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@sunneklar
I support crying culture

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‘hell’ and ‘fuck’ combining into the much less substantial ‘heck’ is literally exactly the same energy as sodium and chloride combing to make table salt
you’re the only worthwhile commentary on this post and I’d like to thank you for that
Pasta al crochet
henry winter is the type of man to be very attractive but take the absolute worst pictures of himself
I will not be debating this thank you

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Does anybody want to play outside with me
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Me walking to work listening to Mitski
Midsommar (2019)
midsommar (2019)

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MIDSOMMAR (2019) dir. Ari Aster
1920s French silk/cotton brassieres
most arguments abt fanfiction on this website could be solved if both parties just read better books and fanfiction. “published books dont have queer rep or happy endings!” untrue, read better books. “fanfiction is just boring repetitive smut!” untrue, read better fanfiction

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damn i know everyone’s been saying twitter is tumblr five years ago but some people are having an argument in my mentions about how the wellerman sea shanty is problematic because it references sugar and tea and rum - all products of the british empire’s slave trade
gang if we’re gonna ban songs that reference unethical consumption we’ll be left with like: crazy frog
Wait wait, wait wait wait wait
Are you telling me these are
Shanty Antis
*blinks* Okay, I know the context of the song is long lost, but the Wellerman isn’t a South Seas Santa or some shit, bringing presents to all the good little whalers; he was a company employee who was integral to keeping the whalers trapped and in debt to their employer – in this case, the Weller Company, operating out of New Zealand in the 1830s and ‘40s.
Even though the song is about a ship, it’s actually a shore-whaling song, sung by employees of the Weller Company who were dropped on various islands to hunt whales from shore. The whalers were all paid in goods (“sugar and tea and rum”) and generally never made enough cash to be able to repay their debts to the company. That line about “someday… we’ll take our leave and go” was pure wishful thinking, longing for a day that would (probably) never come.
For example, this is what Songs of New Zealand - Songs of a Young Country (ed. Neil Colquhoun) had to say about the song: “Shore whalers, unlike the whalers on ships, could not return to their native land. Even if there were a ship, they couldn’t afford the passage; for they saw no money. Whaling companies such as Wellers’ of Sydney, sent agents across the Tasman to collect the bone and oil; and to pay the men in sugar and rum.”
The impossibility of ever being free of whaling is reflected in the full run of verses (cut off in the original TikTok):
For forty days, or even more, The line went slack, then tight once more. All boats were lost (there were only four) But still the whale did go.
As far as I’ve heard, the fight’s still on; The line’s not cut and the whale’s not gone. The Wellerman makes his regular call To encourage the Captain, crew, and all.
The shipboard whalers in the song will never capture their whale, just as the shore-whalers singing the song will never make enough money to pay back their debts to the company and leave their island. Meanwhile, the Wellerman keeps coming by, bringing sugar and tea and rum, encouraging them all to keep working just a little while longer…
In short: yes, the Wellerman is problematic! He’s the company stooge running the company store, paying everyone in just enough goods to keep them going until the next time he calls. And that’s rather the point of the song.
I think part of the problem is that people who aren’t from NZ are so divorced from the original context of the song that they dont know the Wellerman is the antagonist. Like, to A 19th Cty. shore-whaler from NZ, (or even a 21st c. New Zealander whose family has History with the company) the Wellerman is obviously bad, the toungin’ will never actually be done, and the ship whalers are never actually going to land the right whale. To this audience it’s a bitter song about horrible, exploitative work conditions. For a 21st Century TikToker from the other side of the planet who’s never heard a shanty before, much less engaged with the cultural narrativr of this one, hearing it in a vacuum? It would be very easy for that person to misunderstand the tone and intent of the song.