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@purple-like-fire
we need swimmable cities

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pirates of the caribbean really introduced an eldritch octopus man who kills indiscriminately and torments the dead as their poster villain and then you watch the movies and it's like, "oh no, actually the worst villain in this series is a small white british man who functions as the herald of capitalism" and that was very very brave of them
#here is a man so heartless he has literally cut his own heart out of his chest #but he's still not as evil as the fucking east india trading company
#myhazy
clowngirl getting an orchiectomy and the surgeon just keeps removing ball after ball after ball after ball after
clown nurse standing by solemnly adding each successive ball to the ones she's already juggling
Not my posts but an interesting thought.
[image description: screengrab of a series of tweets from @ rootsworks: “When I was in college, part of our university’s graduation requirements had a community service component that they called service learning.
One of my service learning classes involved work at a local homeless community center, helping people write resumes and cleaning bathrooms.
Our instructor told us to expect to see the bathrooms trashed a lot–like you will clean the bathroom and immediately someone will wreck it.
And it’s not because they disrespect your work or don’t value having access to clean bathrooms or whatever, but because of control.
When you feel like you have no control over your life or your environment, your brain is going to want to assert control however it can.
Which results in trashed bathrooms. It’s control exercised over the one small part of your environment that you still have the power to affect.
I see kids on tumblr using the language of social justice as cudgels on people who actually do care about and listen to them
or holding the creators within their communities to an impossibly high standard that they never apply to mainstream media properties.
I just see trashed bathrooms. ‘These are the people my voice will reach,’ they rationalize, ‘so these are the people I’ll hurt.’
But the guiding principles of social justice are aimed at correcting and dismantling systems. Stop using them to dismantle people.”]
But the guiding principles of social justice are aimed at correcting and dismantling systems. Stop using them to dismantle people.

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flesh flesh flesh flesh flesh flesh flESH FLESH FLESH FLESHFLESHFLESH
you put those tags on this post where they belong
thinking about "ilya fell for shane when he saw shane fold his clothes at the first hookup" as a concept and it's. really sweet actually
ilya, all of 18 years old, is a thrillseeker who is already habitually picking up women, already living so fast that the clubs and parties and people and bodies are blending together in his memory. there's a monotony developing there and he's itching to raise the stakes: to take bigger risks, claim bigger rewards. and what could be a bigger risk than hooking up with his golden-boy hockey rival? it would take effort, but the high he'd get from pulling this off just once (and of course it would only be once) would be unlike anything else.
so he puts in the effort. the leadup to his hookup with hollander is entirely off-script for him, a deviation from the patterns and routines he's developed around sex. he premeditates it, he thinks about how good it will feel if this works, fantasizes about what might happen, and plans the joint CCM shoot. the day arrives and he feels electric, takes a real risk in the showers, feels the rush of his risk paying off when hollander says "not here" instead of "no" and, later, offers his room number.
ilya shows up at room 1410 and immediately launches into seduction: this part is more on-script, more familiar to ilya, but still heightened because it's hollander, and heightened again when he confirms it's hollander's first time with a man, and again because it turns out hollander is starving for this, devouring ilya with his eyes and his hands, all intense and urgent and wanting. it's so heady. everything up to this point has already been enough to make this night live in ilya's memory forever. they move to the bed, he tells hollander to take his clothes off and he does -
and he takes the time to fold his clothes. in the middle of a hookup. what?
i love the laugh that connor storrie does in the show at that moment. just, his whole face lit up. ilya isn't bemused, he's not making fun of hollander for doing this. he's genuinely delighted.
because this. this is something that he's never seen before. it surprises him. he is hooking up with shane hollander and this is a uniquely shane hollander thing to do and it burns into his brain. its personal and intimate, it's terribly endearing. he already knows he will remember this moment specifically, will return to it when he thinks about this night in the future, like a bookmark placed in a well-loved book.
he had hoped to walk away from this experience feeling exhilarated and satisfied that he pulled off a hookup with the most dangerous person he could think of. he did not expect to walk away from this with a warm, fond memory of shane hollander - not just his hockey rival in that moment, but a real, knowable man who surprised him in a way that he liked.
i think the next time ilya has sex with someone and she carelessly drops her clothes on the floor, he thinks about hollander. thinks about how he would have never thought that was careless, before. maybe he smiles a little to himself and catches it, has to shake the memory off, feels a little bad for losing focus on the woman he's with. tells himself it won't happen again. but of course that's not how it works, and the memory only digs deeper into him. it happens again the next time, and the time after that.
he's not in control of when the memory comes to him and he ends up thinking about it more and more, thinking about shane more and more. and attention is the beginning of devotion. it's not love yet, but it's something like a crush, and it's more than he's thought about anyone in this way before. it's a crack in the persona he's been building, in his protective armor that keeps people away and keeps his heart safe. it's a step off an invisible cliff. it's inevitable that he falls after that.

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WWD Icebreakers with François Arnaud | 08/05/26
↳ It's not bad, I like a New York bagel. It's just not a bagel.
Gotta make room for new mistakes!
Bonus: If I buy a book I get to keep it! The publisher can't turn up at my house at random and confiscate all the books I bought.

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Like a new friend!
The most interesting question you can ask about any character is not what do they want. it's what do they believe they deserve. because those two things are almost never the same and the gap between them is where your entire story lives. a person can want love completely and believe they don't deserve it and that belief will destroy every good thing that comes toward them in ways they won't even notice they're doing. write the gap. the gap is the character.