Thinking about the Hadestown proshot and Orpheus being introduced wiping down a table with his back to the audience. Hermes has to call out to him again to get him to take his opening bow, and for the show to start, Orpheus has to turn around.
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@sleepdeprivedsurgeon
Thinking about the Hadestown proshot and Orpheus being introduced wiping down a table with his back to the audience. Hermes has to call out to him again to get him to take his opening bow, and for the show to start, Orpheus has to turn around.

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if someone is beating you with a stick and you say "stop please" and people are like "please articulate the details exactly how you want society to function without that guy beating you with a stick" you are under no obligation to answer.
while the work of envisioning society without police is worthwhile, it is not necessary that each of us have it at the tip of our tongues, it is easy enough to say "not this."
because, after all, the goal is not to, as individuals or some vanguard, have the answers, the goal is to solve these problems and build new societies as a society, collectively, we offer processes, not answers.
the answers, we'll figure them out together, for now, abolish the police, we are not safer for having an armed gang that enacts racist violence with impunity.
— Margaret Killjoy
the wire heavyweight bracket round 1: OMAR LITTLE vs DEPUTY OPS WILLIAM "BILL" RAWLS
omar
deputy ops rawls
they really put her through all that in the second episode. when she was only two episodes old.
gonzo meets mr. spock

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let them fight
call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?
✌️🩸

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okay
The camera zooming into Rolin laughing at this part specifically during the DM line read 👀 Which, apparently, is exactly Rolin's type of humor:
Throughout S1-3, to quote Snequanimity:
"Armand, we are constantly told, was a catamite. He's a twink bottom. He was a limp, passive ragdoll for sale. His daddy groomed him into a little bitch. He's emasculated, a beige pillow, his sexual performance is so-so, he's desperate and needy, he's a pussy and a betaboi. In short, he's too gay, not Lestat's ideal of a masculine bisexual man. like this is some kind of corruption of character, being the receptive partner in anal sex"
Recently, ONE journalist has FINALLY commented on this
and that's because the journalist himself is a gay Indian man:
[recommending something i sincerely love] ok so the thing about it is it kinda sucks
appetite
inspired.

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In its right place
miserable peter my beloved!