I'm going to start this by saying if you're NOT BLACK and you come on here trying to tell me what other Black people are saying, or tell me about the books - A)you're getting blocked B) I know what you are - so stay in a white baby's place, which is not my comments.
See. the one thing that has remained true about all three seasons, is that Memory IS A Monster. Just not in the way these showrunners and writers are thinking.
The importance of having Black people in the writers room is not just the handling of dialog, but in the assistance of knowing details and the effect it may, or may not have on an audience. Now we know Rolin Jones wasn't eeeeeeeever going to allow them to call the trial a LYNCHING, because whiteness has to defend itself, but there are other things that stand out to me as a Black viewer.
LOUIS THE PIMP
I remember the very first time Mr. Charles and I watched S1Ep1 and Daniel says "You were a pimp!" in this kind of 'homg, what kind of Black debauchery is this' way. We were cackling.
Have you ever met S1Ep1 Louis de Pointe du Lac? He banters with the girls, who in turn are not afraid to say whatever they want to him. He tries to smooth over problems and the only person we see him get rowdy with is Paul, because "You couldn't look weak on Liberty Streetâ
This was no Iceberg Slim. This wasn't Max Julien's Goldie. He wasn't even Willie Dynamite. That doesn't take away from the effect Louis had on his girls, those that cried and as he said, he stuffed his ears from the hearing of said cries - but he wasn't like others that I knew from the culture.
So, why has so much been made of Louis The Pimp this season? It's been hammered on again and again. Well, I think Merrick Mayfair tells us what the issue is in Episode 6.
"Great Mama Ernestine sends her regards, says the du Lac boys walked past her porch heads so high you wouldnât know their money came from flesh."
You know who else had money that came from flesh? Louis de Pointe du Lac. The white one, from the books and films. Vampiredom's saddest, loneliest Participant in That Most Peculiar Institution.
I think this is RJ & Crew's way of saying "Sure, swap 'em out. Racebend to your heart's content, but he's not any better than the slave master and don't you forget it!"
Which is disingenuous for reasons I shouldn't have to explain to grown ass adults on this site.
This season, in my opinion, is about resentment of the Black characters. You don't have to agree, because I'm not writing this for agreement. I'm just thinking out loud. If you like s3, I love that for you. Anyways, the fandom to some degree has always hated Louis, but now I believe the writers are showing their hatred of this Louis to us. This Claudia This season is about the unmaking of these Black characters.
We've all seen the "Louisiana fried chicken" comment. That's not by accident, or a throwaway line. That's to "humble" the Black man that bought his sister a honeymoon package on The Blackstar Line - a shipping line incorporated by Marcus Garvey, the organizer of the Universal Negro Improvement Association.
Rolin & Co. have fans clamouring for the 'knocking down a peg or two" of the Black man who loved his 'churchy', mentally ill brother enough to not institutionalize him and with him, give us a taste of our much beloved Nicholas, or Hines Brothers.
"With Episode 1, titled âIn Throes of Increasing WonderâŚ,â the show not only crafts one of the best pilots in the history of television, it also showcases Black culture in New Orleans, and how essential this is to Louisâ life. Itâs clear here, from Louis being called a slur by a fellow businessman to the familial joy seen at his sister Graceâs (Kalyne Coleman) wedding, that Blackness is not only integral to Louisâ story, but the story this adaptation is trying to tell." Paste Magazine
This is about the unmaking of Louis de Pointe du Lac and Claudia.
"I always thought that Louis slightly cribbed James Baldwin's speech patterns, and that's what he took with him to Dubai. It's an affectation. But then as he comes back to himself, his real, true New Orleans accent creeps back in." Jacob Anderson, Backstage
Claudia, Episode 6:
"took your Black queen and ran off with him across the ocean..."
Young militants referred to Baldwin, unsmilingly, as Martin Luther Queen. Henry Louis Gates, The Fire Last Time
The use of another Black voice to say these things is certainly interesting, but unsurprising. (I don't need to get into everything she said for obvious reasons - if you're fine with everything she said, hooray for you, we're here for what I think.)
"The one good thing in my bleak⌠[sobbing] Black life, and I donât know where she is!"
I won't argue the difficulty of living as a Black woman with people who aren't either one, or agree with the sentiment above. I will point out that in her time in NOLA, following her transformation, Claudia did live better materially than most Black girls and women. The most notable exceptions that we know through the show being Grace and Florence - who did not live 'bleak Black lives'.
Claudia as a vampire had better chances at survival than most Black girls and women, even in her worst circumstances. But that line, isn't about any of that - that line is to undo every moment in S1 where Claudia did have moments of happiness. To undo moments in S2 where she found acceptance and what she wanted.
"Bleak Black Life", indeed. Catchy isn't it? Like the antithesis of 'Black Lives Matter'. AND IF YOU DON'T BELIEVE US - LOOK AT DEE PHARMA. A COCAINE WHORE BUCKET. (they like buckets, these white writers - buckets of chicken, whore buckets...)
AND SPEAKING OF HYPERSEXUALIZATIONâŚ
"Some joy I know, knowinâ is how good I humiliated you in New Orleans, how I ginned up the train for the slave here.
'Lestat said heâd do worse than rape me, Daddy Lou.'
Worked good, didnât it?"
Because the only solution to having an audience thinking their white lead was capable of victimizing these Blacks that the writers didn't want in the first place, is to show that a lynched, Black female (I use this word deliberately) is unworthy of your belief with regards to him.
The same white guy that killed poor Miss Lilly for the crime of being a poor substitute for Louis. That dropped Louis from miles above earth. That raged at Claudia like she was a rival lover instead of an inconvenient daughter.
This guy can't be held up as the great focus for the Great Conversion to S3 and a whiter audience and whiter tastes without the undoing and unmaking and unmanning of the lead/s of S1&S2.
Come on now, this was a bit heavy handed (from Merrick's summoning):
"Son of Ham," - That's real cute, paired with Claudia calling him a slave multiple times.
I don't need to get hit repeatedly on the head with a hammer to get the message Rolin & Co are sending. I'm out - but I just wanted to be clear about the why.
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If you view the entirety of The Vampire Lestat that we were given through the lens of the writers/showrunners effectively saying "Fuck this Black shit and this Black PIMP in particular - we're undoing s1&2! Everything else will be gravy for the fans that hated that Black shit too!" - then it makes sense.
The pacing, the lazy storylines and writing, the inattention to backstory and newly introduced characters. All of it makes sense when you understand that telling Lestatâs story was never the main goal of this season. At all.
But they were right about it being EXACTLY what some of y'all wanted.
âshould i do like you instead? read the first ten pages of every book, pass myself off as cultured? use my middling command of literary canon to impress some hapless human iâm gonna kill in a few hours anywayâ this gagged me like nothing has gagged me before friend youâre very sharp i love that about you
Does anybody who watched the tvl after dark know of they actually watched the relevant episode together before filming? Like do they ever mention watching the episode freshly with the host, or the host got to watch the whole thing before hand?
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If this is what we were supposed to take away from a character like Louis why would anyone love/like him? It begs the question what are Louisâ redeeming qualities? Why do these men continue to stay with him and obsess over him?
Original post
Iâve been trying to wrap my head around this. Ultimately, I think this is all a response.
I still think Season 1 was fine. I think they knew the story they wanted to tell and approached it with open minds and excitement to adapt it. But then AMC gave them the green light to expand Louisâ arc across two seasons. Surprising but okay! And so, at least in my opinion, they did create S1 out of genuine creativity and love for the material.
But then it released and seeing how popular Loustat was, seeing people actually really like, some even love Jacobâs Louis, it made them approach S2 differently. Nobody behind the scenes was expecting for Loucob to be as loved as he is, whether people like him for himself or like him as an extension of Loustat. Even Jacob seemed to be surprised, having initially viewed his arc as a stepping stone before theyâd dive into Lestat later. His shock & confusion in interviews after S2 but before they started shooting S3 was clear. He was surprised to still be brought on for in-depth interviews at all.
I wouldnât call it lightning in a bottle. That would mean intent. Itâs more like they were drinking beers in the backyard just shooting the shit before lightning freaked everybody out by zapping past the lid. While of course they didnât plan to tell a lackluster story, I think the richness of Louisâ character was a complete accident. I think they all thought it could be perceived as good, not as fucking great.
And this is why Season 2 started us down the path of being controversial among the fanbase. And by âcontroversialâ I genuinely mean âdebatedâ, because people have very different opinions of it. The S2 reunion scene is heavily debated (primarily in Louis spaces) with half saying they hated it and the other half enjoying it. You have half the fanbase happy with Lestatâs apology during the trial, and half saying Santiago was right and that Lestat was too hard on himself.
Season 1 was clearer on how things were to be interpreted. While thereâs definitely argument for how fans/crowds/mobs take ideas and run with them regardless of intent, nothing in Season 1 garnered as many different interpretations as the content in Season 2. I think this is because this is when the team behind the show started, seemingly, disagreeing with each other.
This is how you get âwait what was Louisâ apology to Lestat in the finale about? Was that Louis coming to terms with himself, or was that the show engaging in victim blaming?â And everyone has different POVs on it. Itâs clear now, that the ambiguity behind the scene, behind quite a few scenes in S2, is because the writers themselves couldnât agree on what they wanted them to mean.
But with all the people theyâve let go for Season 3, and the new ones they hired on, itâs obvious which side remained on-staff and the kinds of likeminded people they got to take the othersâ place.
So now, in Season 3, there is no debate. There is no âhm I can see this interpretation but I can also see this interpretationâŚ.â Thereâs no ambiguity. This side of the team, the side that viewed Louisâ apology in S2 as Louis apologizing for âabusingâ Lestat, that seemed to view Louisâ charred, crumbling body apologizing to Armand as deserved punishment instead of horrific abuse, are the ones that have stayed and taken over the show.
And we KNOW debates started happening in the Season 2 writerâs room given the recent interview where Rolin briefly mentioned it, such as whether Louis asked Armand to erase his memories or if he never did. Certain things in Season 2 are controversial among fans, because the writers themselves started disagreeing on characterizations and important story beats.
So with this portion of the team let go vs the ones that were called back + those newly hired to replace the former, this is how we got Season 3. A season that is not as ambiguous as Season 2 where the writers were fist fighting when they put pen to paper. We are back to the single vision of Season 1.
Except this vision wasnât born from heartfelt creativity and love for the material. Itâs out of agreed upon resentment and shared biases. You even have the production designers of all crew members throwing in âI always liked Lestat moreâ unprompted when their job has NOTHING to do with character preference. Season 3 is the way it is, because these are the people who originally wanted Louisâ arc to only be compiled into a single season, and were irritated when fans kept wanting more. Whether they wanted more of Loucob or simply wanted more of Loustat as a duo.
And Rolinâs âwe wrote from the gutâ or âthe idâ and all of his sayings that they wrote instinctively lays it out that this whole mess is emotional retaliation. The writing behind Season 3 is a temper tantrum.
Not just as retaliation to Louis, but to everyone. Assadâs Armand shot through the ROOF and instantly became one of the most popular characters in S2. Iâd even argue is Thee second most popular after Lestat (Iâd say Daniel is the second most popular among casual viewers whereas among non-casual viewers, itâs Armand.) With DM shooting to the stars as the most popular ship among non-casual viewers. (And DM does beat out Loustat in terms of popularity when looking at the dedicated fanbase.)
But once again, this seems to have pissed That Sideâ˘ď¸ of the creative team off after Season 2âs release. With none of them expecting Assadâs Armand to be as beloved or for DM to be as highly desired as they are. And you can see this frustration in all of Armand & DMâs âdevelopmentâ in Season 3.
Why Armand had less than 15 minutes total of screentime across episodes 1-6 before reducing into a maniacal villain in 3x07. Why DMâs eagerly anticipated relationship happened completely off screen, and both characters butchered so it would be intentionally unsatisfying once revealed. (And the excuse that theyâre a minor / secondary relationship so they were never going to be as focused on doesnât make sense when looking at Claudeleine. Who was still emotionally moving and well paced even in the midst of the Loumand-Dreamstat-Loustat triangle.)
The âmetaâ that they kept talking about in pre-S3 interviews isnât that the writers just kept the fanbase in mind while making it, itâs that the entirety of Season 3 is a response to the fans themselves. Itâs less about the actual characters that were written in Seasons 1 & 2, and comes off more as one long Twitter thread titled âMy IWTV Hot Takesâ
Because you also canât say any of this was for Lestat. Itâs very reminiscent to Season 2, when Lestat point blank says âI hurt Louis because I wanted to hurt himâ and a portion of the fanbase shoved a pacifier in his mouth to shut him up and for years afterwards kept saying âNo he didnât mean it.â Even Samstat was reduced from a character into a figurehead.
Loucob became a punching bag, Claudlainey and Assadâs Armand were weaponized against Loucob while simultaneously reduced to punching bags too, and the writers put Samstat on the same idealized pedestal that the characters Magnus, Marius, and Gabriella are supposed to be condemned for, treating him as a concept rather than a person.
Sorry, my response turned into something else lol. But âWhy would the writers write Louis this way? Why would anyone like him?â My personal opinion after really trying to understand what on earth has happened, is that no, they likely were not writing like this since S1. The season just doesnât make sense from that POV. Everything weâre seeing right now is reactionary.
Season 1 was a story created out of actual interest, Season 2 was when the boat started to rock, and Season 3 isnât a season at all. Itâs a cokerant thread on Twitter. Itâs a callout post on Tumblr. A 72-part TikTok story. Itâs little more than the writersâ tantrum because fans werenât playing with their dolls the way they wanted us to.
I have ranted about Rolin, Mark, and no. I want to be clear. This extends to the whole team s3.
Hannah Moscovitch donât think Iâm letting you off the hook!! You were not only a writer but an Executive producers this season.
Shame on YOU!!
You were the one who mainly wrote Louis being abused, and a domestic violence survivor. You exploit black bodies, write them being harmed, abused and tortured over and over. All for your own creative success!! No care for survivors, black history, or racism!!
I know this was insincere and exploitation because you then have the audacity to do the DARVO Louis show?!?!?!!!?
A SEASON WHERE LOUIS IS BEING LYNCHED AGAIN. TORTURED AGAIN. VIOLENCE DONE TO HIM ON SCREEN THAT NO NON BLACK CHARACTER GETS PUT THROUGH ON SCREEN.
ALL WHILE LOUIS IS BEING TREATED AS THE ACTUAL PROBLEM. ALL WHILE ENDURING RACIST ANTI BLACK SLURS ALL SEASON. DONT GET ME STARTED ON THE CLAUDIA STUFF.
All while Ryan Kattners wears an awful hip hop sucks shirt - I see you. You donât deserve to mention hip hop. Hell you donât even deserve to mention music.
TVL team - I see you. You want to earn success, fame and fortune on the exploitation of black pain and racism. I see all of you.
Ending it with some love @coldeveryseason posts and critiques are very well made, and better than mine. Letâs praise and support the black creators who built Iwtv to what it was.
These people donât deserve to build their name and career of your guys (clearly) amazingly crafted work.
Circling back to this after the after dark episode
I was too kind in this post
HANNAH WHAT THE FUCK IS THIS DARVO racist piece of writing Iâm beyond disgusted⌠you are again using a brown actor to enact a violent lynching on screen⌠why? Because you love putting black people through traumatic violence but couldnât stand the critique of white supremacy that it was when Lestat did it?
Then sheâs trying to angle it like Louis is being dishonest again
AND JACOB STANDS UP FOR HIMSELF AND LOUIS THANK GOD
AND ROLIN HAS THE AUDACITY TO INTERJECT TO SAY THIS GARBAGE
DOUBLING DOWN ON THE DARVO BULLSHIT !!!
You two are using your power in the industry to perpetuate and uphold white supremacy.
And when god forbid Jacob Anderson speaks against a writing and framing choice you shut him down and make him seem like the unreasonable one.
By the way anon, I am not trying to sound superior, but I and many others knew the finale would end up this way. Itâs because I understood very well that the show is fundamentally afraid of depicting violence against white characters and holding white characters to account for their abuse. The ONLY characters they can graphically brutalize are the Black characters. The ONLY characters they can villanize are the POC because in this fascist hellscape that is American media, at all costs racism, genocide, and white supremacy must be stripped from being associated with white people.
This was genuinely a good episode, maybe not everything answered and attoned for in great detail but this was never the purpose of the show ever. It had a beautiful emotional focal point, and louis wasnât brutalized for shock sake. He needed to say his piece and grow from it too. He will never forget being a pimp and hating it, thatâs literally what made him a good character. I understand not liking this season but I suggest some of you to callm down with treating everything happens at louis as a punishment (for? Jacob?? For other black people?) It really didnât feel like it, and Iâm a big louis fan. It wouldnât have the same emotional weight and it would be out of character for louis to just pour his heart out to armand in a regular convo. He doesnât care about him that way anymore, in his fucked up way armand freed him from his silent atonement as well. Louis get to speak about his guilt but he also didnt do it without a fight. (Again guilt doesnât means armand was an angel in that relationship. He literally doesnât act like one. He is awful and isnât even trying to hide it anymore.) I never understood why you guys wanted apology from armand, does his other apologies felt sincere? No, at least this actually was an emotional moment between them. It was horror show but horror wonât feel real without deep sadness. Idk, reading all this stuff before watching the episode as a person who is really sensitive when it comes to louis, I think some of you guys are too deep in fandom to look at the show as it is. (And the character as it is) At some point you are just mad at the fandom for making a hostile place to discuss a show once you liked. I really think if some of you werenât this deep in fandom grievances you would have better time watching the show. Or leave if it bored you at some point. This isnât against critique but what Iâve been reading here feel more like a stubborn resentment toward everything, if you look for clues everywhere that a person you are parasocialy attached to is being wronged you will find more and more. Itâs a futile attempt remove a one character you loved from the shows context and claim that it you only know and love for real. He doesnât exist outside all this. This is the same shit that happens at every type of fandom. At the end of the day itâs certainly not healthy for you? You are looking at things to be mad about while connecting everything. It paints an insecure frantic picture, there is no way this much involvement in fandom wonât affect your analysis
I have posted so many insightful and valuable posts regarding the antiblackness depicted in this show. Read the post I pinned to my page regarding the (non-comprehensive) white supremacist rhetoric that this show has depicted. Look up resources regarding antiblackness in media. Follow @creatingblackcharacters. Please do that instead of telling me we are all wrong just because you can find a way to justify what they are depicting to yourself. Understand that this work exists outside of your desire for entertainment.
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Iâm starting to believe they leak episodes just to get the backlash out of the way so that when the general audience sees it, there is less noise. Does that make sense?
also we should absolutely question the show's choice to remove gabrielle, magnus and marius' overt antiblackness from the tvl book when the writers got armand out here acting like he's auditioning for kkk grand wizard. clearly the show isn't shying away from depicting antiblack violence considering the treatment of black characters in the past two episodes, so the refusal to depict gabriella, marius and magnus as the white supremacists they were in the source material, is a blatant tell- the writers are protective of their white characters, even the antagonists, and don't want them to seem "too" evil (which tracks for white and nonblack liberals acting like being called racist is worse than being racist.) and this clearly isn't a concern they have when it comes to the characters of color- armand has for 2 seasons now enacted forms of explicit violence inflicted on enslaved black people- louis and claudia's cut ankle tendons, the entire public humiliation of the trial, claudia's burning, louis' head on a spike, coercing him into a performance of self-debasement and contrition and branding his body- and claudia calls her black father a slave in a bioessentialist, derogatory context and expresses a level of internalized antiblackness she was never even hinted at feeling when she was alive. in both scenes, the narrative is much harsher on louis than on lestat and the nonblack writers go into extreme detail in their antiblack dialogue and racialized, borderline pornographic depiction of louis' torture. but gabriella is portrayed shallowly complimenting louis' beauty when realistically she would be calling him slurs when talking about him to lestat, magnus' "master race" aspirations and fixation on white supremacist beauty standards for how he chose his victim pool and "heir" aren't addressed, and marius' racial politics ("rotten boy", the whitewashed portrait of armand- we know he's racist, the show just hasn't acknowledged it and intentionally excluded the parts of tvl where he expresses that racism when talking to lestat) remain an elephant in the room. and ofc the way the writers are tryna be like "see lestat isn't racist, black people love him" in-universe through characters like merrick and paul (lol. lmao even) and tryna overwrite or dance around every textual example of lestat's antiblackness is so transparent in its clumsiness.
TVL/IWTV S3 is the trial that Rolin Jones, the showrunner never got to direct in s2. Anne Rice's text demanded that Louis de Pointe Du Lac remain alive and so the reimagined Louis, now a creole character, was not lynched for the enjoyment of the white audience at the TDV. But Rolin Jones, judged Louis guilty of being too loved for a Black character in Hollywood and the IWTV IP being recognized as part of Black media and thus opening up uncomfortable conversations about systemic, social and cultural structures that maintain and enforce white supremacy. And hence Louis the character has to be humiliated, dressed down, beheaded and finally branded. I suspect this was always Rolin's vision with the trial at the end of s2, only now it has been exacerbated by a desperation to put an end to all of those conversations mentioned previously.
There is an unprecedented amount of anger directed at previous two seasons for debating racism-abuse-misogyny and misogynoir; it is the anger at IWTV for becoming larger than it was ever supposed to be, and for not falling into colorblindness. It is an anger at the fandom- especially anger directed at black fans for accurately identifying the character of Lestat with white patriarchy. This demanded a rectification and thus such an identification was swiftly made obscure to re-instate the goodness and innocence of Lestat's "Whiteness". For this, the character of Armand came in handy. It is Armand, a character of South Asian descent we are to see as truly ghoulish, who from what I have heard, has admitted to taking great pleasures in directing the lynching of LouClaudia. Lestat? Well Lestat remains innocent as he always ought to- so much so that there's no ghost!Claudia sitting at the table demanding answers. The Gothic ghost has already done its job- through a perversion of the Gothic genre- in establishing that Lestat is more hers than Louis ever was, on account of blood. Also the white parent was never so abusive actually, it was all the machinations of the black daughter, to lead Louis astray. So no Claudia!ghost to torment the co-lyncher and Armand becomes the ghoul who butchers the black body and brands his initials onto the black body, like a slave master.
However does this mean, that Louis gets to finally hit back at one of his abusers, even when Lestat and his whiteness get absolved? No. Louis De Pointe Du Lac must apologize for not being properly sympathetic to the Armand's CSA. When and where that happened? I won't know, but since this is the season's artistic vision, so it must be so and the butchered Louis must beg Armand's forgiveness. And Daniel? He published the book without consent? Well, Louis De Pointe Du Lac lapped up all the delicious gossip Armand had collected while stalking Daniel for 52 years, so I guess anything goes now.
Back to Lestat's whiteness and goodness- I have heard that Paul, Louis's dead brother comes in a sort of divine vision to console Lestat. Does this make sense? Even a day ago there was much dilemma within the fandom about what drove Paul to suicide- this death that frayed Louis at his edges, did it truly have nothing to do with Lestat's influence? Well now in Rolin Jones artistic vision, this has become a silly question, when in almost as an act of divine intervention, it is this very Paul who comes to comfort Lestat. So once again Lestat has been absolved. He has no monstrosity in him, and whatever there is, is not on his account but is because of the blood of Akasha- a primordial vampiric mother, played by another Black actress. How is it that every ghoulishness of Lestat can be explained by the blood and yet the ghost of Claudia still chooses to tug on this blood forged bond, rather than affirm any connection to her Black!parent? Even when it was Claudia who had previously expressed a deep anxiety over Lestat being her maker? Well, all of this can be explained if we see this season as the unmaking of all that IWTV ever was. It is the season of unmaking of Louis de Pointe Du Lac and Claudia, and reinstating of Lestat and his whiteness as central to a Hollywood production. The status quo has been successfully re-established and all is well. And according to Rolin, finally those who didn't like the previous two season can now breathe easy.
In s2 we saw the TDV violate the minds of LouClaudia and confuse them, thus making them unable to defend themselves in their sham of a trial. Finally in s3 the trial has reached its conclusion at the hands of Rolin, Hannah et al. Reviewers will play their part- much like the vampires who brought the charges against LouClaudia; any anger from the fandom at this blatant display of anti blackness through the recentering of whiteness will be dismissed and be called ungrateful, absurd and malicious. By the end of it all Louis De Pointe Du Lac has been beaten down and made to fall silent; except for offering apologies he now says nothing. His daughter is dead and has confessed to her own crimes of driving the cudgel. The playing field has been evened, with whiteness being front and center once more- the problem of Claudia and Louis has been solved. This is a happy ending.
my final thoughts on tvl (mostly under a read more as this is a very long post):
from the moment the first episode of the vampire lestat dropped, it was evident that this show was going to be nothing more than a shoddy, poorly paced mess that cared more about humiliating louisâalongside its other black and brown charactersâthan telling any sort of cohesive or lovingly crafted story. the amc team set out to undo the two previous seasons of impactful writing, and punish those of us who resonated with interview with the vampire and the characters it presented to us viewers.
rolin, hannah & co. rewrote some of their powerhouse characters (louis, claudia and assad) around uplifting a white man and excusing him of the things that he's done, but even in that they failed. because this season did not make lestat more likeable; it barely fleshed out any of his past, but made it a point to show us him kissing his mother every episode, and even that was oftentimes played for no more than shock value or laughs. there was no character development on lestat's part, even when other characters' writing was sacrificed to exonerate him.
there is genuinely no winning with this fandom or show as a black viewer. when the first season came out everyone went on and on about Book Accuracy⢠and how the changes made were an affront to the legacy of anne rice's story. and as a result it was review-bombed by racists for how unabashedly black it was. then season two came out and everyone took the opportunity to say that louis was lying about what happened and that he was on an equal playing field regarding lestat and armand. and critics couldn't be bothered to praise jacob, delainey and assad for their incredible performances, instead turning the spotlight on sam, despite lestat being one of the more minor characters until ep 7. and things only got worse once iwtv ended
s3/tvl started promo and already the shift was obvious. rolin talked shit from day one "it's the lestat show", "it's no longer two old men sitting in a room", "the season ended with hugs and kisses", "if you hate this season you hate lestat and daniel" etc. sam had to correct rolin twice over the things he was saying regarding other cast members. promotion for this season when above and beyond, every poster was a lestat solo and people argued that that was due to this being lestat's season. ignoring the fact that lestat was still a prominent character on many of the s2 posters. they did countless tv spots and photoshoots and a live concert and a fashion collab, and basically did everything in their power to promote this now white-led season as much as they could.
they baited people with loustat and lestat flashbacks and incredible writing, claiming that this was their best season yet, and there's been either none or very little of those things. the pacing is awful, louis been reduced to a caricature and punching bag, and not a single character feels fully flushed out or written with genuine passion. yet the book purists aren't kicking up nearly as much of a fuss. lestat being a rockstar was not as big of a plot point as it's been during this season, and they're focusing so much on that (and his relationship with gabriella) that the writing is suffering tremendously.
but then again, i can't even say that because a lot of the choices feel very sinister and intentional: all the women we've seen thus far being sexual props (dee basically just being toted around as a groupie to fuck lestat and whoever else, gabriella being a poorly constructed "femme-fatale" and fucking lestat and whoever else every episode, regina having an only fans, tc having unresolved desires about motherhood(?), christine fucking lestat/being mocked for that and also having a sex dungeon or something? the faux-madeleine kiss). what happened to our well-written and interesting characters? can women not be engaging to viewers unless they're sexual in some way, shape or form?
and louis....they've completely butchered his character to a degree that, as ive said a hundred times before, feels incredibly racist and deliberate. anyone that tries to say that the writers didn't purposefully set out to humiliate louis' character and subject him to as much antiblack racism as possible are purposefully ignoring the evidence in favor of supporting the garbage that was shoveled at us this season. what narrative explanation is there for:
louis apologizing to lestat for a book he didn't want written
louis being called a "nappy headed slave"
louis being told that he can't escape the slave mentality etched into his being
louis being told by claudia that she hates him more than her abusers, rapists, and lynchers
louis sympathizing with a man who mocked his suicide attempt
louis making a comment on being sexually assaulted as a child and never having it explored
louis specifically having his head cut off and put on display
louis being tortured by armand (the man who organized his lynching) and apologizing to armand
louis having armand carve a branding (the first letter of armand's name) into his chest following his (louis') being called a slave in the prior episode
louis' torture being broadcasted live as some sort of fucked up red-room bullshit
louis not seeing the ghost/hallucination of his brother, but that being reserved for lestat. and that ghost then apologizing to lestat on louis' behalf and thanking lestat for "loving him the way he needs to be loved".
nothing that the writers had louis experience this season did anything for his character, he was used for torture porn and to lick the wounds of his white (ex)-partner, who he still refers to as the love of his life. louis is denied the right to be a victim and expected to understand that everything he went through was ultimately a result of his own sins and flaws. why was louis not someone that armand apologized to when he wrote his letters? because those apologies were reserved for white men that he did not hurt nearly as much as louis?
why did armand torture louis but leave lestat alone? why did the writers have armand torture a black woman as a way to hurt louis, but lestat was spared from this horrific abuse? why did louis have to apologize to armand for not loving him or whatever the fuck, while lestat was, as i said, not faced with this name vitriol? i don't even care about "ship wars" at this point, but why did armand tell louis that he never really loved him? and to expand on that point; why did claudia also tell louis that lestat was the one that she actually liked? why, again and again, is louis being shown as unlovable, undesirable, and the true evil villain that has plagued everyone's past.
there is a specific sick joy taken by the writers in subjecting louis (and regina and claudia) to as much antiblackness and suffering and cruelty as possible. louis is a victim as much (and even more, at times) than any one of the other main characters this season, and yet that is constantly cast aside so they can continue to push this rhetoric that louis is The Awful, Manipulative Pimp.
nevermind the fact that lestat murdered prostitutes and kept dee around to do no more than fuck and drink from her. nevermind the fact that armand kidnapped people to be tortured and eaten for his shitty plays. nevermind the fact that lestat and armand directly contributed to the almost-lynching of louis and the lynching of his daughter and her lover. "they're all monsters, they're going to behave this way" except for when its louis, then he needs to be repeatedly punished?
and with regards to the trial: why is that never fully addressed again? lestat can be disproportionately mad at louis for a book daniel wrote and published (without his permission), but louis can't be upset at lestat for taking part in the murder of their daughter? they couldn't even be bothered to write lestat telling louis that he was under armand's control. would that have not been another way to absolve this white man of his crimes, as they're so eager to do? but because they have it said two times that lestat went there of his own volition, we're just supposed to gloss over the fact that this man knowingly planned to murder his lover, and succeeded in murdering his daughter? but louis is the one that apologizes and begs for forgiveness??
this is a quick aside, but they also completely ruined armand's character. they took such a complex, interesting and fantastic character and stripped him of all his parts. now he's just the undesirable south-asian man (which is horribly racist in and of itself) that deluded himself into thinking he and lestat had a relationship, and apologizes genuinely to his white lovers but hates the black man he lied to and brainwashed for 77 years. the writers use armand as another character (like claudia) to spew their personal hatred for louis, and believe that they will be above reproach because armand is not a white man.
armand is a survivor of csa and that is their excuse for how he brutally tortures louis and drags an apology out of him, but when does he subject gabriella to this? she abused lestat for decades and decades as both a mortal and a vampire. but since that wasn't done to armand he doesn't care? but oh wait...that argument falls apart when you realize that louis didn't sexually abuse armand either. he is being punished for something he did (not to armand) over a century ago, and if that's the case, lestat and armand and gabriella should be drawn and quartered for their crimes. but, no, nothing anyone else does matters, this season is solely about humiliating louis as much as possible. lestat and daniel actually made fun of armand's trauma this season, but it's louis that deserves to be tortured....right, right...
i really don't even care about loustat at this point, but we were told that we were going to see louis "through lestat's eyes" and that it was going to be beautiful and this was allegedly the coolest louis has ever looked. but all we've gotten is lestat being horribly cruel to louis and calling him crazy, mocking his suicide attempt, and acting put-upon when louis goes to him for help. the closest we came to genuine loustat was at the very beginning of the season. and then when the book dropped they used that as an excuse to have lestat disparage louis in one way or another every time he's mentioned or they share a scene.
every single relationship louis made in the iwtv s1 & s2 is butchered or straight-up retconned. daniel wanted to reconcile with louis but all of a sudden doesn't care about that and is willing to help armand enact his laughably villainish plan? armand was chasing after louis and begging him to understand the end of the previous season but now he's torturing louis and forcing him to apologize for...what exactly? claudia berates him and the complex feelings she had for louis are watered down to vitriolic rage and antiblack language reserved solely for only one of her parents? lestat was tearful and remorseful during the iwtv s2 finale but is now mocking louis' suicide attempt and calling him a cancerous jackal?
the finale was all of their grievances with louis and hatred for the explicit blackness of the first two (but especially first) seasons rearing its nasty, ugly head. they succeeded in destroying beloved characters and giving the racist fans that hated louis exactly what they wanted. they backed out of and changed almost every writing choice they made during iwtv s1 and s2, and even if their end goal for this show was to drive louis and lestat back together, they did that in the most manufactured and racist way possible.
there was no story told this season, we learned almost nothing new by the end of it. akasha didn't even awaken and the rockstar angle was pointless and used as nothing more than to artificially pad the runtime and make up plot points that went literally nowhere. tvl felt like the writers fucked up version of a 'fix it' fanfiction, because there was nothing that needed to be fixed in iwtv to begin with.
in conclusion, this show did not need to be made. begging jacob to come back just for his character to be treated this way was very, very callous and disrespectful to the phenomenal acting that jacob does. to say im disappointed and heartbroken for jacob, delainey and assad would be an understatementâthey have been forced to defend and explain awful choices made for their characters this season despite not having been the ones to write them. and people will continue to use them as scapegoats for this season to pretend that "they were on board" with the racism and antiblackness, as if black and brown actors aren't repeatedly blacklisted for speaking out against bigoted writing choices. my heart bleeds for whatever jacob and assad will be subjected to at sdcc.
tldr; this season would have been written completely differently had louis, claudia and armand been white as they were in the books. rolin, hannah and the others writers for this season sought to create an antiblack, racist, misogynistic, misogynoir-laden mess in a failed attempt to rewrite their white lead's cruelties and victimize him at the expense of every non-white character in the show. and they delight in watching a large portion of their viewership happily consume this slop and defend every single one of their writing choices while their black and brown cast are put on the spot to defend this shit. it is obvious, and to defend or excuse it is doing no more than showing that you support what they've done and don't care about how harmful it is.
and, finally: if you're going to come into my comments or ask box to defend the blatant racism this season, please do not waste your breath. im at the point now where i will be blocking you instead of explaining my thoughts for the hundred millionth time. and beyond that, i have no desire to go back and forth with racist, media illiterate people on the internet.
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I see people arguing that the slave remarks in Episode 6 of The Vampire Lestat were a callback to the slave remarks in Episode 6 of Season 1 of Interview with the Vampire. If that's true, then it is the perfect example of why black writers were needed in the room. And I mean black writers specifically, not just "people of color." The contrast between how the two episodes handled the subject shows that.
Before I get into that comparison, I want to make something clear. I didn't like the introduction of a slave-master narrative into the unholy family dynamic. The racial implications made me uncomfortable. However, discomfort and offense are not the same thing. While I found it unsettling, I did not find it racist or anti-Black, and that's the key distinction.
In Episode 6 of Season 1, there are two instances where Claudia uses the word "slave". The first time, she is referring to both herself and Louis. She is essentially saying that they are under Lestat's control, trapped in Rue Royale, prisoners of Lestat, his slaves. In that context, "slave" is being used to describe their lack of freedom and autonomy. The second time, she refers not only to herself and Louis, but also to Lestat. She draws a parallel between their situation and Lestat's situation with Magnus. Just as Claudia and Louis are trapped under Lestat's control, Lestat was once under Magnus's control. He was Magnus's slave, and he ultimately killed him rather than continue living that way (we know that's not what happened but that's what Claudia believed). In both instances, the word "slave" is tied to a circumstance, not an identity. It is being used to describe a power dynamic: control, imprisonment, coercion, and domination. You could replace the word "slave" with "prisoner" and the point would remain intact. More importantly, the narrative makes a deliberate effort not to tie slavery to Louis and Claudia's race. Applying the same language to Lestat is what makes that distinction clear. The point is not, "Louis and Claudia are slaves because they are black." The point is, "Louis and Claudia are slaves because they are trapped under Lestat's control," just as Lestat was trapped under Magnus's. Now, viewers can absolutely be uncomfortable with the racial implications of using that metaphor in the first place. I certainly was. But I don't think anyone can honestly argue that the use of the word slave in this scenario was racist.
The writers managed to create discomfort, arguably one of their goals without resorting to anti-Black rhetoric. That's exactly the kind of nuance the black creatives involved in season 1 brought to the story.
Now compare that to Episode 6 of The Vampire Lestat. Claudia calls Louis a slave and then goes further, suggesting that slavery is part of who he is. She implies it is in his DNA as demonstrated by her saying that "slave" is etched into his ribs. Add the "nappy-headed" remark on top of it, and the conversation is no longer about a power dynamic. It becomes an attack on Louis's identity as a black person.
That is the fundamental difference. In Season 1, slavery was used as a metaphor for control. In The Vampire Lestat, slavery is framed as something intrinsic to Louis himself. The word is no longer describing his circumstances; it is describing who he supposedly is. The narrative shifts from "you are being treated like a slave" to "being a slave is part of your nature."
Those are not remotely the same thing. You cannot write a scene in which a Black character tells another Black character that slavery is essentially woven into his DNA, pair it with a racialized insult like "nappy-headed," and then act surprised when viewers, particularly black viewers find it offensive. So if those remarks were intended to be a callback to Season 1 Episode 6, then the callback was an utter failure.
What made the Season 1 dialogue worked was that it treated slavery as a condition imposed on people. What makes the Vampire Lestat dialogue offensive is that it treats slavery as something inherent to Louis. One is about oppression; the other flirts with the idea that oppression is an innate trait. That is not a minor difference. It is the entire issue. And if you genuinely cannot see the difference between using slavery as a metaphor for imprisonment and using slavery as a marker of a black character's identity, then I really don't know what to tell you.
The contrast between the two episodes is precisely why having black writers in the room matter. Season 1 showed that you can explore themes of domination, control, and power between black and white characters, while navigating the racial implications with nuance. The Vampire Lestat Episode 6 shows what happens when that nuance is absent.
There is also just that, as many of us have discussed and unless they walk it back which it doesnât look they are going to do, they did this to suggest that Lestat was not what Claudia called him - he was not comparable to a slave master (she was lying when she called him that, actually) and in fact, he was not racist, and he was a better parent and he had a better bond with her than Louis. Literally obliterated the characterization, love, bond, and solidarity of two Black characters for this goal. Erased two seasons of incredible television for this goal. Suggested that Claudia hated being Black for this goal. Called Louis intrinsically a slave for this goal. To feed their pit of insecurity and fear of Lestat being seen as a villain - and because, of course, it is worse for a white character to be called a racist than for Black characters to receive racial abuse or be depicted as hating their own race. And yet they can never actually eliminate the context they wrote Lestat, Louis, Claudia and their family dynamic in - The Jim Crow South. Ever.
To erase accusations of racism against Lestat was also the point of Lestat and Fareed having an inane bit of cultural sensitivity training. These writers probably think that Dee Pharmaâs role shows how Lestat is kinder to Black people than Louis said he was. There is also the reversal of Louis and Claudiaâs position on the bus in season 1 to their position at the front of the trailer in season 3, to visually represent that they actually had more power than they were portrayed as having (then they portrayed themselves as having) in season 1.
This is also why I suspect DreamLou and DreamClaudia are supposed to accurately reflect who they were to Lestat. Louis is silent, resentful, and compliant. Claudia is sad, loving, and crying during Stained-Glass Eyes, which is consistent with her connection and (subtle) affection for Lestat during the sĂŠance scene.
There is also Merrickâs line about Louisâ money coming âfrom fleshâ for us to remember that Louisâ money descended from slaves. It appears that Rolinâs grand plan was this: to make a show telling us that black people can also be (almost) slavemasters (which is how they justify the violence inflicted in Louis). And what the next episode will likely portray is that Indian people can also be Nazis. The only Good Person is the unfairly maligned white man. Isnât it brilliant? Isnât that a great way to position him as the hero among all the characters of color who need to be civilized and are attacking each other? They cut the threads of Lestatâs ties to white supremacy just to end up right back where they started on a meta level.
Having Black writers was always an impossibility in order for them to achieve their cynical and racist aims.
Beyond their desire to present repackaged white saviorism and abuse apologia as groundbreaking television (when in fact, what was depicted in season 1 was far more refreshing, interesting, and provocative), they strip away the complex characterization these characters had and replace it with nothing, because we ultimately revisit nothing. We just have to imagine the alternative scenarios that they didnât depict onscreen. I have no idea why that would be satisfying for fans of Claudia and Lestatâs relationship. But I suppose, if the goal is just to make the white man right all along, they technically achieved it (in the eyes of their white audience).
people focusing on the writers feeding them with âtransfem lestatâ while ignoring the vehement antiblackness they're putting the black gay man through kinda perfectly encapsulates the priorities of white queer fandom
also this is a secondary concern compared to the pervasive and gleeful antiblackness on the show, but lestat's line in s3ep7 that feeds into transfem readings feels like another example of this season going for "tell, don't show" and expecting fanon and fannish interpretation to carry the weight of what they aren't depicting onscreen. the s1ep7 marie antoinette drag scene is one of my fave in the whole show- and i mentioned before s3 aired that after rolin cited rocky horror and hedwig and the angry inch as s3 influences back in 2024, the lack of rockstat drag onstage felt like a glaring omission and was possibly tied to amc's corporate queerphobia given the obvious double standards in how they depict m/m and f/f v m/f intimacy. if the show wanted to make the idea of lestat being genderqueer or some form of transfeminine firmly canon, we could've seen a whole arc play out in s3 especially with gabriella coming back into lestat's life. imagine if drag was a consistent part of rockstat's look and stage performance, and esp around gabriella he insisted it was all for show, meaningless, he was just clowning, and as her control over lestat's music career and lestat himself increased we saw her steering him toward more conventionally cismasc presentation...and then we got hit with the quiet honesty of the line where lestat admits he does wish he was a woman sometimes as a resolution to a season-wide narrative that's primed for further exploration in s4. (this would also be in the hypothetically well-written s3 where lestat faces what he did to louis and claudia more firmly too, instead of 6-7 eps of wheel-spinning and darvo, and safe to say he would not be saying this to the apparition of louis' brother come to comfort him while louis is being tortured). they could've pulled on late 18th century ideas of gender that would've been formative to lestat (male performers performed fem roles then too- show him playing a woman when he was human and having a euphoric experience, show him interested as a child in the markers of femininity and womanhood that gabriella possesses and she rejects etc) being gnc/genderqueer/nonbinary/transfem/gnc (whatever your interpretation of lestat is) in 18th century france and then the early 20th century new orleans and then north america in 2025 are extremely different- your lead is an immortal vampire who's lived through all those eras, explore that.
but instead of doing any of that, instead of engaging with lestat's gender in any kind of arc, the show adds a throwaway line (in a season of throwaway lines) that can be interpreted depending on viewer bias as 1) lestat genuinely expressing some yearning for womanhood and being trans canonically or 2) still-cis lestat just saying he wishes he and louis had a heterosexual relationship to begin with bc it would've made their lives easier- like even though their relationship would've still been illegal if they were a m/f couple, they at least would've had paul and maybe the rest of the de pointe du lacs' acceptance- and plenty of casual viewers are gonna walk away with the 2nd impression. (and speaking of the de pointe du lacs, louis mentioning he was molested is another one of the throwaway lines with paradigm-shifting impact that the show doesn't care to explore in any depth- why bother developing things onscreen when fans will do the work for them and praise the writers as genius for hinting at depth instead of portraying depth onscreen??)
so many choices this season feel like the writers checking off boxes to confirm fan theories bc they seem cynically aware that a lot of people are watching the show less out of care for good storytelling but more to "win" whatever stan or ship war they're personally invested in. they're lines and moments meant to be screenshotted and shared on socmed for the fandom to talk about, pithy quips that can fit into 1-2 screenshots in subtitles and reposted with more pithy quips. the show doesn't care to explore lestat's gender in any deeper form but it does want fans losing their minds over some form of trans lestat being confirmed (with plausible deniability bc amc is the queerphobia network now)- the show doesn't care to explore devil's minion in any deeper form or show how armand and daniel started plotting together but it does want fans losing their minds over past devil's minion being confirmed, etc.
and this is only if you try looking at the arc (and lack thereof) of lestat's relationship to gender in isolation- when you put it back in the wider context of this episode and this season's antiblackness and the nonblack writers' choice to have paul's spirit (even if he isn't meant to be "real" or at least not represent paul's real thoughts) praise and comfort lestat while louis gets graphically tortured by his lynching director in the same episode. (and the white showrunner has already admitted he felt more for armand than louis in that scene and claimed the "apology" louis was coerced into via torture to be some kinda real moment of understanding, rather than louis doing what we saw him do in s2 and try to appease armand when he's helpless and armand holds his life in his hands.) like with the merrick scene in s3ep6, it doesn't matter what in-universe rationale for these choices are, it doesn't matter whether any of this gets revisited or recontextualized with "oh ghost claudia was lying just to hurt louis' "oh paul's spirit wasn't even real" "oh we were totally tryna critique armand's violent antiblackness" bc the problem here comes down to the nonblack writers' decisions and the choices they made in the real world when crafting this story. this show has had a persistent problem since s1 of depicting the onscreen brutalization of black bodies with far more vividness than it does nonblack bodies, and if a nonblack main character is doing the brutalization (lestat, armand) you aren't supposed to hold it against them or expect these choices to have longterm narrative consequences- the camera lingers on claudia and charlie's charred and "melting" faces as they burn but when daciana, nicki, magnus, bruce, antoinette or madeleine are burning, the camera's far quicker to cut away. and this is a deliberate choice- they weren't just pointing the camera at people spontaneously combusting, they had to allocate an effects budget and invest time and energy into showing black bodies burning with graphic detail. they had both delainey and roxane in the vfx makeup chair for their characters' murder scene, but only claudia's death was shown vividly while madeleine burning was a few brief seconds of ash scattering away.
and i simply can't enjoy any form of this "jangling keys in front of the fandom to validate popular interpretations/ships/theories" writing bc it's such a cynical bid from writers who want and expect their viewers to be satisfied with crumbs that we build elaborate headcanons around instead of expecting any form of depthful storytelling or care from them, especially when it comes to their black characters. fans being content with the show just going down a checklist to validate or debunk specific theories and fans not demanding anything more of the writers than perfunctory expository dialogue is exactly what this writing team is counting on.
also theo is right bc if your only reaction to people criticizing the nonblack writers' choices is to be like "neener neener femstat canon" (black folks critiquing the antiblackness and sharing their reactions to the show depicting this level of gratuitous racialized violence toward black bodies have already received comments along those lines) when that has nothing to do with the antiblackness being discussed here, that's ghoulish. like read the room
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