Dump for life // randaccident13 on ao3!
Writing, art and reblogs abound here // do not expect the devil to answer your call // new hyperfixation on cccc I have so many aus its insane
So hi! Welcome to where I make Random Accidents happen!
Just call me Randa, any pronouns work for me I don't have a preference. I'm a creative who specialized a little too heavily into writing and worldbuilding :3
I'm also randaccident13 on AO3!
Unfortunately my dear mutuals, I am old (sike I'm in my early 20s), and unfortunately further to half my mutuals, my timezone is GMT +8. (I simply sleep at ass o clock in the morning)
Main Tags:
Art: #rand.art (my old tag is #my art, I couldn't be bothered to change all the way back 4 years of work)
Writing: #rand.writ (my old tag is #my writing, I couldn't be bothered to change all the way back 4 years of work)
Headcanons: #rand.hc
Me talking shit: #rambles
RP related stuff (cause I cant stop chattering about it it has consumed my brain): #rp chatter
Answered asks: #reply
Interests
Currently? My own oc content! Young me was onto something. Oh also Hades [both 1 and 2], because the rush of those games plus someone to talk to about them? Yes Please
There's also a side of: Minecraft (I never left the mine), Hermitcraft, WTNV, MILGRAM Project (no I'm not ok), Alien Stage (NO I'M NOT OK), Hollow Knight/Silksong (IT CAME OUT somehow it didnt drag me into the depths this time), CCCC/Chonny Jash, Roblox Phighting and Block Tales and Die of Death
As you can probably tell, I can and will multifandom and randomly bring one of them up, depending on which is currently my fixation
Every AU I Have Ever Made [multifandom]
I can't stop making them sometimes whoops, I just have a lot of ideas. Here's a list of all the AUs I have in CCCC:
Heartless AU (Masterpost here)
Tangled Wisteria AU (currently no masterpost, use #Tangled Wisteria AU)
Lie of Concord AU (HEAVY criticism piece of certain fandom tropes, use #Lie of Concord AU)
Tridential Whole (just my personal interpretation that went a little wild, use #Tridential Whole)
Find the Pieces AU (new, use #Find the Pieces au)
Organic Machinery AU (new, use #Organic Machinery au)
When the Sky Falls AU (new, use #When the Sky Falls au)
Carousel of Time AU (new, use #Carousel of Time au)
What Lies in Apathy AU (new, use #What Lies in Apathy au)
(And for the oldies here: #shadow people au <- this the tag for all my writing under SPAU when I was still part of the community)
I've got my ask box open and I'm always open for interaction! And asks! I'm an AU writer after all, asks might inspire something (most likely angsty sdfnsjk). But beware that I might ghost you if you spook me with a random DM or ask.
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there's a lot of talk about reading comprehension and one thing i think is the biggest barrier to people on this site getting better at it is simply... rushing. rushing to share something you haven't understood, rushing to have an opinion without taking the time to think about it, rushing to declare that you don't understand something
take these tags, on somebody else's post (condolences pip)
the thing is. this is what i would call an inside thought. nobody would have known you didn't get it if you didn't tell them that. if you recognised that it was important but didn't have the headspace to process it, you can reblog without commentary for others, or to come back to later. or you can save it somewhere and wait until you DO have the capacity to read it over a few more times, ponder it, consider what it might mean, figure out how to understand it, and THEN reblog it
but no. rushing to reblog while it is still opaque. rushing to admit to ignorance rather than spend the time to achieve understanding. perhaps hoping that somebody will break it down for you more simply, though to my mind it was quite simply phrased in the first place. never stopping to take the time first
comprehension is not always instant! sometimes it takes a bit of time for something to percolate after you read it; sometimes you need to read it a few times; sometimes you realise you don't have the context for it and either go and get the context or accept that it's not for you right now
please just simply slow down. you don't always have to respond to everything within a second or two. it is okay if it is not an instantaneous understanding. we all need to get more comfortable with thinking more slowly and more deeply and more carefully, and not letting our instant split second responses drive us all the time, because they are a barrier to genuine reflection
Wild caught clownfish will be like ‘hm you see, the anemone you got me is a slightly different color and tentacle width than the one I had back home, so I will not begin hosting it. I’ll be a sort of wandering ronin for the rest of my days.’ And then a captive bred clownfish will be like ‘ok so I have this curved rock I found and I just sit above it and it take care of me 👍’
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I appreciate Deltarune Chapter 5 for giving us those Noelle sprites, women should be allowed to scare us with their deranged smiles and creepy faces. I appreciate Deltarune a lot for making Noelle cute, she has a resting cute face and does that fake laugh thing, it's obvious she's been taught to make people happy by smiling all the time, and then you can see in other sprites when she starts showing emotion she can't hide she is genuinely kind of terrifying and evil looking, with a deranged twinkle in her eyes. She's like if a girl got to have the range of expression and emotion normally only afforded to male characters while also having the lifestyle and upbringing factor into their presentation and character in the way it naturally does. I also love how in stark contrast is Susie's collection of sprites. Susie tries hard particularly in Chapter 1 to put on a scary and evil look but when she stops trying she has the most kind and soulful eyes ever made on a 64x64 pixel canvas. Noelle is evil and fucked up at heart but in a good way that teenage girls should get to be but she's been forced to play up a good girl persona for so long, and Susie has had to adopt the mean girl persona others forced upon her to survive because they couldn't see the sweet and amazing girl underneath. She's lives in a mansion and gets good grades, she's in poverty and her teacher doesn't believe in her, she deep down wants to go crazy and burn her life down, she deep down wishes for people to love and who love her, she's slowly losing the family she had, she's finding a family she thought she could never get, she's under everyone else's control and does everything for other people's feelings, she breaks the control anyone tries to force over her and she does things that are honest to herself, they both like horror movies and video games. The yuri is fluff and fuzzies and themes and motifs.
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize there’s nothing in there. Not metaphorically—the armor is literally empty. It doesn’t appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body might’ve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what he’ll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy who’s got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didn’t say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. I’m not entirely sure why he keeps coming back here anyway. We’re pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures I’d put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so I’m not sure why I asked.
There’s not much room left in his nothing now. When he comes back for repairs I’ve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though I’ve been rudely encroaching on his nothingness to the point where it’s barely even there. How he squeezes his nothing back into a body so full, I’ll never understand. But it’s a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. It’s like he’s watching, even though I know the reading glasses I put inside his helmet were just for fun. I’m careful to put it all back exactly the way it was when he last left. There’s no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like he’s looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. There’s nothing there. I ask him what’s wrong, and again he points. It’s the most emotion I’ve ever seen from him, and it’s barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When I’m finished he holds the breastplate, but he doesn’t put it on right away. I ask him if something’s still wrong. He says nothing, and puts it on. I tell him I can’t add anything else. Even if he could ask, there’s no room left.
Next time he comes back, there’s nothing wrong with his armor—he lets me check to make sure. I ask him what he’s doing here. Out from one of many pockets, he retrieves a tiny rusted knife. It’s in miserable condition, barely worth saving. I tell him I could make him a nice new one, but I’ll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but I’m not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. It’s candy. I ask if I can eat it. He says nothing. I eat it. It’s flavored with cinnamon. I’m surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but it’s my own fault so I can’t complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him I’ll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave it’s dark outside. He follows me out of the forge. I ask him where he’s going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when I’ve finally had enough of pretending to be a bear, but he doesn’t move to leave.
I ask if he’s going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know he’s not going to say anything ever, so I fill the silence. I tell him I’m grateful for the sweets, I tell him about how his various components are made, I tell him I’ve never met anyone made of nothing before. I tell him it’s a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone else’s empty armor with trinkets. I’m not sure if that’s really why he does it. I tell him I don’t have room to be filled with anything on the inside, not like him. I’m not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe it’s nothing at all.
—
I didn’t edit this even a little bit. Thanks for reading!
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Back in 2013, I posted a Welcome to Night Vale fic and someone commented, “I’m autistic and I see myself a lot in the way you write Carlos. Did you intend for him to autistic?”
And I was like “I’m flattered you think so! No, he’s not intended to be autistic, but I’m glad you can see yourself in him.”
Now twelve years later I spent some time this evening trying to track down that comment to give a very belated clarification. Whoever you were stranger, hey. I only said no because I based Carlos heavily on me, and since I wasn’t autistic, Carlos wouldn’t be either. Well. I’ve learned some stuff in the intervening decade that strongly support your literary analysis.
Confessions on the brink of death a character accepts out of kindness because it won’t matter soon anyway, but then the other person doesn’t die, the other person expects them to carry through on their promise to love them and gets angry when they try to back out. Blackmail held over someone’s head just to force them to flirt and make romantic advances on another person, so it looks like they wanted this relationship. Talks about marriage and happily ever afters together as a threat. “I love you, I love you, I love you” as a violation that you’re expected to smile at and be grateful for, because you’re supposed to want to be loved. noncon romance.
adding to this: feeling love against your will. love forced on you by some power beyond you. love that you know you wouldn’t feel if you weren’t blessed (cursed) by it. love that you don’t want and is ruining you and that everyone keeps praising you for feeling. love that everyone around you gets mad at you for rejecting anyway. love that’s made so overpowering that it wipes out any semblance of “you” that there is to make way for a thing that will love someone back.
funniest part of this post is how many people reblog it tagged something like “this sounds aromantic” or “op not to derail but aromanticism” and like well guys you’re never going to believe why i find forced romance such a horrifying concept-
if the flowers actually Do have the same persoanlitys as tbe souls that means theyre all almost exactly as i imagines aw yay! except unyay. bc ob god. ohh gld
somewhere in another universe aqua misunderstood her final moments as a game and laughed as she ran circles around asgore Somewhere in another universe green smiled and silently bowed their head and never blamed asgore one bit Somewhere in another universe asgore told yellow he deserved his fate-not because he belived it, but because he was still trying to justify it to himself-and the kid, freckled and lanky in a way his chubby cheeks hadnt caught up with yet-just cried and nodded his head and agreed. somewhere in another universe a kid trying to make her squeaky voice louder than her tiny body could ever manage told asgore she could win the fight without breaking a sweat, her trembling voice betraying her. somwnere in another universe seth tried to tell asgore a nice story, tried to get him to sit down just for a minute to just talk things through with them, to make him just Listen. somewhere in another universe blue understood they had a role to play, a part in this story, they knew this wasnt their story-but rhey warned asgore it wasnt his either.
You know, it's implied that the other humans could also reset; but Asgore, without his spirit broken, was strong enough that they fought him over and over until they each gave up.
It's also commonly speculated that the yellow soul was the last one before you.
Think about that. After all he's done, Asgore is trying desperately to remind himself why he's doing this, to hold himself together; and the thing that finally breaks his conviction is when one of the children, tears in his eyes, agrees with him. The child agrees completely that humanity's past actions are their own fault. Because hearing that, you can't help but understand how horrible all this is.
The soul is taken, of course. Yellow doesn't make it hard; he's already given in. But Asgore has lost that fighting spirit that overcame the determination of those before you.
Thinking about it, I’m pretty sure my ancestors would be horrified with me.
Not because I’m lazy or unworthy or anything like that…
…but because one of my distant uncles was among the eight survivors of the Essex, the ship that inspired the ending of Moby Dick and sank after being rammed by a whale, and what do I fuckin do after my bloodline has this Ordeal at Sea?
I get a fuckin degree in Marine Science and go back the fuck out there.
i must say, i am a huge fan of when a book is in the middle of a very exciting plot containing many interesting problems when out of nowhere for a few pages it's like, "hey by the way, real quick, here's a detailed explanation of the city's water filtration system! i'm telling you this for a reason and you should worry about it. anyway! haha okay back to the plot" and you just get to be Scared for a while
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do you think lace knew about the type of noises that living bug's bodies made or did she wake up hornet in the middle of the night to ask her about the strange noise coming from her chest
imagine just lying next to your spider and there's something beating under her shell and she just recently had an incident where she got infested while completing quests and had to go to a suspicious doctor to remove the infestation. I'd be paranoid too
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