The Work Never Matches the Dream

her name was Marsha P Johnson, and we have her to thank for so much.

remember, the first Pride was a riot, and she was one of the brave souls who endured it to help carve the path which so many of us walk today. she helped found several activist groups regarding LGBT safety and wellbeing. and she was absolutely radiant, too.

Caleb Landry Jones and Zoë Bleu as Dracula and Elisabeta/Mina Murray in Dracula: A Love Tale (2025)

Happy Sunday beautiful zutara people

From x.asterr on ig. Give artist lots of love and encouragement. Artist is being harassed on tiktok (I dont have tiktok).

First off I’ll say that we don’t know exactly how much combat waterbending Katara does as an adult. I haven’t seen the new movie but I’m assuming she’s still a full combatant in that. And we also know that Katara is Korra’s waterbending master. But outside that we mostly see Katara revered as a healer.

Here’s why that bothers me.

Katara is a genocide survivor. She’s the last waterbender of the Southern Water Tribe, and she is incredibly invested in reclaiming her Tribe’s waterbending culture. We can see this very clearly in how excited Katara is to meet and learn from Hama in The Puppetmaster.

The biggest difference we are aware of between the Northern and Southern styles within the show is that bending in the North is gender segregated. Women are only allowed to heal.

This is clearly not true in the South. Beyond what we’re told about the difference in betrothal customs, we also explicitly see a young Hama doing combat waterbending before she’s captured.

Katara fights not only for the right to learn combat waterbending for her own sake - although she clearly enjoys being able to fight - but also as a means of carrying on the Southern tradition. She doesn’t want her tribe’s waterbending culture to be subsumed by the North’s.

That’s why it stings when Katara is known primarily as a healer. She was the genocide survivor who brought back the culture of Southern Waterbending just as much as Aang brought back Airbending. She should be recognised for that, and that necessarily involves being a great combat waterbending master - which Katara clearly is in the original series.

Instead the list of achievements we get for Katara, aside from specifically training Aang and Korra, could just have easily have been the accomplishments of a traditional Northern female waterbender.

the story of how anakin skywalker fell to the dark side when there was so much good in him could’ve been amazing, and the changes needed to make it so aren’t even that big. give me an anakin that’s actually damaged from being a slave his whole life; an anakin that latches onto padme not because she is “beautiful” but because of her compassion, strengths and beliefs; give me obi wan meeting anakin w/ his master and actually bonding with him, agreeing about his potential even if he doesn’t quite believe an old prophecy; give me padme’s simmering fury and protectiveness over a child who fell into slavery which she thinks is disgusting but she can’t concentrate on that right now because her whole planet comes first. give me an anakin that gets to react to the jedi’s fears of him; give me the child that goes from being a slave to being sworn to an order that’s strict and tells him no; don’t fear, don’t form bonds, be better. give me anakin and obi wan bonding scenes. give me palpatine actually being subtle in his manipulations. have padme and anakin keep interacting through the years and anakin falls into slow love with her without realizing, because she is justice and compassion and strength.

 you can keep so many scenes if you just tweak them. so many plot points still work with some background added to it. give me anakin asking if he could see (/free) his mother and beind denied by the council because jedis can’t have connections, anakin, you can’t be attached. have obi wan reluctantly agree that they can’t do it. have him still have the dreams and still protect padme, but when she catches him dreaming and he tells her the truth (that he dreams of his mother in trouble and he’s not supposed to see her but he can’t stop thinking of her, how he abandoned her to that life–) and she’s the one who says they should go to her. because padme never believed in slavery and never wanted to leave her behind in the first place but she had bigger problems then, and maybe she feels guilty about that. have anakin realize he loves her then. and she’s watched him grow and watched him toy the line but she’s not there yet, and he goes to his mother and fails, that’s fine, that’s fine, but he doesn’t kill the entire camp. he’s not there yet. he does it by the code, but then he comes back to padme and he tells her the truth; he wanted them dead. he wanted them all dead. he wanted to kill them with his own hands. she tells him the same thing– that anger is human, that it’s normal to feel– and he says he is a jedi. he must be better. and then he admits; he still wants them dead. he is unsatisfied with the justice he got. he’s scared of how much he wants them dead. isn’t he a jedi? isn’t he good? and padme tells him he is so good. he is allowed to have feelings, she tells him. anger and fear don’t lead to bad things by themselves, letting them control you does. he tells her he loves her and she sees the man he could be and says they can’t. but she wants to, too. 

give me a padme that is just as annoyed at the jedi way as she is any other injustice in the world.give me an anakin that struggles with his feelings and not being allowed to feel them. give me an obi wan that doesn’t understand that struggle and those feelings because he’s never hated, not that much, but anakin has hated his whole life. he has been angry and afraid. give me a palpatine that says things just like padme does; that validates anakin when he has feelings he doesn’t want to confess to obi wan because he is just that much on the side of the jedi order that tells him to just not. give me a obi wan that has failed a friend; a brother, for real, not by convenience of absence but by failing to question his teachings. give me an audience who can sympathize with anakin and can almost fall for palpatine too because he isn’t so obvious the jedis should’ve seen him coming ages ago.

give me an obi wan that listens to count dooku’s warnings and feels torn, not because he doubts the ways of the jedi, but because he’s seen what those ways can do. give me padme and anakin in a slow burn love, with no wedding but with careful stolen moments through time where they let themselves feel, where they both love each other’s passion. where they are both a bit afraid of what it could all mean. give me a yoda that feels actual fucking shame when he realizes his speeches about fear and attachments and feelings is what drove anakin right to palpatine’s waiting treacherous words. give me a yoda with a reason to exile himself and to not want to tell luke the truth; not because the truth is hard for luke or might tempt him, but because the truth is hard for YODA to admit to.

anakin falling to the dark side out of fear of being powerless to save padme– to save his family– just like he failed to save his mother works, tbh. but  give me a padme who doesn’t die in childbirth because she “couldn’t go on”, like she didn’t have two kids, like she wouldn’t have fought tooth and nail to bring back democracy and been the first to lead the rebellion? give me a padme that doesn’t die in childbirth and raises leia for a few years so her fucking comments about her mom makes sense. give me bonding scenes between anakin and people, and superimpose that with the jedis telling him no. you can’t. 

have your audience start to agree with the dark side too, and then when they’re starting to think darth vader was fully justified pull the rug out from under them. have him go too far. it doesn’t have to be child murder, because that’s easy. that’s cheap. but have him be the direct cause of the jedi falling so easily; betraying them from afar because he knew all these people and their weaknesses and he is giving them away for one person. have obi wan and him fight with legitimate feelings; “what you’re doing is wrong” and darth vader asks why? when he has control. it’ll be better. he’ll fix it. and obi wan realizes he failed him because anakin still deals in absolutes, still deals in how slavery hit him; the people who can do anything are the ones with power. the ones who own things. is it greed? it is fear and anger and hate, and that turns to greed, sometimes. sure. 

give me a vader who drives away padme but searches for her because he wants her and his child; doesn’t she understand? she doesn’t, she can’t, she has never wanted one person to rule all. give me a padme who, like luke, still believes in anakin skywalker but who never gets the chance to say it because the rebellion is snuffed out. give me a padme who fakes losing her child so that anakin doesn’t know he has two because she can’t while he is vader. while he is under palpatine. give me a padme who dies fighting, tired and sad but still ultimately hoping for anakin to come back. to be good.

give me an anakin who thinks he’s lost everything and who hates the emperor for it but who’s given up; who lets himself be everyone’s fucking darth lapdog because what is the point? until he realizes luke is alive and then, then he thinks, he has something again. something worth fighting for. 

give me a story where i understand and nearly sympathize with anakin skywalker, where i feel for obi wan’s loss of his pupil, where i see the good luke saw in his dad from the get go but also what caused him to be so twisted. give me the start of the empire as slow and methodical, dark and the result of both sides of the force pushing and pulling instead of weird political moves that makes no sense. where i understand why padme fell in love with him and believed in him. where the jedi order meant well but was so obviously fucked up they were doomed from the start. 

It doesn't matter if all you did was day-dream about your characters while staring at the ceiling.

by GOOTAI

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