flameo, hotman!

there are a lot of episodes of ATLA where the main characters aren't totally right, because they need to learn a lesson about something. they're kids, it's a kids' show, there are morals to get across. that's not a bad thing; for the most part ATLA tells those stories really well without condescending its characters or its audience, which is why the cast gets to grow and change so organically and we're all still frothing about how good the writing is twenty years later.

but when Katara attacks that old man right there in public where everyone can see, she's right. this isn't a lesson about her needing to learn patience or humility or deference to her elders or respect for a belief system that's different than her own. in that moment Pakku is both the face of the Norther Water Tribe's cultural misogyny and an asshole who has disrespected Katara personally, and instead of having to find a way to play nice she gets to attack him with everything she's got.

she doesn't win. she can't win, it would be ridiculous. but the show knows this; Katara herself opens the scene by saying she doesn't expect to win while Sokka and Aang try frantically to talk her down. it's not about winning, it can't be. Pakku is, very literally, old enough to be her grandfather; he's had decades to master his form in a walled city untouched by war. Katara is 14 years old and the only bender from a village that's been diminished to nearly nothing. there's never been anyone to teach her; the artform died out before she was born. she has nothing. every scrap of knowledge she has is something she's had to struggle and steal for. how much of her waterbending has she learned on the fly, improvising as she fights desperately to keep herself and her friends and innocent bystanders alive? she's the Avatar's waterbending master, sure, but she's learning alongside him.

and she still gets to hold her own, for a few furious minutes. this old man doesn't even initially respond to her challenge, won't even dignify her by looking in her direction, treats her with scorn when he does finally address her. she is always, always at a disadvantage against him but she gets to make a scene, she gets to tear down entire structures, and she gets to be right. the fight ends with Katara immobilized in ice, completely outmatched, still seething and snarling at Pakku that she's not finished with him. she never backs down for a second, never doubts even for a moment that she has every right to beat this man's ass for the way he's disrespected her.

and the narrative backs her up on that, 100%. Katara is, frequently, unreasonably self-righteous to the detriment of herself and her friends, but this isn't one of those times. there's no moral for Katara to learn here; Pakku is the one who needs to get his shit in order.

Aang: back in my day it was called weed city

Sokka: I’m… pretty sure it wasn’t

Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.

Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.

Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.

Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.

The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.

what if… we held hands in the Secret Tunnel…….. and we were both boys? 😳 haha jk….. UNLESS 

this ultraviolet morning light by @zukkaclawthorne starts posting today!

This is a monumental failing by the Avatar live-action show runners.

Your favourite characters can (and should) be flawed. A massive part of Sokka’s character arc in season 1 is specifically on his sexism and how he faces it.

Removing all the conflict out of a story, ruins the story. I don’t want squeaky clean characters, I want characters who overcome their flaws, and I also want irredeemable characters who are dickheads.

To convert CD audio into mp3s, you just follow the steps here

To play mp3 files, you download an mp3 player like Winamp here and away you go

On mobile? There are plenty of free mp3 players for your phone available, too, so check them out

If you have the CDs, it will be easier to rip them. Most music managers include this feature and you will have all the track information loaded into the file. There are also pirate websites where you can download entire albums with their metadata attached, but there could be risks associated (I would worry more about viruses than lawsuits these days, though). Deciding a method for acquiring music is a balance of the required time, the alternative costs, and other pros/cons like supporting the artist or taking the risk of pirating sites.

1. Find the song on Youtube. YT has pretty much every song at this point, usually in comparable quality to what you would get on a streaming service.

This is great if you already listen to music on Youtube, but there might be a better method for going direct from Spotify, though this will work either way. The main downside to this method is that official music (and even lyric) videos sometimes have non-music portions so you might have to listen to the whole thing to be sure. SponsorBlock will highlight non-music sections for most artists, so if you have it installed you can tell at a glance if this is the case.

2. Download the audio from YT. There are many ways to download YT videos completely for free. It’s probably against the YT terms of service, but you’re not going to get sued.

I like y2mate for downloading YT videos (or their audio in mp3s) because it’s a simple, ad-free website. You just paste in the URL for the video you want to download. Sometimes it’s laggy and you have to come back later, but usually after a few moments the video loads, you select your download quality (the highest), and then save it. For easy file management, download everything in folders for the Artist, and then sub folders for the Album, and name the MP3 file the “song name”.mp3.

3. Upload to your music player/manager of choice. The file will currently be lacking metadata (Artist, Album, track number, etc) and will be added to the library as a song with its title set as the file name minus its .mp3 extension. Various music players/managers have different ways to add metadata (usually accessed by right-clicking the song) with varying ease.

iTunes is free and and logical if you have an iPhone, but limited in its capabilities. I do all my management/listening in MusicBee (free for Windows) because of its playlist and management features, as well as having a very customizable interface. You can set it to scan the folders you download music to so it will automatically load things into your library, or do so manually. Once loaded into MusicBee, you can batch edit an entire album’s metadata at once easily with Auto-Tagging. Auto-Tag can fetch the details from the internet and fill in artist, tracks, album artwork, etc and save that information to the mp3 file. You can edit this manually if needed too. Drag and drop the edited songs to any other player you may want to add them to so it can find the files.

4. Now you can use the player of your choice to listen endlessly, form playlists, etc. Some free music managers also have music discovery/recommendation features for expanding your collection.

MusicBee allows you to create playlists with folders, subfolders, and dynamic features. You can export these playlists for cross-platform play on other computers with MusicBee installed. I think the playlist features on MusicBee are better than what is on streaming services. You can create an auto-playlist of your recently-added music so you can easily find the ones that are new and might need need editing, adding to other playlists, etc. I have custom tags for music by LGBT artists, sapphic love songs, and more. I also drag-and-drop these playlists directly into iTunes so I have them on my phone too (you can do this to make a new playlist or just edit/add songs to a current one).

There are many music managers/players, including cross-platform ones with streaming, though they usually have fees for that feature. Because you aren’t streaming the music and rather storing it, you’ll need space on each device you want to play the music on, but memory is cheap these days.

You can buy a 2TB external harddrive for less than Spotify or Youtube Premium costs for six months, so having to store the songs isn’t much of a downside. Plus, the song will never “leave the service”, you can listen to it offline, etc.