Welcome to my corner of the internet. I fell off the cliff into the Clone Wars fandom over six years ago, but Batfam and a whole range of other things still show up here. Currently experiencing One Piece brain rot to an appalling degree. (Oh no! Here comes COD with a STEEL CHAIR!) I occasionally write, with varying success. Feel free to invade my ask-box, I don't bite, and I love to talk to people. But fair warning I also vanish off this site for months and years at a time because as much as I love it it’s also HELL on my mental health, true fax. Anyway! Enjoy your stay! Background credit to: cloven.tumblr.com
I hate how the booktokification of the “unhinged woman” genre has completely reduced the concept of female rage to just “girlboss” without taking seriously how important it is to unequivocally portray female rage.
Throughout the history of literature, we’ve been given countless instances of women in despair and in sadness but save for a few writers (take Euripides, for example), we’ve rarely ever been given angry women who aren’t the villains or the foil for the perfect poised passive princess. Female rage has constantly been subdued and erased or warped into “she’s just batshit crazy” in pretty much every society.
And now that publishing and media marketing has reduced women showing rage in books to the “white hypersexual girlboss with a knife”, instead of uplifting the way women are allowed to have more dimension and sympathy in their visible anger than ever in literature, the media still isn’t taking this subgenre seriously.
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"As an educator, I don’t just want you to feel what I feel. I don’t want you to consider me correct because I said it beautifully. I want to sharpen your critical thinking skills and your world-making capacities. I absolutely do not leave emotion out of that! Emotions are as central as the written, verbal, numeric, social, ecological knowledges we are able to gain to navigate this world and the next. I am just… extra cognizant of how much I can lead viewers to feel with me without further thought. The videos of mine that go most viral are ones where I show the most emotion, whatever that emotion is: hopeful, cheery, despondent, grieved, furious, combative. We love emotion. We live such isolated, stifled lives.
The challenge of reading is to navigate the narrative without the overtures of overt feelings. There is no face to latch onto, no music that sways you. Words on a page especially cannot compete with screen-time. They’re not meant to. The boredom opens up space in your mindscape to your own thoughts, opinions, and feelings."
—Ismatu Gwendolyn, "you've been traumatized into hating reading (and it makes you easier to oppress)", from Threadings on Substack
I see two common formulas when a character is severely hurt
injured >> panic >> faint
or
injured >> hide it >> faint
While these two formulas are great, I am here to propose other things people do when they are in severe physical pain. pain to this degree throws a persons entire body out of wack, show it!
here are some other less commonly found things people do when they’re in severe pain:
firstly, repeat it after me, kids! not everyone faints when they’re in a ton of pain! some people wish they could faint
but they do tremble, convulse, or thrash uncontrollably (keep in mind, trembling and convulsing are something the body does of it’s own accord, thrashing is an action taken by the person)
My wrist was SHATTERED in a car accident. With adrenaline I felt fine. I was totally logical with nurses. I maintained my sense of humor.
Then it was time for x-rays. I told them “I’m happy to try but please let me go at my own pace and I might throw up.”
That’s when they realized no one even offered me a Tylenol despite my OBVIOUSLY broken wrist. So they took me back, gave me a pain pill, and we tried again.
like yes actually there is a conversation to be had about how a characters actions are framed and how they thematically fit with the rest of the story and it can in fact reflect the author's beliefs. some authors are even trying to make a point
not all depiction is glorification but sometimes it is and you need to be able to tell the difference. not because your immortal soul will be tainted by reading The Bad One, but because you need to have reading comprehension skills
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A 75 yo man proudly came into the cafe wearing an Ultra Maga hat. I excused my barista from the register to handle the transaction.
"The hat is customizable," he said, struggling with the velcro patch on the front. "If I need it, I have an ICE one too. I pick based off the business i walk into."
"Customizable is an important hat descriptor," I said. "what can I get you?"
"You wouldn't believe how offended people get these days," he said. "And I'm supposed to do something about it if you're offended? You chose to be offended!"
"We all have hundreds of thousands of decisions everyday," I said. I thickened my accent. "That's what my stepdad always said. But I can make one easier - we have a delicious Ethiopian roast available."
"Like if I told you you have a bull ring," he said, "because bulls have rings in their noses. Is that offensive?"
I laughed. "I've heard that before."
"It's a joke, but people get offended. Maybe you're offended."
I looked at him. I smiled. "You aren't trying to offend me though, right?"
Of course he was. I was being friendly and the friendlier I was, the faster he switched topics. He was saying anything inflammatory he could think of to see if I'd take the bait. After about 20 minutes of my redirecting and deescalating, he settled into a more normal interaction. He took up too much of my time showing me a product I'd feigned mild interest in to get him to stop talking about getting accused of inappropriate behavior at work. When we finally disengaged, he spent 10 minutes trying to catch my eye again. When he failed, he left.
There's this new breed of customer who insists on trying to incite political conversation through their clothing and, when that doesnt work, their snide little comments. If I owned my own business, maybe I would have given the guy the fight he wanted. But I work for a corporation and I love paying my bills so I deescalated.
Anyone wearing that type of shit and preying on workers for their own spank bank material is a brainless fucking sheep.
something i want to mention because i’ve seen it growing as a trend online is that not only do people do this just for their own gratification, but watch for glasses. smart glasses are a growing segment of the consumer market, and creeps like this are harassing people in public in order to gather content without the victims being aware they’re being filmed
I saw a similar post, about people farming content like this, that suggested putting on Disney music in the background if you suspect it, because then they can’t post their stuff because of Disney’s fierce copyright lawyers, so idk how well that works, but it’s probably worth trying if you suspect that’s what is happening and can’t deescalate.
Started using the phrase “that’s cilantro to me” to refer to the presence of a story element that completely ruins a piece of media for me, disproportionate to its actual badness.
Here’s the thing: authors know when they get a rec on an older story. There’s a telltale uptick of kudos (with a 10-15% comment rate if you’re lucky) in your digest email.
The thing is, there’s no way to know where these people are coming from. In the before, when fandom was more in the corners we all knew about, you could search LJ or a message board or whatever social bookmarking site we were using. You could join the community and participate.
You could get a little dopamine hit by seeing someone tell their friends why they loved your story.
Anymore, those recs are hidden in discords, or in tiktoks or instagram slideshows that you can’t search for. They’re inaccessible, not discoverable unless you’re already there. You may never know why 27 people left kudos on an old story of yours, what they liked and found in your writing. You just get the thumbs up and a kinda lonely feeling, cause these could be your people. You could like them, maybe. You could be friends.
But you’ll never find out why they stopped by, or what people are saying about you behind your back, and that’s sad.
So thank you to the people who still do public rec lists on this webbed site. You are my sunshine, and I’m appreciative of all of you.
sometimes writing isn’t about talent. sometimes it’s about sitting in your chair and suffering for 45 minutes until a single sentence crawls out of your skull
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the tragedy of tumblr is you will inevitably meet people who you should be having a sleepover with. you should be rolling around on their floor and rummaging through their fridge and watching shitty movies with. you should be shopping with should be going out to a cafe with should be wandering through the aquarium with. people who you should be experiencing quotidian joys with... and you cannot! because they live one million miles away
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem “intimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.” Crucially, he added that this is “not a matter of laziness on the part of the students” but of underlying skills they were never given a chance to build.
The Chronicle of Higher Education’s 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of “meet your students where they are” for so long that she has begun to feel “like a cruise director organizing games of shuffleboard.”
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessment’s own language, they likely “cannot draw general conclusions based on concepts presented explicitly in a text.” And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austin’s McCombs School of Business showed that the mere presence of a participant’s smartphone — whether that be face down, powered off, untouched, or across the desk out of vision — measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japan’s Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they “kept losing track” of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled “Your Brain on ChatGPT.” They divided 54 participants into three groups writing SAT-style essays — one using ChatGPT, the second group using a search engine, the last group using nothing — and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and “consistently underperformed at neural, linguistic, and behavioral levels.” Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term “cognitive debt” for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brain’s engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the student’s mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not “free students up for higher-order work.” It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their K–12 schooling. Whatever the standards’ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling “evidence” from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on “finding the main idea” in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as “severe or very severe.”
In July 2025, the journalist Mary Harrington argued in The New York Times that “thinking is becoming a luxury good.” The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a “deep work” lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a source’s claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into “this is good” and “maybe add more details” the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
I’m afraid I don’t have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? K–12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that “students will adapt.” They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish students’ sentences before they’ve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
— Tyler Jagt, 1 June 2026, "My Students Can’t Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
I want to be very clear on this: it is not just dependence on smartphones and phones causing mental atrophy. It's that for decades we have taught Three Cueing System as a way to read, and while we are now beginning to correct, it is catching up with us. The reliance on smartphones and short form video are in part a result of illiteracy, not necessarily a cause of it, because we have failed to give students the tools to actually read but also paired it with the belief that they can read. They do not seek remedial reading help but blame the materials for being unclear or too difficult, when the fundamental problem is that the more complex the text, the less functional the three cueing system is. They are often quite literally guessing what the text says by searching for words they recognize (or think they recognize but cannot verify) and texts rapidly become impenetrable nonsense. Of course people will reach for their phones when 90% of the text they encounter in their daily lives and schooling is not accessible to them!
If I was Denethor the second, Steward of Gondor I would not have sent my son to a council meeting to try and get a cursed ring- I would have sent both my sons out to Seduce Aragorn by any means necessary.
If I wanted the crown of Gondor and to secure leadership for my family for all time I would have said boys. Get out there. Make it happen. Fluff your beautiful shiny hair up. Make papa proud
Boromir: It's okay you're not a pathetic wet sack, you're just bookish and in touch with your emotions.
Faramir: Really?
Denethor from the other room: NO, YOU'RE A FUCKIN SAD SACK FIXER-UPPER, BUT WE'RE TRYING TO GIVE HIM OPTIONS
"the prefrontal cortex doesn't fully form until yr 25!!" y do u wish to take more agency away from teens and young adults. y do u refer to phrenology to inform yr worldview. I'm about to undevelop yr prefrontal cortex with a baseball bat if u don't shut the fuck up
for the ppl who keep saying this is an objective fact, from the Wikipedia list of common misconceptions:
it's pop science. it's pseudoscience. it's phrenology. it's not real. it's being used as an excuse to call older people pedophiles and take away the rights of younger people. shut the fuck up.
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Wait I’m sorry parent/child incest fic?????? Why does that exist? Why do you KNOW that exists?????? What the fuck 🤢
I feel like you can sort of tell how long (or not) someone has existed in fannish spaces by how outraged they get about things like this. Like rings in a tree trunk lol. I've been in so many fandoms. At least one, but often multiple at the same time, since I was a teenager. I've seen just. Everything.
Sex pollen. Mpreg. Incest. Monster fucking. Tentacles. Pairings like Snape/Hermione that would be crazy abusive and illegal if they were real. Wild kinks. The babygirlification of all kinds of villains. So much RPF (the 'I sincerely believe they are secretly a couple' kind and the 'this is fictional but it's fun to imagine they're in love' kind.)
You learn to just scroll past shit you don't like or unfollow people or filter tags. The tldr of fandom is that humans are weird as fuck. And creative, and unhinged, and traumatized, and talented. And amazing. And every single thing that you clutch your pearls about 'well surely someone doesn't want to read/write THAT!' - someone does. Probably lots of people do. And those people are perfectly normal. In their offline lives, they're parents and siblings and they have jobs and friends and they go about their lives and they don't cause any harm. And that's the sticking point. There's this really concerning, frankly highly Evangelical idea that if someone enjoys the wrong kind of fiction, they are obviously a Bad Person. But nothing is that simple, and thought crimes aren't real, and you definitely have some thoughts or ideas that someone else would find fucked up. You don't have to like every kind of fic that exists. I certainly don't. But shaming people for their harmless fantasies about fictional characters is so boring. I saw Goody Proctor enjoying a Toxic Ship! Good for you, I'll alert the pope.
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