Grooveless Plorn

Floyd Pepper was dishonorably discharged from West Point because he turned "Taps" into "a jazz odyssey."

Source:

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Pedestrian traffic lights

Starting off with the difference between formerly Eastern German traffic lights (upper images) and formerly Western German traffic lights (lower images):

The city of Erfurt had some additions, like an umbrella or a heart:

Same sex love in Marburg (upper image) and Frankfurt (lower image):

Traffic light lady in Bremen:

Karl Marx light in Trier:

Face of Friedrich Engels in Wuppertal:

Elvis in Friedberg (Hessen):

A sparrow (for the Golden Sparrow film awards) in Gera:

Winemaker in Bad Dürkenheim:

Mainzelmännchen (mascot of the public broadcasting service ZDF) in Mainz:

Otto Waalkes (German Comedian) in Emden:

Town musicians of Bremen in Bremen:

A miner in Pirmasens, Rheinland-Pfalz:

Bishop in Fulda:

Source: Saarbrücker Zeitung

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1977: Star Wars is released, featuring, of course, Darth Vader

(Pictured: Darth Vader)

1984: Director Todd Durham releases his Star Wars parody movie, Hyperspace, featuring Darth Vader inspired villain Lord Buckethead.

(Pictured: Hyperspace poster featuring two Jawa-esque aliens flying through space in a shopping trolley.)

1987: Hyperspace is released on video in the UK, under the new title Gremloids.

(Pictured: Gremloids cover in the style of the original Star Wars poster, featuring Lord Buckethead.)

To promote the film, Mike Lee, the owner of the distributing company, ran for parliament as Lord Buckethead. He ran in Margaret Thatcher's constituency, Finchley, in order to get on TV. Lord Buckethead was representing the Gremloids party.

(Pictured: Lord Buckethead on TV with Margaret Thatcher.)

1992: Gremloids is re-released. Lord Buckethead rides again, this time against prime minister John Major in Huntingdon. (Here's a fun fact about Huntingdon: I was born there! :D) 87/92 Buckethead seems to have leaned pretty hard into the space supervillain thing, with campaign promises including 'demolish Birmingham to build a spaceport'.

(Pictured: Lord Buckethead on TV with John Major. Other notable candidates include Screaming Lord Sutch of the Monster Raving Loony Party.)

2017: comedian Jon Harvey, having recently watched Gremloids and learned of Lord Buckethead's candidacy for parliament, decides it's a great bit. He runs against Theresa May in Maidenhead. 2017 Buckethead seems to have a wackier and also more political approach, with campaign promises ranging from nonsense like 'nationalise Adele' to gesturing at actually sensible policies with stuff like 'lower the voting age to 16 and restrict voting after age 80'.

He also made an appearance on Last Week Tonight with John Oliver. As with his previous incarnation, he was a member of the Gremloids party.

(Pictured: Lord Buckethead dabbing on stage with Theresa May.)

2018: Director Todd Durham asserts his legal ownership of Lord Buckethead. Jon Harvey opted not to go to court over Buckethead and handed over the reins. Todd Durham extended an invitation to anyone who wanted to be the 'authorised' Lord Buckethead.

(Pictured: the new Lord Buckethead.)

2019: Lord Buckethead, now played by journalist David Hughes, stood against Boris Johnson in Uxbridge and South Ruislip. He ran for the Monster Raving Loony Party, the UK's pre-existing gag candidate party. He ran with a similarly silly manifesto as the 2017 incarnation, but with a bit less of a political edge. His promises included 'All doorways to be increased by 1 foot (30 cm) in height' and 'Nigel Farage to be sold for parts'.

(Pictured: Lord Buckethead and Count Binface square up.)

Meanwhile, Jon Harvey in his new persona Count Binface, also ran against Boris Johnson. Buckethead and Binface face off! Binface ran as an independent with a manifesto once again blending silly and semi-serious promises such as 'nationalising model railways' and 'giving £1 trillion a week to the NHS'. This was also I believe the debut of his promise to 'move the hand dryer in the men's toilet at Uxbridge's Crown and Treaty pub to a more sensible position'.

(Pictured: Count Binface presenting the offending hand dryer, inconveniently close to both the sink and the urinals.)

He has a point.

2021: Count Binface runs for the position of Mayor of London for the first time, with promises such as 'London to join the European Union'. He notably finished ahead of far right party UKIP.

2023: Count Binface runs in the Uxbridge and South Ruislip by-election following Boris Johnson's resignation. He once again gets more votes than UKIP.

May 2024: Count Binface once again runs to be Mayor of London, debuting his now iconic 'build at least one affordable house' promise. Notably, he finished ahead of far right party Britain First.

(Pictured: Count Binface with Rishi Sunak. Also pictured: Monster Raving Loony Party candidate Sir Archibald Stanton with a ventriloquist's dummy.)

July 2024: Count Binface stands in the general election, running in Richmond and Northallerton against prime minister Rishi Sunak. He debuts his promise to cap the price of 99p flakes at 99p. This is his most successful election to date with 308 votes.

(Pictured: Count Binface with Andy Burnham. Also pictured: independent candidate Robert Pownell, dressed as a fox for his own reasons.)

June 2026: Count Binface stands in the Makerfield by-election against Andy Burnham, (recently) former Mayor of Manchester running for parliament with the intention of standing in the Labour Party leadership contest.

(Pictured: Count Binface on BBC's Newsnight.)

If your protagonist is a fighter or magic user, do you show other women in those roles? If your society is more relaxed about sex discrimination, have you built a world that looks like it?

Have you built a world where your female characters don’t all have to be The Best At Everything, or is almost every female character placed where she can be extraordinary next to a bunch of male counterparts? Are you comfortable letting a female wizard or warrior be average or unimportant, or does she have to be one of the most skilled and powerful of them all, able to match or best all the men around her? On the other hand, are you comfortable having a female wizard or warrior be indisputably the most skilled or powerful out of the wizards or warriors, without drawing attention to her gender, placing her in competition with men, or having her be an exception to the rule because she’s female?

Are you letting your female characters be mediocre and un-extraordinary? Your world is full of powerful sorceresses, fierce battle maidens and calculating noblewomen, but do women do things in this world other than be Exemplary and Great and Awesome? If you’ve established that women do business and fight, do you have female soldiers carousing at bars and vaguely dull female Evil Minions Of The Dark Lord bumbling around doing evil bidding and female apprentices slacking on work or is every background woman we see competent and controlled and intelligent and doing whatever it is she’s doing without error, whereas only men are allowed to be foolish, impulsive, mess things up, or just be shown unflatteringly during the couple sentences we know them? In other words, does the world show women being unapologetically human beings or are all your female characters basically making up for being women by not doing anything that would badly represent their gender?