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@quirkynovelist

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I love cryptic old mentor figures in fiction who introduce themselves by showing up out of nowhere and saying something bat shit wild that the main character wonât understand for another 2 seasons
is this a conscious decision these mentor figures make? are they like ânope canât just shake the protagonistâs hand in a coffee shop, politely give my name, and tell them their quest straight up. I have to accost them at midnight in the eerie light of a nearby streetlamp and chuckle ominously about âa heroâs destinyâ and 'the prophecy that was foretoldââ
just.
what level of extra
Another shoutout to the demons and monsters that lived under your bed/in your closet and actually obeyed all the arbitrary rules you invented to keep yourself safe, like âif light is touching me at all I canât be harmedâ or âif Iâm stepping on carpet I am untouchableâ or âif I move my hand in a particular pattern while I walk, Iâm off-limits during my voyage through the dark house to the bathroomâ.
That was really considerate of them, especially given how biased in your favor those rules were.
children create their own magic
And it is powerful magic
New game reblog this and tell us what your rules were
Mine were the more people in the âdomeâ around the house the more protected the people inside the dome were and if every part of my body but neck and head were under my duvet I was immune to the demonsđđ
Mine was definitely that blankets were all powerful shields and could protect me so long as my body was underneath them. Exception- my head did not count and was usually safe even if not underneath a blanket.
My closet and windows also had to be closed at all times and I tried to keep my nightlight on when I could.
Have I posted this yet
THINGS WHICH MAKE WRITERS ANXIOUS:
not writing
writing
people reading their stories
people not reading their stories

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Dismissing Romeo and Juliet as dumb horny teens is OUT, crying because every attempt these children made to show love, kindness and tolerance in the face of senseless hate only led to more violence and death is IN
crosspoint: the entire thing was that they were dumb kids. reading R&J growing up goes in stages: âthis was so sadâ âtheyâre so fucking dumb what the fuckâ âthis was so fucking sadâ.Â
theyâre dumb kids. thereâs plenty of textual evidence they are both sort of selfish in their love (ie Romeoâs on the rebound, Juliet just super doesnât want to get married to Paris and is desperate for anything-except-that-guy) and a lot of evidence they didnât truly know each other/see each other for anything but for a romantic ideal (the entire âbut softâ monologue intentionally uses grandiose terms and basically translates to âoh fuck sheâs prettyâ). they literally canât even communicate essential information correctly. in my opinion theyâre not a good match â and shakespeare knows how to write a good match.
but they should have been allowed to be dumb kids.Â
the families had gotten to a point that even love - even stupid, selfish, childish love - devolved into violence. while the scenes they share are peaceful until the end, their solo scenes are dominated by violence - romeo with physical violence and juliet suffering the violence of having been essentially sold to an older man. they took the violence that they were surrounded by and turned it onto themselves. they had been raised in it, had been cultivated by it, and when they faced adversity, violence was inevitably the only thing they knew how to control. juliet - soft, innocent, sympathetic juliet - is the final death. and hers is by a wielded blade.
they werenât trying to be a beacon of kindness or tolerance. but they were just kids. and what had seemed perfectly sensible (after all, the feud had resulted in death in either side, the rage made sense), the suddenness of a trulyâŚ. senseless death - who else can the families blame but themselves. no more finger pointing. after trying to hurt each other for so long, they only hurt themselves.
iâm convinced r&j isnât about a one true love. juliet is the only one who calls it true love, the narrator certainly doesnât. the first monologue describes it as âpiteousâ. instead, i think itâs about how it shouldnât have been their last love. romeo and juliet could have been a romantic comedy about how fast kids fall in love with the stupidest things, how they make declarations of true love by the hour, how they float from one person to another, how they call crushes true love without knowing each otherâs middle names.
it could have been a comedy. and i think, kind of, thatâs what makes it such a perfect, terrible tragedy.
More favourite tropes:
Overstated warning of very minor threat
Understated warning of incredibly dangerous threat
Comically inadequate safety measures
Safety measures that seem comically inadequate, but actually work
Advisory of oddly specific danger
Advisory that suggests oddly specific precautions, but doesnât say why
Conspicuous over-preparedness for contextually unlikely threat
Conspicuous under-preparedness for contextually imminent threat
Apparently harmless thing turns out to be dangerous
Apparently dangerous thing proves so, but not for the expected reason
Writing Advice: it doesnât matter if an idea has been done before. Itâs never been done by you. So long as you do it well, and in your own way, itâs a wonderful contribution.
*slams fists on table*
THERE WAS ONLY ONE BED
*flips table*
BEST FRIENDS TO LOVERS
*Kicks chair*
ENEMIES TO LOVERS
*throws lamp across room*
HELP I NEED A FAKE BOYFRIEND FOR MY EXâS WEDDING
*rips down the curtains*
THEYâRE FAMOUS AND THEIR FANS SHIP THEM
*clutches wine glass so hard it shatters in my fist*
THEY WERE ROOMMATES
oh my god they were roommates
AND THEY PINED MUTUALLY
YOUâRE FROM THE ROYAL FAMILY AND I AM JUST A SIMPLE SERVANT
THEY BOTH HAVE A SECRET THAT RELATES
THEY ARE ENEMY AGENTS
One saves the other from an unhealthy relationship and they realize they were in love with each other the whole tiiiiiime
SSSOOOOUUUULLLMAAAAAAATES

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Roses are red, that much is true, but violets are purple, not fucking blue.
I have been waiting for this post all my life.
They are indeed purple, But one thing youâve missed: The concept of âpurpleâ Didnât always exist.
Some cultures lack names For a color, you see. Hence good old Homer And his âwine-dark sea.â
A usage so quaint, A phrasing so old, For verses of romance Is sheer fucking gold.
So roses are red. Violets once were called blue. Iâm hugely pedantic But what else is new?
My friend youâre not wrong About Homerâs wine-ey sea! Colours are a matter Of cultural contingency;
Words are in flux And meanings they drift But the word purple Youâve given short shrift.
The concept of purple, My friends, is old And refers to a pigment once precious as gold.
By crushing up molluscs From the wine-dark sea You make a dye: Imperial decree
Meant that in Rome, to wear purpura was a privilege reserved
For only the emperor!
The word âpurpleâ, for clothes so fancy, Entered English By the ninth century
.
Why then are voilets Not purple in song? The dye from this mollusc, known for so long
Is almost magenta; More red than blue. The concept of purple is old, and yet new.
The dye is red, So this might be true: Roses are purple And violets are blue
.
While this song makes me merry, Tyrian purple dyes many a hue From magenta to berry And a true purple too.
But fun as it is to watch this poetic race The answer is staring you right in the face: Roses are red and violets are blue Because nothing fucking rhymes with purple.
Hirple - To limp or walk awkwardly
Cirple - An old Scots word for the hindquarters of a horse
âRoses are red, violets are purple,
My boner for you has caused me to hirple.â
âŚ
My, how romantic!
DYING. I AM DYING.
Calling theshitpostcalligrapher! We need @theshitpostcalligrapher
@kiranovember u better buy this as a commission lmao
This post has evolved.
Do y'all remember being a kid and trying to read in the car while it was dark outside and your parents wouldnât let you turn on the light so you would try to grab snatches of sentences when you passed by street lights
I spent like 15 hours on this.
*impressed slow clap*
This was ridiculously pleasing to read out loud.Â
This is a legitimately fine poem. I say so with my BA in English and Philosophy and my PhD. Itâs DAMN HARD to write something like this. Be impressed, yo.
Transcript of poem in screenshot:
First the cracker batter baker bakes a cracker batter batch then the cracker batter mixer door will open and unlatch so the batter mixer nozzle can descend onto the patch where the cracker batter spreads out for the nozzle to attach.
When the cracker mixer nozzle sprays the cracker batter spray and the cracker batch emulsion lies a-soaking in its haze then the cracker batter mixer starts to stir up all the glaze that the final cracker stacker needs to lubricate the way.
Once the cracker stacker handle stacks the cracker batter squares then the cracker batterâs hardened into double stacks of pairs. Now the cracker separator breaks the crackers in the stackers so the wrappers on the stackers fit the finished stacking crackers. Then theyâre distributed to Wal-Mart.
I forgot about this magnificent poem, and you probably did too. Here it is again.
I highly recommend trying to read it aloud, it feels delightful and is almost impossible.
THINGS WRITERS SHOULD DO TODAY:Â
WriteÂ
Straighten their backsÂ
Celebrate their victoriesÂ
Write anythingÂ
Take the empty cups out of their roomsÂ
Seriously. Stop overthinking and just writeÂ
sigh

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New The Secret Knots. This time featuring patreon cameos as followers of the spontaneous airport cult.
New books means reorganizing the shelves again!