's about feminism. Say whatever you want. But I was so ready to punch those bad guys but instead the law brings them to justice. If i told you I cried with them so much?

but they made me feel so proud too. I was literally screaming, crying and rooting for all of them. All the way. And especially for her. Seriously.

♡ They do make you feel like, you can do it too. This series is my go to whenever I'm feeling lazy, or depressed.

♡ It's about friendship~ and some implied but nothing too spectacular, romance. Place your bets, choose your team~ go and watch it!! because I need more people talking about this serie. I need fans to interact with 😭💖 pretty please?

Before The Ssum:

♡ Zen. It is said during Teo route that we dated Zen sometime ago. But this is weird for many people if they don't know or forgot about Zen saying that the last time he dated someone was 5 years ago. Mystic Messenger is set in 2016.

2016 - 5 = 2011

So Zen was our first boyfriend according to this tl. Probably will not remember us because of the Reset Theory. It does have some flaws. I admit. Because of his dreams, be might as well remember us. But what if he doesn't remember us at the very beginning? Like, what if by the time he remembers we're already in another route so he doesn't always gets the chance to be with us unless we're in his route?

In some routes like Jumin he does say to have a dream about a cage (in a call) and tried his best to warn us. Not to mention that he's always dreaming about something happening to us as MC basically the day after we enter a route. Which would obviously leads into this theory that he does remembers but only when it's too late so he instead chooses to let us be happy. TBH I feel like he's also trapped. In a different way but, he is.

⋆ ₊ ﾟ ☽ * ₊ ⋆⋆ ₊ ﾟ ☽ * ₊ ⋆⋆ ₊ ﾟ ☽ * ₊ ⋆

During The Ssum:

* The Ssum seems to be set between the last months of 2011 and during 2012 extending its timeline till MC disappears in Another Story. Another Story is set 2 years before Mystic Messenger Casual Events.

2016 - 2 = 2014

This sets The Ssum In Between. From 2011 till the end of 2013. Perhaps beginning of 2014.

Around that time Rika disappears (commits "suicide" and "creates Mint Eye" but as I said before, she creates Mint Eye before the RFA. The Ssum is exposing how Mint Eye becomes a huge power behind the scenes during the first or second year of creating Mint Eye. And the beginnings of the RFA.) which also explains why Henri and June routes are so short. There's a lot of things going on in between.

⋆ ₊ ﾟ ☽ * ₊ ⋆⋆ ₊ ﾟ ☽ * ₊ ⋆⋆ ₊ ﾟ ☽ * ₊ ⋆

Now let's start with The Ssum Events:

♡ Dating Teo. 200 days.

This is around 6 months and a half. Let's say Teo Route starts between the lasts months of 2011 and by the time MOM is happening we're on Spring of 2012 (spring is often related to love season~)

♡ During this route it is said that we do not know who Harry is. Right? Then the right route and the first one to play is Teo.

♡ Jaehee, Mint Eye and even Elizabeth the 3rd are making their appearances every now and then.

♡ The cult ( Mint Eye) it's say to be around but it's barely starting so that's why we see them trying to reclute some people. I guess we can say even Rika had a hard time starting. And that it's difficult to start lol sometimes we have the opportunity to make fun of it. But they tried to have Teo in their lines. And apparently some other characters.

♡ You "accidentally" send him to Mint Eye after he gets a mail.

♡ Dating June?

The reason I believe June is first than Harry. At least the first season, it's because we start strong now cause thanks to June, we meet more of Jumin's world. And we even have some pics with Rika and V.

Please take into account that what I've been saying it's only without playing his whole route yet. I have at most one or maybe 2 weeks of game in his route. But I saw a lot of spoilers and people saying that the timeline is ruined or stuff so in a way I wanted to talk about my theory since some interactions are really interesting there, and I feel we as players have another look onto it. I might be wrong.

It's quite obvious Jumin hasn't reach his peak years yet but there are already a lot of people calling him a promise~ nothing but the best for him. Why then he doesn't mentioned to us his brother? I have 2 theories. The most simple one is June is a difficult topic to touch considering South Korea approach to people who are different, crazy or out of norm. Like, just having a wheel chair or a baby sets you aside. Let's not talk about being always sick or mentally ill, much less neurodivergency. They don't fit and they are treated as nothing. And maybe MC is not gonna talk bad about his brother, but there was a lot of drama in every route, please take into account that even though we play the game (Mystic Messenger) there might be even more content we are unaware of. If anything, it's great to have more of this world. (I don't approve what Cheritz is doing about AI and as a company, but that is that and this is this~)

♡ During June's Route, in an attempt to befriend his brother, June talks to Jumin and congratulates him on the charity work. Jumin explicitly says that the RFA is still a work in progress. That ties with the Cheritzverse timeline I'm working~

♡ Close Encounter with The Angel

It just not that, but we also begin to get closer and closer to Mystic Messenger Events. Yes, I believe it's the same MC. We don't date the angel. But we do have a close encounter with them (as far as I know) Maybe it's here were the Bad Ending of Another Route takes place? (The one with MC reporting the incident to the police)

Something that confirmed this was Jumin Han saying during the wedding in June's Route (first 20 days~) that the RFA is still a work in progress. This sets the Timeline around the second year of my Mystic Messenger timeline. If you're curious~ check it out!

♡ Date Harry. 200 Days.

After that close encounter, we meet Harry. We know him when he's quitting his career. He's also going to MOM but I really need to understand that part. I have yet to finish his route.

And then a couple of months pass by, we get information that might seem unimportant byt ties to other things:

♡ Harry's parents were pretty much involved in laundering money through art. Keep in mind that MC is close to Harry and knows the whole thing. That puts her in danger. Harry's parents do seem the kind of people that make others disappear if you're in the way. And MC seems to have been meddling in a lot if things. Plus if y'all remember~ V father is also art related. It goes beyond that however, it's implied Saejoong Choi (In this moment future Prime Minister and father of the twins) is friends with V father and Chairman Han. I need to find the screenshots.

This would set a momentum for Another Story Part 1 Events to eventually take place. Just not right now lolol And would tie it to MM Deep Story. After Jumin's route, Seven is photographed. But since things take time, Another Story Part 2 takes place here~

However I think Jumin's route sets in motion what happens in Saeran's AE, in which events lead to capture Seven, and in an attempt to eliminate both twins. Saejoong Choi is truly despicable.

Actually, art seems to be a theme in both games. Or if we go deeper~ the 4 games. Which is one of the reasons I had to come back to all that since inside the community there are a lot of things like gossips, secrets and stories. Anyway, back to V's father, and V of course~ this connects them with:

Keep in mind this has not yet happened. I'm just tying up knots. We first need to have Ray kidnapping MC via playing a game lol

Anyways the whole thing makes me think that MC is either way younger than the characters in The Ssum. It is heavily implied to be the same age as Zen though. Which is why when doing the timeline I looked up for Zen's age and not Jumin. Zen is also one of the characters that are most mentioned throughout the Cheritzverse. And rven if she did time travelled, her age seems close to Zen. After all the spaceship is there. And there's a couple of choices you can come with where it implies that MC is indeed a time traveller. I had some notes where I used the calendar to make sure the timeline fit but I lost them lololol so I'll update this as soon as I can with those notes and the rest of my theory♡ it's a promise!

So let's go back to Harry's route, ohh wait lol he breaks up with you so you start dating Henri.

♡ Dating Henri: 30 days. A month.

I swear I had the whole thing planned on and I even had how many days approximately he would have but beats me. I lost the paper where I wrote my timeline. Anyways~ we now have someone who knows Jumin and doesn't like him because he doesn't know him. It is said that his route begins after June's first season. I took the time to see everything, date included and it does match! Besides, Jumin gets Elizabeth the 3rd during his route. And The Second Season of June's. There are some discrepancies but I'm working around them. I'll show you as soon as I can get my notes back♡

Notes:

* Jumin goes back to mainland for Elizabeth The 3rd.

* June falls ill around D-42 (June, Season 2)

* Henri is contacted by Jumin D-14 because of his cat (Henri Route, The Day The Camel's Back Broke)

* And goes to the island on D-15 (The Island needs a doctor)

This will give you a very good idea of how timelines work with these three characters (June, Jumin, Henri) and an approximate of how Rika works behind the scenes with Mint Eye. Especially important because this island holds many secrets. I'll talk about this later~ but for more info on the drugs Mint Eye is developing, please check my post on Unicorn Drugs.

Then during those days it becomes a situationship: June AND Henri. Remember how one of the options inside Harry's route talks about MC trying to live in a polyamory situation? It connects with Henri's route and one of its endings. So I don't think I'm on the wrong track. MC dates Henri right after Harry breakup with us.

♡ We come back to Harry

(I have yet to play this but spoilers here and there let me know that around Day 245 or something?) However your discoveries keep playing a big role for you, so you tie everything up but eventually get kidnapped lol and who knows? Harry, Henri~ anyone!!! :'(( send help!

lololol

btw~ I have to confess lol

I haven't cheated on Harry. As soon as he asked me to be official, I stopped playing June's, Teo's and Henri's. As soon as he broke up with me, I took the storylines again lololol

So even the Angel cannot say anything about it :'(

My idea and first suspects are Harry's parents~

What do I mean with this? The entire game is set as a minesweeper lolol from drugs to art, cults, stalkers and embezzlement. Pick your poison~ you're gonna end in Mystic Messenger anyways♡

♡ The Angel comes back

I don't believe for one second that that guy is the Angel. Like, it doesn't fit at all cause we don't have interaction with anyone outside the chat. So I believe there's only one answer~

Finally Another Story (part 1)

It just not that, but we also begin to get closer and closer to Mystic Messenger Events. Yes, I believe it's the same MC. We don't date the angel. But we do have a close encounter with them (as far as I know) Maybe it's here were the Bad Ending of Another Route takes place? (The one with MC reporting the incident to the police)

⋆ ₊ ﾟ ☽ * ₊ ⋆⋆ ₊ ﾟ ☽ * ₊ ⋆˚₊·—̳͟͞͞♡

See also:

♡ Cheritzverse Timeline

♡ Connecting MM & The Ssum

♡ MM Timeline

♡ Teo is the rabbit~ follow the rabbit