Beneath the Trees Where Nobody Sees Halloween Special (IDW, October 2026) variant cover by J Gonzo
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Beneath the Trees Where Nobody Sees Halloween Special (IDW, October 2026) variant cover by J Gonzo

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Why Isn't Forgotten Realms More Popular?
Despite the title, this is not really about the Forgotten Realms. Rather, it's a rumination on the importance of the mundane in your fantasy as a means to ground the magic. Mystic Arts is a YouTube channel dedicated to TTRPGs in general and Dungeons and Dragons in particular, but this particular episode is more about fantasy settings in general, in any medium, and the importance of putting as much thought into the mundane aspects of world building as you do into the fantastical elements.
Profits Soar As Taylor Farms Rebrands As Biological Weapons Manufacturer
It's worth quoting Matthew 25: 31-46 in full:
"When the Son of Man comes in his glory, and all the angels with him, he will sit on his glorious throne. All the nations will be gathered before him, and he will separate the people one from another as a shepherd separates the sheep from the goats. He will put the sheep on his right and the goats on his left.
“Then the King will say to those on his right, ‘Come, you who are blessed by my Father; take your inheritance, the kingdom prepared for you since the creation of the world. For I was hungry and you gave me something to eat, I was thirsty and you gave me something to drink, I was a stranger and you invited me in, I needed clothes and you clothed me, I was sick and you looked after me, I was in prison and you came to visit me.’
“Then the righteous will answer him, ‘Lord, when did we see you hungry and feed you, or thirsty and give you something to drink? When did we see you a stranger and invite you in, or needing clothes and clothe you? When did we see you sick or in prison and go to visit you?’
“The King will reply, ‘Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me.’
“Then he will say to those on his left, ‘Depart from me, you who are cursed, into the eternal fire prepared for the devil and his angels. For I was hungry and you gave me nothing to eat, I was thirsty and you gave me nothing to drink, I was a stranger and you did not invite me in, I needed clothes and you did not clothe me, I was sick and in prison and you did not look after me.’
“They also will answer, ‘Lord, when did we see you hungry or thirsty or a stranger or needing clothes or sick or in prison, and did not help you?’
“He will reply, ‘Truly I tell you, whatever you did not do for one of the least of these, you did not do for me.’
“Then they will go away to eternal punishment, but the righteous to eternal life.”
*******************
I am not a Christian, but I was raised one. A good part of why it faded from my life is that "Christians" ignore Bible verses like this in their actions.

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Uncomfortable.
Voyage d’Hermès, subtitled “Les Mondes Élémentaires: Un Voyage Imaginé et Dessiné par Moebius” or “The Elemental Worlds: An Imagined and Drawn Journey by Moebius“ (2010) Source
“Moebius crafted the entire set digitally on a Wacom Cintiq, a technology he adopted only a couple of years prior, after a lifetime of pen and paper. Elderly and ailing, Moebius was still experimenting with his craft, and with Voyage d’Hermès reaching new heights.”
The Odyssey if the suitors were competent…
Go Check out Neet- she’s awesome (her socials are at the bottom of the linked page if you want to see some of the training videos for this and other silliness)
Madame Xanadu #1 (July 1981), with cover art by Michael Kaluta.
Hergé (Georges Remi 1907–1983) Illustration préparatoire pour une calendrier dans Tintin (1956) Source

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This may be a stupid question, but is the "folk bandit who steals from the rich and gives to the poor" trope ever realistic? Isn't the gig up as soon as the people in power start putting the screws to the people you're helping, until enough of them crack and decide they're better off turning you in?
The short answer is, “maybe?”
One of the staples of a Robin Hood style character is the idea that they’re fighting back against an oppressive regime. This that detail is critical to keeping the whole thing ticking along. When you take that away the situation you’re describing becomes far more likely. So, if your bandit king is harassing the local lord, but the lord is a fairly reasonable individual, then the resulting security clamp down, and even temporary abuse of the peasantry, will be viewed in the context of a response to this bandit.
Central to the Robin Hood myth is the idea that Prince John is already crushing the peasantry, and Robin Hood wanders in to oppose that tyranny. John ramping up his abuse of the people isn’t perceived by them as collective punishment for Robin’s rebellion, it’s viewed as him continuing to abuse his authority.
The irony is, these kinds of characters are far more vulnerable to villains who offer incentives for cooperation. A Robin Hood style rebel is unlikely to be sold out by peasants who view him (or her) as their defender. However, an oppressed peasant who is plied with, “enticing,” incentives, might flip. This may even be effective to flipping members of the bandit’s own team, or even friends. How many offers of amnesty, titles, and treasure would it take to convince a member of the Merry Men to sell Robin out?
To a certain extent, you could can view this situation as a kind of social, “path of least resistance.” If someone is hitting you and the other is feeding you, are you really going to bite the hand that feeds you, in pursuit of pleasing your abuser? Now, in the real world, that answer is sometimes, “yes.” And this is a threat to this kind of a character. As much public support as they may enjoy, there’s likely to be some who would still turn them over to their oppressor on the hope that it will alleviate things, (even if this hope is entirely unrealistic.)
Even in the specific case of Robin Hood, putting a price on his head is more dangerous to him than ramping up the oppression and hoping it erodes his support; because it won’t.
Similar to the point above about how oppression is a critical component, if the local leader is viewed as a basically reasonable individual, if they start talking about needing to employ extreme measures to deal with a bandit preying upon the kingdom, they’re going to have a lot more room to build public support against the bandit. They’ll even have a lot of room to frame this as attacks against the peasantry, as they’re part of the kingdom.
So, why doesn’t this happen with Robin Hood? This hits some details of British history that I’m a little fuzzy on, but the very short version is that when the story was originally being told, it’s possible that the nobles didn’t even speak the same language as the peasants. Go back far enough and Britain was less ethnically homogeneous. Robin Hood, in it’s “modern” narrative context, is about an ethnically distinct king (a Norman) abusing the people (Anglo-Saxons), with Robin as (or at least passing for) an Anglo-Saxon. (Note: This is an element that becomes a lot harder pick up on when you’re looking at a version of the Robin Hood story that recasts him as a disgraced noble. Outside of historical context, it seems like a good way to give him some motivation, and could work if you push the story back a couple hundred years so he’s dealing with William the Conqueror who was the great-grandfather of our villain, but, with King John it actually moves Robin over to being a Norman, thus also an ethnic outsider, and more prone to being betrayed by the peasants.)
Ironically, we can still see some remnants of England’s diverse ethnic history in the language we speak today. In particular, there are a lot of animals where the animal itself uses an Anglo-Saxon derived word, while the word for the meat is derived from French. (For example, “deer” and “venison.”) In very general terms, the Anglo-Saxon speaking peasants interacted with the animal, while the French speaking nobles were the ones consuming the meat. (I’m scratching the surface of a very deep rabbit hole with regards to the development of modern English as a language. This is far more complicated than this example would suggest. Also, there were a lot of other languages getting put in this particular blender.)
If you specifically keep an eye on the ethnic groups involved, and view Robin Hood through the lens of an invading ethnic minority ruling and abusing the, “native,” people, (I’m putting native in scare quotes because the Anglo-Saxons were not, strictly native to England either, they emerged from a mix of native Britons and migrating Germanic settlers from mainland Europe sometime in the fifth century) then the idea that the peasantry would be more loyal to this bandit king than their actual lord starts to make a lot of sense.
It’s also important to remember the most realistic element of Robin Hood, the, “modern version,” of the story, (that is to say, the version that has survived), was written as a political hit piece on King John. King Richard spent most of his reign happily away crusading. As a result, he wasn’t around to collect taxes from his nobles. In contrast, when King John took the throne, he was suddenly close enough to start looking at his nobles, and asking them where his money was. They were, less than amused by the prospect of having to actually pay their taxes. So, while the story is about a tyrannical ruler oppressing his peasants, the reality was it was written by some landed nobility whining about having to pay rent for the first time in a decade.
Now, the actual folk story of Robin Hood predates this version by a fairly significant margin and we’re not sure when because no one ever wrote the original stories down. There’s all kinds of versions of the story out there, including some where the early version of Maid Marian duels Robin Hood in the forest. Maid Marian being an action hero is, actually, canonical. Most early versions of the Robin Hood myth involve Robin Hood being a prankster/trickster who mocks the nobility and steals their stuff, and usually, eventually, gets caught. He then escapes through his wits, going on to mock and steal again. Or, he’s brutally murdered. It’s a toss up. It really depends on who is telling the story. The “giving to the poor” part is more recent, as is the “being a noble” part. A lot of the early versions of Robin Hood is just him performing the medieval equivalent of pantsing… rich merchants? The sheriff is also a later addition to the story.
Robin Hood is like King Arthur. People just kept adding new stuff as they went along. The English probably also stole them both from the Welsh. So, you know, feel free to follow suit.
-Starke & Michi
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Oh hey, that’s my area of expertise hobby.
Bandits-Folk Heroes, aka Noble Bandits (not of the nobility, just noble in character), aka Robin Hoods
Pick a country, search for “Robin Hood of [country]”, and you’ll find tons, everywhere, in legend and/or history. They’ve been around for thousands of years. Rome had Bulla Felix, for example. In 1969, Eric Hobsbawm wrote a whole book about them, called Bandits, and argued that these folk heroes expressed a primitive social revolt. The matter is strongly debated to this day, but it’s hard to argue that they were not perceived that way in their legends (even if said legends don’t track with reality at all, which they usually don’t).
So let’s be clear about what we’re talking about.
real bandits who became folk heroes: 100% true, there’s zero debate here.
bandits who stole from the rich: Well yes, see, the poor don’t have any money, so stealing from the rich is an aspiration, really. Plenty of bandits would steal from the poor (and if you were very unlucky, THE poor), and it wasn’t pretty, but it also didn’t make them legends. By definition we’re talking about more successful criminals here, who robbed important and wealthy people on the road, or raided their estates, or kidnapped them for fat ransoms.
bandits who gave to the poor: That DID happen, but most of the time it wasn’t quite like Robin Hood. If you imagine bandits running around with with a sack of gold and redistributing all their loot to the poor oppressed villagers, it’s extremely rare. Off the top of my head, the only historical figure who actually did that was Pancho Villa, both in his bandit days and his revolutionary days. (That man robbed banks and remained penniless, because he literally gave it all away to people in need. But that man was an exception.) The typical bandit M.O. is not redistribution, it’s charity, and favours for favours. I’ll give you money to cover your daughter’s dowry, surely you’ll shelter me from the authorities if the need arises. I’ll give you a stolen sheep, you keep your mouth shut if anyone asks about me. I’ll give you a tip to take this message to my allies on yonder hill. I’ll be generous to your whole village, and I expect one of you will come alert me if the soldiers arrive. It didn’t have to be directly tit for tat, bandits often built a reputation in general and relied on word of mouth and their popularity. Oh, and the reputation for generosity often went hand in hand with a reputation for being ruthless to informers.
bandits who became folk heroes BECAUSE they gave to the poor: That’s not a given, actually. This element may be absent or inserted later, and it’s always exaggerated even when it does happen. Sometimes bandits become legends simply because they stick it to the Man, and embody a peasant-friendly worldview that’s at odds with the ruling class’s (this is Hobsbawm’s thesis). Or because outlaws are cool, and violence is exciting. Sometimes bandits are 100% reactionary, but are still perceived to stick it to the Man (Jesse James springs to mind). Sometimes they become symbols for an oppressed ethnic demographic. In these cases, their legend SWELLS if said demographic ends up with a nation-state of its own. Now the bandit gets officially promoted to a patriot who fought for freedom, whether that happened or not, and it gets real hard to tell apart fact from fiction.
What happens when “the people in power start putting the screws to the people you’re helping”?
Broadly speaking, this is how bandits get caught. Someone talks, either for a reward or out of fear (and like @howtofightwrite said, that someone may well be a fellow-bandit who turned), and the bandit gets ambushed. If the bandit falls in a fair fight, he fucked up: he shouldn’t be in a fair fight at all, the whole point of banditry is to strike fast, catch people unprepared, and immediately fade back into the wilderness where no one can find you.
The locals you’re helping are also helping you, and in fact they’re indispensable. Without them, you have no shelter, no food, and no information. Forget Robin Hood, he’s made up. In the real world, bandits don’t retreat to a safe hideout in the woods, they MOVE. So they’re either the aggressive sort who wreak havoc wherever they go, like armies “foraging” in enemy territory, and never ever qualify as noble (usually these are a product of war: robber knights, or disbanded soldiers, or desperate civilians who’ve lost everything including qualms), OR they’re the smart sort who make common cause with the locals, and forge relations with them, and take care to operate in areas where they already have kith and kin. So “the people you’re helping” are not random. They’re YOUR people.
This is generally understood by the authorities, which is why the standard method to get rid of such bandits is to deal with their accomplices (in the very broad sense), the local farmers and shepherds. Rarely with a carrot, often with a stick. States have not hesitated to brutally terrorise, displace, or even exterminate the populations of whole regions to catch the bad bandits, a tactic which on one hand works, and on the other hand fuels the legends more than anything the bandits themselves ever did.
If the bandit is the fellow who tossed you a coin and told you a kind word, and the soldier is the fellow who beat the fuck out of you, chained your brother, and straight up killed your dad, well the bandit’s your hero now! Even if he wasn’t before. And you’re gonna tell people he was SO generous he have you a whole SACK of coins, yes sir! And he was bold! And strong! And devilishly handsome! And if that filthy coward from the next village hadn’t snitched, he’d never ever been caught, he was so smart you see. But he did, and he’s dead now, and we made him a song, oh it will break your heart, sir, would you like to hear it?
So if that method worked so well, why was banditry even a thing? Because it’s fucking extreme. It’s like setting fire to the house to get rid of the mice: you’ll only do that if you truly don’t give a fuck about the house, i.e. the local population. So authorities only resorted to that when the situation was completely unacceptable. Otherwise, they might as well tolerate it, and stick to half-measures. A small gang with limited successes probably won’t cause a ripple. It’s when you have endemic banditry, or trade routes become unpassable, or people with TOO much wealth and status get targeted, or the legitimacy of the state itself is threatened, that the measures become extreme.
Retirement
Most of the time, bandits don’t live happily ever after unless
they get a personal amnesty, usually for turning in their companions or straight up bringing their heads
there’s a blanket amnesty after a widespread social unrest which couldn’t be solved any other way
they get co-opted into the state apparatus (as soldiers, irregulars, knights, paramilitary troops whose job is to hunt bandits, etc), and manage to survive all that too, and then get a nice pension / piece of land / reward that sets them up for life (otherwise they’ll become bandits all over again)
If none of that happens, and if they don’t fuck off to another country where no one can find them and start a new life, bandits don’t get to retire. They get caught, jailed, tortured, executed, murdered. Well, there might be a survivor bias here: not WHO survived, but whose STORY survived. If they successfully faded into obscurity, we simply won’t know about them. For our folk heroes though, there’s only one ending: they get killed.
The Anglo-Saxon Robin Hood
The Anglo-Saxons vs Normans angle seems to be from the 19th century, most notably in Ivanhoe by Walter Scott. It can certainly be argued that it used to be a thing in early oral tradition, and it simply never got written down for obvious reasons. It can also be argued that it was not a thing at all, and we’re only talking about it because the Brothers Grimm started that trend where you take your local folklore, project it far FAR into the past, with or without evidence, and arbitrarily endow it with the Eternal Essence of a Nation. It was all the rage at some point, and Scott surely took it and ran, but by now we hopefully understand why it’s a bad take. Nations are made up, they do exist as made-up things, but they do not come with an “essence” of any kind, and most of the time they’re much younger than they pretend to be (see: ethnogenesis).
I think that if there were an ethnic angle to the early legend of Robin Hood, something would have survived, even as a refutation. Cover-ups are often obvious, they may hide the dangerous thing, but you can still see the wraps around it, especially if you know what to look for. AFAIK, nobody mentions anything that could be connected to that interpretation in early records. Nothing at all. It’s unclear if people in post-Hastings Britain felt ethnically oppressed by the invaders to a significant degree. When you’re a tenant and have a beef (hah!) with your Lord, is it because he speaks French? Or because he’s your Lord? And before he came along, did you vibe with your ruling class? No complaints there? Everything peachy?
So I remain skeptical and unconvinced, but always open to new evidence.
Small corrections
The Sheriff of Nottingham is not a late addition, he’s right there in A Geste of Robyn Hode, the very first extant tale, from the late 1400s. Robin Hood kills him.
The good King Richard / bad King John angle is a very late addition. At first we’re not even in that time period, and even when we get there (in a play from c. 1600), Richard is simply the dude who happens to be king, he’s not juxtaposed with the evil brother. As for the ransom plot (let’s steal from the rich to give to the poor ransom good king Richard!), it’s just Hollywood. (AFAIK. Please let me know if you’ve found an earlier record, because I’ve looked and came up empty.)
Robin Hood and Little John walkin' through the forest--
alright! so! early robin hood ballads and narratives don't have an origin story for little john, but a later ballad (robin hood and little john) does. they fight on a bridge in it, but I like looking at illustrations, so I've swapped out the bridge for that tree peaking out of the panel in the first panel bc I enjoy louis rhead's illustrations a lot.
this is some kind of introduction scene after they fight and climb out of the river!
Robin Hood & Little John (edited by Stephen Knight & Thomas Ohlgren)
when marian dressed herself as a man and went looking for robin hood in the woods, but he was in disguise too and because they didn't recognize each other they got into a sword fight, and when after they'd both wounded each other robin hood called for her to stop and invited her to join his band, and when only then, hearing his voice, she recognized who he was and kissed him. that was sexy as hell
they were like. what if marian got to do the whole 'meet robin hood in the woods & beat him at a fight & join his company' thing. would that be cool or what. and they were right
Isle of Skye, Scotland // The Fairy Pools // (2021)
My latest books cartoon for The Guardian

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Good sounds.
The Lone Ranger Origin Story is So Good Though (essay)
As far as origin stories go, the one of the Lone Ranger goes HARD. I'm going to base this on the first episode of the TV show, because the first of the radio show doesn't seem to exist any more (?), but I do assume it's close to being the same. Interlaced with some stuff from later adaptations.
So the first thing we see, is this:
"Six Texas Rangers ride across a western landscape, all courageous, straight-shooting men." Their leader, as we learn, is Dan Reid, a Very Brave Texas Ranger About To Do Very Brave Texas Ranger Things™.
.... and now he's dead.
This kind of bait and switch is something that we are used to in our story telling, but at the time, it wasn't exactly something you expected. The massacre of the Texas Rangers is shocking, even if you know that it's coming. So anyway, the guy you expected to be your Traditionally Masculine Protagonist™ is dead, and the only survivor is...
.... his younger brother, who manages to drag himself to a nearby cave where he finds some shelter and water.
So from the get-go, we have:
A traditionally masculine figure, who is presented to us in a way that we 100% expect him to be a "normal" Western protagonist.
Said masculine man getting killed unceremoniously, and replaced by his younger, therefore "lesser" brother.
Who then vanishes into a cave, which is a very traditional symbol of death/rebirth/transformation.
Also we never see his face, a creative decision that this show was very famous for.
(It's also something that later adaptations mess up, by introducing John much earlier. The whole point is that he was a Nobody before his brother got killed and him catapulted into a completely different genre.)
Then The Other arrives.
Said Other being of course our second hero, Tonto. And look, this is a story from the 1950s, based on the original from the 1930s. It has some issues with racism. But also, Tonto IS an Other, in that he is from a completely different culture than the (white) characters we've so far been introduced to. (And an outsider even to his own culture, but that is never really addressed.)
So anyway, he recognizes John BY THE RING HE GAVE HIM WHEN THEY WERE CHILDREN, a thing I'm VERY NORMAL about, and this kind of makes him stay to take care of him - which he definitely would have anyway, given the way he acts in every single story. (Homoerotic cave scene from 1981 my beloved. The only good part of that movie.)
Tonto's motivation in the entire story can be pretty well summed up with "either it's hella gay, or the writers were just racist and kind of forgot to give their character of colour a motivation beyond caring about the white hero".
Anyway. Moving on.
John recovers, and him and Tonto construct him a persona in the very fun way that he just goes with every single of Tonto's suggestions, even if said suggestions are nothing more than a throwaway line. One of said suggestions is The Mask, which Tonto very helpfully makes him from his brother's vest. The Mask doesn't really make too much sense in-universe (at least not past this first story), but narratively speaking, it fulfills the very important role of marking John too as An Other.
So.
Normal man walks (crawls) into a cave, comes out visibly marked as an Other,
He symbolically carries with him the Traditionally Masculine Hero in the form of said hero's clothes,
Which he LITERALLY wears as a mask.
Then they complete his metaphorical death/rebirth by digging a fake grave.
The rest of the story is spent chasing down the criminals who killed the Texas Rangers, but, like. This whole transformation the protagonist goes through, from a minor but traditionally masculine hero archetype to being his own (still masculine) hero who is visibly marked as An Other, is just, really nicely done. In my opinion.