"Prelude to Armageddon", Creepy #41, September 1971, written by Nicola Cuti and Wally Wood, art by Wally Wood
ojovivo
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

oozey mess
PUT YOUR BEARD IN MY MOUTH

tannertan36
Cosimo Galluzzi
DEAR READER

⁂

@theartofmadeline
occasionally subtle
Alisa U Zemlji Chuda
Sweet Seals For You, Always
Misplaced Lens Cap
Three Goblin Art
2025 on Tumblr: Trends That Defined the Year

titsay
he wasn't even looking at me and he found me

seen from Malaysia
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@dirtyriver
"Prelude to Armageddon", Creepy #41, September 1971, written by Nicola Cuti and Wally Wood, art by Wally Wood

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Doctor Strange #7, cover by Stonehouse
Amazing Spider-Man #29, cover by Lee Bermejo
Preview of FML #8, written by Kelly Sue DeConnick, interior art and cover by David López
Preview of Groo: The Prophecy #2, by Sergio Aragonés with Mark Evanier

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I'm French. I didn't grow up with cereals for breakfast. But when I was in the US in 1989 I thought what the heck, let's go for the full American experience and bought some cereals (couldn't find real bread or croissants, anyway).
When faced with dozens and dozens of unfamiliar boxes of cereals, I went for the Turtles. It was awful, I struggled to finish the box. But I kept the empty box as a souvenir and still have it.
Hey infinite scrollers! Do you like webcomics? Do you want a new one?
Things Are Afoot! is coming to Webtoon and Tapas!
I’m going to be reuploading the comic in chunks. Right now, chapter 1 is available in full, and a new episode will be uploaded every Thursday until the webtoon catches up with where the story currently is! As always, TAA! will also be available for free in full on viewfindercomics.com, for new readers who want to skip ahead.
The D-Day cover of the New Yorker from 1944 might be the best in the whole history of the magazine :: "Rea Irvin (August 26, 1881 – May 28, 1972), was an American graphic artist and cartoonist. Although never formally credited as such, he served de facto as the first art editor of The New Yorker. He created the Eustace Tilley cover portrait and the New Yorker typeface. He first drew Tilley for the cover of the magazine's first issue on February 21, 1925. Tilley appeared annually on the magazine's cover every February until 1994.[1][2] As one commentator has written, "a truly modern bon vivant, Irvin was also a keen appreciator of the century of his birth. His high regard for both the careful artistry of the past and the gleam of the modern metropolis shines from the very first issue of the magazine ..."[3]" :: [Robert Scott Horton]
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« As observers of totalitarianism such as Victor Klemperer noticed, truth dies in four modes, all of which we have just witnessed.
The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. […]
The second mode is shamanistic incantation. As Klemperer noted, the fascist style depends upon “endless repetition,” designed to make the fictional plausible […].
The next mode is magical thinking, or the open embrace of contradiction. […]
The final mode is misplaced faith. […] Once truth [becomes] oracular rather than factual, evidence [is] irrelevant. At the end of the war a worker told Klemperer that “understanding is useless, you have to have faith. […]”
Accepting untruth of this radical kind requires a blatant abandonment of reason. Klemperer’s descriptions of losing friends in Germany in 1933 over the issue of magical thinking ring eerily true today. One of his former students implored him to “abandon yourself to your feelings, and you must always focus on the Führer’s greatness, rather than on the discomfort you are feeling at present.” »
— Timothy Snyder, On Tyranny: Twenty Lessons from the Twentieth Century
All three of them.
I spent 13 hours on this picture because I wanted to see if I could do blended shading and not rush through pictures 🙃
And yes, Donald heard a noise and assumed danger.

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Chris Foss
i watched mulholland drive yesterday
For those who haven't seen Mulholland Drive (and I highly recommend you watch it–this is my favorite David Lynch movie): the two main characters go by "Betty" and "Rita" (not their real names), "Rita" coming from a poster of Gilda starring Rita Hayworth.
And every time I watch Mulholland Drive, I keep on thinking, what a missed opportunity. What if the movie poster had been This Gun for Hire starring Veronica Lake (whose first name apparently inspired Veronica Lodge's)?
"Betty" and "Veronica", now that would have been iconic...
The Avengers Annual #7
Marvel Two-in-One Annual #2
Marvel, 1977
By Jim Starlin & Joe Rubinstein. Covers by Starlin.
The Avengers, Adam Warlock, Captain Marvel, The Thing, and Spider-Man battle Thanos.
26.03
@ perfectunion
Drivers in Massachusetts for ride-hailing apps such as Uber and Lyft have become the first in the nation to certify a union.
May 27th, 2026
Magik in Marvel Fanfare #27 by Bob McLeod

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Which album art do you like best?
Janis Joplin, Big Brother & the Holding Company - Cheap Thrills
Pearl Jam - Backspacer
Pond - Man It Feels Like Space Again
None of them (all of them!)
Siegel & Shuster before Superman
Dr. Occult from More Fun Comics, 1938.