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CWs Referenced child abuse. Broken bones. Hospitals.
6k words
Masterlist | Previous chapter | Next chapter
You meet Sam and Dean Winchester on a hot summer afternoon when youāre seven. You donāt know it yet, but they will become the most important part of your life.Ā
Wind whips through your hair as you drive down the long country road to Bobbyās house. Your butt bumps against the saddle as you pedal, hurts your crotch, since the bike is too big for you. Your mother said she didnāt want to waste money on something she would need to buy over and over - you couldnāt care less, because you managed to beg enough for her to buy it in blue rather than the pink she originally insisted on.
You take the final curve before Singer Salvage comes into view. Pedal harder. You let the bike steer just a little onto the other lane, cutting the curve tighter than you need to. Riding over to Bobbyās always feels like freedom.
Not that you have many other places to go. Youāve managed to make friends in school, but youāre not allowed to visit them. Theyāre not part of the church, and one of them even has divorced parents, an environment your mother does not want you to be a part of, lest your young mind pick up any ideas. Instead she tells you to play with your cousins, over at your grandfatherās place. But you donāt like it there. You never did.
You slow down as you make it onto the salvage yard. Bobbyās house is a strange medium, neutral ground you and your mother can agree on. Heās not in the church, and youāre pretty sure heād spit at the idea, but he was your fatherās friend and colleague. Hunters, both of them, but it wasnāt until you started visiting Bobby earlier this summer that you understood what kind. Youāre pretty sure you played over the realization pretty well, the realization that you didnāt know your father hunted demons and monsters, rather than elk or coyote, or whatever kind of animals there are to hunt ā you wouldnāt know, since youāre a vegetarian this year.Ā
Another reason you keep going back to Bobbyās - you were young when your father died, donāt remember him. At Bobbyās, there are things heās touched, places he stood in that you can stand in now. Sometimes Bobby tells you stories about him, and you hunger for them, lock them away inside yourself for when you return home, because your mother might as well pretend he never existed. She acts like you were an immaculate conception. You learned about that in bible school. Also learned about hell and demons and the devil. It terrified you. Bobbyās books are, in a way, the antidote to that.
In front of the house, you get off your bike, barely noticing the beautiful Chevrolet parked there as well. Thereās constantly new cars showing up at Bobbyās, but if you were a little older, you might notice that this one doesnāt belong in a salvage yard. Itās meticulously clean, unlike anything at Bobbyās.Ā
As you more jump than walk up the stairs to the small porch, you donāt think much of it. The door opens just as you reach it, and you almost run into the man leaving the house. You jump back at the last second, but he still gives you a look like you just stepped on his new shoes. Heās tall, dark hair and a lot of scruff, a worn, brown leather jacket covering a broad frame, and he has an irritated expression on his face. He frowns at you, and you quickly lower your gaze.Ā
āBob,ā he says over his shoulder, āthereās a kid here.āĀ
Without waiting for Bobby to reply, the man walks past you, off the porch. You dare to look after him, see him get into the black car parked in front of the house without another look back. Youāre distracted when you hear Bobbyās slightly off-kilter footsteps. When you turn around, heās standing in the hallway of his house, waving you over.Ā
āCome in,ā he says in that perpetually frustrated tone of his, āyouāre letting all the cool air out.ā You walk inside, push the door closed behind you, then stop in your tracks when you walk into the kitchen.Ā
At Bobbyās table, the one you and him sometimes sit around when he has the time, eating spaghetti with thick tomato sauce, the only thing Bobby can cook, are two boys.Ā
Jealousy and territorialism are immediately thick in your throat ā Bobbyās house is supposed to be your escape. Other people being there, especially boys, makes it feel like just any other place. The sadness at the perceived loss that follows is so intense it startles you. Bobby walks up next to you.Ā
āThatās Sam and Dean, honey,ā he says, before introducing you. āTheyāre gonna be staying with me this summer.ā Bobby makes a noise, something huffing, followed by a clearing of his throat. If you were outside, you know heād spit on the ground now, something you have, unsuccessfully, tried to copy.Ā
āI got some work to do,ā Bobby continues, āyou kids get along now, you hear?ā You nod, just a little, and then Bobby pats your shoulder and leaves the room.Ā
Slowly, without saying anything else, you walk over to one of the piles of books Bobby has strewn all over his house. You grab the book at the top of the pile, not caring what it is, open it, but then youāre not sure where to sit, what with the two boys at the dining table. Youāre not about to retreat into the other room, Bobbyās office, give up the terrain, so you collect all your bravery, walk towards the table.Ā
You pull out one of the unoccupied chairs, then sit in it, the book in your lap. You look down at it, but out of the corner of your eye, youāre studying the two intruders.Ā
One of them is basically a baby, or what you, at the ripe age of seven, consider a baby, which is anyone even slightly younger than you. He has a dark brown mop of hair that could use a brush and a trim, and heās staring down at the picture heās drawing, crayon held in a fist, which tells you he probably isnāt in school yet, because you learned how to hold a pencil in first grade. He doesnāt seem bothered by your presence, deeply absorbed in his work.Ā
The other one is a little older than you, but itās hard to say by how much ā a year? Two? Thereās a spattering of freckles on his nose and cheeks, he has lighter hair and heās reading a magazine ā Hot Rod, you can just see on the cover before he flips it around. He looks up at you and you quickly look down, but youāre pretty sure he saw you. You keep reading, or rather, keep pretending youāre reading, until you hear one of them speak up.Ā
āYou read a lot?ā he says, he being the older of the two, which you see when you look up and heās looking straight at you. You shrug.Ā
āYeah,ā you say, unsure how to seem cool just with that one word, so you add: āIām gonna be a hunter when I grow up, so I need to learn.ā The boy makes a face, raises his eyebrows in a way that is intensely practiced, like someone put an adult face over his real one.Ā
āOur dadās a hunter,ā he says, and you think of the man you nearly walked into earlier. āHeās gonna take me on cases with him when Iām older.āĀ
The jealousy his words spark in you is immediate, painful. No one in your family hunts and from the moment you decided you were going to follow in your fatherās footsteps earlier this summer, you have known that you would have to do it on your own. But youāre not going to let this boy see how much that scares you, so you shrug again.Ā
āMy dad was a hunter too,ā you say, trying to keep your voice light, ābut he died.āĀ
The freckled boy nods slowly. He considers you for a second, then swallows. To your surprise, itās the younger one who speaks up.Ā
āOur mom died when I was a baby,ā he says matter-of-factly, like youāre talking about the weather. You look at him, but he hasnāt looked up from his drawing.Ā
For a brief moment, you envy them ā how different your life could be if your father was alive and your mother dead. The fear and nervousness you feel around her. You imagine a life with him to be easy, simple. Quiet. She slapped you once, in the winter. She seemed to feel bad about it, but it didnāt stop her from doing it again a few weeks later. She says itās your fault, that youāre starting to act out and forcing her hand. Youāre not sure what youāve done, but it must be bad.Ā
āIām sorry,ā you say, because youāre not sure what else to say, āabout your mom.āĀ
Your eyes go back to the older boy, and his face tenses for a second. You get it. Itās not often that someone mentions your father, but when they do, itās a toss-up on how it makes you feel. Most of the time, you just want them to shut up. You never met him, but heās yours. No one else should be allowed to touch him.Ā
Luckily, to distract you from your thoughts and that boyās serious expression, just then the younger one drops the crayon.Ā
āIām thirsty, Dean,ā he says, ācan I have some juice?āĀ
Heās polite for a baby, you think, and then you watch as the older of the two gets up. He walks to the fridge, pulls out a carton of orange juice. Then he steadies his hands on the kitchen counter, pushes himself up, and when heās up, opens the cupboard with the glasses. You always get a chair to get up there. Bobbyās told you not to climb the furniture.Ā
Kneeling there on the counter, the boy ā Dean? ā turns around to you.Ā
āYou want a glass too?ā he asks.Ā
āY-yes,ā you stutter.Ā
He turns back, grabs three glasses, puts them on the counter, closes the cupboard and then jumps back down to the floor. He looks cool doing it, you have to admit. He brings everything to the table, and when he pours the glass for his brother, he turns to him.Ā
āAre you hungry, Sammy?ā he asks and Sammy, already consumed by his picture again, shakes his head. Dean returns the orange juice to the fridge, and then all three of you sit there for a long time, reading and drawing, sipping orange juice, in companionable silence.Ā
Bobby doesn't come back for a while. After about half an hour, the younger brother, Sammy, decides to shove some of his paper and some crayons towards you. You think about pretending you're too old to be interested in drawing, but the truth is the book you picked up at random is the most boring thing you've ever laid eyes on. So after battling your young ego for a second, you put it down and grab some of Sammy's crayons.Ā
You decide to draw a house, but you're struggling to decide which one. Thereās your grandfatherās house, large and imposing at the end of a long lawn. Itās beautiful, has more rooms than you can count, but you hate thinking about it. Thereās something whisper-y about it, something quiet, but in a bad way. Like everyone is constantly holding their breath. When your mother and you moved out, you were happy, despite how young you were.
Thereās the house the two of you live in now. Itās bright, large windows that you can stand in front of, and on sunny days, you feel like an ant under a magnifying glass. All heated up, like your body is buzzing, but nice. The house feels empty, though. Your mother doesnāt like having guests, says they give her a headache. She always touches the side of her face when she says this. Like she can feel it coming on. She says that. I can feel it coming on. The only person who comes by is a woman who cleans twice a week. Your mother watches her, smoking in the kitchen. Neck craning when she leaves the room. You think the woman is nice. She smells good, and she smiles at you when she sees you.
You could draw Bobbyās house. Itās a little bit dirty, and a little bit messy, but itās the only place you remember ever feeling fully comfortable. Not just comfortable, but safe. There's something warm about it, even if in the winter the wind comes through the gaps in the windows, whistling like someone calling their dog.Ā
Bobby's house is safe because Bobby doesn't yell, he doesn't get angry when you spill juice or when, while drawing, like you are now, you accidentally draw on the table. He might grumble a bit, but then he gets a cloth, wets it and cleans up your mess without making you feel like you have done permanent damage. You could gift him the drawing and you think Bobby would probably like it, or at least he would pretend to, which is just as good.Ā
You start drawing and before you know it you have the outlines done and the windows.Ā
āIs that Bobbyās house?ā Sammy asks, peering over at the piece of paper in front of you. You look at him, almost having forgotten that you're not there on your own. The sound of his crayons has been lulling you in, and Dean has been perfectly quiet. He must have turned the pages of his magazine at some point but you didn't hear him. You look back at your drawing.Ā
āIt is,ā you say as you keep studying your masterpiece.Ā
āThe windows look like eyes,ā he says, ālike wide open eyes. Like they saw something scary.ā You frown at him.Ā
āWhat do you know about seeing scary things?ā you ask. The boy looks at you for the first time. His eyes are dark, really dark, almost as dark as his hair, almost black in the low light of Bobbyās kitchen. You think heās gonna answer you, but then he just looks back at his drawing, focuses on it again.Ā
Without meaning to, you throw his older brother a questioning look. Heās been studying the exchange, watching both of you like a hawk, as if heās ready to jump in at any point. He looks at you, then turns back to his magazine, not saying anything.
The three of you remain like this until you need to leave. You slip off the chair, then stand there for a moment, unsure if you should say goodbye or if that would make it seem like you cared, like you even noticed that they were there. You swing your arms a little before turning to the younger of the two.
āIāll be back here tomorrow,ā you say to him and he looks up again, face slack, dark eyes watching you. āI have some gel pens I can bring that you can draw with.āĀ
Heat rises to your cheeks immediately, and you realize that gel pens might be way too girly for him. But he just nods.
āOkay,ā he says, then turns back to his drawing. You look at the floor, turn and walk outside without looking at either of them again. While youāre riding home air rushes into your eyes, making them water with how fast youāre pedaling.
Bobbyās truck isnāt out front when you return the next day and drop your bike down in front of the house. You know where the spare key is, but then you hear sounds from somewhere. You walk around the house, looking for their source.
Sam and Dean are there. Sam has what youāre pretty sure is a black t-shirt tied around his neck like a cape, while Dean has a red one. Sam is running back and forth in short sprints, trying to be fast enough for the t-shirt to fly up behind him. Dean is holding a camcorder, you see as you approach. It must be Bobbyās, but you had no idea he owned something like this, much less knew how to operate it.
āWhat are you doing?ā you say and Dean looks up. He looks a little surprised.
āYouāre back,ā he says and you set your jaw. Youāre back? You were here first. He has no right to say this to you.
āSaid I would be,ā you shoot back, sounding a little meaner than you intend to. Sam comes to a stop next to you, breathing hard from his running.
āDid you bring the pens?ā he asks. You look at him, then shake your head.
āMy mom didnāt let me,ā you reply. Sam nods, then turns, starts walking on an invisible line, arms extended out to the sides. You turn back to Dean.
āWhat are you doing with the camcorder?ā you ask, challenge in your voice because while you donāt want to be a square you also donāt like the idea that he might be touching Bobbyās things without asking first.Ā
āSamās gonna film me jumping off that shed,ā he says, then looks at you and you raise your eyebrows in question. He indicates the t-shirt around his shoulders. āIām Superman. Sammyās Batman.ā
Just then, Sam starts running again, making one big jump that must seem huge to him but looks tiny to you. You look at him, then back at Dean, swat at a fly circling you.
āWhoās Superman?ā you ask. Dean stops playing around with the camera, frowns at you.
āYou donāt know Superman?ā he asks, voice unbelieving. Damn it, you should have just pretended. But itās too late now, so you shrug.
āHeās an alien whoās a superhero,ā Dean explains. āHe can fly and he can shoot lasers out of his eyes.ā You nod, like everything heās saying makes perfect sense.
āOh,ā you say, like the information is just whatever. Dean studies you, then looks over at his brother who is still running around.
āHey, maybe you can film it instead,ā he says and your eyes shoot up to his face. āSam doesnāt know how to work the camera.ā Your heart flutters. You also donāt know how to work the camera. But to your relief, Dean turns a little, shows you the buttons.
āYou press here to start recording,ā he explains and you lean in, make sure you catch what heās saying. āAnd then here to stop.ā You nod, and then he hands the camcorder to you. Itās heavier than it looks.
Dean walks over to the shed. Thereās a car parked next to it thatās mostly scrap and he climbs up on the hood, then the roof and then the shed. Sam comes to a stop next to you, breathing hard.
āCan you bring the pens tomorrow?ā he asks, but all that leaves you is an uh huh. Because youāre busy watching Dean. Heās effortless, like heās climbed that shed a hundred times. When heās on top he looks down, over the edge. He doesnāt seem scared at all.Ā
āOkay, ready?ā he calls down and you raise the camera, push your face against it. Your lashes are in the way a little but youāre sure you have him in frame. You press record.
Dean does a weird thing where he sticks out his arm, hand balled into fist.Ā
āUp, up,ā he says, voice forced deep, āand away!ā He lowers his arm, bends at the knees, then jumps. Your heart beats hard in your chest as you try to concentrate on keeping him in frame as he falls closer and closer to the ground.
He lands on his feet, crouched down, both hands going out to keep his balance for a moment. He doesnāt fall. You open your eyes wide. Itās the coolest thing youāve ever seen. You canāt help the sound of wonder that comes out of you as you jump up and down a few times. Dean has the broadest grin on his face as he walks towards you.
āDid you get it?ā he asks and you look down at the camera, stop recording, then nod at him. āDid it look cool?ā
āIt looked awesome!ā you say, your enthusiasm carrying you away. Dean looks at you for a moment longer, then down. He kicks a rock, scratches the sole of his shoe over the ground a few times before he continues.
āIf you want to I can, like, lend you my Superman comics,ā he says, like heās just making an off-hand comment. You press your lips together.
āYeah,ā you say, then quickly add: āAre there any girl heroes?ā Dean nods.
āThereās Wonder Woman,ā he says. āSheās super strong and fast.ā You nod.Ā
āOkay,ā you say, a funny feeling spreading in your stomach. You know you canāt borrow the comics. Thereās no way your mother would allow you to read something about aliens and superheroes. But for some reason, you donāt want Dean to know that. That all you get is stuff for girls, because he probably thinks girl stuff is dumb.
āI can give them to you later,ā he says, nodding along. You open your mouth to reply, when your eyes go up, then wide, as you look behind Dean. He turns around immediately.
Sam is up on the shed. You open your mouth to shout something and in that moment, he bends his short legs and jumps.Ā
Heās tiny. The shed is a million times his size. Itās like he falls in slow motion, his dark cape fluttering behind him. He finally got it to do what he wanted.
He falls on his side. Thereās a crunch that makes you want to throw up. Dean is by his side the next second.
āSammyāā he says, pulling him up but Sam starts wailing, low in his throat. Thick tears explode out of his eyes. You and Dean look down at his arm at the same time. Heās holding it close to his body.
āSam, itās okay,ā Deanās saying, but he doesnāt sound very convincing. Samās sounds are still low and you wonder if heāll scream, but he doesnāt. Itās a horrible sound.Ā
āWe need to call Bobby, get him to the hospital,ā Dean says, to no one in particular. But you have no idea where Bobby is, or how you could reach him even if you did. You could walk down to the road, try to get some car to stop to find an adult you can ask for help. You could call an ambulance, you know that number, or your home, but no, your motherās head would probably explode and youād be grounded forever. The scrapyard is a little bit outside of the city, down a country road, so not many cars pass by. Itās perfect for when you want to drive your bike really fast.Ā
Your bike.
You start running, kicking up stones on your way as you pump your legs, come to a hard stop at the front of the house. You grab the handlebars, pull it up and then start pushing it towards the back of the house again. The handling is awkward due to its size, but you make it.
Dean looks up when he hears you approach. Heās managed to get Sam to his feet, and it looks like he was about to make him walk. You could be wrong, but you think he looks a little surprised. Maybe he thought you ran off.
You stop the bike next to him, look at his face.
āYou can ride him to the hospital,ā you say, trying to steady your voice. āThatās the quickest way.ā
Dean nods, then grabs for the bike before, to your surprise, rendering control of Sam over to you. You wrap one arm around his small frame. Heās skinny, and you can feel his ribs. Heās shaking, small whimpering sounds still coming from him.
Dean swings his leg over the bike, and then you help him hoist Sam up on the handlebars. Itās awkward, but you manage. When heās sitting there, legs slung over, back pressed against his brotherās chest, lower lip still shaking, you take a step back. But Dean doesnāt start pedaling, so you look at his face. Thereās still some wide-eyed panic there, but also something expectant.
āWhat are you waiting for?ā he asks, his voice a little rough. āGet on.ā
Riding on the back of the bike has your butt hurting and youāre feeling awkward where youāre holding on to Deanās shirt over his shoulders. Sam has gone quiet, which is somehow more scary than when he was crying. Still, you canāt help feeling what youāre feeling.
Dean drives at a breakneck speed. You drive fast too, but not this fast. Itās like the three of you are flying.Ā
It turns out Dean doesnāt know where the hospital is. You only know it because you can always see it when you drive to Bobbyās. Thatās probably why he wanted you to come along, although you prefer to think heās just as nervous and scared as you.
The bike clatters to the ground in front of the ER as the two of you lead Sam inside. The nurse at reception looks at you wide-eyed.
āWhere the heck are your parents?ā she asks. Dean doesnāt answer, so neither do you. They take Sam away, and then Dean and you sit on red plastic chairs in the waiting area, both of you staring straight ahead. Your heart is beating fast, and thereās a weird tightness in your stomach and chest.
Deanās not saying anything. Heās leaned forward, elbows on his knees, one leg bouncing up and down. You look at him, then look away. He seemed so cool before, and now he seems terrified. Itās fascinating to see.
You push your hand into the pocket of your pants, find the coins you always carry with you. You stand up, walk over to the vending machine. You wonder what Dean likes, if he prefers one soft drink over the other, but then you simply get two Cokes. You walk back to where you were sitting, hold one out to him, wordless. His bouncing stops, and he looks up at you.
He has startling green eyes, and right then, you donāt think youāve seen any person ever look so scared. He blinks, like heās waking himself, looks at the glass bottle in your hand, then reaches out and takes it without saying anything. You sit down next to him again.
Bobbyās loud, and you can hear him before you see him. Both of you had to give your home numbers, and it looks like they finally managed to reach him.
āWhat in the hell happened?ā he says as he walks up, voice deep and rough. His brow is low and his eyes wide, but he doesnāt seem angry, despite saying āhellā. He drops into a squat in front of the both of you.
āWe were playing,ā you say, before Dean has the chance to answer. āSam fell.ā Itās technically true, but it hides the fact that Sam was copying his brother, jumped off the shed on purpose. Bobbyās hands go out, and he puts his hands on your and Deanās shoulders - one on yours, one on his. Squeezes.
āThought my heart was gonna stop when they got a hold of me,ā he says. āHad me scared shiā had me worried when you werenāt there when I came back.ā
You nod. You know Bobby wanted to curse again, but stopped himself.
You can go and see Sam not long after. He looks tiny on the hospital bed but he gives you a tight-lipped smile when you enter.
āLook,ā he says to Dean who steps close to him, āI got juice and dinosaurs to color.ā Dean nods. He still looks terrified. He puts his hands on the bed, but without touching his brother.
āHowās your arm?ā he asks, swallows. Sam shrugs.
āItās okay,ā he answers. Dean nods slowly, then looks at the dinosaur Samās coloring.Ā
āLooks nice,ā he says. Youāre pretty sure you can hear tears in his voice, the way it goes all thick. They donāt reach his face though.
Youāre so used to the way your motherās footsteps sound, so used to avoiding them when you need to, or making it immediately known where you are on other days, that afterwards youāre sure you hear her the moment she enters the hospital, although you donāt think thatās technically possible.Ā
But you do hear her, and when you turn around sheās just entering the room, the door left open. She has her bag slung over her arm, is wearing one of her nice dresses with the cardigan buttoned high. From the fine line of her lipstick, you know she reapplied it in the car.
āThere you are,ā she says, walking over to you. She throws a quick look at Sam, maybe at Dean, then grabs your arm around the wrist. āDo you know how worried I was? Getting a call from the hospital?ā She squeezes hard where sheās holding you and you canāt help but make a face. She doesnāt see it, because she turns to Bobby.
āWhere were you?ā she asks, voice slightly raised. The familiarity between them always freaks you out a little. They feel like they should be from different planets. You know your mother doesnāt like Bobby, sometimes says heās dirty. But not dirty enough to not let you go to play at his house.Ā
āIt was an accident,ā Bobby replies. His voice is calm. Distantly, you think maybe he shouldnāt have left all of you alone, but heās done it a million times. You once fell in your kitchen at home, the floor wet from mopping. Your shoulder hurt for three days, but you didnāt tell your mother, because youāre not supposed to run in the house. She was only upstairs, and it still happened. Adults like to pretend that they can stop bad things from happening, but the truth youāre figuring out is that they actually canāt.
āLook, it happens, children hurt themselves,ā Bobby says, but you can tell heās sweating a little under your motherās angry stare. āThey did good, got Sam to the hospital. You should be proud, if anything.ā Sheās still squeezing your wrist, shakes it absent-mindedly with her own movement when she speaks, and it feels like sheās gonna dislodge all the bones in it.
āThatās not the point,ā she butts in. āThey should be watched. And you didnāt tell me there would be other children, thatāā
āStop it, youāre hurting her!ā
All eyes in the room go to Dean. His brows are pushed low and heās staring down your mother. You feel your eyes widen as you watch Deanās go down to where sheās holding your wrist. Your mother does the same, like sheās unsure what heās talking about for a moment.
You expect her to yell at him, tell him to have some dang manners, not to talk to an adult like that. But sheās either surprised enough to not think of that, or the fact that he raised his voice quiets her. She always gets nervous when someoneās loud around her, whether itās your grandfather or one of her brothers or cousins. She opens her mouth, lips moving like sheās going to say something, but then she simply drops your hand. You make a fist, feel the pull of your skin.
āCome on, weāre leaving,ā she says. She turns and starts walking, without so much as looking back at Bobby. You follow after her, needing to hurry a few steps to keep up with her.Ā
You look back before you leave the room. Bobbyās dropping his shoulders, and then walks over to Samās bedside. Dean looks after you for a moment, then turns to his brother as well. But you canāt quite look away yet, at least not until you leave the room and they disappear from sight.
Your mother leads you to the car, both of you getting in wordlessly. She drops her handbag on your lap, then reaches in, finds her cigarettes. Itās a vice she sometimes indulges in, although she shouldnāt. Her words.
She starts the car, says something that you answer with a non-committal sound. She starts driving, through the town, and you look out the window.
A few months ago, a bird flew into the house. Flapped around, wings brushing the windows and walls like crazy. You didnāt know how it got there, but the woman who comes to clean helped it get out.
Youāre thinking about what just happened. Stop it, youāre hurting her. And your mother let go. Listened, dropped your wrist. It feels like the bird is in your chest now, flapping around there. Because, as far as you can remember, no one has ever, ever stood up for you.
Except Dean Winchester.
Your mother brought your bike, had it put into the back of the car before leaving, and so the next morning, after breakfast, you slowly and carefully walk outside, grab it and get on it. Your mother hasnāt said that youāre not allowed back at Bobbyās, so you simply go. If your mother says you werenāt supposed to, you can feign ignorance. Itās worth the risk.
You drive down the long country road extra fast. Pedal until the muscles in your legs burn, until the scrapyard comes into view.Ā
Sam is on the couch, watching TV, a cartoon. He looks up when you walk in. You drop your backpack to the floor, rummage around in it, then hold up what you were looking for - the gel pens. You simply took them. Felt daring when you did.
You walk over to Sam, drop down on the couch next to him. He leans forward, looks at all the colors.
āYou can write on my arm with them,ā he says, indicating his cast. āDean already wrote something last night.ā You look at where heās pointing. AC/DC rocks, it says, in what youāre pretty sure is ballpoint pen, the way itās been almost scratched in there.
āCool,ā you say. You take one of the pens, a darker blue so it shows on the white, hold it up to Samās arm. Youāre not sure what to write, but then you grin, start scribbling. Sam watches as you work, but itās upside down for him.
āWhat is it?ā he says. Your drawing skills arenāt great, but youāre still proud of what you did. You brush some hair out of your face.Ā
āA bat,ā you say, and smile at him. āLike Batboy.ā Sam grins, toothy and wide.
āBatman,ā you hear a voice from behind you. You turn, and itās Dean, maybe coming from upstairs. Heās watching you two.
āI know,ā you reply quickly. Thereās a moment of silence, as neither of you three says anything. You lean back slowly, look at the TV.Ā
It takes a few seconds, but finally Dean moves too. He plops down on the couch next to you, and then the three of you watch. Not speaking, at least not until Dean decides to get a snack for all of you.
You come back the next day, and the next, and then the entire week. Mostly, you play with Sam, but Dean is always there, watching, sometimes joining.Ā
When you come back on the Thursday, Sam and Dean are gone. Picked up by their father, Bobby says. You stand in the living room, look around. The territory you felt so defensive over is yours again, but it doesnāt feel like a victory. They took everything they have with them, and youāre pretty sure Sam took the gel pens. To someone else, it might look like they were never even there.
But you know they were. You know.
Next time on SUN BLEACHED FLIES:
The first postcard arrives when youāre eight years old. Itās from Salt Lake City. You take it up to your room, sit on your bed, and read it.
There are a lot of churches here. Dad works all the time. There is a snack machine at the motel. Dean ate a whole thing of sour candy and got a stoumech stomach ache. Iām reading Huckleberry Finn and I like it, I like that he tries to be a good person.
Sam W.
And then scribbled below that:
We watched monster trucks on TV and Dad has been hunting. I nearly fired a shotgun, but then didnāt have to. He says heās gonna drop us off at Bobbyās while he finishes the hunt.
Thank you for reading! ā”
Want just my writing? Follow me at @yayitsmylastdayonearth.
āSupport me by buying me a coffee!
Suggested listening:
ā¶ļøā¢įį||į|į||||įį|į⢠American Teenager
ā¶ļøā¢įį||į|į||||įį|į⢠Crush
ā¶ļøā¢įį||į|į||||įį|į⢠Family Tree (Intro)
ā¶ļøā¢įį||į|į||||įį|į⢠House in Nebraska
SUN BLEACHED FLIES
PROLOGUE: If only things could be like this forever
CWs Pregnancy. Explicit sexual content. Deanās got a bit of a breeding kink.
4.7k words
Suggested listening:
ā¶ļøā¢įį||į|į||||įį|į⢠Sun Bleached Flies
Masterlist | Next chapter
You wake up to Samās nose pressed against the back of your head, his arm slung over you and his broad chest pressing against your back. Itās warm, cozy, sunshine falling through the thin curtains in front of the window, its rays playing games where they are reflected on the opposite wall.
Samās skin is soft where your head is resting on his arm. You move your head, press your nose against it, your cheek. You can tell heās waking up by the changed pattern of his breathing - more shallow, and, after a soft smack of lips, through his nose rather than his mouth.
He must notice youāre awake too because he curls his arm, pulls you against him, bringing his lips close to your ear.
āMorning,ā he mutters, his breath tickling you, and you grin.
āGood morning,ā you reply, reaching for his hand and raising it to your mouth, pressing a kiss to his knuckles. He, in turn, kisses the shell of your ear, his free hand running up your waist before he slips it under the covers.
He runs it over your front, gently pets your stomach, before he travels lower to down between your legs.
Samās big hand cups your pussy, and you sigh. He moves his fingers only slightly, testing, teasing, and you press yourself down against his hold.
āSlow,ā he half-slurs, half-whispers and you need to grin at the fact that he is still mostly asleep, but this is his first instinct. Youāre not about to complain. Instead, you press yourself back, Samās nose bumping against yours when you turn your head.
You always want him, but the last few weeks have been ridiculous. Itās like it was when you first got together. You look at him, and it takes your breath away. Need to press up on your toes, run your fingers into his hair and kiss him to remember heās yours. It makes your breathing catch every time, just like it does now with him touching you.
āIs that good?ā he asks, as if he doesnāt know, still soft and going torturously slow. You nod, and your own pleasure confirmed, Sam presses his hips against you, and you feel his growing erection press between your ass cheeks. You bring your own hand between your legs, laying it over Samās to urge him on, and when he finally does, it drags a high moan from you.
Your sounds wake Dean with such a violent start that it makes you flinch. One second heās lying on his front, face pressed into the pillow, the next heās pushed up on his elbow, other hand in a fist as he looks around for the source of danger, a disoriented look on his face. He blinks, then looks over at you where you are giving him a wide-eyed stare.
You have to laugh when he drops his hand, turning from someone willing to commit violent murder one second to charming Casanova the next when he sees what you and Sam are up to.
āMind if I join?ā he asks, rolling towards you and grinning down at you. You nod, head against the pillow.
āBe our guest,ā you say, voice sounding a little cracked. Sam stops touching you, pulls his hand out of your pajama pants, and you roll back against him, some more room now so that youāre lying on your back. Dean pulls away the thin blanket with a dramatic flurry, then gives you a quick kiss on the mouth before moving down your body.
Sam meanwhile pushes up on his elbow, head resting in his hand, the other one going to his crotch and squeezing himself before he pushes into his sweats, starts stroking himself. You tilt your head up to kiss him, then bring your hand to the outside of his pants, your hand assisting his, before youāre distracted by Dean when his kisses reach your stomach.
āGood morning, kid,ā he whispers, pushing up your shirt as he leans in and kisses the bump growing there before moving lower.Ā
A passionate hour and a rushed, cramped shower later, the three of you are loading up the car. Dean insists on carrying your bag while Sam picks up coffee from the diner next door. Youāre giddy as you get into the backseat.Ā
The drive to Sioux Falls isnāt long, not compared to the miles and miles you already have behind you, have collected over the last year. Plus youāre not just taking the drive to see Bobby again, although that is long overdue. There is another reason:
Bobby Singer is, after a long and intense career in the hunting business, retiring. He is moving to Florida, and of course you and Dean have made every imaginable joke at that, Sam rolling his eyes at the two of you. Dean suspects Bobbyās met a woman, but if he has, heās not telling. Good for him, you think. Heāll let you know when heās ready. But thereās another reason youāre driving down to meet him.
Bobby is leaving the boys his house. He doesnāt know youāre pregnant, but the timing feels serendipitous. Sam, Dean and you have been discussing whether you want to raise your child on the road or settle down. This feels like the question has been answered for you. It feels like a sign.
You will give this child what you and the boys never had - stability, and unconditional love. A home that feels like a home. The thought feels overwhelming.
As Dean starts the car, you remind yourself to enjoy this drive. If everything pans out the way youāve planned it, this will be the last one like it for a long time. You imagine yourself, holding your baby in your arms, the Impala parked outside. Used for errands and trips down to the river, but never again to take a loved one away from you.
You sit in the back, the leather seats warmed from the early spring sun. Sam and Dean are up front. The windows are rolled down, the wind whipping in the way it did in the summers of your youth.. You still remember it all so well. The only difference is a handful of years.
Sam used to sit in the back with you then, when John was around, Dean in the passenger seat. And when Dean drove, you got shotgun privileges, his little brother banned to the backseat, usually so Dean could stroke your knee, throw you suggestive glances.Ā
Later, when Sam returned from Stanford after his time away, you let him have the front seat. Because he needed to feel like he belonged, and also because it allowed you to look at both of them at the same time.Ā
Thatās what you do now. Watch them talk, their voices drowned out by the music Dean put on. Sam laughs at something Dean said. You drop your head back against the bench, lightness in your heart. The love for them making it feel like youāre flying.
The road stretches on behind you as well as before you. Symbolic, and you try not to read too much into it. You run your hands over your stomach, over the life building in there, press your back into the leather seat, and it feels like time and space are moving around you.
When you finally stand in front of Bobby and tell him youāre expecting, itās Dean whoās got his arm around you, Dean who is slapped on the shoulder by Bobby whose lips are pressed together before he squeezes your arm, Dean who pulls you close when Bobby sniffs, looks away so you wonāt see the tears in his eyes. Bobby doesnāt know youāre with Sam too, so to make things easy, youāve decided this is the story.Ā
You looked at Sam earlier, standing just off to the side, looking between his brother and Bobby. The look on his face tugged at your heart, even though he agreed to this as well. It seemed to make sense, seeing as you were with Dean first, and people might not react well to what the three of you have.Ā
You look again now, just as Dean makes a joke about grandpa Bobby, and see that Sam is gone.
You find him once things have calmed down. Heās unpacking his backpack in the library downstairs, sitting on the couch heāll be sleeping on, knees nearly up to his ears with how low and worn-out it is, while you and Dean take the guest room. You lean against the wide doorframe connecting the room to the hallway, knock gently. Sam looks up and smiles when he sees you.Ā
āWhy are you down here and not upstairs?ā you ask with a frown. Sam looks down, the smile disappearing as he pulls his toiletry kit from his bag.Ā
āWe agreed we wouldnāt let Bobby know right now,ā he says. You nod.Ā
āOkay, but youāre coming upstairs tonight, right?ā you ask, and then you walk towards him.Ā
You stand between his legs where heās sitting, put your hands on his shoulders. Sam shoots a quick look towards the open door, but you know Bobbyās outside with Dean, that youād hear him long before he shows up.
āBecause you know I donāt sleep right when youāre not there,ā you say, and then run your hand over your stomach. āNeither of us does. We want daddy close.āĀ
Sam raises his hand, lays it over yours. Heās not looking at your face, but you can see the thoughts working away behind his eyes.Ā
āYou donāt even know if itās mine or Deanās,ā he says, looking up at your face. Youāve talked about this before, but you understand what Sam needs. What he has to hear.Ā
You move forward and straddle him, moving gingerly. Sam looks surprised, but then his hands land on your sides. You pull him close, then, with a grin, you look down at yourself.Ā
āCouple of months, I wonāt be able to do this,ā you say and Sam canāt help but grin too.Ā
āYeah,ā he mumbles, and you press your nose against him, then pull back a little before turning a little more serious.Ā
āThis is our baby, Sam. Ours,ā you say, looking deep into his eyes. āItās yours and Deanās and mine, okay? The details donāt matter.ā Sam returns your gaze, then nods slowly.Ā
āI know,ā he says and swallows. You move your head to kiss his cheek, and his eyes fall shut as he takes a deep breath.Ā
āI want you to come upstairs tonight,ā you whisper, giving him another gentle kiss, your lips barely leaving his cheek. āAnd I want you and Dean to make love to me in our new home.ā Sam takes a shuddering breath as you run your lips along his skin.Ā
āItās too risky,ā he says, but he doesnāt sound half convinced by his own words.Ā
āGuess weāll have to be quiet then,ā you say with a bit of a grin. Sam opens his eyes, and studies your face. Then heās smiling too, and slowly shaking his head.Ā
āYou drive me crazy, you know that?ā he asks. You nod.Ā
āMy whole entire purpose in life,ā you respond and Sam chuckles. His hands go to your ass, and he pulls you closer, kisses you deeply. You run your hands into his hair.Ā
āI canāt wait to watch you be a father,ā you say when the two of you separate, and Sam swallows again. You could drown him in compliments, the things it does to him to be revered their own reward. He squeezes you where he holds you.Ā
āI should finish unpacking,ā he says, a gentle smile on his lips. āBecause if you keep talking like that, Bobbyās definitely gonna hear us.ā You chuckle, give Sam another quick kiss and then reluctantly get up.Ā
āIt would save us the trouble of having to tell him,ā you say to Samās grinning face before you leave the room and walk upstairs again to unpack your own things.
Itās later in the day. You make some coffee and bring Bobby a cup. Heās back in his office, getting together all the paperwork for the house. He sighs when you walk in and place the steaming cup in front of him.Ā
āDamn bureaucracy,ā he mutters. āIām too old for this shit.ā You chuckle and move to the window, look out at the junkyard beyond. The Impala is parked close by and Dean is lying under it, working on something. You smile to yourself.Ā
āAre you excited about tomorrow?ā you ask, not turning back to Bobby but instead picking up a book from a dangerously high-stacked pile next to you. You scan the cover, run your fingers along the leather binding.Ā
āNot sure if excitedās the right word for it,ā Bobby answers. āTry terrified.ā You chuckle again, look out the window at Dean again. Heās getting up now, walking to the opened hood of the car. His face is concentrated and his hands are dirty.Ā
āYou can always come back if you donāt like it,ā you say, only half hearing yourself.Ā
You are too mesmerized, imagine Dean doing what he is doing but a small child running up to him, wanting his attention, Dean cleaning his hands on a rag heās thrown over his shoulder before picking them up. Itās not just a dream anymore ā itās the future.Ā
āI was surprised Sam and Dean even wanted the house,ā you hear Bobby say. āThey donāt seem like the settling down types, but I guess with a little one on the wayā¦ā Then he clears his throat and you are distracted from your daydream.Ā
āHell, you know these boys are like sons to me,ā Bobby mumbles. You put the book down on the wobbly pile again, turn to him.Ā
āI know, Bobby. And they know that, too,ā you reply. Bobby makes one of those sounds he makes, tilts his head.Ā
āLook, sweetheart,ā he says, and it seems like he has a hard time saying whatever he wants to say. You wonder why.Ā
āYou know Iām leaving Sam and Dean the house,ā he continues, fingers fidgeting with the coffee cup you brought him. You nod.Ā
āI guess Iām just getting to an age,ā Bobby says, āwhere I think about⦠what I leave behind. Itās not much.ā You shake your head.Ā
āBobby, you were a father to them,ā you interrupt him. āThe material stuff is nice and all, but what you gave them is so much more important. You made them who they are.ā Bobby looks down at his desk, the way he always does when you say something nice to him, something that moves him a little. Heād be telling Sam and Dean to shove it, lovingly, if they tried to say something similar, but you know you get a pass, on account of being a girl.Ā
āAnd thatās how I know,ā Bobby starts up again, āthat theyāll take care of you, even if itās their house.ā You huff a little.Ā
āOf course they will,ā you say, because there has never been a single inkling of doubt in you that they would.Ā
āOf both of you, I mean,ā Bobby adds, throwing a pointed look at your stomach, and you smile, but then Bobby looks back up at your face and suddenly you know he means something else.Ā
āTheyāll both take care of you, I know that,ā Bobby says.Ā
He knows, you realize then. He knows that youāre with Sam and Dean, both of them. A reply is on your lips. You want to tell him heās got this wrong, that he misunderstood something. People donāt react well to⦠that.Ā
But the kindness in Bobbyās eyes stops you. Heās not confronting you with what he knows, or suspects. Heās just letting you know he knows.Ā
āThereās plenty of stuff in life I donāt understand,ā he continues, and you see him blush a little as he looks away from you. āBut I know those boys. And I know you. And I know thatāll be a damn lucky child having all three of you as its family.āĀ
Tears shoot to your eyes, because this is the last thing you were expecting when you walked in here. Youād never hoped for Bobbyās approval, because you simply assumed he would never know. So this isā¦Ā
You donāt want to make a bigger deal out of it than it is, donāt want to embarrass Bobby. But you canāt stop yourself when you walk around the desk, kneel next to him and wrap your arms around him. The tears are stinging your eyes so you squeeze them shut. Bobby wraps his arm around you, pats your shoulder and then you let go, because you really donāt want to make him uncomfortable. Heās not the hugging type after all.Ā
āI know Uncle Bobby is gonna take care of this kid, too,ā you say, smiling up at him. Bobby mumbles a little, hides his eyes behind the visor of his cap.Ā
āGot a nice ring to it,ā he replies and you chuckle.
āI better go check on dinner,ā you say, pushing yourself up, but you plant a quick kiss on the top of Bobbyās head. Then you bounce off to the kitchen.Ā
That evening is the first time since you found out youāre pregnant that you wish you could drink. Not because you need it, but because the evening turns so jovial.Ā
The food is great, the meat thick and juicy, the potatoes soft and warm, and the three boys are drinking and getting louder, and you all tell stories youāve told a million times before but laugh as uproariously as if youāre hearing them for the first time. It fills your heart with so much love that it threatens to spill over.Ā
Home, you think. This is all you want, all youāve ever wanted. You look at the dining table and catch yourself wondering how many children you can fit around it. One thing after the other, you remind yourself, hiding your grin in the glass of water you pick up.Ā
Dean catches you when youāre on your way back from the bathroom, corners you in the small, dark hallway. His arms are around you and heās leaning down, the taste of beer on his lips and tongue and heās kissing you so deeply that it makes you feel drunk, even though you havenāt had a sip. He gently presses you against the wall behind you and you feel white hot arousal explode in you as he squeezes your ass.Ā
āWe should go back in,ā you breathe as his lips leave your mouth and go to your jaw, then your neck.Ā
āJust one minute,ā he says and you grin, because itās such an obvious lie, and yet you donāt mind. A small moan leaves you as Dean presses his lower body against you and you feel his outline against your crotch. One hand goes from your ass and drops between your legs, pulling up the simple summer dress youāre wearing. He quickly finds you where youāre warmest, sighing against you when he touches you there.Ā
āGod, I wish it could be like this forever,ā he mumbles with his lips just below your ear. He starts drawing circles on you and you need to wrap your arms around his shoulders because it makes you feel almost dizzy, almost high.Ā
āWish we could stay here forever and I could just keep putting baby after baby in you,ā he whispers and that idea, combined with a slight increase in pressure of his fingers makes you slap your hand over your mouth, arm still around his shoulders, because you know the sound you would have made otherwise could be heard in the entire house. Jesus, what a visual, what a thought. You donāt expect it to turn you on this much.Ā
āKeep going,ā you breathe, just briefly lifting your fingers from your mouth. Deanās either not surprised that this is working you up, or heās too into it himself to care.Ā
āIād need to come inside you again and again and again,ā heās saying, and the pleasure between your legs is getting so intense as to be almost painful.Ā
āIāll watch it leak out of you,ā he says, voice so low that you almost have to strain to hear it. āAnd then Iād put more into you just to make sure.āĀ
The back of your head hits the wall with a loud thud as you come, but at least you manage to not make any other noises. Itās a Herculean achievement though, because the orgasm makes you feel as if electricity is shooting through you. Because it might be talk, but whatās hiding behind it is the truth, the truth of what all three of you want, and are now suddenly shockingly close to getting. Normalcy. Safety. A place to build a family out of your love.Ā
Your lips land on Deanās the second you have oriented yourself again.Ā
āI love you so goddamn much,ā you say and it comes out shaky. Dean strokes the side of your face, shushes you.Ā
āItās okay, sweetheart,ā he says, his full lips caressing your face, from your cheeks to your ears. āI love you too, baby, itās okay.āĀ
You rub yourself against him like a cat marking its territory, then blink your eyes open. See Deanās strikingly green eyes and you wonder if your child will have those eyes, or the tricolor of Sam, or yours, or a mix of all three. The last oneās not possible, but still, you canāt stop yourself from thinking how nice that would be. Dean kisses you again.Ā
āLetās go back,ā he says. You tilt your head.Ā
āWhat about you?ā you ask, but Dean only smiles.Ā
āLater,ā he says.Ā
The evening eventually winds down. You keep yawning and snacking on the food left on the table, while Bobby is actually pretty drunk, but Sam and Dean arenāt faring much better. You climb up the stairs, leaving the dishes for tomorrow, drag Dean behind you, but throw Sam a meaningful look, one youāre not sure he catches.Ā
Dean plops down on the bed face first, making the frame squeak. You pull off his shoes and just manage to wrestle his shirt from him, but heās too heavy for anything else. You try to roll him over to get his jeans off him, try to make him more comfortable, but he groans at your pushing and prodding.Ā
āNo shaking, Iām dizzy,ā he slurs with his eyes closed, one of your legs caught under his torso and his arm slung around your hip, and you lean forward, forehead landing on his back, your shoulders shaking with laughter.Ā
Just then the bedroom door opens. You turn around, and Sam is doing his very best to be sneaky, but the first thing he does after closing the door behind him is bump his hip into the dresser. His face contorts as he silently cringes and then heās next to you, his big frame pulling a loud noise from the bed and a squeal from you as he grabs you, pulls you down onto the mattress.Ā
The three of you shuffle around for a little longer, but soon youāre between the two, still half-dressed yourself, but you donāt care. Their two big, warm bodies are like anchors to a ship, lulling you in, making you so comfortable that you barely manage a small, joyous wiggle and then youāre pulled down into the quiet dark.
Youāre the only one who isnāt complaining of a headache the next morning, so youāre generously distributing painkillers and glasses of water. Bobby seems to be doing mostly fine, but then youāre pretty sure at this point that heās ninety percent whiskey anyway. You and the boys are cleaning while Bobby packs and then suddenly itās later than you thought and heās getting ready to leave. You give him a long hug, tell him to come right back if he doesnāt like it, tell him youāll miss him.Ā
āYeah, yeah,ā Bobby says, and itās as much of a love confession as youāre likely to get. His hugs with Sam and Dean are much shorter, and then the three of you are standing next to each other in the kitchen like baby ducks in a row, and Bobby shoulders his last bag and a second later heās out the door.Ā
You all just stand there for a second longer, not moving. Sam grabs you first, because he has had to be careful since you arrived, and he drags you against him, his big hand wrapped around your wrist, your chest against his chest, and is just about to kiss you when the door opens again. Deanās in the process of coming up behind you and the three of you shoot apart like scalded cats.Ā
Bobby peeks in and he very clearly notices that he just walked in on something. He grabs for the small sideboard next to the door, raises his hand.Ā
āForgot my⦠car keys,ā he mumbles and the three of you nod politely.Ā
Bobby clears his throat, mutters something about you kids taking care and then pulls back, lets the door fall shut behind him.Ā
It takes another second of perfect silence and then you, Sam and Dean all burst out laughing. Sam reaches for you again, but you shuffle past him, rush towards the stairs and up instead. Itās only a few moments later that you hear the brothers follow you, their boots clopping on the stairs. You make it to the bedroom and then turn around.Ā
Sam practically flies into your arms, and he grabs you so close that it almost lifts you off your feet. Deanās next to him a second later and the moment your lips leave Samās, they touch Deanās. All three of you are roaming hands and pulling on clothes and touching skin that youāve touched a thousand times before, but it feels different. It feels new.Ā
Sam starts touching you between your legs when youāve rid yourself of your clothes, but you shake your head, push him back towards the bed and when he lies down you climb on top of him. You grab Deanās arm and pull him with you. He kneels next to you on the bed, and you kiss him deeply, hold on to him while you sink down on Sam.Ā
Your moan is high and needy, and you ride Sam fast and hard while your fingers work between your legs, and soon he needs to tell you to stop or he wonāt last, wonāt be able to hold back, but you donāt want to stop. You beg him to let you keep going and he does, pulling you down hard against him by the hips soon, his head thrown back, eyes squeezed shut, upper lip pulled into a snarl as he empties himself into you with a long, loud groan.Ā
Wasting no time, you grab Dean immediately, hold on to his shoulders as he pulls you off Sam, lays you on your back. Heās inside you quickly, his entry eased even more by his brotherās spendings in you, and he fucks you slow and deep, looks into your eyes when heās not busy kissing you.Ā
Heās gentle in it all and when you come he doesnāt cover your mouth with his, instead he lets you cry out, because, right now, this is your house and no one can hear you.Ā
Sam, insatiable one that he is, waits until Dean finishes, and even though heās not hard again yet, he uses his fingers instead, until youāre squirming, panting, roots of your hair wet with sweat, your entire body feeling like itās more alive than itās ever been. You feel like an animal that has only one goal, only one focus, one purpose. Soon, youāre crying out again.Ā
The three of you fuck most of the late morning away like this and you feel almost comatose by the end of it. You all doze off after the two clean you and themselves up, and you wake up a few hours later to your stomach rumbling.Ā
Dressing haphazardly, just enough to make yourself comfortable, not to actually hide your nakedness, you slouch down to the kitchen. Dean uses the meat from the day before to make sandwiches, and youāre pretty sure theyāre the best thing youāve ever eaten.Ā
All the while, youāre talking, gesticulating with greasy fingers, and you keep reminding yourself that you donāt need to stop yourself from kissing Sam or Dean, from staring at them, from saying things that make it clear what they are to you.Ā
This is heaven, youāre pretty sure. Deanās right.Ā
You wish things could be like this forever.
Thank you for reading! ā”
Want just my writing? Follow me at @yayitsmylastdayonearth.
āSupport me by buying me a coffee!
"You meet Sam and Dean Winchester on a hot summer afternoon when youāre seven. You donāt know it yet, but they will become the most important part of your life."
WARNINGS
This story is Sam x reader x Dean, as well as Dean x reader and Sam x reader.
Specific warnings can be found on the individual chapters, but here are some general ones I found important to mention ahead of time.
Neglectful parents. Referenced sexual abuse. Polyamory. Heartbreak. Pregnancy & child birth. Explicit sexual content.
A NOTE ON CANON DIVERGENCE
I've taken some big liberties with canon (I hardly know her) that will become apparent while reading, but here is the gist of it:
Mary Campbell makes a deal for her lover's life with a cross-roads demon and is killed by it ten years later. John goes on the hunt for the demon and takes his infant and toddler sons with him. Sam isn't fed demon blood. The brothers aren't the warriors chosen by heaven and hell to fight an apocalyptic battle.
They are just boys, not loved enough or not the right way. Rough around the edges.
They spend their summers at Bobby Singer's house in Sioux Falls. This is where they meet you.
PARTS & CHAPTER OVERVIEW
New chapters on Tuesdays and Thursdays.
PROLOGUE - If only things could be like this forever - 6/11/26
PART I masterlist - 6/11/26
PART II masterlist
PART III masterlist
PART IV masterlist
PART V masterlist
I want to thank @kblognar for their amazing help with this fic, for getting my head straight when I went down the rabbit hole and for loving the bbys probably nearly as much as I do. I also want to thank @ambiguous-avery @aniresrene @bettystonewell @jollyreads @aseafullofstars, all of who I have yapped at about this and who have been there to support and help! This was two years in the making and I am ready for this baby to see the world.ā¤ļø
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hopping into your inbox with a random question for youuu :D (no pressure ofc <3) i'm sure they would both be wonderful, however in your opinion
who would give the better massage, sam or dean?
(like a nice thorough + soothing one after a long ass day)
Hello my lovely!! ā¤ļø I love this question, I love a random question, I love the little blue badge next to my inbox*, weeeheeee!! š„°š„³
So I know that I am extremely Sam-pilled, but I gotta say, to me this is no competition: it's Sam.
I'm sure Dean loves the idea that he gives a good massage, but you cannot tell me that his rough-and-tumble, ADHD ass can focus on anything longer than two minutes. I KNOW he's gonna try to show off how strong he is, until his victim partner is squirming away. He also thinks lotions and oils are gay, so.
Sam on the other hand would be all the way down. You know he's read about it. He warms up his hands first. It's not just foreplay to him though of course it can be. He can hit all the right pressure points with those big ol' hands.
Yeah, I think that sums up what I'm thinking exactly. š
*there are plenty more lovely asks/requests/fic ideas in my inbox. I've simply been too busy to work on anything but Sun bleached flies. Now that's ready, though, I'll finally have some time! Thank you all for your patience! ā¤ļø
The concept the fully adult writers of SPN have of women just randomly leaving their full ass bras behind after hook-ups is the spiritual brother of those NASA engineers asking if 100 tampons would be enough for a one week mission.
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No, because that scene in "Lazarus Rising" where Bobby tries to whoop Dean's ass and then they hug real long and close when he realizes it really is him is so "tough ass girlfriend who doesn't trust anybody, we fucked nasty in the kitchen right after this" coded.
Should I write this?
BEST LAID PLANS
āDonāt cry, Caroline. Iām supposed to be the bad guy.ā
Ā Ā Ā FORBES, Caroline; SALVATORE, Stefan
Ā Ā Ā Ā Ā Ā Caroline visits Stefan during his imprisonment.
Ā Ā Ā Ā Ā Ā c.Ā S03.e07-08 (missing scene)Ā Ā Ā wc.Ā 1k
Ā Ā Ā Ā Ā Ā cw.Ā ref. to canon-typical violence
She tiptoes down to the cell just before dawn, holding her breath, trying to creep on barely her tiptoes so she wonāt be heard. Itās dank in the cellar and what happened to her here is still fresh, pervasive in the gloom. She has every intent of opening the door, of delivering the speech sheās practiced a thousand times in the mirror, but as her fingers brush the lock panic rises up in her throat, her heart starts to race and she bites her lip enough to draw blood, trying to keep herself under control.
She sinks to the floor, her spine coming to rest against the steel. She leans her head back, looking at the ceiling, closing her eyes and listening to the ragged sounds of his breath on the other side. She had wanted so many things form this moment, to accuse him, to save him, to fix him the way he had fixed her because she owes him that much, at least. She sighs at how her best laid plans always seem go astray, because now that sheās here she just canāt. Canāt see him like this, starving as she starved, suffering as she suffered. The lines between them are too real, and she knows that if she looks him in the eye sheāll let him go, because they are the same and she has to believe itās what heād have done.
She thinks in the quiet, with only his rasping to pace out time. He was once her salvation, and now he simply breathes and it illustrates her deepest fears: if he canāt be saved, what hope is there for her?
She loses track of how long sheās sat there, leaning up against the steel door, the metal as cool as her skin with neither warming the other. She doesnāt doze, doesnāt dream, doesnāt dare to move. And then he speaks.
āCaroline.ā
It chills her and suddenly she feels like ice. She stills herself, stops her breath, tries to even stop her heartbeat. She doesnāt want to be here anymore, but she canāt just run away.
āCaroline.ā
Her name is soft, melodic, sweet and low. Itās a loving note that hasnāt flowed through her in forever, but it still resonates to her core. She closes her eyes and draws in a shaky breath, shaking her head, telling herself no, no, no.
āSomeone kept you in here. Just like this.ā
She can feel herself start to tremble again, her eyes pricking in the way that heralds tears. She wishes, for once, to feel the pressure of the change. Her eyes stained with blood would be less painful than having them salted and drained.
āYou can't deny it, youāre all over this place. You and charred flesh. You were hurt here. Burned. Werenāt you?ā
Itās a question she canāt answer, but she doesnāt have to. The evidence in locked in there with him, and if the ghosts of her cries have left, her blood still stains the stone floor, her skin is still fused to those chains where the vervain they were treated with burned her. She covers her face with her hands.
āYouāre ignoring me. You think I donāt remember, because I donāt care, but I do. I remember. I promised Iād never let anything happen to you.ā
It hurts to hear him say it again, hurts to be reminded that his promise meant nothing, that he doesnāt care anymore, that he isnāt on her side. Her forehead drops to her knees and she squeezes her eyes shut because the tears are coming now, a gentle, insistent trickle.
āI would have stopped it. I would have come. Even monsters keep their promises.ā
Itās not quite the apology she wants, the apology sheās wanted from everyone that didnāt save her, the apology she never gets. He isnāt sorry, he canāt feel sorry, but it feels like this admission is as close as sheāll ever get, so she accepts it, assimilates it. Believes it.
āI donāt deserve this, Caroline, no more than you did. I canāt change what I am. Nobody can fix me, thereās nothing here to fix.ā
Sheās crying quietly, holding herself tightly to keep form falling apart. Heās saying all the things she once said, and even if she knows heās playing her, trying to manipulate his way to freedom, every word rings clear and true within her heart.
He doesnāt ask her to release him, he just speaks, his voice calm and even, only the slightest edge betraying his hunger and his pain. She listens and she weeps, for him, for her, for all the space thatās come between them. She weeps until her tears run dry, and then she quiets before fresh tears allow her to weep some more.
āDonāt cry, Caroline. Iām supposed to be the bad guy.ā
She turns, damp eyes looking up at the covered window into the cell, remembering the thin light that filtered in through that small slit, the faint hope even such slight illumination brought her. She bites her lip, crawling up the door, pressing her forehead to the closed shutter, pressing her body up against the steel to feel something, anything besides the impact of his words and the resonance of his voice. She thinks if there are bad guys, they are not down here this morning and curls her fingers around the latch to slide the shutter free.
āCaroline?ā
She wants to peer through the window into the cell, wants to see his face turned up into the dim light, perhaps straining in the dark to see her. She wants to, but she canāt, canāt hold his gaze with him still bound and her still on this side of his subjugation. She cinches her eyes shut, positions half of one within his sight, presses her palms flat against the door, and breathes. Her eyes snap open for one brief second, just long enough to catch a glimpse of her fallen saviour.
āIām sorry, Stefan...ā
And then she runs: into the sunlight, into the open air, into the freedom she canāt quite enjoy anymore.
a/n : this back catalogue entry was originally written and posted in 2011. We have preserved it's original format, and no additional editing or alterations have been done.
many thanks to @aniresrene, @velvourne, @sorryitsmyfirstdayonearth and @middleearthislife for the encouragement, the fics are being released.
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I know absolutely nothing about TVD, BUT my super lovely, super talented friend wrote this, so if you are a fan, I can pretty much guarantee this will be a treat! šā¤ļø
Summary: Dean may be gone but the memory of him lives on in the moments spent with the ones he loved the most in Baby.
How many miles do you think Deanās Impala has under her belt? Itās hard to truly calculate. Sheās been across the country and back again more times than anyone could probably count. He even somehow managed to get her to Alaska. Donāt ask me how he pulled that one off, but he did. Maybe if your feeling lucky, sit him down with a glass of that strong amber colored whiskey and heāll pull out a map and pencil, start crunching the numbers. Tracing all the backroads and highways heās took her through.
But thatās not really the point of this.
Because we know Dean has a bond with his car that goes beyond the metal, vinyl, and chrome. Baby held his life in her frame. She carried every version of him, little Dean sitting in the front seat with John, tired eyes trying their best to stay open on the long hauls. Teenage Dean gripping the wheel for the first time , sly smile on his face , thinking about the day he will finally get to take her out on his own. Hunter Dean covered in blood and grime, sometimes barely holding on until he can get to the next rest stop to patch up his wounds. Even a softer version of him, only those closest to him ever really got to see. Ā And the people who loved and who knew him best, they understood that. Their memories of Dean are tied to that car too.
Jody remembers the practical things first. Dean and Sam showing up on a random day of the week, the rumble of the engine in her driveway. Sheād remember Dean sliding out of the driverās side, waltzing up trying to act tougher than he felt but sheād see the tired look in both of their eyes. They were grown men but underneath it all they were her boys. Sheād usher him in along with Sam giving them a tight hug and making them a coffee or a hot meal. Theyād talk for hours on end , catch up, and for a moment forget that their lives were sometimes covered in muck and blood. When the day was done sheād see them out , Dean promising to stop by again soon, a brighter smile on his face as he and Sam left her front porch and shed wave goodbye to them as she watched the Imapala drive away. She loved seeing that car in her driveway if she was honest, because it meant the boys were safe and alive. It meant backup. It meant she wasnāt alone.
Claire would remember Dean in the impala as an infuriating āold manā but dependable. The kind of dependable in a way you donāt appreciate until later. Sheād remember his lectures from the front seat, all gruff and edged with concerned, masked as annoyance. His hands would be tight on the wheel as he lectured her about something reckless, she did on a hunt. On the outside it was infuriating but she began to realize that it mattered to her more than she realized back then. It was because Dean always showed up when it mattered. To Claire the Impala was proof that even when Dean was gruff and annoying, even when he didnāt know how to say the right things, he still showed up, every time.
Garth remembers how sacred that car was to Dean. Heād probably joke that getting into the Impala felt like entering church where the gospel was classic rock and the saints were all heavily armed. But Garth understood it more than most. Heād remember how Deans whole face changed behind the wheel, how it calmed him, centered him, make him feel like himself. Garth knew that Baby was Deans safe place before he ever really had one.
Jack would remember all the lessons he learned from Dean. Heād remember him teaching him things from the front seat, not always patiently but in a way that Dean only knew how to show that he cared. Heād remember the music, the old box of tapes. Deans hand drumming on the steering wheel, the rules about no food. But one of his most cherished memories is the day Dean taught him how to drive. He was so nervous that day, white knuckling the steering wheel and riding the brakes. But when he finally got it, the way he drove Baby smoothly down that endless highway, glancing over at Dean who acted like it wasnāt a big deal, but the pride on his face told a different story. Ā It was one of the best days of his human life.
Castiel would remember the strangeness of how much meaning one human could pour into an object. He didnāt understand it at first but over time, he would. The impala was where Castiel saw some of Deans most human moments, the exhaustion, the passion, the stubborn hope, and the unwillingness to give up on the people he loved. He remembers riding shotgun once, a quiet early evening, the sun setting on the horizon, his favorite tape in the deck and looking over at Dean.Ā Understanding that this was as close to peace he ever got.
Sam would remember everything.
Heād remember being a kid, curled up in the backseat, half asleep while Dean tucked a blanket around him. Heād remember the motel parking lots, bruised knuckles on the steering wheel, arguments that always ended in silence. Heād remember the laughter too, dumb jokes, singing along to old songs, the way Dean always looked most like himself behind the wheel. He remembers every long haul with his big brother, all the roads and state lines they traveled across. He could sit you down and tell you exactly how many miles Baby had because every one of them he was there. He was so grateful to have been there.
And thatās what makes the thought of one last ride hurt so much.
Because itās the pieces of Dean left behind in that car, worn seats, the box of tapes, the fingerprint on the steering wheel, the ghost of his laughter. The way everyone who ever loved him could climb into Baby, close the door, and find some version of him still there.
So this is how it goes, huh? You say you have a little headcanon thing you got lying around, gonna take a look at it and see if it's anything. And then you write THIS, and I'm tearing up after the first couple paragraphs. I see how it is! And then I hit the: He could sit you down and tell you exactly how many miles Baby had because every one of them he was there.
I would say don't ever do this again, except that I really, really hope you do it again! Besitos, lovely, this was incredible! ā¤ļø
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