RMH

JBB: An Artblog!
sheepfilms
Keni
Jules of Nature

izzy's playlists!
2025 on Tumblr: Trends That Defined the Year

ellievsbear
PUT YOUR BEARD IN MY MOUTH
Three Goblin Art
Monterey Bay Aquarium

if i look back, i am lost

Love Begins

todays bird
trying on a metaphor

Janaina Medeiros
Peter Solarz
"I'm Dorothy Gale from Kansas"

tannertan36
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@wehaveallgotknives

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold⌠of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold⌠of becoming - Within the monster we find information about the self.
catherine et lâarmoire by thÊâtre du mouvement. 1985
Does anyone know what to do about the temperature and also the prices

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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{2026} wuchernd
Breezy Swathes of Fabric Dance Amid Landscapes in Thomas Jacksonâs Photos
while i hope the AI boom dies out i also hope we start acknowledging data center water overconsumption as it's own unique issue because like. it's not AI itself that harms the environment it's the hardware hosting it, right? same reason nfts and cryptocurrency were also bad for the environment. the root problem isn't going away so long as we allow big companies to continue hitching their wagon to the next big tech trend. i worry if they don't get stronger regulation we'll just be repeating the same issue whenever the next toy comes along.
Athena Nangala Granites. âNapalijarri-Warnu Jukurrpa (Seven Sisters Dreaming)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Mystical Spot by Toshio Ebine
The only good tourism ad for any place ever.
Come to scenic south australia and have a bespoke picnic at hanging rock style experience
but i stay silly! *âsaid in the most world-weary voice you ever did hear*
âbut I stay silly!â
Reblog you stay silly
on it boss
top 10 queen line i gotta say

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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apparently youre supposed to perform. they love it when you perform. but it has to be authentic. they hate it when it's not authentic. but you have to perform.
âhow much of your own relationship as friends and collaborators feeds into [ntbâs] narrative?â