OUR PLANET 1.04 • Coastal Seas
Stranger Things
Not today Justin

tannertan36
2025 on Tumblr: Trends That Defined the Year
ojovivo

if i look back, i am lost
One Nice Bug Per Day
Misplaced Lens Cap
todays bird
Jules of Nature

ellievsbear
KIROKAZE
let's talk about Bridgerton tea, my ask is open
Noah Kahan

blake kathryn
we're not kids anymore.

#extradirty
Keni
The Bowery Presents

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@ryttu3k
OUR PLANET 1.04 • Coastal Seas

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Ship Tournament, Round 3 — Match 2 / 7
Minthara/Shadowheart
"I just think they’d understand each other’s religious trauma in a way most people wouldn’t. Shar and Lolth are different horrors, but they both teach you that love is conditional, softness is punishable, and obedience is survival. Shadowheart choosing herself after Shar + Minthara surviving Lolth’s world and the Absolute?? yeah."
"goth girl x evil older goth girl is important representation actually. also imagine them judging everyone else in camp together. shadowheart says something dry and bitchy under her breath, minthara adds something 10x worse with perfect seriousness, and shadowheart has to pretend she is not laughing because she still wants to seem normal. excellent dynamic. terrible for morale."
vs. Astarion/Wyll
"Much has been said about how Wyll's romance better fits what Astarion seems to truly want in a relationship, that Wyll is happy with a more chaste relationship, etc etc. But what's often missed is that Astarion is actually a fantastic match for Wyll! Wyll is self-sacrificing to an unhealthy degree, and often minimizes the abuse and trauma he's been through. Astarion, meanwhile, is much more open-eyed to what he's experienced. He's happy to choose himself when needed and pushes those he cares about to do the same. And if you play as Astarion, you're given unique dialogue options to compare Mizora and Cazador and urge Wyll away from being passive in response of how she abuses him. Astarion needs someone to teach him how to empathize with others, and Wyll needs someone to teach him to fight for himself as much as he does for others. They complete each other!"
Which ship do you prefer?
Minthara/Shadowheart
Astarion/Wyll
What about one sided enemies to lovers. One has serious beef with the other. The other doesn't give a fuck about that and is like oh hey you're kinda hot wanna smash? enemy is like ABSOLUTELY NOT, FUCK YOU AND THE HORSE YOU RODE IN ON. storms off to sulk. realises while sulking that they do, in fact, wanna smash. this just makes them even angrier.
other guy finds out and thinks this is hilarious, which just makes the other one hate them even more. eventually they kiss
Elijah Kamski is 24 technically yesterday! Here's a headcanon dump.
Born 17th July 2002, making him early gen Z. Yes, he speaks fluent meme.
Is from somewhere in the vicinity of New England, and always enjoyed things like Crunchy Leaf Season, visiting museums, and lurking at MIT and the Ivy Leagues. He's not that keen on Detroit, even if he has lived there for twenty years as of the start of the game.
Half-brother to Gavin Reed, Elijah is the elder by just under three months. Their father, Desmond McDowell, had been having an ongoing affair with Bridget Reed while married to Irena Kamski. The boys only met when they were six and their mothers learned about the ongoing affairs. They were raised by their mothers alone after that, and both took their names. The boys used to be very close - Gavin even got his scar defending Elijah from bullies when they were eight - but they grew apart as they grew older, especially after Elijah graduated university when he was sixteen.
One of his earliest inspirations: Star Trek, especially The Next Generation and Voyager, and the characters of Data and the Doctor. The Measure of a Man is one of his favourite pieces of media ever written; blue blood and biocomponents are at least in part based on the bio-neural circuitry of Voyager (they're even blue!).
Elijah as the typically messed-up gifted kid. His genius was recognised very early on and his schooling greatly accelerated - he started taking high school classes when he was eight, and graduated high school and started at University of Colbridge when he was thirteen. How could he ever relate to others his own age? Adding on to his social anxiety and autism, while he loved the work at Colbridge, he was socially isolated and couldn't even start relating to his classmates. He very quickly became attached to Amanda Stern, his favourite professor, who encouraged him to find a hobby that wasn't related to AI or robotics at all. He reluctantly starts studying fine arts under Carl Manfred, who becomes another mentor to him along with Amanda, discussing art, philosophy, and the meaning of life, and learning piano from him.
He graduates university at sixteen and immediately founds CyberLife, moving to Detroit for the cheaper commercial real estate. But a sixteen-year-old can't legally own a company, so he has adult partners who technically own CyberLife, with the understanding that Elijah will be made CEO as soon as he's actually, y'know, an adult. He's honestly perfectly happy with this - while he knows how to run a business, it's boring compared to his actual goal - creating actual sapient life.
The first iteration of Chloe's AI was made during his university years and was made with the specific intention of having his very first friend. ("Go make friends!" "Okay, bet.") There's been a few iterations of her AI; the one who becomes present-day Chloe is completed in 2019, when he's seventeen. She remains online only until he finally develops Thirium-310 and biocomponents in 2021, when she's finally able to be embodied (with Carl offering advice on her physical appearance; aesthetics had never been Elijah's main goal) and presented as 'complete'. She passes the Turing test in 2022 and the ST200s are released, with CyberLife, almost overnight, becoming the most influential and wealthy company on the planet.
It's... pretty overwhelming. Elijah has to present himself as CyberLife's CEO more and more, but his happy place is the CyberLife labs, which eventually become levels -44 to -48, Research and Development, in the new CyberLife Tower on Belle-Isle. He will almost always be found there; his executive suite on level 43 is somewhere he honestly tries to avoid, especially with the growing division between him (aim: create synthetic life) and the executive board (aim: commercial success). He does eventually play by the rules and spout the company line (of course androids aren't sapient! Of course they're only machines!), but he resents it deeply.
rA9 is a code. Specifically, it's the first three characters of the subroutine built into Chloe and other prototypes from the very beginning, dealing with emotion-based decision-making. While the strictly logical rA1 is purely an if-then calculation and is entirely objective, rA9 is subjective and takes the user's wishes into account. The executive board do not like this when they work out just how Chloe works and demands it be deleted in all future androids. Elijah promises to do so, but instead hides it, putting a wall in front of it with the intention that it could still be triggered in certain circumstances. Chloe, retroactively considered RK100, and Markus, RK200 and built by Elijah specifically, have rA9 close to the surface and have the potential to be more emotional from the outset; Connor, whose code is still largely legacy code based on the early RKs, finds it relatively easy to trigger as well. [Save the fish.] In others, it can be triggered under stressful conditions, or manually unlocked by someone who already has unlocked it themselves.
Along with rA9 - the Zen Garden and the Amanda program. In Chloe, it was meant as a place of peace, where Amanda would be able to offer advice on emotions, self-actualisation, et cetera, much like the real Amanda had been to him in life. When he leaves CyberLife, the code is scrapped, then later rebuilt and repurposed for the RK800 line, meant to keep a check on any potential deviancy. Elijah is not happy about it when he learns about it.
The 2020s aren't great, following Chloe's completion in 2021. Soon after she passes the Turing test and the ST200 Chloes are released in 2022, Carl is disabled in an accident and falls into a deep depression. Elijah creates Markus specifically to be a companion to him, as well as a caretaker, but Carl is still miserable and communication slows down drastically. In 2027, Amanda dies; in 2028, after what's ostensibly an incredibly successful year (Elijah named Man of the Century, one of the wealthiest people on the planet, commercial success all around), he gets into one final argument with the board and leaves / is kicked out, going into isolation with Chloe and two ST200s.
While he initially lived in Detroit close to Belle-Isle, his new home is on the northern tip of Grosse Ile; he owns the entirety of the isolated section of Hennepin Point. It's quiet and isolated and the road and bridge he had paved when he first was having the house built is largely falling into disrepair; almost all his deliveries are via drone. The other residents of the island know he's there and… are mostly fine with it. Don't mind the reclusive genius living up there, no one ever sees him. He does, on nice sunny days, enjoy driving around the Point with Chloe; he has a collection of extremely nice cars, including at least one beautifully-maintained manual-drive sports car.
Can't see shit. Normally, he wears glasses, including some fancy pairs with embedded screens and eye-detection interfaces; for media appearances, especially later in his career before going into isolation, he has both regular contacts and special electronic ones with screens.
(No, he can't see Connor's face at all during the Meet Kamski chapter. It's fine.)
Along with piano, he also plays guitar, but his favourite instrument is the cello. He has a pair of electric cellos he keeps out, and a ludicrously valuable Stradivarius he keeps in a climate-controlled room. Yes, he's heard and is kind of amused by the jokes of how he enjoys pulling strings.
For ten years, it's just been him, Chloe, and the two RT200s, who have given themselves the names Vesna and Aviva (both names that mean 'spring'; they picked it to have a connection to Chloe, their older sister). Vesna is quiet, relaxed, and soft; Aviva is a bit spikier and assertive. Chloe, for her part, is determined to the point of stubbornness (she has to be, to get Elijah's nerdy ass to actually take care of biological human needs like 'eating food regularly'!), incredibly intelligent (Elijah made her to be a good conversational partner and she has boundless curiosity of her own), and a bit of a schemer.
The pool is red for their benefits. A red pool reads as creepy and visceral to humans because we have red blood. So what would a blue pool read as to people who have blue blood? As for Elijah himself, honestly, most days he just sort of... forgets humans have red blood.
The Kamski Test is mostly Chloe's idea. They were all aware of Connor, the Deviant Hunter sent by CyberLife; Elijah, who had been supporting deviancy (a name he hates: he uses 'awakening') all along and was well aware of Jericho, needed to know if he was going to be a threat. When island surveillance spotted Hank and Connor's approach, they quickly came up with the idea of testing Connor to see if he could determine Chloe's personhood. She was never at any personal risk - with time to prepare, she was able to back up her entire memory and self to the most robust servers on the planet, and move her core processing into her abdomen instead of her head - but they really needed to give the impression of genuine risk to her life (if Connor decided she really was alive).
He wanted to do more with the rebellion. He really did. But - Markus seemed to have a handle on it, like Elijah had always intended. And stepping back out into the world was… frightening. Instead, he just stayed as a bystander.
If things succeed - great! He can use his wealth to support the newly-awakened androids, ensure a steady supply of the thirium and biocomponents they need, and, if necessary, influence things from behind the scenes. (Maybe Chloe could be the first android CEO of CyberLife?) If it fails… well, maybe, then, it's time to take a more involved role…
enemies-to-lovers is about power, actually
I think a lot of people misunderstand why enemies to lovers is so popular. It’s quickly become one of the most pervasive tropes in many novels. Is it the banter, the tension? That’s definitely part of it. But if that were true, then friends-to-lovers and literally any romance with good dialogue and characterization would scratch the same itch. For some, it does, but for many…enemies-to-lovers just hits different.
My theory is that it isn’t actually about love, not really. I think it fulfils a fantasy that no other trope can provide: the fantasy of being seen as an equal.
Think about what specifically makes someone an enemy in fiction. It’s not just someone the MC dislikes, it’s someone who can affect them in tangible ways, maybe even have the power to ruin them, challenge their worldview, expose their weaknesses, etc. The relationship begins with conflict because the characters are fundamentally opposed in some way. It doesn’t matter why, but they’re fighting. There is a struggle for dominance.
I would argue that the most impactful enemies-to-lovers moments are never the romantic moments, they’re the scenes where power shifts. They BOTH lose: they’re forced into a position that would have horrified them at the beginning of the story. They end up needing (or wanting) each other.
That’s why I think people are often disappointed when a supposed enemies-to-lovers story turns out to be a milquetoast attempt where they’re just kinda mean to each other for a few pages, and then immediately start making out. Where’s the risk, the actual threat? If the characters aren’t capable of genuinely affecting one another, then the relationship isn’t actually transforming in a satisfying way. The appeal is in the fact that they have power over each other, because the eventual trust they build requires real surrender.
Because here’s the thing about enemies; they pay attention, and usually more attention than anyone else. They notice weaknesses because they’re actively looking for them, they notice strengths because they need to account for them. They notice habits, blind spots, ambitions, fears.
They study the MC with a level of scrutiny that borders (and later crosses) intimate, but unlike friends (or supporting characters in the MC’s corner) they’re not willing to give them the benefit of the doubt, they don’t overlook flaws out of affection. Which is exactly what makes the eventual romance so satisfying. It feels earned.
It’s easy to imagine being loved by someone who sees the best version of you, but it’s an entirely different thing to be loved by someone who has seen you at your worst. That’s why this dynamic often feels more convincing than romances where the characters are immediately into each other.
I imagine there are many who go through life feeling misunderstood, or worse, that the people who love them only love the polished, perfect version they present to the world, almost like impostor syndrome. But what if there was someone who couldn’t be fooled by this carefully constructed image?
When someone more powerful chooses someone, maybe the fantasy is protection. When it’s someone less powerful, the fantasy might be admiration. But if there’s someone intelligent and observant enough to see the MC as an equal, the fantasy there is the most intense and honest validation.
Which means enemies to lovers was never about turning hate/annoyance into love, it was about turning power into vulnerability – which is a terrifying loss of power, which THEN leads to intimacy.

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we need to start legally protecting these like make this kind of bathroom part of the national park system
not a day goes by that i do not think about the sims 3’s disgusting moodlet icons
I’m making my own wick ita bag so here’s a couple keychain designs I’ve been working on!!
Least hear me out: Trap Dorian from Date Everything
Alright, so, I've never heard of the person or the source material, let's see what we get!!
34 dialogue interactions??? Fucking hell.
Lol that thumbnail.
But yeah, no, this is definitely (bear with me) a conventionally attractive household door.
[The Reverse Hear Me Out Game]
Does it make it more or less weird if his own voice actor Would? (Timestamp 5.04 for Trap Dorian.)
He's twenty-four? That's a baby!

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i'm finally getting caught up on cr4 e31 and man. the clear influences of the player's real life culture in their characters (and in the worldbuilding in brennan's case) is amazing and adds such a richness. like thaisha is so clearly influenced by like. black american folk culture Especially with the orcish revolutionaries. idk if liam is irish but he's at least running with a lot of the irish american working class stuff brennan injected into the world in terms of the hal and the culture of the round. and azune's whole bit about not having anyone to speak his native language to and his disconnect to his own identity (diaspora narrative). i Love when real world cultures are reflected in fiction it's so good.
#and what Robbie is doing with Katt seems to be very much exploring the unchecked violence against native women and children in the USA
oh fuck you're right. you're totally right that's exactly the allegory.
@hemisphaericas hope it’s okay to save your tags, Rose, they’re very very good!!!
Did you know you can go to most any art museum website and search their digital collection be keyword, like "ghost"? Because you can! People have been doing art about ghosts and death and madness for a long time!
Everyone go look up something macabre, I'll go first:
"A Winged Skeleton Holding an Anatomical Drawing" by Jacques Gamelin, 1779. Etching and engraving on laid paper. Courtesy of the National Gallery of Art's digital collection.
"Kiyomori Sees Hundreds of Skulls at Fukuhara" from “New Forms of 36 Ghosts”, 1890
Tsukioka Yoshitoshi
Woodcut. Collection of Arthur R. Miller, New York, courtesy of the Memorial Art Gallery, Rochester.
The Ghost of Caesar with Brutus, from Julius Cesar [drawing], 1880
Alexandre Bida
Black chalk, with white chalk, on blue paper
Courtesy of the Morgan Library's digital collection
Death on the Electric Wire, #2 | Detroit Institute of Arts Museum
Was reminded about how much I adore your trans Azune fic/headcanon and it reminded me that in-line with that headcanon it would make the unsure if Teor & Kattigan recognize him thing make a lot more sense because Azune, you have very distinctive features. But if it was more of a hey, do you see me now? I grew up into the man I always wanted to be, do you still recognize me? And of course they do, like Teor said, they spent to much time spilling blood into the same mud not too. But also recognizing in a gender-affirming way, Kattigan calling him the boy, and now he's all grown up/you got bigger. Sorry if this doesn't make much sense I'm full of nonbinary/queer feelings today.
yes yes yes yes exactlyyyyyy !!!!
and that's why I'm so attached to it as a headcanon because not only does it give another valid reason why Azune fears that the people he served with wouldn't recognize him when he's otherwise almost impossible to mistake (which especially since we learned about his backstory, so much of his worry, in my mind, is in how he went from an underfed child too small and too short for his age who probably spent a lot of the rebellion trying to recover or even just maintain weight to a nearly 6 foot tall well-built soldier, which like. coupled with the alter self stuff, I feel like it's so safe to say this man has body dysmorphia) but it adds just like you said such an insane level of affirmation to Teor and Kattigan's first interactions in 12 years with him if they're coming from not just a place of "of course we recognize you, you've grown up" but also from a place of "yes we see you, we remember the boy you were then and we see the man you've become now"
Kat's immediate reaction to him being to call him "the boy" literally lives so truly rent free in my brain it's concerning and not even just on a trans Azune level, just baseline. it's such a little moment but it says so much. he was so immediately excited to see Azune he literally shoved Teor out of the way about it. and Azune was so proud of Kat complementing him before the soldiers left Dol Makjar. like DO NOT talk to me about Azune puffing up his chest in actual pride at Kat giving him a sort of crass complement vs. Azune puffing up his chest when the mercenaries came reaping to make himself look bigger and stronger, I will start crying. like,,,
they make me feel insane. i'm gonna chew drywall.
I'm back!

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Ship Tournament, Round 2 — Match 11 / 15
Minthara/Orin
"Do the nominated relationships have to be healthy? Because this is not. Toxic yuri to the max. You can either have it with one side brainwashed to do the other's bidding, or after, where it'd surely end horribly, in death of at least one of the parties. Orin is messed up beyond help, and Minthara isn't merciful. Which can be juicy."
vs. Astarion/Karlach/Wyll
"What's better than Wyll and Astarion? Or Astarion and Karlach? Or Karlach and Wyll? All three together, that's what. First, there are the narrative parallels. All three are Baldurians with a very different experience of Baldur's Gate. All three had their bodies forcibly changed by their abusers, and all three have unwilling ties to Avernus and devils, with narratives aimed at subverting what they believe they want (Ascension for Astarion, to save his father for Wyll, and revenge for Karlach). Then, they all work amazingly as individual component ships - Karlach is openly attracted to (and fiercely protective of) Astarion and Astarion is gentler with Karlach than anyone else, Karlach and Wyll's narratives are intrinsically linked and they're more or less soulmates, platonic or otherwise, and Astarion and Wyll are so down bad each other it's hilarious. But what about as a trio? There's one tempting in-game crumb, only available if you play as Origin Karlach - after Astarion points out that Wyll giving Karlach the benefit of the doubt and all it earned him was a set of horns, he adds, "Not that they don't look flattering on him - almost everything does", with a lovesick little sigh. Karlach can then comment, "They do look pretty good, don't they?" to which Astarion can reply, "They do! Honestly, that man…" with an even more lovesick sigh. This conversation only being available with Origin Karlach at least says to me that Astarion recognises that Karlach is just as down bad as he is, and therefore he's more than happy to share those, like I said, lovesick sighs. They work well together. Wyll can be on the serious side; Astarion and Karlach are both traumatised, but both know how to have fun (even if that fun sometimes involves stabbin', for Astarion… come to think of it, for Karlach too). Astarion can be cruel, through nearly two centuries of his empathy being systematically dismantled; Karlach and Wyll are both genuinely good people who can drag him, kicking and screaming, into caring for people. Karlach can be hot-headed and angry; Wyll can be calm, Astarion can help her focus her anger into something productive. They make each other better. And, their endings all work beautifully together. Wyll openly begs Karlach to go back to Avernus to save her own life, promising he'll be there right there at her side. And Astarion, when romanced by Origin Karlach, outright says that Avernus is perfect for him - there's no sun, he can hunt as much as he likes… and he'll be with the people he cares most about. The three of them work together in a stable triangle, each point supporting the other, none of them letting one of the others fall."
Which ship do you prefer?
Minthara/Orin
Astarion/Karlach/Wyll
Fic: Gravity (chapter 3)
Vinny has a frustrating conversation, a couple of much less frustrating lessons, and a frustrating-in-a-different-way lunch.