The LUCAS 3 introduced a precise, unrelenting 102 compressions-per-minute rhythm that produced consistent, whole-body mechanical animation for the majority of the arrest. With each piston descent over the lower sternum (5–6 cm depth, full recoil), the following occurred across her body:
• Torso & Chest: Visible sternal depression transmitted upward and outward.
• Abdomen & Hips: The soft central adiposity compressed inward noticeably, then rebounded with a soft wave-like motion; full hips rocked laterally and tilted subtly with each cycle.
• Breasts & Upper Body: Large pendulous breasts displaced upward/laterally then fell back with heavy bouncing and swaying, integrated with shoulder and upper torso shifts.
• Head & Hair: Head and shoulders showed small, rhythmic nodding or side-to-side shifts; long blonde hair moved in strands across the carpet in time with the piston.
• Arms & Tattoo Area: Arms remained mostly extended but exhibited passive rocking at the shoulders; the left upper arm (tattoo site) moved with the shoulder, causing minor skin and muscle shifts over the inked area.
• Lower Body & Legs: Pelvis and thighs rocked gently side-to-side on the carpet; knees flexed or extended slightly with the transmitted force, calves and feet shifting position, toes occasionally curling or spreading.
• Overall Effect: The entire body displayed a continuous, imposed “pulsatile” activity — a steady rise and fall, rocking, and yielding of all soft tissues — while remaining completely flaccid and unresponsive between the mechanical inputs. Bruising on the sternum darkened progressively, and minor skin redness appeared at points of contact and displacement (including hips against the carpet and arms from positioning).
