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I thought I might share one of my new tattoos. A couple years ago, a dear friend and I coined the term âfish bag momentâ
A fish bag moment might be sitting all alone in an empty new apartment after coming out and upending your life, or starting a new job in a brand new line of work because itâs closer to your dreams
Itâs what happens when you take a leap of faith or make a hard decision for yourself, when the future is so hard to visualize and everything feels scary. Youâre just a fish in a bag and you canât see where youâre going
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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in other words: an important part to any romance. use these if you have an idea for a story but then goâ âbut they need a reason to keep seeing each other, what do i do?â
character a is sick; character b nurses a to health
theyâre in a play together
character a is babysitting and character b helps them
fake marriage trope
character a hurts themselves and character b is in the hospital bed adjacent
publicity stunt trope
theyâre forced to work together on a project
something happened with their apartment because they both moved in at the same time and they were assigned the same room (they either move apartments right away or co exist for however long that takes)
alternatively they live across from each other
they have a shared friend group/friend
theyâre on the same sports team or in the same club
they live on an acreage and there isnât much company (could be creepy but also cute, kill me i like acreages!!!)
they are actors working on a movie together
one is a singer and the other is a producer and theyâre working on a song together
yes iâm twenty three yes iâm struggling with this uni course yes i need a tutor is it embarrassing that were the same age? yes! but you gotta do what you gotta do (sorry but this trope is not cute if theyâre not the same age at least! teacher x student is not welcome on this page)
character a got this new job that character b happens to work at or own
painter x muse
one is a designer and the other is an architecture student and they collab
they are simply in all the same classes
theyâre both visiting their beach houses for the summer (hello beach read my love)
theyâre on the same plane for like eighteen hours
theyâre at the same vacation spot for a certain amount of time
a booking venue or spot made a mistake and theyâre stuck together for their whole month vacation
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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(no â¨vibesâ¨, just structure, stakes, and first-sentence sweat)
hello writer friends đ
so you opened a doc. you sat down. you cracked your knuckles. maybe you even made a playlist or moodboard. and thenâŚ
you stared at the blinking cursor like it personally insulted your entire bloodline.
hereâs your intervention. this post is for when you want to write chapter one, but all you have is aesthetic, maybe a plot bunny, maybe a world idea, maybe nothing at all. hereâs how to actually start a book, from structure to sentence one.
â
đśď¸ STEP 1: THE SPICE BASE ~ âWHATâS CHANGING?â
start with this question:
what changes in the protagonistâs life in the first 5â10 pages?
doesnât have to be earth-shattering. they could get a letter, lose a job, run late, break a rule, wake up hungover in the wrong house.
what matters is disruption. the opening of your book should mark a shift. if their day starts normal, it shouldnât end that way.
đ opening chapters are about motion. forward movement. tension. momentum.
if nothing is changing, your story isnât starting, youâre just doing a prequel.
â
âď¸ STEP 2: THE CRUNCHY BITS - CHOOSE AN ENTRY POINT
there are 3 classic places to start a novel. each one works if youâre intentional:
The Day Everything Changes
most popular. you drop us in right before or during the inciting incident. clean, fast, efficient.
pro: immediate stakes
con: harder to sneak in worldbuilding or character grounding
The Calm Before the Storm
starts slightly earlier. show the characterâs ânormalâ life, then break it. useful if the change wonât make sense without context.
pro: space to introduce your characterâs routine/flaws
con: risky if it drags or feels like setup
The Aftermath
drop us in after the big event and fill in gaps as we go. works well for thrillers, mysteries, or emotionally heavy plots.
pro: instant drama
con: requires precision to avoid confusion
đ pick one. commit. donât blend them or youâll write three intros at once and cry.
â
đ§ STEP 3: CHARACTER FIRST, ALWAYS
readers donât care about your setting, your magic system, or your cool mafia politics unless theyâre anchored in someone.
in the first scene, we need to know:
what this person wants
whatâs bothering them (externally or internally)
one trait they lead with (bold, anxious, calculating, naive, etc.)
thatâs it. just one want, one tension, one vibe.
no bios. no monologues. no âthey werenât like other girlsâ essays. put them in a situation and show how they act.
â
âď¸ STEP 4: OPEN WITH FRICTION
first scenes should create questions, not answer them.
there should be tension between:
what the character wants vs. what theyâre getting
whatâs happening vs. what they expected
whatâs being said vs. whatâs being felt
you donât need a gunshot or a car crash (unless you want one). you need conflict. tension = momentum = readers keep reading.
â
âď¸ STEP 5: WRITE THE FIRST SENTENCE - THEN IGNORE IT
okay. now you write it.
no pressure. youâre not tattooing it on your soul. this isnât the final line on the final page. you just need something.
tricks that work:
start in the middle of an action
start with a contradiction
start with something unexpected, funny, or sharp
start with a small lie or a weird detail
đŹ examples:
âThe body was exactly where sheâd left it - rude.â
âHe was already two hours late to his own kidnapping.â
âThere was blood on the welcome mat. Again.â
âThey said donât open the door. She opened it anyway.â
once youâve got it? keep going. donât revise yet. donât edit. just build momentum.
you can come back and make it â¨iconic⨠later.
â
đŚ BONUS: WHAT NOT TO DO IN YOUR OPENING
donât start with a dream
donât info-dump lore in paragraph one
donât give me three pages of your OC making toast
donât try to sound like a Victorian cryptid unless itâs on purpose
donât introduce 7 named characters in one scene
donât start with a quote unless you are 800% sure it slaps
be weird. be sharp. be specific. aim for interest, not perfection.
â
đ TL;DR (but make it â¨usefulâ¨)
something in your MCâs life should change immediately
pick a structural entry point and stick to it
give us a person, not a setting
friction = good
first lines are disposable, just make them interesting
and if you needed a sign to just start the damn book, this is it.
đ love,
-rin t.
P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages đ you can grab it here for FREE:
⌠A free (and actually helpful) guide to leveling up your first 10 pages âŚIf you're unsure whether your opening is â¨doing enough⨠to hook re
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