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eight p.m. by Matthew Dickman
The truth is that the default setting of the human nervous system is a kind of terrified, irritable baseline. We are wired for hypervigilance. That's why we pay so much more attention to things that threaten us than to things that comfort us. It's why we remember bad things so much better than good ones. It's why hope is a defiance of biology, a conscious decision to override the nervous system.â
David Foster Wallace, Infinite Jest
âThe French called this time of day âlâheure bleue.â To the English it was âthe gloaming.â The very word âgloamingâ reverberates, echoesâthe gloaming, the glimmer, the glitter, the glisten, the glamourâcarrying in its consonants the images of houses shuttering, gardens darkening, grass-lined rivers slipping through the shadows. During the blue nights you think the end of day will never come. As the blue nights draw to a close (and they will, and they do) you experience an actual chill, at the moment you first notice: the blue light is going, the days are already shortening, the summer is gone.â
â Joan Didion, Blue Nights
âI heard a dark prediction rising in my own body.â
â Louise GlĂźck, excerpt of Saint Joan (via 89words)

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solution: kill myself?
- Evelyn Waugh, from Brideshead Revisited (1945)
Staying by Ali Shapiro
And then landscape was all there was. Curves of rock blocking
the sky like drive-in movie screens showing repeatedly films about
ribbons. Breast-shaped blood-colored towers. Beautiful, my mind
called it. I languaged it so I wouldnât have to hear the wind. Two
weeks in a hotel off the interstate. So lonely I started getting mawkish
about other peopleâs fingerprints on the headboard, hawkish about
hawks. Do hawks eat roadkill? What eats hawks? I turned encyclopedia
into a verb. Ate every meal at Dickâs. Whoâs Dick, I asked the waitress.
Nobody remembers the original Dick. Theyâd been looking to hire
a Dick but so far no applicants. I need my loneliness, I was quoted
as saying. Someone writing the narrative called me a ribbon-snipper.
I donât have a zip code, a house, a dog, mailman, milkman, president,
dad. Itâs a classic Western tableau: man wearing a hat under a derelict
sky. Not a cloud in the. In this case, a bitch wearing a fedora.
[And then landscape was all there was], Diane Seuss, frank: sonnets
My love, I was so wrong. Dying is the opposite of leaving. When I left my body, I did not go away. That portal of light was not a portal to elsewhere, but a portal to here. I am more here than I ever was before. I am more with you than I ever could have imagined. So close you look past me when wondering where I am. Itâs Ok. I know that to be human is to be farsighted. But feel me now, walking the chambers of your heart, pressing my palms to the soft walls of your living. Why did no one tell us that to die is to be reincarnated in those we love while they are still alive? Ask me the altitude of heaven, and I will answer, âHow tall are you?â In my back pocket is a love note with every word you wish youâd said. At night I sit ecstatic at the loom weaving forgiveness into our worldly regrets. All day I listen to the radio of your memories. Yes, I know every secret you thought too dark to tell me, and love you more for everything you feared might make me love you less. When you cry I guide your tears toward the garden of kisses I once planted on your cheek, so you know they are all perennials. Forgive me, for not being able to weep with you. One day you will understand. One day you will know why I read the poetry of your grief to those waiting to be born, and they are all the more excited. There is nothing I want for now that we are so close I open the curtain of your eyelids with my own smile every morning. I wish you could see the beauty your spirit is right now making of your pain, your deep seated fears playing musical chairs, laughing about how real they are not. My love, I want to sing it through the rafters of your bones, Dying is the opposite of leaving. I want to echo it through the corridor of your temples, I am more with you than I ever was before. Do you understand? It was me who beckoned the stranger who caught you in her arms when you forgot not to order for two at the coffee shop. It was me who was up all night gathering sunflowers into your chest the last day you feared you would never again wake up feeling lighthearted. I know itâs hard to believe, but I promise itâs the truth. I promise one day you will say it tooâ I canât believe I ever thought I could lose you.
love letter from the afterlife, andrea gibson

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Joan Tierney
fr. âAntilamentationâ by Dorianne Laux
Cecilia Bustamante, from a poem featured in Woman who has sprouted Wings; poems by contemporary Latin American Women Poets
Maggie Smith, "Poem with a Line from Bluets," Good Bones

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Spoiler by Hala Alyan
Who the hell said you no longer had it in you?
Charles Bukowski / Love Is a Dog from Hell