Oh are we still doing the “They’re all vampires, They’re all monsters, ofc they’re evil to each other” thing to excuse violence and anti-blackness towards the Titular Vampire?

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Oh are we still doing the “They’re all vampires, They’re all monsters, ofc they’re evil to each other” thing to excuse violence and anti-blackness towards the Titular Vampire?

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I mean I think the show is just being more open about what they always thought, there was a written interview in 2024 after season 2, where the cast was questioned on why Louis chooses complicated men like lestat/armand? And jacob answered that Louis was the complicated man, while Sam straight up said ‘Louis is the problem’. I was sure of what was their agenda from then, Louis is the one who complicated these relationships by being difficult and selfish, and Armand/lestat was just responding to it. Sure their response was toxic but hey can you blame them?? Armand is a wounded creature and Lestat is one too, Louis is lucky to get their attention despite being such an unremarkable character while being soo difficult. In a recent interview Sam said Louis didn’t let Armand shine (his gremlin side) like lestat does, I know Sam is just one person but the creative team moves according to these views imho. Somehow Louis is both difficult and demanding enough to control these relationship and how these powerful vampires behave while being too weak and spineless to not get hurt nonetheless. And if he is in pain too long? It’s him being self-absorbed, and failing his loved ones during it. I’m maybe exaggerating a little but I think this is closer their sentiment than how yall were discussing them until now
The way I got this ask only hours before 3x07 dropped. Damn I guess it really was our fault for perceiving the black victim of abuse as a victim of abuse
i literally just dont understand what tf could explain this in any meaningful way that isnt absolutely rancid im SORRY...i dont think taking any pride in being "the whitest most european country in south america" as a national thing is good or even explainable i think its an antiblack anti indigenous culture! and im not saying ofc that everyone there is racist or whatever but like some examination or thought would be nice. and i wouldnt be going at it so hard since, as everyone likes to point out, other countries are racist except 1. world cup where the fans were being SO racist and ofc their all white team 2. no one seems to want to call this out (except black ppl ofc) and for some reason we all wanna dickride and call black people the racist ones just bc argentina just so happen to be geographically located in south america??? (even though their whole nations thing is being the whitest country there lmaoooo). anyways whatever....
Argentina built its national identity on being European. It took a century of racial erasure to create that myth. But even its most famous e
internet users from the global south adding "yank" at the end of their posts deflecting antiblack racism to make it sound like it's a US-centric issue and that pointing fingers to the global south is misguided or an overreaction
interview with the vampire was an accident. it wasn't supposed to be that good. the production approached and for a moment crossed into a queer television space that would have been extraordinary. but the unexplored terrified them. they needed to map the territory with structures they are familiar with, and so a Tumblr/subreddit gothic uptake of AR's the vampire lestat. it is exactly the radical reimagining AMC and Rolin Jones had in mind and executed, and they ensured the audience they needed would be there (s2's sudden post-show outsourcing to white YouTubers/participatory culture vultures) once the bag was secured. never forget the quickness with which the vampire lestat was announced and the excitement AMC, EPs, and Jones demonstrated once they were finally done with iwtv. never forget how the vampire lestat novel made talismanic appearances during early interviews and promotions. they don't even call it a gothic gay romance like Jones and AMC promoted interview with the vampire.
what the vampire lestat reveals is how blackness operates as a fetish, a a magical object that is at once grotesque in its capacity to withstand graphic body horror and mundane in that the mutilation and exhibition of black bodies has been, historically, a quotidian exercise. Blackness has value as a commodity fetish. For all the unnaturalness of this gothic horror show, what is most natural and not discussed in trades, by majoritarian fandom, the cast, the crew is the series' fascination with showing mutilated, disfigured, charred, burning, terrorized black flesh. What appears to be the true horror would be to show a black body reveling in their monstrousness, in their making a paradise out of hell.
Jacob Anderson's performance is the lever that turned a trapdoor into an escape route, and i am grateful for the work he put into Louis. going back to s2 finale interviews where JA looked at it as closure for Louis makes sense in light of the vampire lestat.
tl;dr: AMC's the vampire lestat channels it and its source material's anti blackness through and on the brown and black bodies previously viewed as characters, but have now flattened into narrative tools to pave the way for the rehabilitation of Lestat.

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"Despite the MCV findings that Blacks were more vulnerable to radiation burn damage, an illogical belief persisted among doctors and radiologic technicians that African Americans could tolerate increased amounts of radiation than could whites without ill effect. Like the belief that Blacks better tolerate pain than do whites, this stubborn myth gave license to conduct painful and dangerous experimental radiation practices.
In 1968, consumer activist Ralph Nader complained to the Washington Post about the bationwide practice of "giving Negroes 25 to 50 percent stronger [x-ray] doses than white patients." G.J. Tarleton, a professor of radiology at the predominantly Black Meharry Medical College in Nashville, Tennessee, swiftly dismissed the claim as "a fantastic charge".
But California radiologic technicians conducting a 1966 survey revealed that 72 percent of the states X-ray technicians had opted on their own initiative to administer these higher X-ray exposures to Blacks because of their vague beliefs that African-Americans were physiologically different: "'Their bones are harder and denser'.... 'their skin is darker'.... 'their flesh is tougher'..."
Physicians from the Public Health Service and the American College of Radiology denied ever issuing such advisories to doctors, but it was technicians, not doctors, who were making the experimental adjustments without citing their actions in the official medical records.
Also, despite the denials, physicians were being taught to administer higher-than-indicated radiation doses to Blacks. For example, the 1963 edition of X-ray Technology, by Charles A. Jacobi and Don Q. Paris, a standard textbook, contained a charted recommendation that the standard radiation doses should be increased for Negro X-ray patients."
Chapter 9- Medical Apartheid, Harriet A. Washington
"In 1947, Everett Idris Evans, at the behest of the surgeon general of the army, set up the nation's first civilian burn unit at MCV, funded by the army. Evans planned to compare the burn injuries radiation caused in whites to those it caused in Blacks. Some were charity patients who had been severely burned in accidents and whose use as experimental material constituted "payment" for their care by MCV staff.
But MCV researchers deliberately caused third degree burns to the skins of other patients at Dooley, a charity hospital for Black children, and at St. Philip, its sister hospital for Black adults. These hospitals eventually yielded one hundred Black subjects a year between the ages of six months and ninety years for similar MCV burn experiments.
Doctors used radiation admitted at graduated levels to measure the precise amount of energy necessary to induce the specific levels of first to third degree burns. Investigators also produced the radiation burns on the arms of forty-four whites at different area hospitals and, at least in some cases, scientists acknowledge that these were produced for "investigational purposes."
The doctors and radiation physicians used their data to calculate the numbers of people who would die at specific distances from a nuclear bomb like that detonated over Hiroshima (approximately twenty kilotons). Evans's team deduced that Blacks suffered more intense burns than whites after the same exposure, and from this, researchers concluded that radiation burns from a nuclear event would injure Blacks much more severely than whites."
Chapter 9- Medical Apartheid, Harriet A. Washington
"Because the irradiation destroys the bone marrow, marrow for transplant is acquired for reinfusion after the procedure. Unfortunately, it is more difficult to match the bone marrow of African Americans, who tend to have a richer compliment of antibodies than do most whites. This means that, like Marion Sims' enslaved vesicovaginal fistula patients, the Black [Total Body Irradiation] subjects' experiences eventually enabled cancer treatments from which Blacks are less likely to profit than are white.
Moreover, [Dr. Eugene L.] Saenger's patients did not have to die to provide such information: researchers had known at least since 1956 that TBI destroys the bone marrow, but now they could calibrate the lethal doses more precisely.
Saenger, who was still a professor emeritus at the University of Cincinnati Medical School as this book went to press, did not reply to my telephoned interview requests through the UC press-relations office or to emails in which I asked him to discuss his work. But in his public statements, he defends his research as therapeutic and consensual. The venerable American College of Radiology agreed, exonerating Saenger of wrongdoing on the basis of his denials and by ignoring the rules that govern experimentation during his tenure as a DOD researcher. The trajectory of Saenger's medical career did not falter and he never faced criminal charges.
Martha Stephens, a University of Cincinnati English professor, has written The Treatment, a comprehensive and unflinching history of the TBI test. Its chapters describe the long, bitter fight for justice that finally culminated in a five million dollar 1999 settlement between thirteen researchers and the subjects' survivors. The agreement also stipulated that the university would erect a permanent memorial naming the victims, and in June 2000, it complied by installing a small, curiously dated plaque labeled DEDICATED TO THE PATIENTS OF THE RADIATION EXPERIMENTATION, 1973-1974 and listing the names of over 170 patients.
The plaque was placed on the medical school grounds, behind a Dumpster and nestled between the kitchen and a parking garage."
Chapter 9- Medical Apartheid, Harriet A. Washington