Sidekicks are the real heroes

“Your ancestors are impressed that you are an educated woman!”

“Your ancestors are proud that you are thriving in spite of what society did to them and you”

It’s all very sweet! But! Necromancy! Is! Still! Illegal! Your ancestors are going back in the ground!

And my manager was like no!!!! If that happened, I would drive to find you guys in my truck and we could eat stuff from my wife's garden and I would make sure everyone I know survived!! I would carry you all on my shoulders away from the zombies!!

Employers liked offering this structure because then they didn't have to like, try to guess how long the invasion of spain will take and then carry 800 coins per soldier around the battlefield where it could be captured. It also gives them the chance to budget around the assumption that they take an enemy city and *find* vast sums of treasure even if they don't have the full value at the beginning of the war.

The main flaw of this system is that it's very easy to end up in a scenario where if you have, say, 50,000 guys that have been fighting for 800 days, you now owe 40 million silver to your army, and if the budget has not worked out to a 40 million surplus, you literally can't afford to end the war, but you can probably afford to pay them for a couple more weeks. So then you have to start thinking creatively.

I assume that's a more modern historian coming up with a clever characterization of army pay, but all I've been able to find is either sites talking about modern fast food wages or else a thousand articles about "why ancient roman soldiers were paid in salt"

(I had a brief moment of recognition reading that, because "opsonins" in immunology are a category of proteins that stick to foreign objects and make them tasty to your immune cells.)

1. You probably dont suck at your craft as much as you think you do, I bet a lot of people are amazed at what you can make, and

no. tell me what you fixed. i wanna know what the glitch was.

you know those patch notes that are like “fixed an issue where if the player sat in a bush for too long, they’d become the size of a skyscraper” 

“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”

Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.

“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.

But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.

— Roger Ebert in conversation with Hiyao Miyazaki