hey bbygirl wacha goin tonight đđđ
Stranger Things
"I'm Dorothy Gale from Kansas"
Claire Keane
TVSTRANGERTHINGS
AnasAbdin
taylor price
trying on a metaphor

Janaina Medeiros

shark vs the universe
hello vonnie
Sade Olutola
Game of Thrones Daily
Peter Solarz
One Nice Bug Per Day
$LAYYYTER

@theartofmadeline
h
let's talk about Bridgerton tea, my ask is open

çĽćĽ / Permanent Vacation
Monterey Bay Aquarium
seen from Canada
seen from United States
seen from United States

seen from Malaysia
seen from Kazakhstan
seen from Germany
seen from T1

seen from Germany
seen from United States

seen from Spain
seen from Germany
seen from United States
seen from United States

seen from United States
seen from Canada

seen from Malaysia
seen from Canada

seen from Canada
seen from Kuwait

seen from Australia
@rintarousgirlfriend
hey bbygirl wacha goin tonight đđđ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Fanart for Don't let the forest in by CG Drews :) ref
Andrew was here⌠literally everywhere đ
âHow stupid, that someone so short could have such a presence.â
â Nora Sakavic, The Foxhole Court
I love the idea of kandriel going on road trips together sm!! I had this idea for quire some time and finally drew it thihihi
Writing Worksheets & Templates
will update this every few weeks/months. alternatively, here are all my tagged Writing Worksheets & Templates
Chapter Outline â Character- or Plot-Driven Story
Death & Sacrifice â Magic & Rituals â Plot-Planning
Editing: Sentence Check â Writing Your Novel: 20 Questions
Tension â Thought Distortions â What's at Stake
Character Development
50 Questions â Backstory â Character Creation
Antagonist; Villain; Fighting â Protagonist & Antagonist
Character: Change; Adding Action; Conflict
Character: Creator; Name; Quirks; Flaws; Motivation
Character Profile (by Rick Riordan) â Character Sheet Template
Character Sketch & Bible â Interview your Character
Story-Worthy Hero â "Well-Rounded" Character Worksheet
Worldbuilding
20 Questions â Decisions & Categories â Worksheet
Setting â Dystopian World â Magic System (AALC Method)
Templates: Geography; World History; City; Fictional Plant
References: Worldbuilding â Plot â Character â Writing Resources PDFs
all posts are queued. send questions/requests here.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
femandreil in my head 24/7 unfortunately
Writing Description Notes:
Updated 19th October 2025 More writing tips, review tips & writing description notes
Dialogue Tags
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
Cold/Freezing
reviving this acc just bc this edit needs to be seen by the masses lol - not mine btw!!
creds to @sosaneitsinsane on twt !!!
heated rivalry meets andreil (or the other way around idk)
i couldâve kept tweaking it forever but sometimes you have to let a piece stay unfinished to keep the feeling intact.
forced proximity prompts
in other words: an important part to any romance. use these if you have an idea for a story but then goâ âbut they need a reason to keep seeing each other, what do i do?â
character a is sick; character b nurses a to health
theyâre in a play together
character a is babysitting and character b helps them
fake marriage trope
character a hurts themselves and character b is in the hospital bed adjacent
publicity stunt trope
theyâre forced to work together on a project
something happened with their apartment because they both moved in at the same time and they were assigned the same room (they either move apartments right away or co exist for however long that takes)
alternatively they live across from each other
they have a shared friend group/friend
theyâre on the same sports team or in the same club
they live on an acreage and there isnât much company (could be creepy but also cute, kill me i like acreages!!!)
they are actors working on a movie together
one is a singer and the other is a producer and theyâre working on a song together
yes iâm twenty three yes iâm struggling with this uni course yes i need a tutor is it embarrassing that were the same age? yes! but you gotta do what you gotta do (sorry but this trope is not cute if theyâre not the same age at least! teacher x student is not welcome on this page)
character a got this new job that character b happens to work at or own
painter x muse
one is a designer and the other is an architecture student and they collab
they are simply in all the same classes
theyâre both visiting their beach houses for the summer (hello beach read my love)
theyâre on the same plane for like eighteen hours
theyâre at the same vacation spot for a certain amount of time
a booking venue or spot made a mistake and theyâre stuck together for their whole month vacation

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
ÂŤMe and the people who taught me how to liveÂť
please never stop talking passionately about the things you love
⨠HOW TO ACTUALLY START A BOOK
(no â¨vibesâ¨, just structure, stakes, and first-sentence sweat)
hello writer friends đ so you opened a doc. you sat down. you cracked your knuckles. maybe you even made a playlist or moodboard. and then⌠you stared at the blinking cursor like it personally insulted your entire bloodline.
hereâs your intervention. this post is for when you want to write chapter one, but all you have is aesthetic, maybe a plot bunny, maybe a world idea, maybe nothing at all. hereâs how to actually start a book, from structure to sentence one.
â
đśď¸ STEP 1: THE SPICE BASE ~ âWHATâS CHANGING?â
start with this question:
what changes in the protagonistâs life in the first 5â10 pages?
doesnât have to be earth-shattering. they could get a letter, lose a job, run late, break a rule, wake up hungover in the wrong house. what matters is disruption. the opening of your book should mark a shift. if their day starts normal, it shouldnât end that way.
đ opening chapters are about motion. forward movement. tension. momentum. if nothing is changing, your story isnât starting, youâre just doing a prequel.
â
âď¸ STEP 2: THE CRUNCHY BITS - CHOOSE AN ENTRY POINT
there are 3 classic places to start a novel. each one works if youâre intentional:
The Day Everything Changes most popular. you drop us in right before or during the inciting incident. clean, fast, efficient.
pro: immediate stakes con: harder to sneak in worldbuilding or character grounding
The Calm Before the Storm starts slightly earlier. show the characterâs ânormalâ life, then break it. useful if the change wonât make sense without context.
pro: space to introduce your characterâs routine/flaws con: risky if it drags or feels like setup
The Aftermath drop us in after the big event and fill in gaps as we go. works well for thrillers, mysteries, or emotionally heavy plots.
pro: instant drama con: requires precision to avoid confusion
đ pick one. commit. donât blend them or youâll write three intros at once and cry.
â
đ§ STEP 3: CHARACTER FIRST, ALWAYS
readers donât care about your setting, your magic system, or your cool mafia politics unless theyâre anchored in someone.
in the first scene, we need to know:
what this person wants
whatâs bothering them (externally or internally)
one trait they lead with (bold, anxious, calculating, naive, etc.)
thatâs it. just one want, one tension, one vibe. no bios. no monologues. no âthey werenât like other girlsâ essays. put them in a situation and show how they act.
â
âď¸ STEP 4: OPEN WITH FRICTION
first scenes should create questions, not answer them.
there should be tension between:
what the character wants vs. what theyâre getting
whatâs happening vs. what they expected
whatâs being said vs. whatâs being felt
you donât need a gunshot or a car crash (unless you want one). you need conflict. tension = momentum = readers keep reading.
â
âď¸ STEP 5: WRITE THE FIRST SENTENCE - THEN IGNORE IT
okay. now you write it.
no pressure. youâre not tattooing it on your soul. this isnât the final line on the final page. you just need something.
tricks that work:
start in the middle of an action
start with a contradiction
start with something unexpected, funny, or sharp
start with a small lie or a weird detail
đŹ examples:
âThe body was exactly where sheâd left it - rude.â âHe was already two hours late to his own kidnapping.â âThere was blood on the welcome mat. Again.â âThey said donât open the door. She opened it anyway.â
once youâve got it? keep going. donât revise yet. donât edit. just build momentum.
you can come back and make it â¨iconic⨠later.
â
đŚ BONUS: WHAT NOT TO DO IN YOUR OPENING
donât start with a dream
donât info-dump lore in paragraph one
donât give me three pages of your OC making toast
donât try to sound like a Victorian cryptid unless itâs on purpose
donât introduce 7 named characters in one scene
donât start with a quote unless you are 800% sure it slaps
be weird. be sharp. be specific. aim for interest, not perfection.
â
đ TL;DR (but make it â¨usefulâ¨)
something in your MCâs life should change immediately
pick a structural entry point and stick to it
give us a person, not a setting
friction = good
first lines are disposable, just make them interesting
and if you needed a sign to just start the damn book, this is it.
đ love, -rin t.
P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages đ you can grab it here for FREE:
⌠A free (and actually helpful) guide to leveling up your first 10 pages âŚIf you're unsure whether your opening is â¨doing enough⨠to hook re
Character Flaws and Their Meanings
Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates oneâs abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in oneâs skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and oneâs own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.
Writing Advice for Brainstorming
Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.
Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.
Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.
Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.
Reverse clichĂŠs: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.
Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.
Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.
⨠HOW TO ACTUALLY START A BOOK
(no â¨vibesâ¨, just structure, stakes, and first-sentence sweat)
hello writer friends đ so you opened a doc. you sat down. you cracked your knuckles. maybe you even made a playlist or moodboard. and then⌠you stared at the blinking cursor like it personally insulted your entire bloodline.
hereâs your intervention. this post is for when you want to write chapter one, but all you have is aesthetic, maybe a plot bunny, maybe a world idea, maybe nothing at all. hereâs how to actually start a book, from structure to sentence one.
â
đśď¸ STEP 1: THE SPICE BASE ~ âWHATâS CHANGING?â
start with this question:
what changes in the protagonistâs life in the first 5â10 pages?
doesnât have to be earth-shattering. they could get a letter, lose a job, run late, break a rule, wake up hungover in the wrong house. what matters is disruption. the opening of your book should mark a shift. if their day starts normal, it shouldnât end that way.
đ opening chapters are about motion. forward movement. tension. momentum. if nothing is changing, your story isnât starting, youâre just doing a prequel.
â
âď¸ STEP 2: THE CRUNCHY BITS - CHOOSE AN ENTRY POINT
there are 3 classic places to start a novel. each one works if youâre intentional:
The Day Everything Changes most popular. you drop us in right before or during the inciting incident. clean, fast, efficient.
pro: immediate stakes con: harder to sneak in worldbuilding or character grounding
The Calm Before the Storm starts slightly earlier. show the characterâs ânormalâ life, then break it. useful if the change wonât make sense without context.
pro: space to introduce your characterâs routine/flaws con: risky if it drags or feels like setup
The Aftermath drop us in after the big event and fill in gaps as we go. works well for thrillers, mysteries, or emotionally heavy plots.
pro: instant drama con: requires precision to avoid confusion
đ pick one. commit. donât blend them or youâll write three intros at once and cry.
â
đ§ STEP 3: CHARACTER FIRST, ALWAYS
readers donât care about your setting, your magic system, or your cool mafia politics unless theyâre anchored in someone.
in the first scene, we need to know:
what this person wants
whatâs bothering them (externally or internally)
one trait they lead with (bold, anxious, calculating, naive, etc.)
thatâs it. just one want, one tension, one vibe. no bios. no monologues. no âthey werenât like other girlsâ essays. put them in a situation and show how they act.
â
âď¸ STEP 4: OPEN WITH FRICTION
first scenes should create questions, not answer them.
there should be tension between:
what the character wants vs. what theyâre getting
whatâs happening vs. what they expected
whatâs being said vs. whatâs being felt
you donât need a gunshot or a car crash (unless you want one). you need conflict. tension = momentum = readers keep reading.
â
âď¸ STEP 5: WRITE THE FIRST SENTENCE - THEN IGNORE IT
okay. now you write it.
no pressure. youâre not tattooing it on your soul. this isnât the final line on the final page. you just need something.
tricks that work:
start in the middle of an action
start with a contradiction
start with something unexpected, funny, or sharp
start with a small lie or a weird detail
đŹ examples:
âThe body was exactly where sheâd left it - rude.â âHe was already two hours late to his own kidnapping.â âThere was blood on the welcome mat. Again.â âThey said donât open the door. She opened it anyway.â
once youâve got it? keep going. donât revise yet. donât edit. just build momentum.
you can come back and make it â¨iconic⨠later.
â
đŚ BONUS: WHAT NOT TO DO IN YOUR OPENING
donât start with a dream
donât info-dump lore in paragraph one
donât give me three pages of your OC making toast
donât try to sound like a Victorian cryptid unless itâs on purpose
donât introduce 7 named characters in one scene
donât start with a quote unless you are 800% sure it slaps
be weird. be sharp. be specific. aim for interest, not perfection.
â
đ TL;DR (but make it â¨usefulâ¨)
something in your MCâs life should change immediately
pick a structural entry point and stick to it
give us a person, not a setting
friction = good
first lines are disposable, just make them interesting
and if you needed a sign to just start the damn book, this is it.
đ love, -rin t.
P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages đ you can grab it here for FREE:
⌠A free (and actually helpful) guide to leveling up your first 10 pages âŚIf you're unsure whether your opening is â¨doing enough⨠to hook re

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Writing Worksheets & Templates
will update this every few weeks/months. alternatively, here are all my tagged Writing Worksheets & Templates
Chapter Outline â Character- or Plot-Driven Story
Death & Sacrifice â Magic & Rituals â Plot-Planning
Editing: Sentence Check â Writing Your Novel: 20 Questions
Tension â Thought Distortions â What's at Stake
Character Development
50 Questions â Backstory â Character Creation
Antagonist; Villain; Fighting â Protagonist & Antagonist
Character: Change; Adding Action; Conflict
Character: Creator; Name; Quirks; Flaws; Motivation
Character Profile (by Rick Riordan) â Character Sheet Template
Character Sketch & Bible â Interview your Character
Story-Worthy Hero â "Well-Rounded" Character Worksheet
Worldbuilding
20 Questions â Decisions & Categories â Worksheet
Setting â Dystopian World â Magic System (AALC Method)
Templates: Geography; World History; City; Fictional Plant
References: Worldbuilding â Plot â Character â Writing Resources PDFs
all posts are queued. send questions/requests here.
hyperfixation please stay with me long enough to complete the project. hyperfixation do not fade. hyperfixation finish what you started for the love of god