MUGELLO 2026 | The 4 bikes of Ai Ogura, Enea Bastianini, Pecco Bagnaia and Fermin Aldeguer going side by side in the very first corner of the sprint.

Yesterday, I say to him, because already I saw that he was fast, I say, tomorrow we will be close. And he say to me, he advise me, he say, I will overtake you at least one time because like this I have the photo. And yeah he did a very nice overtake at that turn 4. We spoke yesterday and I say to him, I don’t know when you gonna make the retire so at the end I need to pass you one. Was the opportunity today and I didn’t think, so at the end I was inside and I say okay is that the time. 

Ai and Pecco battle for the podium on the last lap in Mugello

Doowon Lee - Still Life with Vessels and Branches, 2025 - Mixed Media on wool

THE FLORIDA PROJECT (2017) dir. Sean Baker

— P.G. Wodehouse

“Want 2” (2015) ✦ Kilter — digital illustration

Tatsuro Kiuchi

Huang Yuxing aka 黄宇兴 aka Yuxing Huang (Chinese, b. 1975, Beijing, China) - Sunrise and Sunset, 2013, Paintings: Oil on Canvas

Robert Wun "The Sword"

Zhou Ye at the 2026 Cannes Film Festival

Q: What was hardest about this film? Making the crew understand that everything had to be shot within very specific times of day. For example, in order to film the fishing line and have it appear within the picture, the sun had to hit at exactly the right place. There was no way of getting around it. We had to be very specific during scouting, and we needed to be very persuasive in order to maintain the shooting schedule. Especially since the valleys were often very narrow and the sun would pass by very quickly. — AFC, May 2017

MOTHER MARY (2026) dir. David Lowery costume design: Bina Daigeler