The Strawberry Mutual

devastating when good characters are put into a stupid show. you were born to fly but that evil hag of a showrunner clipped your golden wings. be free on ao3, my little dove. be free

I got a job at a gas station across from a casino and a guy keeps coming in to buy whole cartons of cigarettes and talks in the third person calling himself "snake eyes pete" and every time I tell him his total hes like "tell ya what if old Pete rolls a snake eyes why dont you give it to him for free?" and he rolls the same set of loaded dice on the counter and it does not matter how many times he rolls snake eyes I will not give him the cartons for free he gets so mad

my favorite genre of fictional character is like "i am terrifying to almost everyone, i'm very good at killing, i can endure anything, i've become exceptionally good at playing into my reputation, and if you try to give me positive social interaction i will react with confusion and cower in a corner like an abused animal. and i may try to shoot you. but there is also a chance i may imprint on you like a feral dog receiving its first loving touch! good luck."

nolan’s odyssey is such a textbook study on the idiocy and dangers of presentism. yes of course penelope is a modern day feminist who wants to rule ithaca by herself. they make telemachus say that GREECE IS THE GREATEST CIVILIZATION IN THE WORLD as if the entire point of the massing of achaeans at troy for one unified cause isn’t spectacular precisely because THERE IS NO CONCEPT OF A UNIFIED GREECE NATIONS DO NOT EXISTTTTTT YETTTTT. literally 101 on historical writing is making sure that you’re avoiding strict periodization because the people living in a “period” will not identify themselves that way. ever. five million cheeky nods to “the sea peoples” but we’re being cute and coy and calling them “the people from the sea.” the obsession with xenia but refusal to call it xenia yes let’s say “zeus’s law” a hundred times and reduce it to the literal expectation that any stranger could be a god in disguise. how was penelope just hanging out in the main hall of the palace with her husband’s dinner guests while they were playing with weapons with her HAIR COMPLETELY DOWN no veil no nothing just chilling casually. comical. stoppppp making movies that engage in historical viewpoints if you’re going to slather a modernized coat of paint over the top. “the past is a foreign country, they do things differently there.” or fucking whatever.

i can understand changing elements of a story for an adaption (and im a big advocate for this! no adaptation can or should ever strive to be completely faithful to its source material) however. cutting the nobody part from the odyssey is a huge indicator that you have fundamentally misunderstood odysseus as a character i fear

I need to do this. (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't d

highly recommend keeping a small portrait of a historical figure who met a grisly end on your work desk. for perspective.