In exploring all sorts of edges, from the ideological to the cultural, I have learned that they all share one simple thing in common.
They are points of connection, thresholds, places where the limitations of category begin to dissolve and take new shape as they become something other.
The edge of your mouth connects your mouth to your whole face.
The edge of your skin connects you to other bodies, or to the space between yours and other bodies.
The edge of your lawn connects you to the whole neighborhood.
And so on.
It is really our limitationsāāthe things that make us distinctāāthat serve as the relational webbing (to borrow a term from the illustrious Shante' Zenith) holding us in the wider reality context.
Exploring those limitations is actually the key to the experience of freedom.
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In playing with edge, we become aware of the limitations of our perceptual field.
Some days, we will be able to expand what we can include in out felt experience.
Other days, we will want to contract.
But being able to do this at will gives us greater facility with our boundaries, energy, and attention.
You donāt just need an edge to be soft.
You must be keenly aware of your edge in any given moment in order to know when, where, and how to be soft.
--
These are excerpts from an article I wrote about one of the three core dynamics of the extended body.
We will be working with Edge, as well as Centre and Periphery, at Soma Metaxy: Three Dynamics of the Extended Body.
This 2.5 hour ritual movement workshop will give you a set of practises designed to support the authentic expression and full aliveness of the body.
Artists, musicians, dancers, and performers of all kinds will especially benefit from this exploration of the threshold between the imaginal and the somatic.
May 31st, 6.15 PM, at Haw Creek Commons.
To learn more and sign up, go here: https://fb.me/e/3JHhVdvaU














