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me looking at 2025â2029

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I did it for Louis. I do everything for Louis.
Henry Taylor

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interview with the vampire was an accident. it wasn't supposed to be that good. the production approached and for a moment crossed into a queer television space that would have been extraordinary. but the unexplored terrified them. they needed to map the territory with structures they are familiar with, and so a Tumblr/subreddit gothic uptake of AR's the vampire lestat. it is exactly the radical reimagining AMC and Rolin Jones had in mind and executed, and they ensured the audience they needed would be there (s2's sudden post-show outsourcing to white YouTubers/participatory culture vultures) once the bag was secured. never forget the quickness with which the vampire lestat was announced and the excitement AMC, EPs, and Jones demonstrated once they were finally done with iwtv. never forget how the vampire lestat novel made talismanic appearances during early interviews and promotions. they don't even call it a gothic gay romance like Jones and AMC promoted interview with the vampire.
what the vampire lestat reveals is how blackness operates as a fetish, a a magical object that is at once grotesque in its capacity to withstand graphic body horror and mundane in that the mutilation and exhibition of black bodies has been, historically, a quotidian exercise. Blackness has value as a commodity fetish. For all the unnaturalness of this gothic horror show, what is most natural and not discussed in trades, by majoritarian fandom, the cast, the crew is the series' fascination with showing mutilated, disfigured, charred, burning, terrorized black flesh. What appears to be the true horror would be to show a black body reveling in their monstrousness, in their making a paradise out of hell.
Jacob Anderson's performance is the lever that turned a trapdoor into an escape route, and i am grateful for the work he put into Louis. going back to s2 finale interviews where JA looked at it as closure for Louis makes sense in light of the vampire lestat.
tl;dr: AMC's the vampire lestat channels it and its source material's anti blackness through and on the brown and black bodies previously viewed as characters, but have now flattened into narrative tools to pave the way for the rehabilitation of Lestat.
can we not direct any venom at the cast? critiquing the show is fine but to have smoke for the actors when they aren't in the writer's room and have no say over the script and are pretty much left in the dark until they sign is ridiculous. they're contractually obligated to promote the show so if they hate it they can't just come out and say so
Itâs incredible that people are so invested in tamping down criticism of this season, particularly from Louis fans, that they will lie about basic things like claiming that all the writers have remained the same from season 1 to season 3.
Since apparently we are the only fans left with the ability to verify any type of information, here are the facts:
S1 Credits:
1x01 - Rolin Jones
1x02 - Jonathan Ceniceroz & Dave Harris
1x03 - Rolin Jones & Hannah Moscovitch
1x04 - Eleanor Burgess
1x05 - Hannah Moscovitch
1x06 - Coline Abert
1x07 - Rolin Jones & Ben Philippe
S2 Credits:
2x01: Hannah Moscovitch
2x02: Jonathan Ceniceroz & Shane Munson
2x03: Heather Bellson
2x04: Coline Abert & A. Zell Williams
2x05: Jonathan Ceniceroz & Hannah Moscovitch
2x06: Hannah Moscovitch & Shane Munson
2x07: Kevin Hanna & Rolin Jones
2x08: Rolin Jones
Hannah, Rolin, Coline, and Jonathan were retained from S1 - 2. Eleanor, Ben, and Dave did not return. The first season had 7 writers. The second had 8.
3x01: Rolin Jones & Hannah Moscovitch
3x02: Jonathan Ceniceroz & Kevin Hanna
3x03: Anusree Roy
3x04: Jonathan Ceniceroz
3x05: Hannah Moscovitch & Daniel Hart
3x06: Ryan Kattner & Kevin Hanna
3x07: Hannah Moscovitch
Hannah, Rolin, Kevin, and Jonathan returned for season 3. Heather, Coline, A. Zell, and Shane did not. This season has 7 writers. Of these 7, the only 3 that remain of the season 1 writers room are Rolin, Hannah, and Jonathan.
You can definitely say the writers who have been retained from season 1 to season 3 are the strongest writers if you want to. I absolutely think that Jonathan and Hannah are two of the strongest writers. I canât say Rolin is my favorite. But they definitely lost a lot of wonderful writers season to season and I think that is very much felt.
This isnât even putting into perspective the reality of a writerâs room and what each person might bring to the table regardless of whether or not they get an actual writing credit for it.
Guys, I thought I was making a joke earlier when I said it should be illegal for more than 2 white straight men to be in a writerâs room but honestly I think that there was only 1 (Rolin) in the season 1 writerâs room and 2 (Rolin and Kevin) in the S2 writerâs room. Now there are 3 đ¤Ł
I think it should be noted that Shane and Coline are both women. Coline Abert is noted on IMDb as a bilingual French-English screenwriter. So if you note a difference in quality of the French writing this season, maybe that is a contributor to it. I wouldnât know.
As I said in the comments - Ben Philippe, Dave Harris, and A. Zell Williams were the Black writers who wrote for S1-2. @coldeveryseason shouted them out on Twitter.
I've seen some weird defences of the IWTV writers room couching in 'erasing the contributions of the non-white writers' type arguments and I just want to use this helpful breakdown of the writers to take it a bit further.
I also want to start off referencing a quote that screenwriter-director Nida Manzoor made where she talked about being in white-dominated writers rooms where she felt she was there to just sign-off on what they were writing. And what a difference it was when she was able to set up her own writers room, especially in season 2 of We Are Lady Parts, where every writer was a Muslim woman.
If you're not familiar with how writers rooms work, you might think every episode is created by the person credited with the script. (Flashback to the Buffy fandom where Marti Nixon was blamed for every single thing in the Joss Whedon is God days.) But the whole point of a writers room is that everyone breaks the episode beats together, and it is headed by the showrunners.
Now let's look at the racial breakdown of that IWTV writers room again
1x01 - Rolin Jones (white)
1x02 - Jonathan Ceniceroz & Dave Harris (Latino and Black)
1x03 - Rolin Jones & Hannah Moscovitch (white and white)
1x04 - Eleanor Burgess (white)
1x05 - Hannah Moscovitch (white)
1x06 - Coline Abert (white)
1x07 - Rolin Jones & Ben Philippe (white and Black)
2x01: Hannah Moscovitch (white)
2x02: Jonathan Ceniceroz & Shane Munson (Latino and white)
2x03: Heather Bellson (white)
2x04: Coline Abert & A. Zell Williams (white and Black)
2x05: Jonathan Ceniceroz & Hannah Moscovitch (Latino and white)
2x06: Hannah Moscovitch & Shane Munson (white and white)
2x07: Kevin Hanna & Rolin Jones (white and white)
2x08: Rolin Jones (white)
3x01: Rolin Jones & Hannah Moscovitch (white and white)
3x02: Jonathan Ceniceroz & Kevin Hanna (Latino and white)
3x03: Anusree Roy (Indian-Canadian)
3x04: Jonathan Ceniceroz (Latino)
3x05: Hannah Moscovitch & Daniel Hart (white and white)
3x06: Ryan Kattner & Kevin Hanna (Wasian and white)
3x07: Hannah Moscovitch (white)
So - not a single Black writer has been given solo credit on any episode. None of them have ever made it beyond one season into a writers room. Of the non-Black writers of colour, Jonathan Ceniceroz is the only one who has written for all 3 seasons, and he only got solo credit for one episode this season. Anusree Roy being the only other non-white writer to get a solo credit. Ryan Kattner probably contributed most to song lyrics, since he's a musician who is also acting in the show.
The show runners and producers are all white.
This is a white-dominated writers room, and this is a show where white writers set the tone of how race and racism will be addressed in the scripts. And if you have followed some of the things Hannah and Rolin have said in interviews, you should know that neither is to be trusted when it comes to racial awareness.
These are such great information.
Just want to add: even though A. Zell Williams wasn't credited in Season 1, he was part of the mini room (a smaller writers' room format so the network can have a draft of a first season without spending that much money prior the series being greenlit. This practice was erased after the WGA strike in 2023) for that season. He said this on his podcast. He was then promoted for S2.
Ben was also story editor for S1
every time a post about iwtv/tvl makes a reference to heated rivalry the maggot that will feed on my dead body inches closer to existing.
Alphaville (1965), dir. Jean-Luc Godard

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whenever âune femme avec toiâ plays i have to pause and recall that scene where she performs it on stage for the woman who makes her feel like a woman and the woman who makes her feel womanly is affirmed in her otherwise womanliness.
This honestly looks like one of those awkwardly long roleplay videos on pornhub where it hard cuts to the most insane Gluck Gluck 7000 maneuvers youâve ever seen, but itâs just another metaphorical sex scene from nbcâs hannibal
Ateta Jok At Robert Wun Couture 2026
Kwame Akoto
re: ilya's terrible therapist
okay i think i'm obligated to say that although i am a mental health professional very obviously nothing i post on my heated rivalry tumblr is professional advice nobody sue me or anything. i should also probably caveat that i am coming from a very specific perspective: i'm a relational psychoanalyst; i have adjunctive training in several behavioral modalities but i believe very, very strongly in relational psychodynamic work as being THE thing. for patients with complex relational trauma (aka mr. ilya rozanov), i don't believe anything else can create lasting change. i also don't believe in the medical model of mental health. these are things about which reasonable people can, of course, disagree, so i'll try to separate out things i think she does WRONG vs things i think are missed opportunities to do well/what i would do differently
THINGS THAT ARE WRONG the biggest and worst: patient presents for therapy for first time despite significant treatment barriers. patient discloses that he believes he is depressed. patient has a first-degree relative who died by suicide. your next question, your very next question, is "are you thinking of killing yourself". you don't beat around the bush, you don't imply it, you don't wait until the patient volunteers. you must ask directly and you must do so before the patient leaves your office, because there is a huge and immediate risk that this appointment is someone's last cry for help before an attempt, and the odds of a depressed patient with a trauma history related to the suicide of a parent attempting suicide is fucking staggering. it is in my opinion malpractice not to even screen for suicidal intent at this first appointment ANYWAY, i do this for all patients and to not do it for someone with ilya's history is outrageously dangerous. life-threateningly incompetent care. lack of treatment planning: doesn't take a history or anything at the first appointment. jumps directly into talking about a horrific trauma (finding his mother's dead body). sometimes people do come in to a first session in an escalated state and have to begin directly with discussing whatever is happening at that moment, and then you meet them where they're at, but ilya arrives in a calm if slightly nervous state. she should have started by laying out what therapy would look like and beginning to build rapport, not immediately being like "so how about your mom's corpse". the way she makes the diagnosis of depression is bizarre. âI think you are depressedâ. she doesn't clarify whether or not she's actually diagnosing him with depression under the medical model, explain what that means, or ask what it means to him to hear that. it's also MONTHS in, after he came in suspecting depression, that she makes this diagnosis (in the US it has to be in the first session generally for insurance purposes, different, also bad). no actual screening for symptoms, no psychoeducation about what it means to have depression, no sense of prognosis which clearly upsets the patient. it is so important to contextualize a diagnosis, both what the particular diagnosis is and what the act of diagnosing means. no differential diagnosis. she knows that ilya has experienced at least one criterion A trauma for PTSD (his mother's death) but does nothing to screen for symptoms. she doesn't ask how old his sexual partners he had when he was fourteen were to screen for sexual abuse. she doesn't rule out bipolar which is a must when diagnosing depression. she doesn't ask any questions about substance use or screen for potential neurodivergence or any of a million other things. she doesn't refer to medical for potential physiological contributors for a guy whose career is "getting hit really hard in the head".
no clear treatment plan or goals, and no sense of how therapy is going to work besides⌠talking? the only goal ilya really sets is "be good enough for my boyfriend," and although she (rightly) pushes back on that she doesn't help him identify an alternate goal. she also doesn't explain what therapy is going to be like or how it works or help him get on board with what the project of therapy is going to be. she seems unshaken when he misses five appointments in a row (if i had a passively suicidal patient miss five appointments in a row i would not be brushing that off, we would be having a good chat about what the barriers to treatment were). culturally incompetent care: they're part of the same minority group (Russian immigrants) across one axis of identity, but Galina is not a queer hockey player (or as far as we know queer at all). she minimizes and dismisses the discrimination ilya is likely to face in his career from coming out, including the fact that he could get deported to Russia, jumping to a CBT technique that asks him to imagine the worst case scenario without engaging at all with how it feels to be in this position or validating his fears. mental health professionals have an ethical obligation to educate themselves about their patients' identities and to listen first. "I could lose my job and be deported and jailed because of my sexual identity" is not a cognitive distortion, it is a terrifying reality. perhaps an unlikely reality, but it exists. trying to use cognitive therapies to "reframe" real experiences of discrimination is, flat-out, therapeutic abuse. she also should have explicitly responded to his fear that she would out shane when he's afraid to say shane's name, not obliquely implied that she knows they're both hockey players: "i want to let you know that confidentiality extends to anything and everything you tell me, except (reiterate legal carveouts). there are no circumstances under which i would disclose your partner's identity to anyone. if you want to use his name, i won't repeat it to anyone except when we're in this room" THINGS THAT ARE POOR THERAPEUTIC STYLE IN MY OPINION AND WHAT I WOULD DO BETTER #MYNARCISSISM lack of curiosity: she does not prompt him to reflect emotionally, even when there are very obvious entry points to do so to do so. i.e. ilya says he's glad his father is dead, which is a huge emotional disclosure that is very risky for a patient to make, especially in a first appointment because he might expect judgment. and she just⌠asks a factual question about the timeline, rather than engaging with the emotional content in any way (as a relational analyst what i would do here is ask "what does it feel like to share that with me?", but i do not think any good therapist would like, change the subject away from the feeling)
she regularly offers direct opinions about/interpretations of things ilya says, very early in their therapeutic relationship. "that must have been very hard" in response to his father's expectations of him (which he interprets as being about sochi--he seems to hear 'it must have been hard for you to fail like that', which is, uh, bad!), "it's good that you had that," etc. in spite of the fact that he's already indicated a complex relationship with his family and himself that mean he might feel quite differently than someone else expects! was it good that he had hockey, or did it just create another burden on him and his relationship with his father, or is it somewhere in the middle? did his father's expectations feel hard? traumatizing? was he proud that so much was expected of him? when did he notice those feelings? just some questions i might ask. describing how ilya must feel about things closes off conversation. her affect and presentation in the session: ilya repeatedly notices her masking her reactions to things, like the fact that he became sexually active so young. i guess technically you're still allowed to be a blank slate style therapist, even though i don't know anyone who still does this. but if you're a blank slate, be a blank slate. don't let patients notice that you're hiding your reactions to things. so for instance i would approach that conversation by having whatever reaction i had and then saying, "you might notice i had a reaction to you saying that," and either asking the patient how they interpreted my reaction or asking them if they'd like to know what i'm thinking (and then how does it feel to know that i'm feeling concerned, etc, the relational field goes on forever). my way isn't the only way but if you're visibly swallowing reactions it's bad. she doesn't check in with ilya about how he's feeling about therapy and dismisses his fear that it's not working. tbh the only thing she says that i like is "i'm good, but i'm not that good," which IS something i might say. but she doesn't go from there, it becomes a way of dismissing his fears. i would have asked what it's like to have to tolerate such a slow and uncertain recovery process. does he think therapy can help? are there ways in which it has helped? how does it feel to talk about it? how does it feel to talk to me about it? bizarre attitude towards self-disclosure. she gives ilya next to no information about herself, which, again, is an old-fashioned but not per se wrong way to do it. just because i'm the relational yapper machine 3000 doesn't mean that every therapist needs to tell their patient anything about themselves. but she does self-disclose twice. she tells ilya that she's watching their season/is a hockey fan, and makes a weird comment that she also enjoys shopping as a coping mechanism but that bedsheets are more in her price range than sports cars. even though i'm the yappatron 3000 i would not choose to make these particular disclosures! admittedly if i had a famous patient and i knew about their career i would probably tell them that directly in the first session, i would not however make asides about it because now you're kind of creating a dual relationship. the bedsheets thing is weird bc you gotta keep a wiiiide birth around anything even quasi sexual, like don't invite a patient to imagine what your bed is like you weirdo. also finances are usually an inappropriate thing to self-disclose, because therapy is also a financial relationship! i would never joke about how a patient has more money than me (even though most of my patients have a lot more money than me), it seems likely to induce guilt and also to disturb the therapeutic frame around money which is hard to manage anyway
therapeutic interventions: i mean the biggest problem is that she doesn't really seem to have a consistent style or approach or anything. they just kind of chat. the things she does say are⌠weird. she directly gives advice about what he should do in his relationship with Shane repeatedly. She doesnât otherwise tell ilya what to do, which would actually be more appropriate--there's a place for giving depressed patients clear instructions imo. but she doesn't do that, she tells him what to do with his boyfriend which is far riskier because she's never met shane! the worst bit is that she also directly predicts what the outcome of one of the conversations she tells him to have will be, which is⌠bad, because she does not know Shane, and this is like their fourth session, and she could be wrong. Thatâs how you destroy a therapeutic rapport forever btw, is make a promise you canât keep. i have never in my career assured a patient that a conversation they were gonna have with someone else would turn out well, because i don't know that person. maybe shane is an abusive asshole who is going to say "well if you're depressed just kill yourself already". she doesn't know this man!
her ideas about how to treat depression seem limited to pills and exercise. which is crazy because the man is a professional athlete. and she's like "well maybe go on a bike ride." because rachel reid clearly doesn't know how therapy works or what the mechanism of action is! she doesn't lay out the many, many possibilities ("i recommend speaking to a psychiatrist, options might include ssris or snris, other antidepressants, mood stabilizers, etc. there are also interventional methods like intravenous ketamine, transcranial magnetic stimulation, or ECT. i mention those only so you understand that there are a lot of options, and a lot of hope). she doesn't actually offer psychoed about lifestyle interventions--why exercise? what does nutrition look like? sleep? she tells him he needs to come out to his friends but doesn't offer anything to help him actually understand how social isolation and depression interact. she doesn't look at any of his strengths, notably the fact that he has a partner who adores him, that he has survived a lifetime of immense trauma, that he has a brilliantly successful career, etc. there's a stab at one CBT exercise but otherwise no concrete skills (again not my thing but it would be something). and no information about different therapy modalities and how they could potentially help him. okay that's the end of my essay sorry to anyone who doesn't care and had to watch this get reblogged like 8 separate times becasue tumblr was mad abt how long it was if anyone wants to know My Case Formulation of fictional character Ilya Rozanov and how i would Fix Him let me know @stunkbug here is the essay!

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that damn breast cupping and mouth wiping...
HEATED RIVALRY
shane hollander and ilya rozanov â KETU TeCRĂ by bad bunny
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