Cud jakiś się stał, Bo chociaż noc całą chlał, Twój stary wstał!
Hasło "twój stary wstał" jako parodię "Don't Bring Me Down" Electric Light Orchestra miałem w głowie od dawna. Teraz przynajmniej rozwinąłem końcówkę refrenu.
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@seriously-mike
Cud jakiś się stał, Bo chociaż noc całą chlał, Twój stary wstał!
Hasło "twój stary wstał" jako parodię "Don't Bring Me Down" Electric Light Orchestra miałem w głowie od dawna. Teraz przynajmniej rozwinąłem końcówkę refrenu.

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Jeszcze Bardziej Żenująca Kejpopiara
Rok temu zanotowałem sobie elevator pitch piosenki dla fikcyjnej kejpopiary o pseudonimie P★CHA (czyta się Picza) - pierwsza była o szczuciu cycem i absolutnie krzywych mikrotransakcjach w koreańskiej grze, a druga miała być o robieniu gały na imprezie.
Mam weekend już, Doczekałam do soboty, Czas na bimbo róż I usta pełne roboty!
I tak oto kolejny raz mój mózg udowodnił, że w dupie ma wszelką regularność i focus. Oto po całej liście produkcji z kompletnie innej beczki, o afrykańskich poniedziałkach, dziwnych dziadach handlujących zielskiem, szkopie co się zesrał jajecznicą, diabelskim kebabie na telefon, pisaniu piosenek, srogich grzybach, memicznych gryzoniach, pracy w handlu i koniu z Valony, wróciłem do pomysłu.
Znowu autotranslator poszedł w ruch - i dał dupy. Najpierw miałem pomysł, żeby zwrotki były po koreańsku z polskimi fragmentami dającymi jako-takie pojęcie o co chodzi, ale Koreańczycy seplenią, niemalże jak Grecy, i angielska transliteracja nie do końca oddaje faktyczną wymowę, w przeciwieństwie do polskiej. Np. król który nauczył Koreańczyków pisać po swojemu zamiast chińskimi krzakami w angielskiej transliteracji nazywa się Sejong, ale Koreańczycy nie robią "dż", więc bliższa oryginału jest transliteracja polska: Sedzong. Gdzie tu problem? Jak wokal przechodzi z tekstu który jest w większości po koreańsku na polski, to kaszani polską wymowę. Więc musiałem cały tekst przerabiać, żeby polskie rymy w zwrotkach zostały, i dokręcać do nich całą resztę linijek, a po koreańsku robić refreny.
토요일 밤이야... 밤, 밤, 밤, 밤이야 (Hahahahaha) Dzisiaj jest impreza w klubie Co nazywa się Sodoma, Po całym tygodniu pracy jestem strasznie napalona, Idę i nie myślę nawet komu pałę dziś obciągnę, I wymagań nie mam dużych, ma być ładny i samotny 토요일 밤이야, 파티 타임, Doczekałam do soboty! 그 핑크색 빔보 스타일, I usta pełne roboty! 나는 걸레처럼 보여요, W końcu mówią na mnie P★CHA, 저도 똑같이 행동해요. Nie liczę, tylko zaliczam! Już w miniówie i na szpilkach Wbijam cała na różowo, Widzę jak się na mnie gapisz, Chodź, bądź moim Mista Lova, Jeśli mi postawisz drinka, To ci chętnie zrobię loda, I wiem że też tego chcesz, więc Chodź póki noc jeszcze młoda 토요일 밤이야, 파티 타임, Doczekałam do soboty! 그 핑크색 빔보 스타일, I usta pełne roboty! 나 성적으로 흥분했어 I gdzieś mam całą krytykę, 나는 아주 착한 소녀예요, Jak obciągam to z połykiem! Ten uroczy chłopiec w skórach Wygląda na nieśmiałego, Zaraz dowiesz się, że dziś jest Twój szczęśliwy dzień, kolego Więc chodź ze mną do darkroomu, Zrobię ci laskę porządnie, I postaraj się po drodze z radości nie spuścić w spodnie 토요일 밤이야, 파티 타임, Doczekałam do soboty! 그 핑크색 빔보 스타일, I usta pełne roboty! 나 성적으로 흥분했어 Po to mam w języku kolczyk, 나는 사까시 해주고 싶어 I ssać aż w ustach mi skończysz Hej słodziaku, masz kajdanki? Skuj mnie nim się rozzuchwalę, Bo nie muszę mieć rąk wolnych Żeby ci obrobić gałę, Prowadź mnie jak gliniarz dziwkę, Bo wyglądam jak blond pustak, Potem rzuć mnie na kolana I pierdol głęboko w usta 토요일 밤이야, 파티 타임, Doczekałam do soboty! 그 핑크색 빔보 스타일, I usta pełne roboty! 나에게 수갑을 채우고 Bo lubię się ostro bawić, 내 엉덩이를 찰싹 때려줘 Zanim w gardło mi go wsadzisz Może nawet być coś więcej, bo się czuję extra slutty, Masz kolegę? Bardzo dobrze, więc mnie bierzcie na dwa baty, Nie mam majtek i hamulców, więc zabawmy się w darkroomie, Jeśli chcesz mnie brać od tyłu, pozwolę ci tylko w gumie 토요일 밤이야, 파티 타임, Doczekałam do soboty! 그 핑크색 빔보 스타일, I usta pełne roboty! 난 정말 섹스하고 싶어, Na dobrą zabawę dziś liczę, 와서 나랑 제대로 박아줘, Więc chodź przeorać mi Piczę! 제대로 박아줘, 박, 박, 박, 박아줘 (więc chodź przeorać mi Piczę…)
Tekst jest absolutnie siajabajkowy, za to w oprawie z niewiadomych i dziwacznych powodów zamotał się styl Monstercata - nie wybrzydzam, jeżeli działa to działa.
That’s…. A new one to me. Sounds fun tho
My personal theory is that fusion cuisine works best when disparate ingredients are trying to achieve similar end goals, like say Szechuan and Cajun. Many immigrant cuisines all over the world work along this principle, with chefs trying to produce dishes from their homelands while having vastly different raw materials or conditions to work with.
Meanwhile if you take similar sets of ingredients that work towards different end goals (like Mexican and Italian cookbooks both have different notions of what to do when the raw ingredients are tomatoes, beef, and wheat) you wind up kind of having to favor one or the other in most cases or wind up with like, linguini in a burrito. Where the spices are different will be the most compelling space more often than not.
That being said, no clue how this will turn out but I would try a kielbasa taco for sure.
A kiełbasa taco, you say? I think I have a vague idea.
You're gonna need a lot of diced, fried kiełbasa. Maybe with some onion. Add some of the best bigos you can find, around as much as the kiełbasa you got. But it's gotta be serious bigos, with dried mushrooms and all the works. Top it with chopped jalapenos and shredded cheese, and you're there.
Hell, I was thinking about chili pierogi long time ago, with chopped jalapenos and chipotle added to the meat for extra kick. Wouldn't be too bad either.
Ledwo napisałem jedną piosenkę po bandzie na podstawie konceptu zanotowanego rok temu, a już po nocy przychodzi mi pomysł na drugą.
Zaczęło się od jednego zdania, które w sumie robi za elevator pitch, a mianowicie "JEBAŁAM SIĘ Z WILKOŁAKIEM." Natomiast rozwinięcie konceptu to beka z tych wszystkich kiepskich powieści posuwisto-zwrotnych z Wydawnictwa Niezdarne tudzież selfpubów dla grażynek-monsterfuckerek.
Motyw następujący: bohaterka dupczy się z różnymi typowymi bohaterami romantasy posuwisto-zwrotnego, elfimi książątkami, wampirami, wilkołakami, smokami, do czego tam jeszcze odniesienie znajdę, a grażynki się zachwycają.

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podziele sie moim ulubionym miejscem <3
Niesamowita przetrzeń, kumulacja. Nie znam się na Warszawce, gdzie to?
To jest po prostu niesamowite, że przy samej ulicy macie wyjebany nowy blok, po drugiej stronie ulicy Lidla, osiedle domków jednorodzinnych, zapuszczony fort i agresywnie zabudowywane kolejnymi nowymi blokami pola kapusty, a wejdziecie między wielką pytę i znajdujecie rzeczy które nie zmieniły się od epoki transformacji ustrojowej.
Przecież witryna tych delikatesów to estetyka lepiona w CorelDRAW w '94, a elewacji nikt nie malował od czasów PRLu.
Temu miejscu nie pomoże nawet metro, będę miał chwilę czasu to pokażę wam podobne miejscówki na drugim końcu Warszawy. W sumie wielka pyta niewiele się różni.
There is something that feels good kiedy mówię:
Kurwa żesz jego zapierdolona w dupę mać.
Jak coś się naprawdę spektakularnie zjebie, to pierwsze co przychodzi mi do głowy.
PIMPUSIEŃKI 😍
being told that being opposed to copyright is colonial when this is what the history section of the trips agreement is
TRIPS was negotiated during the Uruguay Round of the General Agreement on Tariffs and Trade (GATT) in 1986–1994. Its inclusion was the culmination of a program of intense lobbying by the United States by the International Intellectual Property Alliance, supported by the European Union, Japan and other developed nations. Campaigns of unilateral economic encouragement under the Generalized System of Preferences and coercion under Section 301 of the Trade Act played an important role in defeating competing policy positions that were favored by developing countries like Brazil, but also including Thailand, India and Caribbean Basin states. In turn, the US strategy of linking trade policy to intellectual property standards can be traced back to the entrepreneurship of senior management at Pfizer in the early 1980s, who mobilized corporations in the United States and made maximizing intellectual property privileges the number one priority of trade policy in the United States (Braithwaite and Drahos, 2000, Chapter 7).
Cory Doctorow reported how the entire intellectual property system, as a heavily Americanized thing, not just furthers enshittification but made everyone wholly dependent on a handful of Sillycunt Valley corporations. A teacher from Sri Lanka mercilessly dissected the entire moralizing bullshit, showing parallels between the current wonks and corporate useful idiots from the past.
"Being opposed to copyright" in practice, by using AI these days (particularly the open-source, locally-run models from China that are a massive pain in the silly cunts of all the Amodeis, Schmidts and Musks of the Sillycunt Valley), is popular among people in the former colonies of Western empires. And the entire moralizing, pseudoscientific horseshit against it comes, entirely unsurprisingly for anyone with two brain cells to rub together, from entitled little white shits from the US, playing their little bullshit schoolyard bully games "defending African-American artists from AI plagiarists" while being racist ableist plagiarists daily.

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Take a moment to look at this happy baby
oh also, in india it is general practice for professors to create course packets by photocopying sections of several textbooks. they compile them from the university library and then just hand them over to the campus xerox shops that will sell it for genuinely 1/1000th the price of the textbooks themselves.
this made the university of oxford and cambridge press insanely mad, they sued both delhi university and the xerox shop in a landmark case
I'm 100% on the Indian professors' side.
Fun fact: In Canada, according to the Supreme Court decision on Alberta (Education) v. Canadian Copyright Licensing Agency (Access Copyright), people are allowed to copy stuff for educational purposes insofar as it's a "reasonable amount". This decision also explicitly stated that it does not have to be for only personal education either; teachers are explicitly allowed to take bits and pieces as needed for teaching.
What counts as reasonable will depend on the situation.
Copying a chapter of a book for a course packet, for example, would be considered reasonable, as would be copying an entire law case from a book (because you can't go to court with only part of a court case to show the judge).
Information wants to be free.
No matter what the corporations making money on it are saying.
Starfleet Academy jest ponoć serialem tak nieporadnym, że aż śmiesznym.
Ktoś na FB wrzucił kilka screenów z polskimi napisami, i te dwa to absolutnie perfekcyjny materiał na reakcję.
Tego jest więcej.
Ja pierdolę, niektórzy naprawdę biorą drobne rzeczy do siebie i odklejają się jak pokurwieni.
Mi nie trzeba mówić, że wyglądam jakby nadal był 1994 rok w Seattle, ja to wiem i taki jest kurwa plan. Tę za dużą flanelę po starym noszę od chyba dwudziestu lat, bo to mój comfort outfit.
A jak w wieku 30 lat dalej wyglądasz na 13, to się ciesz. Mogło być na odwrót.
Pablo Felipe Haubízar Fuemana
If you need a name for a Hispanic character.
"Haubízar" is the family name, FYI.

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a new reality tv show called So you think you can write Doctor Who
twelve episodes, twelve contestants - a mix of annoying middle aged sci fi authors, fan fic authors and random people off the street
a variety of against the clock writing tasks, big finish scripts, ability to interact with actors without shouting at them and challenges where you have no budget or doctor for an episode
judged by solely by christopher eccleston
this is how you find the new doctor who showrunner
Here’s my portrait of Ash done by Simone Mulas, all framed up. Done in charcoal, I asked Simone to create a photo-realistic portrait of Ash and I think he delivered the most amazing result. The detail is mind blowing. You have to see it in person to really appreciate the fact this thing is hand drawn, but I did my best to capture it in photos.
I feel like it’s more than just photo realism, though. I feel like the portrait captures so much of who Ash was as a person. The tragedy, but also the beauty of who he was, both in his youth and his brilliance, and the sadness of his lost potential. There’s a sense of nostalgia in it. It feels like a picture Eiji might have taken of him, not long before he died.
Okay, listen, this is crazy.
I have vague recollections of a photo of Johnny Depp in this pose and denim jacket, back from the early 90s when it was most probably a poster in the Bravo magazine.
I thought that Google would match it to the drawing through a reverse image search, and shit got weirder.
Because instead of going through photos of Johnny Depp, it pointed me to River Phoenix instead. It even brought up a photo of him used in the article on English version of Wikipedia.
As you can see, I also did find shots of Depp in the appropriate attire, taken by Timothy White back in 1987. But the shot I remember must have come from 1993 or so, around the time "What's Eating Gilbert Grape" was filmed, matching the longer hairstyle. Like, my mind is screaming that it's Depp, but with River Phoenix's face for some strange reason.
And what do I think about the drawing itself? Take a guess.
I honestly can’t tell what you think or what you’re trying to say, but if it’s that you think the drawing is AI, it’s not. It’s a real, hand drawn piece of art:
💬 0 🔁 0 ❤️ 0 · For anyone doubting whether my portrait of Ash is real or thinks it’s AI, particularly you @numerounoasylynxfan, you lying
💬 21 🔁 97 ❤️ 1194 · It’s not AI you fucking moron. If you were actually a fan of Banana Fish like you claim, you would have known Ash was
I DID NOT FUCKING SAY IT'S AI.
Quite the opposite, in fact. This is fully human work, and I can see it clearly for good and bad. It's a solid tourist trap boulevard hustler job done in traditional media, something that isn't exactly going to get you an enrollment in a fine arts academy, but as long as you're in it purely for the money and don't intend to go into politics because of some imagined grievances related to that, it's a living. Just keep roping in suckers for $300 copies of photos and keep your mouth shut. There's a seemingly endless number of idiots around to bilk for purely ideological reasons as it is.
I'm impressed with the research, though. The guy could just pull any old shit being pestered for a realistic portrait of an anime character and not expecting demands for a refund. I've seen what some hucksters peddle for a tenth of that price and still get clients. But here's the deal.
You're thoroughly fleecing a teenage girl for a portrait of some guy from Chinese cartoon with AI-generated dubbing that she saw on Netflix or some shit (two lies and a truth here, not that anyone should care), which should already be a clue that you're in for the easiest money ever. You could replace those generic six strokes on a featureless pasty triangle of a face with just about anyone. But, you keep digging. You find out on Wikipedia that's not just any cartoon, but an adaptation of a comic series older than you (and moreso than the client), and the comic book version of the guy was based on a deceased and forgotten celebrity overshadowed by his brother for the last quarter of a century. You go with the late 80s/early 90s fashion that you might have found online in a certain specific panel from the comic, and not the post-9/11 getups from the animated version.
Because it's a $300 job, and it has to look like a $300 job no matter what. Even if you copy shit from photos, typically 1:1.