You Too. Forever.

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there are 2 main types of waves. wind waves and swell. wind waves (called chop when the period is short) are caused by present wind kicking up the surface of the water. this is where you see little whitecaps and generally pointy, uneven waves. swell is caused by powerful sustained wind whose waves have traveled a long way and developed into consistent self-perpetuating wave forms, and looks like long smooth waves; the energy is coming from the sea itself. swell is the thing that makes you feel like the entire ocean is heaving & is what throws ships around. the sea state is usually described as a combination of swell (the ground movement of the sea) and chop (the movement of the surface) so you might say we have a 4 foot swell (measured from the trough at the bottom to the crest at the top of a large heap of water) plus 2 foot chop (smaller waves closer together on top of the swell). swell is the hardest to get in photo or video in a way that shows its true size, especially if you're shooting on your phone for an instagram story from the bridge of a ship, but if you were say making a 70mm film adaptation of a story where the main character is being tortured by the ocean itself you would probably want to figure that out. because you generally need swell in order to get any kind of impressive motion going on*

*EXCEPT in storms, when the winds are so strong that the wind waves themselves "heap up" and can become mountainous without a preexisting ground swell (when the waves escape the storm or the storm ends these waves will sort themselves out and continue as swell). wind waves obviously behave differently and have different features in higher winds. the beaufort scale is the tool used internationally by mariners and meteorologists to determine wind speed in unprotected waters and describes the features of gale-force, storm-force, hurricane-force winds.

so for example when i'm driving a small work boat at my job, if i notice long streaks of foam starting to run down the backs of the waves, that's my cue to call in and consider ending operations for the day, because on paper my operational limit is sustained 30 knot winds (in that anything higher increases my level of risk). you can see how things get more impressive the higher the winds get, and based on this you can imagine the kind of things we'd expect odysseus to encounter. spindrift is when the wind is so strong that it breaks the surface tension of the water without interacting with any object and all the crests look like they're steaming, it's super cool to see. here's a really good video of the waves caused by "violent storm" winds so you can get a sense of what it might look like if the ocean was mad at you. we want mountainous waves blocking out the horizon.

here's a shot of a "storm" from the odyssey trailer.

so check the scale. this is literally described as a Gentle Breeze. like a Moderate Breeze if we're being generous. what else can you say. this is 2 seconds after a guy gets swept overboard by a wave. obviously the trailer doesn't represent the entire movie but i watched the whole three hours of that and i would say that the bigger seas occasionally got up to 3 foot swell with 2 foot chop, but usually just a 1-4ft chop on flat ocean. it's possible that it got up to force 6 but definitely not above that and im not sure it got that high, i mostly just remember confused seas with a lot of quick, smooth chop (this kind of behavior doesn't affect boats at all). occasionally it looked like they would try to use a powerboat wake to simulate swell but they shot way too close to the origin (and you can't get big swell that way) and just ended up with more sharp, confused-looking waves

as for the on-deck shots, the behavior of the ship and the conditions on deck were obviously totally inconsistent with the environment, but also comically inaccurate even for the conditions they were pretending to be in? so like first of all the ship was almost always rolling side to side, which IS the scariest and most dangerous type of motion especially in a boat shaped like that, but if you're in a storm you should be turning your boat to point into the waves so that you're pitching fore and aft instead of killing everyone on board. we should be seeing the prow dive into the front of a wave and have green water flood the front of the ship and then see nothing but sky a second later. in a ton of these "matt damon is wet and getting splashed with white water" scenes you can see the flat sea in the background and they often stop trying to make it look like the ship is moving at all from one shot to the next. the spray they throw at the crew is imo not enough to snatch someone off a deck like that, and it all looks like white water that comes from waves hitting the side of a boat and splashing up, but in a lot of cases the direction it comes from makes no physical sense. maybe that's poseidon idk. what you should see instead in this kind of situation is a whole wave breaking OVER the side of the boat and basically a solid wall of water sweeping people away, but you need big waves for that.

this is stuff that directors of maritime films work hard to perfect. even major directors like ridley scott (white squall), peter weir (master and commander), baltasar kormákur (adrift -- similar size ship to the odyssey btw), ang lee (life of pi) have developed and used strategies for showing us waves and storms that are exciting and impressive and scary. it IS understood to be an essential element of competence in this kind of film. of all these The Odyssey should be the most epic. it's The Odyssey. all maritime literature is descended from The Odyssey. but christopher nolan didn't seem interested in spending more than $100 of his thousand morbillion dollar budget on the main antagonist of the story.

#spike after learning Oz plays guitar: why İsn't he in the band? #buffy: he's already in his own band. which is actually a real band unlike our fake band that you keep forgetting is just a cover story #spike: we're never going to make it in the music industry if you don't stop calling our band fake

Spike (with reluctant but knowledgeable backup from Giles) finally convinces her that "Slayer" risks bringing copyright lawyers down upon their heads, a fate worse than vampires

Doctors are to black women what police officers are to black men. That may seem controversial but I believe it to be true and I speak from personal experience.

If you've seen this TikTok you know that a 2016 study showed that 50% of medical students and residents thought that black people couldn't feel pain the same as white people.

And we learned from this video that because of a 1999 study, to this day, there's a black correction factor for the creatinin levels in black people's kidneys, meaning we're less likely to recieve a kidney transplant if needed.

So if you go to a doctor, feel you aren't getting proper treatment or they refuse the treatment you've requested, say to them the following:

If you weren’t already going to spread this advice because black women are at risk, then spread it because it’s applicable to everyone else as well, including you reading this.

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

OP also invented armsocks.

But if you have a character with one of those Always Outfits, and then there's a timeskip and they show up again a bit older than before, you have to give them something new to wear. I'm willing to ignore laundry, but I've never met a 15-year-old who wants to wear the same thing she wore when she was 12. Laundry isn't an interesting detail. How the character has changed over the timeskip, and how that can be represented in their design, absolutely is.