Été 2026
seen from Türkiye

seen from Malaysia
seen from China
seen from China
seen from Australia

seen from United States
seen from Russia
seen from China
seen from China
seen from United States
seen from United States
seen from United States
seen from China

seen from United Arab Emirates
seen from United States
seen from United Kingdom

seen from Malaysia
seen from Pakistan
seen from United States
seen from Libya
Été 2026

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
il faut que j'essaie pour voir si ça marche. J'ai encore quelques cafards en plastiques d'Halloween !
Bueno este no era un oc como tal, había sido un dibujo de actividad en mi trabajo pero le empecé a verle ideas
Comenzamos con Leonetta, tiene 5 años y mide 1,10 metros.
Le fascinan los payasos, su madre le hizo un traje de arlequín por error, aún así le fascinó y cambió a ser uno. Es muy alegre y imperativa, le encanta hacer reír a la gente, siempre busca chistes nuevos.
De vez en cuando le gustaba dar pequeños shows en las plazas acompañada de sus padres.
Pequeño dato, por un columpio se quedó chimuela de en medio
Se hacen llamar Cafard, es un ser mas antiguo que los dioses, mide 90 metros y es de 4 brazos, 4 piernas por ser fusionado ambos cuerpos. (Acabó de actualizar algunas cosas…y si ya mide más :v)
Se desconoce el paradero de su prisión, aún estando encerrado puede manifestarse un poco solo viéndose su torso para arriba. Puede puede interactuar en el exterior pero no puede verse (solo lo ve Leonetta por estar presente en su invocación no finalizada sin querer).
Dato: le dice a Leonetta bichito, cuando coinciden las palabras de ambos logran retumbar los suelos a su alrededor (lo utilizan solo para amenazar), solo por pequeños lapsos puede corromper su prisión liberándose por pequeños minutos y por último le encanta hacer el caos alrededor de Leonetta
Thanks to everyone who came out to Piranha Bar last night!
Thank you also to Ashbreather and Serpentine Cerberus as well as Divinations and Twin Banshee for the awesome music!
Our next show is on December 14th at Turbo Haüs with Cafard and Mötörwölf!
⛓️🖤⚔️🖤⛓️
📸: @zerghuul
NIGHTMARE
by Yin Zhe

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
snapped reality!
Avoir un coup de blues 👎
Cette expression s'est bien implantée dans la langue française, mais il existe bon nombre d'autres expressions qui permettent de rendre la même idée :
👍
avoir le cafard
avoir un coup de cafard
être cafardeux
avoir le bourdon
avoir du vague à l'âme
être tristounet
être mélancolique
broyer du noir
avoir le moral à zéro
déprimer
avoir un coup de déprime
C'est pas beau tout ça !
👉 Pinterest : avoir le cafard, avoir un coup de cafard / avoir un coup de blues
19-11-2021
Song: Cafard (aka Blues for You)
Composer: Philippe Parès (aka Gabriel Parès)
Record Label: A Sam Fox Production SF1012
Released: 1966
Location: Gomorrah casino, Mysterious broadcast
Once again Mr. Sam Fox (or Synchro Fox) brings us another mystery, the same label that brought you “Stars and Teardrops” aka “Joe Cool”.
Also as a side note though “Cafard” literally translates to “cockroach”, it’s likely that the title is referring to the French idiomatic expression “avoir le cafard” or “to have the blues” which dovetails neatly into the alternate title, “Blues for You”.
Although this instrumental is not broadcast on the main three radio stations in New Vegas, it is heard in the Gomorrah casino as the lobby music. Later, it can be heard on the Mysterious Broadcast inviting you to the Big MT.
Unfortunately, unlike Fallout 3′s end credits, Fallout: New Vegas’ end credits feature the licensed music from the standard record labels, but omits all of the radio tunes from APM including the instrumentals save for a brief mention of “Additional Music Courtesy of APM Music”.
As is the case with library music, finding artist and recording information is extremely difficult as these songs were never meant to be sold to the public, instead being exclusively used for the film and TV industry. What follows is an attempt to extricate this information.
Note: Library music is typically identified by composer or emotion. Very little can be confirmed about the musicians who performed on the recording.
So let us focus on what is known, starting with the full track list:
Side A
1. Global Hop (G. Wright Briggs) 2. Ephesus - Theme (Robert R. Way) 3. Ephesus - Bridge #1 (Robert R. Way) 4. Ephesus - Bridge #2 (Robert R. Way) 5. Ephesus - Bridge #3 (Robert R. Way) 6. Ephesus - Bridge #4 (Robert R. Way) 7. Ephesus - Bridge #5 (Robert R. Way) 8. Ephesus - Curtain (Robert R. Way) 9. Caudia - Theme (Robert R. Way) 10. Pegasus - Theme (long) (Robert R. Way) 11. Pegasus - Theme (short) (Robert R. Way) 12. Pegasus - Bridge #1 (Robert R. Way) 13. Pegasus - Bridge #2 (Robert R. Way) 14. Balua (Roger Roger) 15. Song of the Trade Winds (Roger Roger) 16. Bits and Pieces (Openings, Bridges, Endings) (Roger Roger) 17. Love Me (Roger Roger) 18. Memories of Barbara (Roger Roger) 19. Tropics (Roger Roger)
Side B
1. Tour for Swingers (Loren Wilfong) 2. Whooping and Hollering (Loren Wilfong) 3. Slim (Cecil Leuter) 4. Reveil (Nino Nardini) 5. Cafard (Ph. Pares) 6. Lunatic (Soulful) Trumpet (Jim Wakerfield) 7. Polly (J.S. Zamecnik) 8. Heart Beats (Walter E. Miles) Winter Tales (Czibulka - Lamont) The Man on the Flying Trapeze (Honky Tonk Piano Medley) (arr. Victor Lamont) 9. Monte Carlo Polka (Ph. Pares) 10. Ta-Ra-Ra-Boom-Der-Ei (March 1900) (Ph. Pares)
About the composer
Left: Gabriel Parès (père) - postcard and record label, ca. 1910s Right: Philippe Parès (fils) - EP album covers, ca. 1950s
As expected with library music, this track has been miscredited. The CD reissue lists the composer as Gabriel Parès while the record credits Philippe Parès. To confuse the issue further, they are father and son.
Gabriel Parès lived from 1860-1934, slightly before when this track was pressed in 1966. Gabriel was primarily known for his marching band music as captain of the Garde Républicaine. His son, Philippe Parès was known for his work with collaborator George Van Parys in musical theater and jazz which better aligns with the 1966 date of this track.
Both father and son were dedicated to music theory ranging from the Parès scales to the books Qui est l'auteur de la Marseillaise? and Histoire du droit de reproduction mécanique.
The 1978 book 33 tours en arrière et notes en vrac (Before 33 RPM and Loose Notes), serves as Philippe’s memoir regarding the music of his father, pre-war, Occupation, and post-war music from 1923-1962. Philippe would also pass the following year in 1979.
About the recording
As noted above, the original title “Cafard” is likely linked to the French idiom “avoir le cafard” which ties into the CD reissue’s title of “Blues for You”.
As for the miscredited composer, aside from the father/son confusion, Philippe’s full name is “Philippe Gabriel Hippolyte Emmanuel Parès”. The middle name of “Gabriel” probably didn’t help identification matters much.
Similar to Stars and Teardrops/Joe Cool, “Cafard” aka “Blues for You” was reissued on the same Carlin Archives CD Jazzy Vibes, CAS 019, previously under APM, now under Warner/Chappell.
Along with the miscrediting of Philippe Parès as Gabriel Parès, track number 20 picked up the two similar descriptions between the Carlin Archives Series and the CPM issues.
“Slow relaxed blues features saxophone electric guitar”
“Slow relaxed blues features electric guitar vibes saxophone trumpet”
There aren’t any entries in BMI, but ASCAP has the song registered under “Cafard” composed by Philippe Parès, not under “Blues for You”.
As for dating the track, again the process is similar to “Stars and Teardrops”.
The small R in the dead wax stands for the RCA Pressing plant in Rockaway, New Jersey which ceased operations in 1973.
The etched matrix number is TR4M. However, RCA adopted a custom of switching the 2nd and 3rd characters of the matrix numbers every 10,000 numbers every year. So the matrix number should actually read “T4RM”.
In short the matrix numbers stand for:
T = 1966
4 = Re-recorded from client’s furnished tapes
R = 12" - 33⅓ RPM
M = Mono (Fine)
Alas, the record label still provides no clues for the performers on the tracks. What remains are the composers’ credits.
Listen to “Stars and Teardrops” aka “Joe Cool” also on Sam Fox here.
Find more library music tracks used in Fallout here.