QueenToast Creations

Vaginal Thrush

Menorrhagia

Polycystic Ovary Syndrome

Fibroids

Add in fibromylgia, which affects 8x as many women as men, as well as lupus (and almost any other autoimmune condition), systemic exertion intolerance disorder (SEID), iron deficiency anæmia (all of which affect more women than men), and you have well over 25% of childbearing-age women globally living with chronic pain and tiredness.

Chronic pain is overwhelmingly experienced by women, and women are less likely to be taken seriously or given treatment by medical professionals. I went through two years of diagnostics to finally find out I had occipital neuralgia; I felt doubted when I described my pain at every step of the way, but was lucky to have a partner who was persistent in helping me get treatment.

This is why if you get pregnant your doctor will take you off basically any and all medication you’re taking (including mental health medication, can’t imagine any implications/dire consequences there), not because they know it will have an adverse affect on the foetus but because they have no idea. How wonderfully kind of them to prioritise the health and life of an unborn foetus over that of a living person, let’s just hope they don’t become ill whilst pregnant. How charmingly logical it is that they wouldn’t even bother to test drugs in people with a uterus because it’s all too difficult and gosh, darn what an ethical conundrum we’ve been faced with, let’s just not! Which is so in the spirit of capital S, Science!  

Take menstrual cramps, for example. Everybody knows that cramps are a normal part of menstruation, and that virtually all people who menstruate experience them throughout their lives, right?

Except that’s not right at all.

Yes, it’s true that about two-thirds of individuals who menstruate begin to experience menstrual pain during adolescence, but it’s basically a side effect of puberty, and normally subsides by your late teens. Only about 20-40% of menstruating adults experience menstrual pain on a regular basis - and according to some estimates, as much as 80% of that figure is due to undiagnosed endometriosis or some other underlying medical condition.

Yeah, roll those numbers around in your head: if you’re an adult who experiences menstrual cramps, it’s overwhelmingly likely that your pain is a symptom of some potentially serious medical condition.

i’m wheeziNg

BIG DISCLAIMER: i was 9 when 9/11 happened, so this might be more about my own crystalizing tastes than anything else. i think it’s a pretty darn good theory tho and other people have validated it.

BIGGER DISCLAIMER: i am not saying that country music prior to 9/11 was free from nationalist, racist, misogynist undertones - i just think that these themes became more the norm!

MY HOT TAKE:

with very few exceptions, including goodbye earl, before he cheats, and daddy Iessons (side note - all women!) 9/11 ruined country music. around 2014 onward we’ve got margo price, sturgill simpson, jason isbell etc., who are making country music great again (wink), but those folks are mostly considered “alternative” country. the mainstream country music for well over a decade now is a glut of trash performative patriotic / working-class-but-not-really lab-crafted budweiser-sponsored nonsense that has managed to sound rebellious (or has convinced its fans that it sounds rebellious) without ever actually questioning any power structure. so much so that artists who ACTUALLY criticized the government were literally blacklisted for nearly a decade (the dixie chicks)

pre-9/11 country music, though not perfect or ideologically pure by any stretch, did not have the raging american flag painted truck boner that comes to mind for a lot of people who say “i like everything except rap and country”

SPECIFICALLY, toby keith’s “courtesy of the red, white, and blue (the angry american)” (2002) literally destroyed country music. it was a direct answer to the 9/11 attacks and war song in support of the invasion of afghanistan. the lyrics read like a disjointed feverish email chain letter forwarded from your great uncle sprinkled with glittering american flag gifs and heavily saturated pictures of bald eagles. the entire song is lifted from an estimated 248 peeling bumper stickers collected from rusted trucks on cinder blocks in overgrown yards, cut up and arranged to fit a catchy, formulaic tune that is almost certainly the background music playing in george w. bush’s head at all times.

“we’ll put a boot in your ass, it’s the american way and uncle sam put your name at the top of his list and the statue of liberty started shakin’ her fist and the eagle will fly, and it’s gonna be hell, when you hear mother freedom start a'ringin’ her bell”

country music and the new country musicians that toby keith paved the way for became so pro establishment and so unquestioningly nationalistic that, again, the dixie chicks who went against this grain were blacklisted by the industry and received death threats from country music fans. hell, there are folks who STILL froth at the mouth at the mere mention of the dixie chicks.

9/11 killed outlaw country - how can you sing the praises of law breakers when your main circuit consists of singing to troops? there are some great classic country songs critiquing the police state - especially from johnny cash and merle haggard - now country music artists hold fundraisers for FOPs. new country music is basically in-law country music.

you don’t have to write a pro-bush patriotic anthem to be part of this post-9/11 ruination. playing meaningless songs about living in the heart of (read: white) america, eschewing the city (read: not white), and cracking open a cold one with the boys for “authentic” country music is also important to the war effort.

there’s a progression of themes here:

post 9/11 top tier: war anthem, vocally patriotic, directly used as pro war propaganda; which paved the way for: “things used to be so much better” thinly veiled racist laments, good for campaign ads; which paved the way for meaningless party anthems - attempts to make things “like they used to be” and craft a reality that neither the artist nor listener likely ever experience.

that brings us to what most people think of today when they say they hate country music: the country party anthem - “tiny hot gal in tight jean shorts who can drink beer like the guys, she doesn’t like beyoncé Like Other Girls, oh she’s so into me and my truck, i’m gonna take her fishing after i finish sowing my corn - sung by a guy who’s never touched a tractor” - has overtaken the tragic, done me wrong, despairing country ballads of tammy wynette, george jones, and even up into pre-9/11 contemporaries like reba mcentire and george strait. you didn’t necessarily have to be country to relate to their pain. now you have to perform suburban redneckness to enjoy luke bryan.

when was the last time you heard a sad country song?

after 9/11, cowboys (whether or not they had ever been near a cow) weren’t allowed to be sad anymore (no more done me wrong country), and they certainly weren’t allowed to question authority (no more outlaw country). partying hardy became the most important American Thing and if you don’t sing about that, our Enemies Will Win.

so - understanding that country music has always had bad stuff, and that like any genre it suffers from commercialization, 9/11 DESTROYED COUNTRY MUSIC. and toby keith gleefully helped destroy it.

for some further evidence of the decline of country music, please listen to the dixie chicks’ “long time gone” which is an indictment of the industry (i believe it was written before 9/11 but my point still stands - the genre was on the decline and 9/11 was the major cultural event that hastened the decline).

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