oh well i guess ill just be fat and hot
guess ill be fat and hot and hot

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@ratkingdad
oh well i guess ill just be fat and hot
guess ill be fat and hot and hot

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spongebob makes burgers in the back of the kitchen. he passes the burgers through a window, to squidward, who is his male coworker. squidward hands the burgers to the customers of the restaurant that both Squidward and Spongebob work for.
are you drinking the - the yuri wine? yeah i am
i know the way people talk about their pets now is probably how we’ve been doing it for all of history. a cat owner in ancient rome saw their cat lounging on the dining pillows and commented “he thinks himself to be the senator claudius 🤣”
you know who’s gay? paul the real estate novelist who never had time for a wife and davey who’s still in the navy and probably will be for life
New headcannon: everyone in that song is gay except the Piano Man who has no idea he’s playing at a gay bar and the staff and regulars have a betting pool on how long he’ll take to finally figure it out. So far John is ahead.
“The manager gives me a smile ‘cause he knows that it’s me they’ve been coming to see” also implies that the Piano Man is possibly an incredibly attractive but oblivious himbo, and if you listen to the rest of it imagining that, this all fits a little too well.
this makes too much sense. Also, the full quote is “Now John at the bar is a friend of mine. He gets me my drinks for free. And he’s quick with a joke or to light up your smoke. But there’s someplace that he’d rather be” Yes, your bed, he wants to be on your bed honey, that’s not a joke, he is flirting with you.
Lighting another man’s cigarette is some old-school gay cruising.
Billy Joel actually addressed this interpretation!
You know, good on him for just rolling with it.

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dog i gotta move like yesterday
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
oh my god i almost forgot to tell you all about how, while my dad was visiting, i had an infestation of every single kind of bug in my house that hasn't been a problem before or since. like i'm not kidding i evicted so many creeping crawlies that week and couldn't for the life of me stop mosquitos from stealing my blood, but as soon as he left they vanished. and i mean, sure, there's a perfectly rational explanation, because two people make more mess than one and he has a habit of leaving the windows wide open enough to fly a jet engine through day and night, but i can't help but think how symbolically on the nose it was. the ancestral rot at the heart of my family so gothic it's got ants and flies buzzing around its decaying corpse.
hey so update but i haven't been harassed by a single freaky little beast since my dad left even after leaving some crumbs on the floor as an experiment to see if they attracted any ants so i think my dad might just be bugs actually
@vague-magnus-archives
I wish more people got this because some ‘low-empathy’ people are the most compassionate and sympathetic in the universe, and I hate it when that’s taken to mean ‘unfeeling and probably hostile’ when nothing could be further from the truth
Or, as my dad put it,
Sympathy: I know how you feel Empathy: I feel how you feel Compassion: is there anything I can do to help?
Sympathy: that sucks bro empathy: I feel that compassion: want me to send you some puppy and kitten pictures to make you feel better?
Posts like this make me feel so much better. It always seems like society treat responses to others pain as though empathy is the most important kind. I am around 85% compassionate and this post helped me not feel like I am a monster because of that for once.
The first rule of cable management is "out of sight, out of mind"
The second rule of cable management is that all true art is provocative. If zero people want to kill you over it, it's not good art.
S'ghetti Closet

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i want to love something enough to attempt it one hundred thousand times
A web page that tells you what your browser gave away the moment you arrived. No login, no form, no permission. Most pages do this. None of
Three days ago, this beautiful baby girl (masa) was born. Her name signifies high value and beauty, and it suits her perfectly, for she is very beautiful and dear to all our hearts. She is my brother's second daughter, Iman's younger sister.
Despite the immense joy that has filled our hearts and the delight we feel at the arrival of this new member of our family, we are deeply saddened by the situation of this child and how she will grow up and live her life in Gaza, which is facing genocide.
Gaza is not safe, and this child was born in the worst place in the world. It's not her fault that she's a child who doesn't understand or feel anything, but she was born in Gaza. This is not easy at all. Here, formula, diapers, and all baby supplies are incredibly expensive, even more so than food and drink, due to their scarcity.
I implore you to support me, my family, and this beautiful child who survived a genocide. Please give this child a gift; consider her one of your own. She deserves it just like any other child in the world. Please donate now.
Please help my dear friend and his lovely family! A few bucks go a long way!
Hey do you have an opinions on the Tim Drake victim blaming Jason Todd? I’m 50/50 I’ve always see it as a I have to hold myself to this insane standard or just a he’s a kid doing him best but I’m not sure…
I honestly roll my eyes at 90% of fandom's "Jason is being victim-blamed" claims.
Like, I agree that the comics that try to argue Jason was a "bad seed" who was destined to meet a sticky end because of his upbringing or bad attitude or whatever are wrong and also kinda mean and dumb. But that's a Doylist problem of narrative framing, not anything that can or should be placed on any of the in-world characters.
But it's not "victim-blaming" to acknowledge that Jason got himself killed, ie, that he made the pivotal choice which led to his death. Bruce ask him to wait. Jason chose not to. If he had, he wouldn't have fallen into the Joker's trap, and he wouldn't have died. Like with Steph and War Games, it's taking his agency away to claim otherwise, all in the name of making them "perfect" victims.
It's also not "victim-blaming" to acknowledge his reasons and motivations for making that choice. Jason needs to be in control of that moment, because that's the real core of the tragedy. It wasn't inevitable, he wasn't somehow "destined" for a bad end, but his circumstances and choices combined to put him on that path anyway. It's the culmination of his rocky relationship with Bruce and Jason's own trauma and hang-ups about parents, specifically mothers, coming to a dramatic end that both plays into and deconstructs the tropes of the kid superhero genre.
To paraphrase an old John Green video, the core struggle of being a teenager is that of being pulled in many directions by the world around you, while also desiring to live fully and fearlessly and maybe a little foolishly. And the occasionally tragic thing is that, as a teenager, you are just grown-up enough for those understandable, natural desires to get you killed.
If that happens, it's not "your fault," but it is the result of your choices, and it's insulting and infantalizing to pretend that it's not.
In that regard, Jason's role in Tim's story, as the ghost who hangs over his adventures reminding him of the price he can and will pay if he makes the wrong decision, makes perfect sense. What people who call it "victim-blaming" are actually mad about is that the story isn't about Jason. It's not about his tragedy, it's about how his tragedy affected the people around him, the people who were left behind to continue on and the people who came after.
There's a smart post going around stating that one of the things you really have get used to -- or better yet, learn to enjoy -- about superhero comics is that there will be times when it's just plain not about your fav. And you will have more fun if you learn to embrace that, to enjoy seeing them in different lights and from different perspectives.
But some people can't or don't or don't want to do that, and so they get mad at the stories that aren't centered on their fav's feelings and perspective. And they use loaded psychiatry language to express that.
So TL;DR -- I don't believe the "victim blaming" is real. It's the result of a Jason-centric perspective on canon turned toxic. So I do what I always do with fandom people who have a bad opinion: ignore them, or block them if they're rude about it.
A collection of good additions from the notes:
The true nature of Jason's tragedy is that it was preventable via three different sources outside of the Joker if they'd made different decisions - via Bruce, via Sheila (this one noteably the Bats wouldn't know about, which I think some of these people also forget), and via Jason himself. Guess which one the next Robin would concern himself with. Which one he would be worried about. The only actions he can directly control are his own. It's not about Jason being responsible for his own death, it's about Tim not wanting to be responsible for his own.
(via @katanahime )
Even disregarding whether or not Jason is actually to blame in some sense for his death a lot of the examples people cite of this are pre-UTRH Tim just, like, thinking internally about the risks of being Robin and it's pretty disingenuous imo to use the language of "victim blaming" (something that connotes using social pressure to shame a person for the abuse or violence they've suffered) when Jason is a dead person that Tim has never met. Tim isn't demeaning Jason for what happened to him or engaging in blame calculus to determine who's "really" at fault, he's trying to survive being Robin by looking at what the previous one did, and going "okay, let's not do that." Jason fans take this very negatively because to them Jason is a protagonist they've come to empathize with, and they know he's going to come back, so they read this as an element of a relationship between characters that they are taking a side in. But from Tim's perspective, there's no relationship in the first place, because Jason is a dead stranger. Tim thinks about Jason and his life insofar as it is relevant to Tim (i.e. largely as a lesson).
(via @mothemotics )
#disagree only on the point that the ‘bad seed’ rhetoric is purely doylist. it is absolutely in character for certain characters (alfred) to#frame it that way especially in grief. even in ditf before jasons death alfred is armchair psychoanalyzing him#and i think it makes sense to read alfreds classist biases and excuse of a moral decay as something not ooc for him in particular#but otherwise agree.#semirelated is the really bizarre way many have latched onto the language of the ‘perfect victim’ as if that is a real status one could#achieve. and that jason is somehow being denied by people?
(a fair point from @getanshi )
#I think that to truly constitute victim blaming it would have to aim some level of absolution at the perpetrator#because that’s what victim blaming is for: displacement of fault from victimizer to victim#the fact that Jason made a bad choice is never used to make the joker less culpable for his death
(via @fredricwertham )
#it would be victim blaming to say Jason's actions absolve the joker for killing him#it's not victim blaming to say someone undertaking a dangerous activity made a mistake which led to their death#the cave diver who gets turned around#the electrician who doesn't check that the power's out#the mountain-climber who doesn't pack the right gear
(via @ceescedasticity )
And finally, a good summation of points from @trekkele
#gonna paraphrase some tags:#bruce Sheila and Jason all had a hand in the lead up to the tragedy but Tim is only concerned with Jason's actions because that's who he#is the most like in terms of control and position#if it's truly victim blaming people will absolve the joker which they don't usually do <- no but they do lay majority blame on Bruce which#ironically. is a different victim to be blaming but thats a separate post#and finally : the classist framing of bad seed is mostly doylist and horrifically ooc for most characters but (again ironically) not for#alfred.#now there's a fic that would taste delicious
You actually cannot skip to being good at a creative endeavour that you haven't put much practice into. You cannot trick your way out of the 'knows that your work is not what you want it to be but don't know how to improve it' stage by planning or reading or talking about it really really hard. At some point you just have to craft through it until your brain finds it's own unique way back to the 'everything I make slaps' stage and be prepared to start the cycle all over again. You just have to make that project you're excited about slightly less good than you want it to be. (Says this standing in a pool of blood and covered in blood and also coughing up a little blood)
everyone stop reblogging this I hate to be reminded of my own good advice

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IF YOU SEE ANY PAINTING BY "EMILE CORSI" ON HERE, DO NOT REBLOG IT THINKING IT'S REAL AND FROM THE 1800s. IT IS AI-GENERATED AND EMILE CORSI IS NOT A HISTORICAL FIGURE
examples:
And if you love the vibes and wish you could find something similar painted by a real person, let me introduce you to John William Waterhouse, on whose work the AI was definitely trained:
Corsi is not real
John William Waterhouse official site
John William Waterhouse wikipedia
More painters with the same vibe:
Lawrence Alma-Tadema on Wikipedia
Luis Ricardo Falero on Wikipedia
Jean-Joseph Benjamin-Constant on Wikipedia
William-Adolphe Bouguereau on Wikipedia and his .org
Jacques-Louis David on Wikipedia
Artemisia Gentileschi on Wikipedia
Alexandre Cabanel on Wikipedia (yes, it's the Lucifer crying guy, but his other stuff has more whimsy)
Francesc Masriera on Wikipedia
"trans men aren't seen as dangerous or predatory or--" have you ever spoken to a trans man of color in your life yes or no