Kitty and Lockheed by Peach Momoko
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he wasn't even looking at me and he found me
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Kitty and Lockheed by Peach Momoko

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Our secret.
Melody of Memory has been out for a couple of days and I finally got my hands on it! Had to draw Kairi for the occasion.

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Kairiâs new attack moves from Re:Mind âŠ
đš Zine pre-orders open January 29th! đš #remindspoilers #remind spoilers #re:mindspoilers #re:mind spoilers
Black cats are lucky. (via leahweissmuller)
MAN [IN THICK ACCENT]: Black cat bring good luck. Not bad luck. I have black cat - See, him face - And I am not dead today: Good luck!
im literally not exaggerating when i tell you guys this video saved my life
This is a damn MOOD FOR LIFE, I tell you what.
This is beautiful, not just because of the lyrics, harmonies and relatable message, but also because Cinderella (Brandy), One of the Hercules Muses (Roz Ryan) , and Mama Odie (Jenifer Lewis) are singing it.  Like we have been blessed. Â
me: learns something absolutely cursed i wish i could unlearn
me, texting a friend: hey guess what i just found out

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When Iâm listening to the radio and theyâre like âwelcome to the throwback/retro lunch hour!â And then they play music that came out when I was in high school
âHow did this happen to me?â
2019 Fashion year in review. (via @rover_thecat)
That mouse necklace!Â
a hard pill to swallow: if an audience can pick up on where the story is going, itâs a good story.
A kinda related note i hope you donât mind me adding on: one of the most life-changing bits of story advice i ever received was actually in a class on âRevenge and Vengeance in the Ancient World,â if you can believe it. The professor was talking about how everyone in ancient Greece knew all the Greek myths back to front and told them over and over again - and someone asked why they would keep retelling the same stories if they already knew they ended.
She explained that basically it wasnât the ending that was the most suspenseful or exciting part, but how you got there. This is why The Iliad spoils its own ending in the opening lines. This is why we have so many different retellings of Shakespeare, of Arthurian legends, of fairy tales.Â
There are no truly original stories or truly unpredictable endings. So, IMO, itâs better to focus on how you as a writer/filmmaker/artist/whatever can bring something new to the body of the story rather than trying to shock and mislead your audience.Â
We have this misplaced focus now on âpreserving the surpriseâ that comes out in really obvious ways like the Game of Thrones finale and Marvelâs slow decline as they refuse to tell their actors or composers anything that they could actually use to add depth to the story⌠but I find it really interesting the subtle ways this focus has affected our media without us even realizing as well.
Iâm currently catching up on an Animorphs podcast by @dorkbajirchronicles, and a ton of places online recommend to new readers to read two of the books out of publishing order in order to preserve this one big reveal, so thatâs what they did⌠and it fell SO FLAT. The casters ended up concluding that maybe itâs just because the series is geared toward kids and theyâre adults, but I think the real explanation is that the reveal ISNâT what people think itâs meant to be.Â
When the readers find out with the characters (out of publishing order), yes itâs a huge reveal⌠but it feels cheap, because itâs not meant to happen in this way. We are meant to find out ten books prior and spend the next chunk of time positively WRITHING with this giant chunk of knowledge that the characters donât have!! It is so much more weighty that way!! The pull for us isnât the surprise of finding out at the same time as them - itâs the intrigue of âI know this thing that they donât know and WHEN are they going to find out??? HOW are they going to find out??? ARE they going to find out??? How will they react???â
And I think that set of questions - the I SEE IT COMING BUT WHEN AND HOW - are what weâve slowly lost in recent years. The best stories are re-consumable even when we know whatâs going to happen. If the only hook is that people donât know where you are going, and thereâs no foreshadowing so they canât even try to predict it⌠youâre doing a bad job.
A good writer can foreshadow subtly enough that when the reveal comes, the audience can go âOH! I SHOULD HAVE SEEN THIS COMING!â and some of them may have even picked up on it and feel so validated :)
Gently telegraphing the finale is playing with your audience â as in playing with so theyâre included in the fun. Springing a BET YA NEVER SAW THIS COMING YA CHEAP SWINE?! ending is mean spirited and only serves the ego of the writer.
Itâs also like the entire world forgot that âdramatic ironyâ exists for a reason. The audience LOVES to know things the characters donât know and yell at them for actions that lead them closer to their demise or victory without even knowing it.
Back in my anime phase, I remember having my fav character's death from what would become my fav anime spoiled for me before I even started the show, but it didn't ruin anything for me. It added a different layer to the show bc so much emphasis was given to this character and her life and I had this horrible knowledge that none of the characters had and it gave the show this wonderful tone to the point where, looking back, I'm glad I got spoiled.
I HAVE WAITED ALL YEAR TO POST THIS
It just hits different...

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âThis is Willo. She likes to awoo while she eats. Tonightâs meal was worthy of a gentler, but perhaps more meaningful, second awoo. 13/10âł (đ)
(Source)