Misplaced Lens Cap
Product Placement
Keni
"I'm Dorothy Gale from Kansas"
祝日 / Permanent Vacation
KIROKAZE
RMH
hello vonnie
tannertan36
Andulka
Kaledo Art
we're not kids anymore.
art blog(derogatory)
Jules of Nature
Show & Tell
Three Goblin Art
Love Begins
ellievsbear
seen from United States
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@somewhatstationary
"AMAB" i mean so what. i was jaundiced at birth too but nobody seems to want to assign social significance to that. they should though. they should assert that i will always have a jaundiced soul no matter how much urine i process. and mock me for my weak faggot kidneys #myweakfaggotkidneys
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Home is in the ribcage.
Have I mentioned this was inspired by an animal crossing quote
happy pride to the gay people in my computer <3
this fetish stuff is getting out of hand what the fuck is word play
[looking at people younger than me] you have your whole life ahead of you [looking at people older than me] you have your whole life ahead of you [looking at myself] its over
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Maybe the real Backrooms was the mental illness we made along the way
I love tumblr tags so much. Like okay here’s the main post and here’s my little secret thoughts and addendums for the besties
Does Maggie Stiefvater know the impact that “I want you to know that I was more when I was alive” had on someone who became chronically ill very young and feels constantly behind their peers and invisible and incapable to participate and—
Folks I’m trying to pick apart my feelings on The Great Gatsby musical, and like,, why does it end on a “hope springs eternal” monologue from Nick?? I haven’t read the book since highschool, but surely Nick wasn’t feeling hopeful after Jay’s death about how we all have our little delusions that we keep throwing ourselves towards.
Ending with a “Roarin On” reprise does bring it back to feel a little more absurdist/ commenting on the cycle of vapid frivolity that meant no one except Nick cared deeply about Jay in the end, but still, I feel like this should’ve been a sad song about Nick’s disillusionment, right? Or at least “Roarin” should’ve been minor or dissonant or otherwise wonky in someway to illustrate that this party mentality is sick and destructive, right?
(I guess you could say that “New Money” reprise does the sick mentality part a bit at least, but that’s still pretty jaunty and not reflective of Nick’s grief/ the tone of the ending of the book)
I get that a bummer finale would’ve been, you know, a bummer after “Beautiful Little Fool” but,, idk, Hadestown pulled it off. It’s a sad song guys!!
(Shout out to Eva Nobelzada though💕, she’s a perfect Daisy)
Omfg I talk like Rocky PHM…
I’ve literally ended actual spoken sentences with the words “question mark,” and other online tone indicators regularly slip into my speech too….
I don’t know if this is cringe or awesome
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"the most unrealistic thing about project hail mary is that a woman is in charge" WRONG look up the glass cliff. women are much more likely to be promoted to positions of power when things are going poorly and people need a woman to blame. she refers to herself as the "world's whipping boy." the person put in the position to have to commit ecological and humanitarian crimes of that scale in order to save the earth would only ever be a woman.
sososososososo captivated by bat child’s possible disability allegory. like there are things she can do to get a degree but she’ll never be able to do what she wanted to do with her life. it really speaks to the grieving many of us have to do for ourselves in a way? generally really interested in vampirism as a disability. also forearm crutch user bat child is real to me #mybat
"get a job" "unemployed behaviour" okay but like. girl your ableism
girl your abelism. girl your inexplicable capitalistic worldview. girl your view of labour productive for capital being directly tied to your worth as a person. but also really holy shit girl your abelism!
disabled clown: oh boy I made it home! As a treat I’ll put on my compression socks and my compression belt and my compression shirt and my compression handkerchief and my compression handkerchief and my compression handkerchief and my compression handkerchief and my
I can be the ship and its sailors
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*deep breath* If the antifascist (esp. American-centered) art you make or consume refuses to acknowledge the truth that framing this time period as the "sudden rise of fascism" along with its supposed volatility (i.e. "it can't last; that's not how its built") is just a comforting construct to keep white Americans from reckoning with their literal centuries of active and passive participation in this country's fascist, genocidal violence against Indigenous and Black people, your art isn't just wrong...it's worthless. How can you imagine dismantling unjust systems without seeing the blood on your own hands? How do you comprehend the size of the fight for mutual liberation without seeing that the scale of the threat is exponentially larger than your personal experience of the danger of state violence; or is your envisioned win condition only as shallow as the return to your previous sense of safety?
Ignoring the complexities and well-established enmeshment of fascism in Western culture for the sake of simpler stories to inspire rising to this moment in history only builds fair-weather fighters ill-prepared for the rigors of revolutionary action. It also widens the rift between those newly awakened to the struggle and their neighbors that have lived it for generations (and have built and maintained systems of community support and resistance that have protected them for just as long).
If antifascist art doesn't first demand you turn the eye inward, it is only escapist fluff.
I've been reading On Tyranny recently, and the kind of antifascist art that she is describing resonates with what the author calls "a politics of inevitability".
It's characterized by a comforting belief in some larger force or fact of nature that will override other factors to bring about some condition. So, of course, there's nothing you or anyone else should do!
I was raised with the idea that capitalism and democracy were endemic, and will automatically bring about the best conditions for society. So all that stuff in the past can be forgiven and all the bad stuff now will sort itself out. And in that way, I learned that history was over. There were no new choices to be made.
It took some unlearning to move towards a politics of responsibility (which Democracy requires to survive) where I accept myself and everyone as mutually responsible for what happens now, and in the future. And therefore also accountable to the past and its legacy.
I want to be heard (doesn’t speak) I want to be understood (doesn’t explain) I want to be seen (acts like if a missing person was right in front of everybody)
