spooky scary skeletons

the mandalorian, immediately:

She felt undeserving when she was appointed as UN Women goodwill ambassador and sought out Gloria Steinem to learn about feminist activism.

She thinks the criticism she received for being a white feminist was useful because it made her educate herself.

She says there’s a desperate need to reform the education system in the UK to change the way they are taught the history of how Britain has been involved in foreign affairs and how they profited from slavery.

She felt anxious about approaching 30 because there’s a lot of pressure to have a husband and a baby by then and she’s still figuring her life out.

She was so young when she was casted in Harry Potter that she doesn’t remember much of her life before it and she went to therapy to deal with her issues with fame. She used to feel very guilty for being unhappy because she thought she should enjoy fame more.

The interviewer is a transgender woman and they discuss transgender issues for a while. Emma is in regular contact with a trans child which makes the topic of trans rights emotional for her because she’s very anxious for this kid’s safety.

She talks about her role as Meg March in the new Little Women movie and defends that unlike what many people say choosing to be a wife and a mother doesn’t make Meg a less feminist character and quotes a line from the movie, “Just because my dreams are different than yours it doesn’t mean they are unimportant.”  

She wishes more people would realize she’s not Hermione Granger but also understands why they want to see that in her because Hermione is a symbol for her too.

She used to think she could never be happy without a partner and now that she has learnt to navigate that better and is genuinely happy single she’s started to think of herself as self - partnered in contrast to the time when she thought of herself as single = lonely.

bikes are quiet- if the zombies react to loud noises, they won’t hear you on a bike the way they might hear you in a car. bikes don’t need gas, meaning you won’t be stranded if you run out. bikes are much, much easier to maintain than a car- there’s no computer that can short out, no fiddly engine bits that could kill you if you mess with them wrong. you can learn how to maintain a bike with a couple weeks’ worth of classes. almost every adult knows how to ride a bike, and without cars on the road, it’d be much safer to do. 

what i’m saying is

a character gets a sick burn and doesn’t realize it immediately, at some point later there’s just “HEY WAIT A MINUTE”

the double take. this one’s an oldie but a goodie

the injured character makes the killing shot that saves everyone else in a dangerous situation

a character who isn’t speaking is doing something weird in the background, it’s subtle and never acknowledged it’s just there for those who notice it (pulling another character out of something they got stuck in, making a huge sandwich, etc)

the beleaguered assistant inches away from smacking their boss

“quick act natural”

in that vein, the leader character was just in a shouting match with someone and when they come back the rest of the team scrambles to look like they weren’t listening at the door

Multiple characters banding together to lie about something 

Characters being split up for questioning

Really stoic characters briefly becoming happy, freaking everyone out

- Character A is talking, saying something like “It’s not like anybody would ever be so stupid to do that, right”

- Character A telling the rest of the cast to “relax, I have a foolproof plan” and then scene immediately changes to show all the cast fleeing for their lives after the failure of the Definitely-Not-A-Plan-Let-Alone-A-Foolproof-One.

This speaks for itself and I love it

1. Writing a story about a girl who wants something. Plot driven by a woman’s (non-vilified) desire. Truly dreadful execution but still a good idea, sort of a literary incarnation of the “he a little confused but he got the spirit” meme.

2. The fact that when Bella becomes a vampire she can still breathe but “there’s no relief tied to the action” which I remember verbatim because it fucking slapped. The idea of human physical sensations being partially defined by our mortality and the sensations still exist after you become undead but your experience of them is fundamentally different because you no longer need any of it? Extremely cool. The closest Meyer came to taking an interesting stance on vampires being dead.

3. Werewolves are immortal but they can literally stop whenever they want. That shit’s hilarious. Curse of immortality who.