call me yard, y'all! drop by my asks anytime, i'm real friendly! there's absolutely no theme involved here except stuff i like, including (but not limited to!) dc and memes.
For the romance, yes - I do think it is frankly astonishing that Percy and Calypso manage to be such a memorable couple despite interacting for (legitimately, no joke) one SINGULAR chapter out of a five-book narrative. And the sequence works well when it comes to further complicating Percy and Annabeth's relationship at the very worst possible time (although the Rachel-quest plot would have been plenty. It still adds to the nuance and the drama of it all in a way that did rewire my adolescent brain chemistry).
But Percy's encounter with Calypso truly does permanently change him - and it's because what she offers him is safety and avoidance. Both of which Percy desperately wants.
I think it is obvious that Percy is captivated and does fall for Calypso as a person. But it's impossible to divorce her from her island - and that's kind of the whole point of the whole sequence, isn't it?
The chapter is literally titled "I Take A Permanent Vacation." Ironic, funny, but also very poignant to frame it this way. Percy is literally burning to death and hurtling towards the earth like a comet the chapter before, he's so injured he can't stand up for more than a couple minutes at a time, he's comatose for like half the time he's even on the island. Nothing about this is anyone's idea of a dream vacation. But for the first time in his entire experience in the mythological world, he's in a beautiful paradise that truly is a beautiful paradise - not a trap or a gimmick. The protection is real. And the company is good. And so in that regard it very much does read like a vacation from his daily struggle of world-ending stakes and constant danger. He's offered the chance to have this forever.
What's beautiful about this offer is that it truly comes with no strings attached. He can stay as long as he wants and leave whenever he wants. It's the most convenient, most pleasant path to immortality you could ever imagine. He doesn't have to sacrifice his humanity to achieve it.
When Calypso makes her offer, she specifically contextualizes it in terms of avoiding the war and the prophecy. Two things which the reader already knows: Percy does NOT want to face.
"You would never age or die. You could leave the fight to others, Percy Jackson. You could escape your prophecy.”
And the reason it works so well is because he really, really does want this:
I stared at the horizon. The first red streaks of dawn were lightening the sky. I could stay here forever, disappear from the earth. I could live with Calypso, with invisible servants tending to my every need. We could grow flowers in the garden and talk to songbirds and walk on the beach under perfect blue skies. No war. No prophecy. No more taking sides.
It's an offer for literal escapism. To a kid whose identity is partially formed around the concept of never feeling safe - even more than that, to a kid whose very existence is perceived as such a threat that the gods have discussed killing him to minimize collateral damage. And he has just had to come to terms with the fact that he is dangerous and he really can cause very severe damage to the world.
The thing about this offer is that it's not even real, it's an illusion - should Percy actually do this, there's no reason to believe that Kronos' conquest would not touch Ogygia. She's the daughter of Atlas, imprisoned for fighting on Kronos' side in the first war. She's probably getting broken out, at least at some point, even if it takes them a few hudred years or so to get around to it - or perhaps the magic of Ogygia (enforced by the gods, at least in PJO canon) would simply stop binding Calypso once Olympus is overthrown. Regardless, it doesn't matter - because Percy's decision is not about reality. It's actually the opposite. When faced with a chance to avoid his fate without anyone knowing - Hephaestus has explicitly said that he didn't tell any of Percy's friends that he's alive because he wasn't sure if he was coming back! - what will he do? Is he in this war by choice, or because he has no other option? It's a reinforcement of his decision to claim the prophecy to protect Nico from it at the end of TTC, but I would argue that it's stronger, because nobody is watching him in this moment but Calypso, who wants him to stay. There's nothing to be gained for Percy by leaving - nobody is going to know how selfless this decision is. He doesn't get credit for this moment of heroism. It's not showy. And he chooses to keep it private after he returns.
This decision also comes on the heels of Calypso and Percy's conversation about why she fought for Kronos in the first war. Percy's worldview has been challenged before, but really only by Luke, the antagonist. But this is coming from someone Percy likes, admires, associates with goodness. And she asks him a question that Percy will struggle to answer: "do you support the gods because they are good, or because they are your family?”
This question is going to be a really, really important one in the next book, and this moment sets up for that perfectly.
It's really no wonder that he specifically asked the gods to set her free as part of his wish. It's also no wonder that he leaves this encounter feeling like she'll always be his biggest "what if." Yes - romantic, sure. But it was much more than that. And it did change him.
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What is so compelling about Percy and Annabeth's conflict over Luke is that they're both right and they're both wrong.
Percy thinks Luke has committed atrocities that make him worthy of death. And he's not wrong. Annabeth thinks Luke has been manipulated by Kronos and still has good in him, and she's not wrong.
I think it is easier to oversimplify Percy's perspective than it is Annabeth's - Luke betrays Percy and tries to kill him repeatedly and so Percy hates his guts out of spite. He therefore can't see why Annabeth keeps defending him. But Percy's rage and hatred towards Luke are justified and logical and continually reinforced by the narrative.
What Luke does to Percy in the Lightning Thief is deeply personal and it allows Percy to experience firsthand just how manipulative and astoundingly cruel he can be. This is a perspective which I don't think Annabeth could ever share, because his relationship with her was authentic, while Luke's relationship with Percy was a sham. When Percy gets to camp, he is confused and desperate for straight answers, he has just lost his mother, Chiron and Grover and Annabeth are essentially hopeless at explaining what's really going on in his life and truly, while they're not trying to be cruel and it's just old hat for them, it still comes across like they have very little sympathy for Percy and how badly his whole world has just been upended. From Percy's perspective, Luke is the only one who has the presence of mind to think "hm, this 12 year old kid who just lost everything he has in the world probably needs a sleeping bag and a toothbrush. I'll go get them for him." Percy explicitly says that this is "the nicest thing anybody had done for me all day." Luke is the only one who sincerely answers Percy's questions and doesn't make him feel stupid for asking them - again, I know Chiron & co. are not doing that on purpose, but for the entire beginning of TLT, Percy asks a perfectly logical question and gets a weird look and a half answer that assumes he's supposed to know more than he can reasonably be expected to know (considering he was actively being lied to for his entire life!) Luke is also the only person who Percy thinks "seemed to understand how lost I felt." And of course we know how moved he is by Luke's gift of the shoes, to the point that he even feels guilty for lying to Luke about not using them.
And the whole time, the entire reason Percy is in this situation is because of Luke. Had Luke not stolen Master Bolt and the Helm, Percy might have been able to continue in the mortal world for a few more years. Or at least his introduction to the mythic world would have been less traumatic - both the Fury and the Minotaur (his worst attacks to date) are sent from Hades, looking for the Helm. Zeus blasts Percy and Sally off the road on their way to camp out of spite for the Master Bolt - otherwise, they would have all three made it to safety and Percy never would have needed to fight the Minotaur (and again, the Minotaur would have never been chasing him in the first place). Sally is kidnapped by Hades as a bargaining chip. All this, because Percy was framed for Luke's crime.
And worse - Luke knows that the entire time. He summons a hellhound to attack Percy inside of Camp, to make Chiron think it's not safe for him to stay there. The hellhound attack is before Percy is claimed, meaning Luke has already committed to framing Percy before he's revealed as Poseidon's son (publicly, at least. It seems Kronos and Hades and Zeus already have figured it out. It’s not like it’s rocket science lol). And then after ruining Percy's life and forcing his hand to go on this insanely dangerous quest, Luke gives him shoes that are designed to drag him into Tartarus. Percy is twelve! Twelve! And he is a completely blank slate in the myth world - for all Luke knows, Percy would have wanted to join Kronos! But he never gets that opportunity - Kronos just wants to use him and Luke is seemingly completely fine with this. And Percy knows that Luke had no qualms about it because he does a supervillain-style monologue about it at the end of the book. He shows Percy his sword that can specifically kill mortals. And then he lures Percy into the woods (again, Luke, age 19, using friendship to manipulate Percy, age 12) and tries to kill him. His parting words are "There is a new Golden Age coming. You won't be part of it." That is cold. Imagine if Percy actually had just died in the woods like he was supposed to - how dark is this?
It is no wonder that Percy never got over this moment - being left in the woods for dead by someone who shows absolutely zero remorse. After you put your trust in them. After they acted so kind to you that you never doubted their sincerity. This is the side of Luke that successfully recruited so many other campers - Silena being another example of someone who was taken in by his manipulation. It’s Silena’s plight that makes even Annabeth, his most faithful defender, question just how evil Luke has really become - so it makes complete sense that Percy, after being personally victimized by it, cannot see Luke as anything other than completely morally bankrupt.
Especially when Luke displays this level of cruelty with total lack of remorse again and again. Luke puts a bounty on the heads of demigods in Battle of the Labyrinth, and taunts Percy while he traps him in the battle arena. In SOM Luke is almost comically evil (to the point that it’s like, really too much - maybe it was written before Rick had hammered out his redemption arc): he pilots a cruise ship full of drugged mortal families, presumably kept there as prisoner. He (age 20) taunts Percy (age 13) about being “out of practice” while he’s beating him up in a duel to the death, then tells him that he wants Percy to watch his bear-monster eat Grover and Annabeth before he dies. He fights Thalia to the death at the end of TTC - and loses, but he was indeed the one that made it into a fight to the death. When it becomes clear that Thalia does not share Luke’s worldview anymore and doesn’t want to destroy Olympus, he tries two different tactics at manipulating her. First, to beg her to join so Kronos doesn’t have to “use the other way” that puts Luke’s life in danger - and again Percy, who has been burned by Luke before, sees through it: “I believed that Luke was in danger. His life depended on Thalia’s joining his cause. And I was afraid Thalia might believe it too.” But this doesn’t work on Thalia, so then Luke turns to, “don’t make me… don’t make him destroy you.” Think of how this frames Thalia’s choice! “Join my cause because if you don’t then I’ll be in danger. But if you don’t then you’re the one who is making me destroy you.” I get it, all of this is nuanced because Luke really is in danger and he’s scared of his own master - he got in too deep and couldn’t find a way out. Defensible, no, but understandable and sympathetic - yes. Sad. Tragic. I feel bad for him. I think Percy does too! But it still puts Thalia in a completely unfair position. Luke is in this spot (and everyone else is also in dire straits at this exact moment) because of his own actions, so he has no business passing this off as if it’s now Thalia’s responsibility. And this comes on the heels of one of Luke’s absolute nastiest moments: preying on his old relationship with Annabeth and using her compassion for him against her, manipulating her into holding the sky, walking away while she screams and pleads for help and telling her to “try not to die.” Stone cold. Percy is watching this exchange between Luke and Annabeth wanting to scream at her to “let him die, let him die!” And it’s no wonder - he sees through the act now. Annabeth doesn’t. It very nearly kills her. Even though I do believe Luke would not have allowed Annabeth to actually die, there is absolutely nothing about his behavior that indicates he cares about seeing Annabeth in that much pain. Why would Percy ever believe that Luke actually cares about Annabeth, after witnessing that? It makes complete sense that Percy thinks Annabeth is delusional for not seeing how evil Luke really is. It makes complete sense that Percy tells Rachel Elizabeth Dare that Luke will use “mortals, demigods, monsters, whatever. And he’ll kill anyone who gets in his way.”
I know Percy is vengeful, I know he is 100% down for murder of abusers—but what I’m getting at is that Luke fully earned Percy’s boiling hatred and he deserved it. It’s justified, narratively. With this context, it is actually remarkable that Percy manages to overcome his inherent suspicion of Luke enough to actually hand him the knife. This is a known, and witnessed manipulation tactic that Luke has used against both Thalia and Annabeth - pretending that he’s in imminent danger. It’s no small thing that Percy has to actually believe that Luke is not lying, this time.
Percy is not so jaded by Luke that his suspicion is irrational—on the contrary, it is not only rational, but smart! And Percy, because he is fundamentally a compassionate person, is able to genuinely sympathize with Luke despite this when he witnesses Luke’s upbringing. This is unprompted by Annabeth or even Hestia—when Percy meets May he reflects, of his own accord, on how her green-eyed-fits could have seriously scared a nine-year-old and judges Hermes for abandoning them.
Still, Percy thinks Annabeth is naive about how evil Luke is, and in BOTL, it seems like he has grown so weary of her defenses that he deliberately antagonizes her about it:
“Something was wrong with Luke,” Annabeth muttered, poking at the fire with her knife. “Did you notice the way he was acting?”
“He looked pretty pleased to me,” I said. “Like he’d spent a nice day torturing heroes.”
“That’s not true! There was something wrong with him. He looked…nervous. He told his monsters to spare me. He wanted to tell me something.”
“Probably, ‘Hi, Annabeth! Sit here with me and watch while I tear your friends apart. It’ll be fun!’”
“You’re impossible,” Annabeth grumbled.
And again, they're both right and they're both wrong. Luke did want to spare Annabeth and he is nervous because he's about to be sacrificed to Kronos. And he also wanted Percy torn to pieces by monsters and absolutely did not give a crap about Rachel's life. There is no question in the narrative that Luke 100% wants Percy dead and would not lose sleep over it. It is, understandably, hurtful to Percy that Annabeth seems not to care about this, or at least not consider it significant enough to verbally acknowledge and condemn. And I think because his feelings are hurt, he doesn't want to listen to her (correct) assessment of Luke's mental state. Rachel provides a very interesting foil to Annabeth in this scene, where she is so disturbed by finally encountering firsthand the danger that is routine to Percy - she tells him that she thought he was going to die, and she sounds close to tears over it. Obviously the reader knows that Annabeth would be emotionally destroyed by Percy's death (and yes, Percy ought to know that too, and ultimately he does - he's even witnessed her grieving for him at this point) - but I don't think Percy feels that from Annabeth in this moment. It feels like Annabeth is more worried about Luke than she is outraged over what he just forced Percy to do. So he lashes out at her. This will happen again, when Percy loses Beckendorf on the Princess Andromeda and nearly dies himself, and the first thing Annabeth asks him about is whether or not Luke survived. And it will happen again, when Percy admits that he jumped in the Styx and Annabeth will begin to express concern for Percy, before her thoughts immediately divert worry back to Luke.
And yes, his resentment and jealousy about Luke prevent Percy from being able to seriously hear Annabeth:
“He gave himself over to Kronos,” I said. “I’m sorry, Annabeth. But Luke is gone.”
“No!” she insisted. “You saw when Rachel hit him.”
I nodded, looking at Rachel with respect. “You hit the Lord of the Titans in the eye with a blue plastic hairbrush.”
Rachel looked embarrassed. “It was the only thing I had.”
“But you saw,” Annabeth insisted. “When it hit him, just for a second, he was dazed. He came back to his senses.”
“So maybe Kronos wasn’t completely settled in the body, or whatever,” I said. “It doesn’t mean Luke was in control.”
“You want him to be evil, is that it?” Annabeth yelled. “You didn’t know him before, Percy. I did!”
“What is it with you?” I snapped. “Why do you keep defending him?”
In this exchange, ultimately, Annabeth is completely correct, and she even is able to get to the heart of Percy's jealousy towards Luke. But the sadism Luke displays that she has ignored (or at least failed to openly condemn), has been wrong. So Percy can't hear it from her. He needs to witness it himself, through his visions of Luke's backstory in TLO. And Annabeth is naive about how evil Luke is - again, you'll see that perception be shattered when she comes to grips with how Luke used Silena. And she'll tell Percy: "You were right about Luke."
In the end, Percy, too, will tell Annabeth that she was “right about Luke.” And she was. He was being manipulated by Kronos, but there was still good left in him. But that doesn’t mean that Percy was wrong about all of the sadism that Luke displays to countless people over a period of years. And it doesn't make it somehow okay that Percy has witnessed the deaths of brave people and friends as a direct consequence of Luke's actions. I don't think Annabeth would disagree with that - I just think she doesn't TRULY come to terms with how bad some of Luke's actions truly were until nearly the end of TLO, and it's frustrating for Percy that she's so slow to process what he has been seeing all along.
And still years later readers are grappling with which one of these takes is the ultimate "correct" take because both of these perspectives were represented so well in the text and neither one of them are wholesale condemned. It's left open. In the end I think the text favors the interpretation that Luke redeemed himself and for that he is a hero - but in that very same resolution, he also dies as a result of his crimes.
one of hoo’s foundational aspects that made me immediately go “this series doesnt get it/doesnt hit the mark” is that rick gave each new member of the seven an insane batshit specialized set of powers to shortcut justifying their inclusion in the prophecy—leo’s case might be the worst offender, with his inclusion being practically prescribed thanks to tia callida and gaea meddling so early on in his life. so the assemblage of characters for the SGP ended up as “we were special therefore we are part of this prophecy,” as opposed to the first series’ approach wherein percy becomes the GP hero after a progressive series of events, particularly thalia’s red herring and his own choice to save nico. the first series took pains to show us that yes, fate shapes the story, but character choices are capable of shaping and even possibly rising above prophecy, in line with overarching themes of personal agency and generational cycles. in the first series, percy and the big three children are specifically, intentionally, notably outliers in terms of power, which is what makes their presence in the narrative so impactful when they do appear. the new members of the seven are part of the SGP simply because the author says they are, vis-a-vis “we are the gods’ specialest little soldiers, look how much things i can make go kaboom!” but it 1) takes away the impressiveness that initially came with the big three children’s singularity, and 2) means that hoo has no personal emotional character stakes tied into the SGP other than the vague apocalyptic threat, which we know the characters will defeat anyway. and it’s not like rick even did a good job exploring the hoo characters’ powers or their implications so it was really fucked from the start lmao
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I was trying to write some fic and started saving a bunch of comic panels to analyze Cass’s speech patterns, so here’s my notes for myself and others! Most of the panels are taken from more recent stuff, like Birds of Prey (2023), Batgirls (2022) and Batgirl (2024).
I have nine points:
Only speaking when necessary
Typically monotone
Sentence Structure
On the job vs off the job
Slang
Facial Expressions and Body Language
Miscellaneous
My personal headcanons (still with some evidence)
I've also been forced to split this post up, since I can't add more than ten images per post :(
1: Only speaking when necessary
Unsurprisingly, Cass doesn’t talk much. This is especially true in group situations, since she doesn’t need to drive any conversation.
[Birds of Prey, Issue #2: Zannah and Black Canary are discussing plans, going back and forth about how to get onto Themyscira. Cass adds “or they’ll be on high alert.”]
The panel above is from a scene showing the Birds strategizing, and this is the only time Cass talks. She’s silent the rest of the time.
For one-on-one situations, she still doesn’t expand much, preferring single-word sentences.
[Batgirl (2024), Issue #2: Lady Shiva dropping some exposition, and Cass asking a question with one word.]
In tense situations, she can forget to speak ‘properly’, dropping words like ‘I’ll’ in the panel below:
[Batgirl (2024), Issue #2: Cass fights Kalden the Unseen after he hurts her friend.]
Also, she’ll talk more casually with people she’s comfortable with, like Steph!
[Batgirls, Issue #4: Cass and Steph banter a bit before being interrupted by Barbara.]
2: Typically monotone
Cass sounds very monotone, a lot of the time. She barely ends her sentences with exclamation marks or asks rhetorical questions. It’s fun to see her contrast her with characters who are more excitable/long-winded!
[Birds of Prey, Issue #7: Cass and Bertha go back and forth after being beaten in a fight.]
Cass also keeps up her usual tone in most fights. Here she is, battling a giant squid creature, focused as ever.
[Spirit World, Issue #3: Cass chides her teammates for bickering at each other rather than focusing on the fight.]
When in more alarming situations, she’ll raise her voice like everyone else. It’s uncommon, but only because it’s uncommon for her to be overwhelmed.
[Spirit World, Issue #4: A mysterious force takes control of Cass and Constantine, Cass looks scared, shouting “Can’t control… my body!”]
Once again, she’s more expressive with Steph. She’s more comfortable with her, and matches Steph’s energy when they’re both excited.
[Batgirls (2022), Issue #2: Steph and Cass exclaim “Bondo?!” at the same time, christening the car.]
As said before, Cass doesn’t talk more than she has to. Where most would use a comma, she ends each phrase with a period. She also drops a lot of ‘unnecessary’ speech.
Birds of Prey #1
[Birds of Prey, issue #1: Batgirl talks to Black Canary, where she greets her by just saying ‘Black Canary.’ without a hello.]
If she can be understood with just a word, she’ll only say that word.
[Batgirls, issue #1: Cass replies with ‘Soap. Towel. Favourite robe.’ when asked if she needs anything.]
Cass uses a lot of ellipses, especially in the early days. She trails off often, and speaks slowly.
[Batgirl (2000), Issue #7: Batgirl tries to convince Batman she’s ready, stuttering.]
4: On the job vs off the job.
Cass is much more at ease and confident with her sentences as Batgirl. She trails off a lot more as a civilian.
[Batgirl (2008), Issue #2: Cass talking to a guy in her class, having an awkward conversation (likely also awkward since it’s implied to be romantic, but still).]
In the exact same issue, Cass as Batgirl speaks a lot more confidently.
[Batgirl (2008), Issue #2: Cass and Marque discuss their plans and trade information.]
5: Slang
Cass canonically picked up dialogue from watching TV, and uses some slang. Although she picked up English almost like a second language, she doesn’t speak like she was taught in a formal, classroom setting.
[Spirit world, issue #4: Cass says ‘gotcha’.] [Birds of Prey, Issue #9, Cass says ‘sorta’ in her sentence.]
If Cass can get her point across just using her face or other non-verbal gestures, that’s her go to. No point using words when your face does the trick!
The page below is one of my favourites, since it really shows Cass communicating a lot without words.
[Birds of prey, issue #7: Cass makes her opinion on potential outfits known with her facial expressions.]
She’d also rather nod or shake her head, as opposed to saying ‘yes’ or ‘no’.
[Batgirls #3: Cass nods her head.][Spirit World #4: Cass shakes her head.]
7: Miscellaneous
Cass can’t storytell well at all:
[Birds of Prey, Issue #1: The team tells Cass she’s really bad at telling stories.]
Cass uses a lot of emojis:
[Nightwing issue #79: Babs remarking that Cass can’t help herself when it comes to emojis.]
8: Veering into Headcanon Territory:
Cass has a very basic grasp on describing what she’s feeling. In my mind, this translates to a very basic grasp of her feelings as a whole.
In the panel below, Cass is very confused about why she’s putting in effort towards her father, and describes him as terrible. She pauses a lot, indicating she’s having a hard time putting together how she feels:
[Batgirl (2000) #65: Cass tells David Cain he ‘sucks’, very simple vocabulary for everything that’s gone down between them.]
I also think Cass has echolalia, which is the ‘meaningless repetition of words spoken by another person’. This only happens a few times but I’ll peddle it.
[Batgirls #2: Cass repeats Stephs words ‘still sucking’, without much reason.]
Conclusion:
Obviously, different writers write her differently, and I’ve tried to grab from a lot of different series to get the main points down. It’s also important to think about what point of Cass’s life you’re writing. In the current stories, Cass can express basically anything she needs to (except anything too complicated like feelings, lol), but in the early 2000s she was struggling with simple sentences. And of course, she didn’t speak at all for the majority of her life! Anyways, I hope you find this guide useful.
This is amazing! This is what I WISHED I could do when I made this analysis of how Cass uses names - you were able to get into a lot of the ambiguous information that exists in the spaces where data isn’t. It’s also really nice to see some threads follow through her whole history - I restricted things to before Flashpoint, and have only read Birds of Prey Cass since then.
cosmic horror is when the Thing is Not Familiar, the Location Makes No Fucking Sense, and the Outside is BIG.
gothic horror is when The Thing is Of Your Own Making, the Location has a Deeply Bloody History, and the Outside is Wet and Cold and Is Caging You In.
folk horror is when the Thing Should Be Familiar, But Is Not, the Location Should Be Pleasing, But Is Not, and the Outside is Trying Very Hard To Kill You
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Coco, the Brim Hat Witch
Spoiler tagged since it does show some stuff from the manga..but her brimmed cap outfit is so awesome, I thought it'd be a great contrast to my other illustration of Coco surrounded by her loved ones🥺
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