TRANSISTORADIO

Alan Garner, ELIDOR (Del Rey / Ballantine, 1981), with cover art by Laurence Schwinger.

Painting — oil on canvas board — by Laurence Schwinger for Cornell Woolrich, I MARRIED A DEAD MAN (Ballantine, 1983).

Alan Garner, THE OWL SERVICE (Del Rey / Ballantine, 1981), with cover art by Laurence Schwinger.

Poster by Jeffrey Catherine Jones, 1970. Image clipped from advertisement.

Morris Kantor (1896-1974), “The Black Lace Parasol” (1932), oil on canvas, 74.9 x 100 cm. Featured on the cover of VOGUE, November 15, 1937.

Nancy Spero (1926-2009), “We Are Pro-Choice” (1992), screenprint in colours, on pink Japanese laid paper, 76.2 x 47 cm.

Fred Williams (1927-1982), “You Yangs Pond” (1967), gouache, 57.4 x 69.7 cm.

Robert Silverberg, LA FIESTA DE BACO [THE FEAST OF ST. DIONYSUS] (Caralt, 1978), with cover art by Nestor Goldar.

Maxfield Parrish (1870-1966), “Dream Castle in the Sky” (1908), oil on canvas, 328 x 179.1 cm (sight). Beloved by folks in the “American heartland,” Parrish, who was among the first artists to capitalize on mass mechanical reproduction of his work, was the highest-paid commercial artist of the 1920s.

Brian Froud, “The Wild Wood” (1994), limited-edition lithograph.

Illustration by Web Bryant for Carolyn Ives Gilman, “Random Noise,” REALMS OF FANTASY, vol. 1, no. 4 (April 1995).

“Questing Hero” by Don Maitz.

“Silver Lining” by Don Maitz.

Illustration by Carl Lundgren for Deborah Wheeler, “Eagle’s Beak and Wings of Bronze,” REALMS OF FANTASY, vol. 2, no. 2 (December 1995). Painting dated 1991. Bit of a Maxfield Parrish flavour here.

Illustration by Mark Harrison for William John Watkins, “Good Help Is Hard To Find,” REALMS OF FANTASY, vol. 2, no. 2 (December 1995).