Anything to walk on land 🔪 2021

Janaina Medeiros
he wasn't even looking at me and he found me
occasionally subtle
RMH
Game of Thrones Daily
sheepfilms

@theartofmadeline
Alisa U Zemlji Chuda
Today's Document

★

ellievsbear

Jules of Nature
Sweet Seals For You, Always
"I'm Dorothy Gale from Kansas"
almost home
styofa doing anything
🪼
seen from United States
seen from United States
seen from Algeria
seen from United States
seen from T1

seen from Netherlands
seen from United States
seen from Germany

seen from Malaysia

seen from United States

seen from United States
seen from T1
seen from United States
seen from Mexico
seen from Mexico

seen from United States

seen from United States
seen from Spain

seen from T1

seen from United States
@systemmalfucktion
Anything to walk on land 🔪 2021

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
the thing about living with mental illness for decades is that occasionally your brain will be like hey you're useless and should kill yourself and your only real reaction is cmon man right now im in the middle of something
so many misguided metaphors around violence and desire. if the open maw of a panting beast fills you with the want to be devoured, that does not make you prey. while the rabbit trembles in fear, its deepest desire is to run. evolution demands it. in fact, the desire to be eaten does not make you any small animal at all.
it makes you a fruit.
FERRIS WHEEL OF LOVE! (print in my shop)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
neil BOSSten
Paul and Julian
Get more from Micah Nemerever on Patreon
I have no idea how long it's going to take, but I'm launching a new Patreon project in which I read through TVD and annotate it with process thoughts, backstory tidbits, and other general reactions. I haven't read it since 2020 and I expect it to be a ✨journey✨
If you want to follow along in real time, you can subscribe! If not, I will also be bundling the posts to be purchased in bulk once the series is complete. (Trying to keep things accessible while still doing the Patreon hustle 🫣)
"but i've always been shaped around you."
nsfw sideblogs r so funny. my friend we can't talk here it isn't safe.. we have to go to sex world together

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
So I have some news...
We are making a feature film to conclude the Heartstopper screen adaptation, based on Heartstopper Volume 6 and the ‘Nick and Charlie’ novella. We are getting to tell the end of the story!!! I’m deeply relieved and so excited about this new creative venture. I’ve written the script and we’re hard at work already. I know you’ll have a lot of questions, and I’ll be able to talk about it more very soon, but for now let’s CELEBRATE! Heartstopper is getting its ending!!!!!! 🍂
WHY YOU SHOULD WRITE HORRIBLY:
1. You’ll never write anything if you don’t
I love how it looks like they're all getting married to each other 🫶
Valentines gift for my girlfriend
Please don’t repost on other platforms!
"You were never broken Viktor, there is beauty in imperfections. They made you who you are."😔😔😔

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
jayce enduring a symbolic rendition of viktor's trauma is so painful and so, so clever.
being stricken down and immobilized through sheer accident or, in viktor's case, a cruelly random quirk that caused his disability.
then physically dragging himself from the lowest level of zaun to piltover, much like how viktor spent his youth reaching toward the promise piltover offered, but only if he could "pull himself up by the boot straps" and get there on his own. socioeconomic forces working against him be damned.
i appreciate arcane reminding us of viktor's origins - the reason he is so called to help people and, eventually, save himself - and putting jayce through the ringer - the contrast between he and viktor's lived experiences is front and center throughout season 1. the writers send jayce, and the audience, on a grueling journey to contemplate those experiences and how they've manifested in these intertwined characters.
There are a lot of abuse and recovery stories out there in fandom. A lot of them are written by people who’ve never been in an abusive relationship. That’s fine, that certainly doesn’t mean you can't write it, especially when it’s present in canon. Unfortunately, it does mean that a lot of people get it wrong.
The usual abuse narrative you see in fandom is a story about absence. The lack of safety. The lack of freedom. The lack of love, or of hope, or of trust. They try to characterize the life of an abused kid, or an abused partner, based on what’s missing. They characterize recovery based on getting things back: finding safety, discovering freedom, and slowly regaining the ability to trust–other people, the security of the world, themselves.
That doesn’t work. That is not how it works.
Lives cannot be characterized by negative space. This is a statement about writing. It’s also a statement about life.
You can’t write about somebody by describing what isn’t there. Or you can, but you’ll get a strange, inverted, abstracted picture of a life, with none of the right detail. A silhouette. The gaps are real but they're not the point.
If you’re writing a story, you need to make it about the things that are there. Don’t try to tell me about the absence of safety. Safety is relative. There are moments of more or less safety all throughout your character’s day. Absolute safety doesn’t exist in anyone’s life, abusive situation or not.
If you are trying to tell me a story about not feeling safe, then the question you need to be thinking about is, when safety is gone, what grows in the space it left behind?
Don’t try to tell me a story about a life characterized by the lack of safety. Tell me a story about a life defined by the presence of fear.
What's there in somebody’s life when their safety, their freedom, their hope and trust are all gone? It’s not just gaps waiting to be filled when everything comes out right in the end. It’s not just a void.
The absence of safety is the presence of fear. The absence of freedom is the presence of rules, the constant litany of must do this and don’t do that and a very very complicated kind of math beneath every single decision. The lack of love feels like self-loathing. The lack of trust translates as learning skills and strategies and skepticism, how to get what you need because you can’t be sure it’ll be there otherwise.
You don’t draw the lack of hope by telling me how your character rarely dares to dream about having better. You draw it by telling me all the ways your character is up to their neck in what it takes to survive this life, this now, by telling me all the plans they do have and never once in any of them mentioning the idea of getting out.
This is of major importance when it comes to aftermath stories, too. Your character isn’t a hollow shell to be filled with trust and affection and security. Your character is full. They are brimming over with coping mechanisms and certainties about the world. They are packed with strategies and quickfire risk-reward assessments, and depending on the person it may look more calculated or more instinctual, but it’s there. It’s always there. You’re not filling holes or teaching your teenage/adult character basic facts of life like they’re a child. You’re taking a human being out of one culture and trying to immerse them in another. People who are abused make choices. In a world where the ‘wrong’ choice means pain and injury, they make a damn career out of figuring out and trying to make the right choice, again and again and again. People who are abused have a framework for the world, they are not utterly baffled by everyone else, they make assumptions and fit observations together in a way that corresponds with the world they know.
They’re not little lost children. They’re not empty. They’re human beings trying to live in a way that’s as natural for them as life is for anybody, and if you’re going to write abuse/recovery, you need to know that in your bones.
Don’t tell me about gaps. Tell me about what’s there instead.